― Alex in SF (Alex in SF), Thursday, 20 October 2005 15:03 (7 years ago) Permalink
― High Tea in the Chinese Quarter (nordicskilla), Thursday, 20 October 2005 15:06 (7 years ago) Permalink
― Alex in SF (Alex in SF), Thursday, 20 October 2005 15:35 (7 years ago) Permalink
― High Tea in the Chinese Quarter (nordicskilla), Thursday, 20 October 2005 15:39 (7 years ago) Permalink
― mcd (mcd), Thursday, 20 October 2005 15:44 (7 years ago) Permalink
― Mickey (modestmickey), Thursday, 20 October 2005 15:48 (7 years ago) Permalink
― Alex in SF (Alex in SF), Thursday, 20 October 2005 15:55 (7 years ago) Permalink
― mcd (mcd), Thursday, 20 October 2005 16:00 (7 years ago) Permalink
― Alex in SF (Alex in SF), Thursday, 20 October 2005 16:06 (7 years ago) Permalink
― b'angelo, Thursday, 20 October 2005 16:16 (7 years ago) Permalink
― b'angelo, Thursday, 20 October 2005 16:18 (7 years ago) Permalink
― mcd (mcd), Thursday, 20 October 2005 17:18 (7 years ago) Permalink
I really like what Chao brought to the new record, I'm fine with toe-tappin' drum machines setting the pulse & extra reverb, it's a strange hybrid. A lot more successful than Chao's solo records (which, like Adam, I can't listen to all the way through).
― milton parker (Jon L), Thursday, 20 October 2005 18:01 (7 years ago) Permalink
― humbug ditto, Saturday, 22 April 2006 07:43 (7 years ago) Permalink
I like 'em too, but calling them 'real music' presupposes that too many other types of music are not "real" music. I doubt that Amadou & Mariam would use such a term.
― curmudgeon (DC Steve), Saturday, 22 April 2006 15:45 (7 years ago) Permalink
28/04/2006 : SAN FRANCISCOsalle : Bimbo's
― milton parker (Jon L), Saturday, 22 April 2006 21:47 (7 years ago) Permalink
― my name is john. i reside in chicago. (frankE), Friday, 30 June 2006 16:52 (6 years ago) Permalink
― curmudgeon (DC Steve), Friday, 30 June 2006 17:00 (6 years ago) Permalink
― pleased to mitya (mitya), Friday, 30 June 2006 17:05 (6 years ago) Permalink
― S. (Sébastien Chikara), Friday, 30 June 2006 17:30 (6 years ago) Permalink
TONS of great tunes, and a surprising amount of variety (love the chanting on "La Réalité" where it sounds like they're saying, "Soul Fire" over and over again). It's light and poppy enuf for summertime dancing & drinking, but the fundamental weight and beauty of the Malian blues base really shines through. Tough tightrope to walk...
Never comes across as weak, watered down, hippified or strictly for the NPR set, either. I mean, it'll certainly appeal very strongly to them fuckers, but it doesn't seem to be a product of their sensibility, or a sop thrown in its direction. Basically, "Dimanche" just sounds natural -- relaxed and joyful in spite of the sometimes heavy-handed mod/pop production.
Truth be told, I could use a little less of Manu Chau on this record. While some of its best moments benefit hugely from his influence ("Caminons Sauvages"), I'd like the album better without borderline-Afro-kitsch tracks like "Sénégal Fast Food" and "Taxi Bamako".
Still, pretty much every tune is instantly appealing, and more than half are durable, out-of-the-park winners. One of the best pure pop albums I've heard in the last few years, no matter what the origins.
P.S. I've heard some of their earlier material, and it hasn't appealed to me nearly as much. Deeper and arguably more "authentic", but the standout tracks are fewer and farther between.
― fuckfuckingfuckedfucker (fuckfuckingfuckedfucker), Friday, 30 June 2006 17:58 (6 years ago) Permalink
― Stormy Davis (diamond), Friday, 30 June 2006 18:03 (6 years ago) Permalink
and yeah he is a really great guitarist --- got straight-up nasty on some o that stuff.
― Stormy Davis (diamond), Friday, 30 June 2006 18:05 (6 years ago) Permalink
as with too many albums these days it's probably too long by a song or two, but i think the production is what makes Dimanche... so great (my choice for Album of the Year 2005). not to say their earlier records are bad, cuz there's great stuff there as well. but he pulls out/highlights/layers all sorts of stuff that on earlier albums are missed opportunities.
― my name is john. i reside in chicago. (frankE), Friday, 30 June 2006 19:06 (6 years ago) Permalink
― Alex in SF (Alex in SF), Friday, 30 June 2006 19:58 (6 years ago) Permalink
― you can email me if you wish to challenge the truth (nickalicious), Friday, 30 June 2006 20:10 (6 years ago) Permalink
Totally illogical though all that is.
― Major Alfonso (Major Alfonso), Friday, 30 June 2006 22:43 (6 years ago) Permalink
― gypsy mothra (gypsy mothra), Friday, 30 June 2006 23:28 (6 years ago) Permalink
― Emily B (Emily B), Friday, 30 June 2006 23:52 (6 years ago) Permalink
― Rockist_Scientist (RSLaRue), Saturday, 1 July 2006 00:03 (6 years ago) Permalink
Really though, this album is just impossible to hate. Strikes all kinds of "right" balances without being tame or too tasteful. Not sure if one can really *love* it (like another album pimped to the NPR set last year, Sharon Jones') but I'll root for their success. Sometimes good music is just good music and can't be quibbled apart.
― I.M. (I.M.), Sunday, 2 July 2006 08:04 (6 years ago) Permalink
― gypsy mothra (gypsy mothra), Sunday, 2 July 2006 15:35 (6 years ago) Permalink
― Rockist_Scientist (RSLaRue), Sunday, 2 July 2006 16:05 (6 years ago) Permalink
but the recent record is really quite good. would like to hear some of their malian cassettes and cds from before they had int'll record deals...just curious.
― Amateur(ist) (Amateur(ist)), Wednesday, 23 August 2006 03:24 (6 years ago) Permalink
after posting something on Bassekou on the whirrled music thread, I figured I'd wake this thread for a highly highly recommended crosspost
Bassekou Kouyate & Ngoni Ba - Segu Blue
heard this in a soul food place, my friend thought it was Amadou & Miriam but it obviously wasn't the last one and it didn't sound like what I'd heard of their earlier stuff because it was more spare & folky, no traditional drum kit, but their harmonies do sound similar. Album is 100% solid all the way through and completely recommended to anyone who liked the Amadou & Miriam record and wishes they could hear more in that style without all the techno / drum loop trappings, Bassekou can play
http://www.allaboutjazz.com/php/article.php?id=25184 http://www.myspace.com/bassekoukouyate
― Milton Parker, Friday, 7 September 2007 02:21 (5 years ago) Permalink
Cool! I'm def going to check that out.
I went to a wedding last year in Marseille and they played Beaux Dimanches, i was all awww.
― W4LTER, Friday, 7 September 2007 02:23 (5 years ago) Permalink
By the way, it's Mariam with an A not an I.
-- Curt (cgould), vendredi 12 août 2005 03:03 (2 years ago) Bookmark Link
please ppl make an effort OK
― blunt, Friday, 7 September 2007 10:43 (5 years ago) Permalink
also "Dogons" is on repeat lately
― blunt, Friday, 7 September 2007 10:46 (5 years ago) Permalink
Uh, I don't see the connection between A&M and Bassekou Kouyate at all (at least, not beyond the shared nationality). Dimanche A Bamako is full-sounding, urban, hooky, propulsive and outward-looking in its influences. Segu Blue is sparse, raw, abstract, reflective, pastoral, traditional. It also centres around the ngoni, whereas A&M don't use them at all (although their guitar playing is ngoni-influenced).
― mike t-diva, Friday, 7 September 2007 11:18 (5 years ago) Permalink
(...but if you place Toumani Diabate between the two, then I think you can trace a discernible line...)
― mike t-diva, Friday, 7 September 2007 11:23 (5 years ago) Permalink
I would agree that the connection is somewhat vague, like I said it's mainly the sound of the choral harmonies -- Segu Blue is largely about showcasing the ngoni playing. waking up this thread may have been impulsive and probably only underlines how little I know about African music, this is less of a musicology based recommendation and more of a 'if-you-liked-that-record-here's-another-one-that-just-came-out-that-you-may-like' post. though I'm always up for any excuse to wake up the Amadou and Mariam thread because I really like them
― Milton Parker, Friday, 7 September 2007 16:45 (5 years ago) Permalink
This is album is among the most well-produced things I've ever heard.
― ○◙genital grinder◙○ (roxymuzak), Monday, 22 September 2008 16:35 (4 years ago) Permalink
is
― ○◙genital grinder◙○ (roxymuzak), Monday, 22 September 2008 16:36 (4 years ago) Permalink
Where's the love for the new album? Damon's produced Sabali is a gem.
― elgolfo, Tuesday, 25 November 2008 02:56 (4 years ago) Permalink
I just read Erin M. rave about it on her blog. It's an overpriced import for Americans from Amazon, wonder where else I can get it.
Here they are recently with Johnny Marr--
― curmudgeon, Thursday, 27 November 2008 14:57 (4 years ago) Permalink
wow thanks
― baaderonixx, Thursday, 27 November 2008 15:04 (4 years ago) Permalink
Yeah "Sabali" is indeed fantastic, reminds me of music I love without pointing to any specific direction.
― baaderonixx, Thursday, 27 November 2008 15:09 (4 years ago) Permalink
this sounds awesome but i am not really loving it
― BIG HOOS is those british white steens (BIG HOOS aka the steendriver), Thursday, 27 November 2008 15:12 (4 years ago) Permalink
Why is that? Her voice
― curmudgeon, Thursday, 27 November 2008 15:17 (4 years ago) Permalink
In case you forgot, here's "Dougo Badia" (feat. Nick Zinner & Santigold)
― TracerHandVEVO (Tracer Hand), Tuesday, 3 April 2012 10:46 (1 year ago) Permalink
Seen mixed reviews of it, but have not heard it yet myself (well, one song).
NPR is streaming it for a bit
http://www.npr.org/2012/04/01/148919868/first-listen-amadou-and-mariam-folila?ps=mh_fl
― curmudgeon, Tuesday, 3 April 2012 12:55 (1 year ago) Permalink
And the Pitchfork review was discussed on a Pitchfork thread
― curmudgeon, Tuesday, 3 April 2012 12:56 (1 year ago) Permalink