i know what scarlett means (and she's rite)
― soyrev, Sunday, 30 August 2015 09:19 (eight years ago) link
in don cherry's "teo-teo can," when the piano/notion of harmony finally comes in (4:20)and likewise, in pharoah sanders' "upper egypt & lower egypt," when that gorgeous groove finally coalesces out of the noise some 9 mins deep
― soyrev, Sunday, 30 August 2015 09:22 (eight years ago) link
and when "only in dreams" aborts regular song structure and effortlessly shits on all explosions in the sky-type post rock forever
― soyrev, Sunday, 30 August 2015 09:24 (eight years ago) link
the wagnerian wordless harmony that introduces verse two of "god only knows"the key change and final chorus drop of girl's day's "기대해"and the "you must be kidding me" bit/outro of "robocop" is still the most candid and moving kanye moment, imo
― soyrev, Sunday, 30 August 2015 09:28 (eight years ago) link
my friend Polly always loved "the bit" in See Emily Play between the first chorus and second verse
― Dr X O'Skeleton, Sunday, 30 August 2015 16:22 (eight years ago) link
I slowed that bit to half speed on my reel to reel, it's still good
― Mark G, Sunday, 30 August 2015 20:47 (eight years ago) link
Chorus?
i.e. the "who ran the iron horse (truck drivin' man)" bits
― scarlett bohansson (unregistered), Sunday, 30 August 2015 20:59 (eight years ago) link
soyrev otm about 'Upper and Lower Egypt' (and I'd also add the moment when Leon Thomas makes his entrance about a minute before the song ends)
― scarlett bohansson (unregistered), Sunday, 30 August 2015 21:05 (eight years ago) link
xpost ta.
― Mark G, Sunday, 30 August 2015 21:06 (eight years ago) link
speaking of willie colon, https://www.youtube.com/watch?v=0Bcq3NXomaQ&feature=youtu.be&t=2m1sthe stop-start interlude from 2:12 through release of 2:42 lavoe’s eeeeh-eh-eh......
― drash, Monday, 31 August 2015 02:40 (eight years ago) link
(^among my ‘favourite songs of the moment, fuck’ but also among fave salsa songs ever)
― drash, Monday, 31 August 2015 02:48 (eight years ago) link
"you adore me," in "i wanna be adored"
― soyrev, Monday, 31 August 2015 03:42 (eight years ago) link
speaking of all this kanye tonight: the mos def bridge in "drunk and hot girls," which is otherwise just such a fuckin' rancid heap of chaff
― soyrev, Monday, 31 August 2015 03:44 (eight years ago) link
can't think of any other chaff heap of a song that features such a great, beautiful section
― soyrev, Monday, 31 August 2015 03:46 (eight years ago) link
(great selections, unregisterednot sure of proper protocol i.e. what’s best way to post on this thread, like just text or start-specific link, like i just did?but maybe it’s ok to just embed youtube (if available) & note moment of moment? i’m lazy so think i’ll just do that from now on?anyway i'm terrible at musical phenomenology so apologize in advance; this will prob be more of current "oh yeah <3) for me)
― drash, Monday, 31 August 2015 04:46 (eight years ago) link
magazine- permafrostwon’t rationalize/ excuse/ apologize for (fictional) lyrics; pretend i did (anyway addicted to this song)https://www.youtube.com/watch?v=fCzSeeiAFqQguitar solo from 3:51 but ESPECIALLY FROM 4:10-4:35omg
― drash, Monday, 31 August 2015 04:58 (eight years ago) link
Sest Boments in a Mong
― switching letters guy, Monday, 31 August 2015 05:33 (eight years ago) link
There are so many of these but one that springs to mind, because I listened to the song the other day, is when Madonna's 'Into the Groove' goes into the bridge/change for the first time. I like the chord change but it's really the bassline -- it feels unstoppable over that section.
Another one (I had this on repeat play a few months ago): 'Tiny Dancer' by Elton John -- the chord change where he sings 'HIGHway' in 'count the headlights on the highway'.
― dubmill, Monday, 31 August 2015 09:52 (eight years ago) link
when weyes blood sings "crazy guy" in andromeda
― this has been the best year fuiud (rip van wanko), Wednesday, 8 July 2020 22:11 (three years ago) link
2:40-3:30 of «Thru The Eyes Of Ruby»
― Mule, Wednesday, 8 July 2020 23:20 (three years ago) link
Inspired by our current artist poll: the progression from lower to higher vocal register in the first two verses of Janet’s “Love Will Never Do (Without You).”
― A White, White Gay (cryptosicko), Thursday, 9 July 2020 00:49 (three years ago) link
popped into my head because of Kanye in the news but there’s a moment at the end of Cam’ron’s verse in “Gone” where a saloon piano comes in that I love.
― Western® with Bacon Flavor, Thursday, 9 July 2020 02:37 (three years ago) link