ILX Gonna Shine in My Backdoor Someday (new post-Fahey folk for ppl posting in Takoma/Tompkins Square threads Pt II)

shit i forgot about bikoff

also you might say me and global are slightly excited about playing this show

http://first-avenue.com/event/2015/01/americanprimitive

nice!
yeah, if you ignore the bikoff cover art, it's a really nice record.

that amy in quebec track is so close to wine&roses/red pony/approaching of the disco void its almost a cover

was watching some fahey live on youtube last night...here's an 81 gig, with apparently Michael Hedges opening (sorry folks no records available didn't get pressed in time)...Fahey is being really smarmy in his banter, the set itself verges from awkward to hypnotic, found his flopping down combover hair kind of distracting

https://www.youtube.com/watch?v=VP08Y3DsJvs

this is a 2000 set, he does a lot of dicking around/joking around at the beginning, but about the 7:40 mark on he gets going and it's actually pretty cool
https://www.youtube.com/watch?v=l5jXrutGt2U

We going the "https:..." route to skip embeds? Not that I don't love opening this thread to shots of Fahey at his weirdest ....

oops sorry

A leaner/meaner thread for 2015 I guess. I'll miss the Fahey gut though.

Transmissions Fest footage is new to me, awesome. I wish more people openly talked about his later work without full on the talk of "well, I don't know about this, but look at what he used to do." The only thing that I can't fully grasp is the Hitomi material, some of it is played in that Transmissions Fest video. Kinda feel like it goes down easier when you get to watch him play like that, on record is another thing. There is another noodley electric gig on youtube that actually does have a lot of syncopation; and getting to hear old styles on an electric is pretty nice. There aren't many artists that went so far in the other direction, let alone an instance where you get to watch past material with a new technique. Defiantly would rather have had Fahey do all that then not. I dig The Mill Pond lots. It's not too different than some of the stuff that is out there today. Womblife gets so zonked in parts you can't help but grin.

Loving this Glenn Jones tune, "The Teething Necklace (For John Fahey)"
xxx.youtube.com/watch?v=6qd7pWITPQQ

Couple things I put together,

John Fahey's Adelphi Sessions, the Dance of Death outtakes. Uploaded as MP3's, posted on my blog:
http://broadcastsfrompoorfarm.tumblr.com/post/105403178308/john-fahey-adelphi-sessions-the-dance-of-death

Scanned my copy of the mail order catalog from Fonotone Records, interesting curio. Includes the numerous early Fahey comps Joe Bussard curated for Fonotone.
http://broadcastsfrompoorfarm.tumblr.com/post/105401770173/fonotone-records-mail-order-catalog-pdf-booklet

I finally put together some new lapstyle material and wanted to share it here. "Blue For al-Watawit of Yashkur" sits as is, in a sorta demo state. I didn't want to forget all the new ideas I've been having, yet also told myself I wouldn't record again until I bought a nice microphone. Of course, I got impatient, so here we are. Before they find a home somewhere, I do want to properly record them.
http://raglore.com/album/blue-for-al-watawit-of-yashkur

Link for the MP3's are posted here,
http://broadcastsfrompoorfarm.tumblr.com/post/105403934713/rag-lore-blue-for-al-watawit-of

Look forward to checking this stuff out

Cool, thanks Neal! Actually already listened to your "Blue For al-Watawit of Yashkur" tracks (Mr. Avant Ghetto threw them up on twitter yesterday), really enjoyed them. First track sucked me right in, so yeah make a recording you are happy with and I am on board!

neal - or others - what microphones/mic pres do you guys use? this coming year i need to get serious about recording an album

like your new stuff neal

the only Tashi Dorji song on Spotify is a cool little curio, electronic remix featuring his guitar of a song by some psychey dude name Al Lover

http://open.spotify.com/track/2HxzI5VuTvgdbTGolZ7x7G

Thanks dudes, I have always just been using a portable digital Tascam recorder from B&H Photo that I bought a while back. It fits in your pocket so I've used it while out and walking around, but it's not a good choice for recording guitar at this point, I loved it at first bc of how much of an improvement it was over using the internal MacBook mic. I sold my two amps (+all other musical electronics) years ago during collage, which I regret now. As I would like to record traditionally with a mic and amp set up. Either using the sound hole or install a pick up. How about USB mics? Been talked about here before I think. Decent clarity from the models available now?

I think the solution is to just meet someone in town with a set up :) - that way I can avoid all of this.

I've posted things upthread recorded with the Blue Yeti (120 new but you can def find a ton of these used on ebay, got mine for 80 on craigslist)
http://www.bhphotovideo.com/bnh/controller/home?O=&sku=857749&gclid=Cj0KEQiA8MSkBRCP5LaRlcOAusMBEiQAiqldkgFeoLzZuCr_Hg1GQ03TBk1qSggFdqEqo5fQpNn1jLgaAgF98P8HAQ&is=REG&Q=&A=details

you can hear the stuff i've done, which is minimally processed, a bit EQd and maybe compressed slighty with some audicity plugin reverb on it, but overall I'd say USB mics have come a long way

of course, I'm just plotting about how I want to get a USB DAC/Mic pre unit and a better XLR mic so I suppose one is always unsatisfied.

gonna check out yr new thing neal! i've dug the rag lore things i've heard so far.
just got hipped to this thing via soft abuse's twitter -- maybe it was mentioned on the old thread? https://moonbros.bandcamp.com/album/frijolillo - kind of low-key/dreamy/fieldrecording-y/acoustic action. i like it!

Neal there is also a USB model of the Blue Spark which is supposed to be great on acoustics

Nice yeah, I remember reading a while back about you UMS using the Blue Yeti for your material. If you search a phrase like 'USB mic acoustic guitar' on youtube the Blue Yeti seems to comes up the most, also something called the Snowball. Though, I think based on the sound samples the Yeti comes out on top. I'll look into that Blue Spark too.

No other time than now to get a project down. Should defiantly put together something. Stick it on a tape and send it to people, flinging around links is nerve racking sometimes though.

I used to work at the main public library of Virginia and was hired at the perfect moment where they were getting rid of all the old analog stereo equipment and vinyl records. It was a dream to hoard of that kind of stuff. I got a working reel to reel, but haven't yet grabbed any tape to use it. Would love to have it up and running.

Reel to reel would sound great

Grandavis did you end up heading to the hometown Daniel Bachman gig in Fredericksburg? A full video of it was posted a few days ago - includes some of the new material that should be coming up on the Three Lobed Record.

vimeo.com/114599709

Nah, I had to skip it as it was early in the day and I had too much to do. Watched the video already though! Wanna reiterate that I really like the new tunes that'll be on the next record. Bachman is chugging along into some sweet territory. The lap stuff is a real joy live too.

listening to that new Bachman right now, loving it, getting some sweet "Paris, Texas" vibes off of "Coming Home"

btw global is gonna be opening for bachman in mpls in the new year!

Very good shows happening in mpls these days, would love to catch that Metzger one (w/ Global and UMS) as well. Have fun with that.

Pretty nice playlist here from John Mulvey (his Uncut series). Lots of stuff hit up in this thread, but throwing more kudos towards Neal's Rag Lore "Blue For al-Watawit of Yashkur" tracks. Cool to see folks from here getting out there and bringing it. Hope you get that record made this year UMS!

my goal is to upgrade to a small basement studio, been scoping out gear and i think i get get a good setup going for less than $500

so easy to get obsessed w/researching gear/recording stuff but you also gotta remember that you won't ever make anything 1/2 as a good as a blind blake record that was recorded at less fidelity than the microphone on your iphone

i use my phone to record and i think it sounds pretty good!

for a basement recording with a device not built intentionally to record music

i am usually amazed by how good those iphone recordings come out. i mean, obviously not pro quality or anything... but good!

fwiw I once again voice my preference for separate threads for making this music / listening to this music. I'd frequent both, but these threads get p unwieldy as it is without microphone reviews and stuff.

merry christmas guys

"hello there, uh John Fahey here.."
https://www.youtube.com/watch?v=QrJQystmyl8

I thought "https" was supposed to block video embeds?

Oh well :/ still wishing well to everyone here anyway!

Alright, ventured into test threads.

Both "http" and "https" will embed viewable youtubes for me in Safari and Chrome.
If I use "www" as well as no URL prefix at all, the video won't embed.

Though, if I head back to the old thread, "https" links are still the way they were: not embedded.
That's all I've got, maybe this isn't the case for everyone else, but I'll leave out all http(s) going forward.

Always nice to spin the New Possibility during Xmas

this track here sounding awesome. wish records from these folks weren't so expensive to get shipped to the states... they're all so great!!

http://www.aquariumdrunkard.com/2013/12/10/black-dirt-oak-wayawanda-patent/

http://www.thefader.com/2014/05/01/another-country-folk-newcomer-myriam-gendron-sings-the-heartbroken-poetry-of-dorothy-parker

hey my wife came across this LP bc she's a massive dorothy parker fan and we mail-ordered it, it's music set to lyrics taken from parker's poetry. i think it would appeal to a lot of you guys.

heh, i just sold that to somebody. i liked it, but found i wasn't returning to it very often.

was listening to "the new possibility" last night and realized i don't really like it all that much. it seems very staid and unexciting compared to other fahey albums of the era. not the same heady mix of influences except in a few isolated passages. how to fahey fans rate those xmas albums anyway?

i think it sounds like a good idea on paper but it's a bit flat overall. especially as he kept on doing more and more of them. i think definitely an attempt to get some crossover money from the windham hill/leo kottke 'hot tub music' crowd.

don't really need to listen to it when i've got the Charlie Brown Christmas soundtrack

the crossover money must have worked for him, pretty sure every single fahey section in used record stores around town is stocked with multiple copies of those. i'm always hopeful when i start to rifle through and then i see a dozen xmas lps and one battered to shit copy of 'after the ball'...

The second Fahey christmas album is way better than the first because it sounds less like a christmas album and more like a proper Fahey album.

yeah, i do like that one better... ironically (?) that one is harder to find, i think it's OOP.

Speaking as a fan of Fahey and a fan of Christmas music, I don't listen to them much either - they sound too dry, austere to bring me much joy.

i th ink of them as being more conventionally pretty but less engaging than other fahey albums.

it's also sort of jarring to hear a lot of fahey's 'tricks' and picking techniques applied to something so straightforward as a christmas song you've heard a million times

"christ's saints of god fantasy" is a legit great piece, I like the slightly ridiculous russian christmas overture on the second album a lot too. all the best fahey duets are on old fashioned love imo but the ruskin ones aren't bad. I like some of the standards esp silent night on slide guitar, that's so gorgeous. the last piece on the second album is a bizarre mix of fahey in brooding bola sete mode and festive cheer that's my kind of christmas tune

This is a mate's new album. Broadly belongs in here, I think. At a conceptual level, it makes me think of Eddie Hazel; sonically, it's more Dean McPhee or Dylan Carlson. Great stuff.

https://suborno.bandcamp.com/album/in-the-eyes-of-eternity

It was all improvised on the day, with this setup.

https://i.imgur.com/7Ev1Y07.jpg

i really dig that!

bachman and now elkington getting prominently reviewed in pitchfork

https://pitchfork.com/reviews/albums/james-elkington-me-neither/

excited to hear what jim elkington is up to!

(severely overlooked figure imo — right on that pfork is giving him good marks. they were complete dicks to him in the zincs era)

the daniel bachman record is good

it really is, I need to buy/DL it so I can listen without microgaps between the tracks, it's basically all one flowing thing

cannot believe it's been over 10 years since I saw him do an instore show for Seven Pines, fuck I'm old/how time flies/etc

is it more of the unpleasant noise thing he’s been doing? that last record was just not good listening

Well, I liked that last record so maybe I am not the best person to ask, but in my mind the new Bachman is quite a bit more traditionally "listenable" than the last one. It uses similar methods regarding how the tracks are compiled/arranged but with I think a softer edge to the sound overall. I would give it a try if you care about his playing overall but it is certainly not a return to his straightforward guitar stuff. There are melodic passages though, and layers of him "playing" on it.

I enjoy his newer stuff but I guess I do have some mixed feelings because I felt like he was uniquely talented at fingerstyle stuff and while I think he is doing some creative stuff I don't know if he's as exceptional at that as he was as a player

but he's gotta do what he wants to do and I can understand how maybe am priv starts to feel repetitive after awhile (I myself am not really playing anymore for similar reasons)

I mean he certainly could return to it at any point, he put this out early last year:

https://threelobed.bandcamp.com/album/lonesome-weary-blues

In my opinion his latest record succeeds at what it is doing very well, but I mean it is all relative. I just admire his ability to tie "place" and history and topical ideas into instrumental music in deeply personal ways. Maybe some people do one particular side of it better or are more accomplished at the technical aspects, but I find it really impressive how much he puts into this current one.

I took a little skip through the new one, it seems more my cup of tea— when last year's record came out and I read a description, i was hoping it would feel like the Sacred Harp stuff, but unlike the latter, I couldn't just have it come on in the car and want to enter into it...new one seems more promising.

this seems relevant;
https://n-t-s.bandcamp.com/album/european-primitive-guitar-1974-1987

oh wow that looks interesting

crossposting from the ambient thread, this is a 90-minute (!) tape of Arvo Part pieces transcribed for solo guitar, I find it bewitching

https://cosimapitz.bandcamp.com/album/wherever-i-go

Latest Lake Mary is flat-out gorgeous: https://lakemary.bandcamp.com/album/its-okay-you-can-open-your-eyes-now

ohhhhh yeah. chaz is always pretty great — might be a little underrated.

wow that's great, healing

Seems to be the only thread in which Kayla Cohen has been mentioned before, so I'll throw it here - the new Itasca album is absolutely gorgeous, I love it.

yes! one of the best of the year

this Itasca record is beautiful, thanks for the recommendation