POLL if you want to...POLL around the world: The B-52's Cosmic Thing

Always been impressed with Keith Strickland's guitar on this - really great rhythm stuff on here, wisely a completely different style to RW

I just noticed how different the first and second verses are melodically, almost as if Cindy and Kate each had a turn to improvise a verse melody and in the end they went with both. The effect is kinda extraordinary: the song is just lobbing new hook after new hook at you as nonchalantly as somebody dealing a hand of cards

Would have voted for 'Topaz.' Such a gorgeous song.

Xp my last post was about Deadbeat Club

SMOKE IN YOUR EYES

Was 'Deadbeat Club' a single? Am I crazy for remembering hearing it on the radio?

Yes. Third one to hit the top forty.

a comparative flop though -- one of those singles though you might remember as bigger than it was thanks to MTV play.

Well I was only 9, I'm surprised I remember it as vividly as I do.

This fucking album.

thank you for this revive, i am now stoked to put this on

Quite worth the listen:

http://www.slate.com/articles/podcasts/hit_parade/2018/07/how_r_e_m_and_the_b_52_s_became_legit_hit_makers_by_the_1990s.html

My go-to summer album. Timeless, and various other cliches.

I realized today that "Deadbeat Club" and Pet Shop Boys' "Being Boring," out within a year of each other, cover similar thematic ground.

They do rather! I've always found both ridiculously affecting. Very surprised to see "DbC = worst track" posts early in the thread.

Still never heard this album (I should) but the lyricless vocalizing they do at the end of Deadbeat Club is gorgeous. Hard to imagine it being the worst song here

The production of this album has aged very well, and 'Roam' remains one of my favourite tracks of all time - it never fails to boost my mood!

i love the sound of cindy and kate's backing harmonies on this. i mean i love it always but there's some pinch of something to the production, maybe just chorusing or a little flange? they get this extra shimmer to them that really fits the tone of the album. overall this record has such an amazing sound, so different from their 'classic' sound with the loss of ricky wilson, but totally distinctive and convincing in its own right. it's like george harrison going from the 12-string to the slide.

"deadbeat club" blows my mind more and more with the passing of the years.

Lately "Bushfire" has been a big jam for me

Topaz is still the most beautiful melody in music I know.

Yeah I wish I would've voted for it. Such a great penultimate track; really encapsulates the utopian gorgeousness and the shimmering sadness of the whole album

"Shimmering sadness" is OTM. It's a somewhat back-loaded album in my mind. Indeed I struggle to remember much about "Cosmic Thing" and "Dry Country" until they're playing, fairly or not. I'm invariably looking forward to that luvly melancholy final act of "Topaz"/"Follow Your Bliss". I've taken to interpreting "FYB" as a wordless tribute to Ricky Wilson, further entrenching the sadness.

overall it does such a great job of folding that sadness into something joyous, or recognizing that sadness and loss, or growing older and inevitably distant from the days of the deadbeat club, don't mean the end of joy, or that those days don't still inform something beautiful and precious about who you are. in that way the whole piece is a tribute. except maybe channel z i guess, but hey.

Expanded Remaster In June: http://www.slicingupeyeballs.com/2019/05/14/b-52s-cosmic-thing-30th-anniversary-reissue/

anyone want to justify the "roam" music video?

anyone want to justify your mom?

wanting. needing. waiting.

I now like "Deadbeat Club" a lot more than I used to

This album is really, really perfect

I've fallen for 'Deadbeat Club' so hard in recent years that I made it the subject of a Pop Con paper. They release it the same year as Pet Shop Boys' "Being Boring," which covers similar ground.

OH LIGHTNING, STRIKE TWICE
HEY EVERYBODY, BASK IN THE AFTERGLOW

i love that topaz was the #13 b-52's song of ALL TIME on our poll a while back

and actually, since you're both here, i thought this was a nice quote:

DJP's enthusiasm for "Topaz" a decade ago taught me to love it.

Strickland's slink guitar sounds marvelous.

― I like queer. You like queer, senator? (Alfred, Lord Sotosyn),

deadbeat club is amazing. love this album.

Great Moments in Vocals: Cindy exclaiming "I Want The World To Change For Me!" in "Channel Z".

otm

oddly enough i had "Wig" from BOtS stuck in my head an hour ago

there are these commercials for a hotel chain I keep getting which has like an EDM version of "Roam" in it, but it's completely re-recorded and completely replaces the groove, it sounds really weird. I always thought the most distinctive feature of that track was the harmony vocals, now I think it's actually the rhythm