Anticipate Laura Marling's fifth LP: Short Movie.

interesting track, not sure that I wanted to hear her rock more

I like it alright.

I can imagine her welcoming a new direction after Eagle but this is still a bit strange to me.

It grew on me, but I hope it's an unique track on the album.

heard from someone that got a promo of this and they say it's "dark"

gritty laura marling reboot

once I was an eagle was already plenty dark

She's been 'dark' for a while now, arguably.

she started out pretty dark and has rarely been otherwise

We've heard this already, but here's a video:

https://www.youtube.com/watch?v=hqf7DxBAuSw

very nice, this song is growing on me

Likewise, or at least it must be--it was only when I scrolled back upthread that I realized that I'd heard this one already.

Another track from the new record:

https://soundcloud.com/ribbonmusic/laura-marling-i-feel-your-love

Loving this one. A lot.

This is shaping to be very very good.

"Strange" is already one of my absolute favourtie songs of hers.

http://www.npr.org/2015/03/15/391924095/first-listen-laura-marling-short-movie

not available in Canada, how is it?

this rules so much but i've long been a card-carrying stan

I thought the album was a masterpiece at first. But less sure now. Largely because her American accent is just so obtrusive across the whole record … Now I'm aware of it I find it hard to hear anything else.

Hasn't she had that for a while now? It's an affectation but I don't mind it.

I went back and listened to Once I Was an Eagle to check, and it's much less pronounced there. I wondered if it was just me, but I bumped into Will H the other night and asked if he's heard the album, and he replied: "What's going on with that American accent?". It's at its worst on the spechgesang tracks, Strange and Gurdjeff's Daughter, when she does that weird singsong intonation that sounds like Tom Verlaine with terrible hiccups.

Strange is my favourite. I just see it as creating a persona.

a little busy innit?

whoa this album is sounding really great on one listen apart from the very jarring "strange"

love the deserty dusty arrangements

if she's been living in LA for a while it makes sense her accent will have slipped a bit, that happens with some people. it doesn't sound like an affectation except on "strange"

"howl" is amazing

Is this less subdued than the last one? I couldn't get into that at all.

yeah I would say so

seemed hella subdued to me on my first listen.

http://www.npr.org/event/music/394458428/laura-marling-south-x-lullaby

there are parts of this where vocally she sounds distractingly like taylor swift

great album. this is how i always wanted joni mitchell to continue after "wild things run fast".

Neil Young aside, I find 70s Laurel Canyon to be some of the most boring rock music imaginable but I really like this. Gurdjieffs’s Daughter is fantastic.

Heavy shades of PJ's Stories From the City on False Hope.

this is very good! also i adore 70s laurel canyon, fuiud

Heavy shades of PJ's Stories From the City on False Hope.

― Continue your brooding monologue (Re-Make/Re-Model), Monday, March 23, 2015 12:55 PM (2 hours ago) Bookmark Flag Post Permalink

haha DEFINITELY, i was trying to put a finger on why it sounded so familar. i wasn't a huge fan of that album and no surprise then that i don't particularly like false hope

enjoyed this more than the last few but her accent continues to annoy me too, makes me trust the record less somehow

It's at its worst on the spechgesang tracks, Strange and Gurdjeff's Daughter, when she does that weird singsong intonation that sounds like Tom Verlaine with terrible hiccups.

i don't mind those bits that much though, she sounds like tanita tikaram on those.

also gurdjieff's daughter sounds kind of like sultans of swing by way of the smiths, knopfler's stock is on the rise

I definitely thought of Dire Straits when I heard that one.

Not as great as Eagle and Creature but I am still enjoying it a lot so far. It might grow on more more than I suspect (like Marling usually does).

On my first listen now and this feels kinda transitional, like she's trying to figure out if her next step should be Laurel Canyon-y folk rock or if she should stick with that sort of thick, rich, booming acoustic sound of her earlier records (which I thought reached tour-de-force level with Once I Was an Eagle). Certainly going from some of the slicker material on this record to "Howl" is kind of a jarring experience.

I still really like the title track.

A few songs on this are in her pantheon of greats: Gurdjieff's Daughter, Short Movie, I Feel Your Love, Howl.

"gurdjieff's daughter" is pretty astonishing

be wary of being given a name / if for some reason you're not considered the same / once they name you / they have been known to / lock you in

Yes! I love when she does that specific intonation.

It took me a few listens, but I'm starting to like this.

Is the rest of this album as good as Gurdjieff's Daughter? I've never really been that taken with LM but that song is incredible.

Gurdjieff is one of the strongest tracks on there; but more or less, yeah.

Saw her last night at the Institute in Brum; which is quite 'intimate' for her. The polite-white crowd were pretty subdued, but it was a good gig. She came on during the support act to sing backing vocals, wearing what looked to be Simon le Bon's blouse from the "Planet Earth" video.

I just bought it an hour ago anyway, thanks though

So I have it on now, and am I wrong in thinking this is her most Sheryl Crow-ish sounding album? I don't mean that as a criticism.

I love Laura Marling, and this new one really hasn't connected with me so far. Not yet ready to say it's the album's fault though.

Her voice sounds so good on that Tiny Desk video