At times she basically abandoned them, while she went somewhere else to live and work. She was very very busy with her career, and worked all over the world. But I mean, she wasn't worse than any number of male artists or CEO's or whatever. Roberto Rossellini abandoned them as well. The main story in the treatment of her personal life is the insanely misogynistic attacks on her in the fifties, for me.
― Frederik B, Monday, 24 August 2015 16:19 (eight years ago) link
It took the reissues of those Rossellini movies for me to appreciate the risk, which is easy, but that even when they're uneven and don't register their points they're still pretty good.
― The burrito of ennui (Alfred, Lord Sotosyn), Monday, 24 August 2015 16:23 (eight years ago) link
This documentary really made me appreciate just how revolutionary that partnership was. The way she is almost more a presence than an actress, a vessel to take in all these powerful sights, volcanoes or processions. It's completely central to film history. Like Antonioni and Monica Vitti, Tsai Ming-liang and Lee Kang-sheng or Petzold and Nina Hoss. Except much more so. She is one of the most important presences in film (and has been treated like such in French film history, ie. there's a bunch of clips of her in Godard's collages, etc).
Also, like, she made Casablanca as well as films with Hitchcock, Rossellini, Renoir and Bergman. How many actors has that resumé? I've really underestimated her, I think.
Sorry, might be slightly hyperbolic, sketching out my review at the moment.
― Frederik B, Monday, 24 August 2015 16:32 (eight years ago) link
100
https://www.youtube.com/watch?v=ZpVZRfqHnQY
― skateboards are the new combover (Dr Morbius), Saturday, 29 August 2015 18:40 (eight years ago) link
roundup
https://www.fandor.com/keyframe/daily-ingrid-bergman-100
― skateboards are the new combover (Dr Morbius), Saturday, 29 August 2015 19:11 (eight years ago) link
so good as ivy in the 1941 dr jekyll & mr hyde such a complex performance, the heart of the film, by far best thing in it
― drash, Saturday, 29 August 2015 22:53 (eight years ago) link
Which retro to go to?
― Bon Iver Meets G.I. Joe (James Redd and the Blecchs), Monday, 7 September 2015 23:04 (eight years ago) link
MoMA's ends Thursday.
― skateboards are the new combover (Dr Morbius), Tuesday, 8 September 2015 01:26 (eight years ago) link
The documentary Frederik posted about opens here in a few weeks:
https://www.youtube.com/watch?v=TEh5Nh4a9WE
― clemenza, Saturday, 5 December 2015 21:10 (eight years ago) link
A couple of interviews in the documentary I liked: Sigourney Weaver talking about working with Bergman on the stage, when she was just starting out, and how Bergman helped her (just in the way she carried herself) come to terms with her height; and Liv Ullmann's Autumn Sonata story, which didn't turn out how I thought it would. The highlight, though, was Bergman's screen test for Selznick. (It's on YouTube, but the poster added music and gums it up in other ways.) For the whole 45 seconds or so, the theatre I was in (about 80% full) was absolutely silent, and I had this weird feeling that I was sitting in a movie house 70 years ago. A couple of times Bergman flashes a toothy grin, but mostly she's in repose and looking away. In the last few seconds, she looks directly into the camera, so therefore directly at you. It's really something to see. (Extra timely for me, as I'll be seeing a program of Warhol's Screen Tests in a couple of weeks.)
― clemenza, Sunday, 10 January 2016 00:23 (eight years ago) link
Cactus Flower is one of those DOA swinging comedies of the late '60s, usually French-based, with middle-aged stars (plus Oscar-winning saucer-eyed ingenue Hawn) and talent sweating to seem "with it." Ingrid Bergman is certainly game, and has a breakthrough moment erotically smothering herself in a black mink. (A stage hit for Billy Wilder's frequent coscribe Izzy Diamond... BW sorely missed, esp the touch of vulgar class supplied later in Avanti!.
― brooklyn suicide cult (Dr Morbius), Friday, 29 May 2020 14:41 (three years ago) link
She can handle badinage, of course, but she can't do comedy, light or otherwise.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 29 May 2020 14:42 (three years ago) link
I thought she had a couple good snippy scenes w/ Jack Weston in the Bourgeois '60s Disco (altho he gets off most of the shots, like "you look like a giant Band-Aid in the office"}. But yeah it's pretty grievous. She's funny in Orient Express if you choose to view it that way.
― brooklyn suicide cult (Dr Morbius), Friday, 29 May 2020 14:48 (three years ago) link
She's game in the otherwise (very) minor Elena and Her Men, but the mugging in MOTOE is hard to take.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 29 May 2020 14:50 (three years ago) link
In the filming of Autumn Sonata, Ingmar Bergman said Ingrid kept trying to insert jokes in her dialogue, to which Ingmar said NO JOKES. A wise man.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 29 May 2020 14:51 (three years ago) link
but she can't do comedy, light or otherwise.
― Trouble Is My Métier (James Redd and the Blecchs), Friday, 29 May 2020 14:54 (three years ago) link
a lot of ppl find Ingmar at his straightest funny already
― brooklyn suicide cult (Dr Morbius), Friday, 29 May 2020 14:56 (three years ago) link
anyway the thing about Cactus Flower et al is they were about the squares, who bought the tickets.
― brooklyn suicide cult (Dr Morbius), Friday, 29 May 2020 14:58 (three years ago) link
I love Goldie Hawn, but she seemed to make nothing but bad films up till Sugarland Express. (Never seen Cactus Flower for some reason, but There's a Girl in My Soup and Butterflies are Free are pretty dismal, from what I remember.)
― clemenza, Friday, 29 May 2020 16:11 (three years ago) link
Checked the Goldie Hawn thread I started, and I say there I have seen Cactus Flower. Don't remember so much as an image.
― clemenza, Friday, 29 May 2020 16:14 (three years ago) link
I don’t think I ever saw that or Butterflies Are Free, just vaguely remember the posters/ads.
― Ernani and the Professor (James Redd and the Blecchs), Friday, 29 May 2020 16:19 (three years ago) link