PINK FLOYD

i robot is fantastic start-to-finish

or like, pink floyd soundtracks an sylvester stallone movie from 1983

― tylerw, Friday, October 16, 2015 4:26 PM (4 days ago) Bookmark Flag Post Permalink

haha yr not even playing fair with that one *heads to spotify*

Created by Tom Recchion and shared on his Facebook page:

https://scontent-lhr3-1.xx.fbcdn.net/hphotos-xfp1/t31.0-8/q83/s960x960/12238223_10154331937479447_1044752472005635582_o.jpg

#feelthebern
#pinkfloydrules

Set the Controls for the Heart of the White House!

pretty nice overview of the floyd's late 60s soundtrack work: http://www.aquariumdrunkard.com/2015/11/11/pink-floyd-childhoods-end-the-soundtracks
#pinkfloydrules

eh, a little sloppy for my tastes. claims for instance that nick mason was responsible for the melody of "us & them" (?!?) and complains that the music to "la vallee" (which i haven't seen) is all diegetic when in fact "more" is exactly the same way. and this material is so obscure i'm not sure an overview is even appropriate- why not delve into the arcana of the "committee" soundtrack, of "san francisco", of the (great) film-only track "seabirds"?

yeah assuming they meant rick wright there in regards to us & them

http://pre09.deviantart.net/0ba1/th/pre/i/2011/055/7/f/rock_and_roll_refugee__by_czaritsa-d3a9w0w.png

can't believe you found my private pink floyd painting website

I've always had a desire to do a sick painting of Pink Floyd on stage but then I see things like this and it scares me off.

Would smash Gilly

do u guys remember when pink floyd put out a new album last year

pretty sure it ruled, can't remember

I remember Floyd ruling pretty hard last year

u gonna get Our Veg all het up with that artwork

Yung Gilly was p much the hottest rock dude ever

That's why he took his shirt off.

He had the hot young Leo DiCaprio look going on for a few years back then.

http://www.azquotes.com/picture-quotes/quote-ziggy-played-guitar-jamming-good-with-weird-and-gilly-david-bowie-98-88-15.jpg

I'll order one of those dave paintings for my bedroom ceiling, and another to be perma-stamped on my retinas thx

listened to the wall this morning for the first time in forever

it ruled

My friend Jonathan interviewed Roger for Noisey. He's talked to both David and Roger this year and I'm jealous as hell:

http://noisey.vice.com/blog/roger-waters-the-wall-interview-2015

Good piece. Hard to believe but Roger has seemed to mellow with age – and in a good way.

https://www.youtube.com/watch?v=BHThfy90-oM

http://www.ebay.co.uk/itm/PINK-FLOYD-1965-Their-first-recordings-SUPER-RARE-double-7-vinyl-single-NEW-/172012816496?hash=item280cc34870:g:vcoAAOSwcBhWWa-7

rip in comments and on soundcloud

http://resurrectionbeatmachine.blogspot.com/2015/11/pink-floyd-1965-their-first-recordings.html

I really don't get the advantage of releasing this copyright extension stuff in limited edition 1,000-copies. Wouldn't it make better business sense to just have a regular non-limited release? Now that they're out there, these recordings will be so heavily bootlegged that whatever standard release they do years from now will be redundant.

idk I guess they don't need to spend as much time on a limited release, they can just whack it out w/the minimum of fuss. the same goes for the Dylan sets, which were very minimal as regards packaging etc.

Bootleggers make very little thesedays, it's not worth the hassle getting sued by copyright holders.

If the tracks fall into public domain, there is no hassle so the 'bootleggers' can operate legally.

The old farts here are faced with a fairly unpleasant choice. Either they can make their old unreleased stuff "officially" available, or run the risk that anybody who gets their hands on the tapes can profit off their old junk. It's questionable whether or not it would work like that in practice, as it's never been tested in the courts, but nobody particularly wants to run the risk.

My impression is that with Floyd, the question is not so much profit, as all of them have more money than they seem to have use for, but brand control. They really don't want to see what they consider to be substandard crap released under the Pink Floyd name (and by any reasonable standard, "Walk With Me Sydney" is substandard crap). So probably the best choice here is to release it as a limited run and live with the uncontrollable noncommercial bootlegging, while still preserving the legal right of control over their work.

They really don't want to see what they consider to be substandard crap released under the Pink Floyd name

wish they'd been thinking along these lines before they released The Endless River

http://www.quadraphonicquad.com/forums/showthread.php?19328-Pink-Floyd-The-Division-Bell-Ask-Andy-Jackson-about-the-Mastering-and-the-Mix%2Fpage14

i'm weird but i find the endless river sort of captivatingly boring like how i sometimes like to lay on the couch and watch PGA tour golf and drift in and out of sleep

Yup. You're weird.

https://s-media-cache-ak0.pinimg.com/736x/d0/af/3f/d0af3f36c08fbd25b6ab056320d2cba8.jpg

banging your club against some mad bugger's ball

http://i.imgur.com/clVkMP4.jpg

Waters Hazard

who was trained not to chip into sand?

When Tiger Woods Broke Par

XP mookie for the win.

Set Controls For the Heart of the Sandtrap

Green is the Colour

The Final Cut

see emily play (golf)

The Final Cut

― pplains, Wednesday, December 2, 2015 8:09 PM (1 hour ago) Bookmark Flag Post Permalink

doffs Nike hat as sign of respect

See Emily Play Through

Careful with that 9-iron, Eugene

Take Up Thy Pitching Wedge and Walk