A Good Day In Hell - The Official ILM Track-By-Track EAGLES Listening Thread

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You definitely tapped into some collective hate with that thread.

carl agatha, Wednesday, 4 September 2013 01:05 (ten years ago) link

every youtube clip of this song i listened to sounds terrible. including this one. so, sorry for the sound quality. even the ones labeled HD and REMASTERED. most of them seem to come from the same source? do people just copy other people's youtubes to make their own? i guess they do.

scott seward, Wednesday, 4 September 2013 12:51 (ten years ago) link

nice linda ronstadt live version from 1977.

http://youtu.be/oAK5Ids7l5g

scott seward, Wednesday, 4 September 2013 12:55 (ten years ago) link

i still think that langley schools music project version might be my favorite though. so poignant.

scott seward, Wednesday, 4 September 2013 12:56 (ten years ago) link

langley schools version is kinda the justification for the eagles

don't like the johnny cash cov tho', doesn't seem like the right song for him at all

Ward Fowler, Wednesday, 4 September 2013 12:58 (ten years ago) link

This is flawless of course. Why on earth did they not release it as a single though? Was that a trend at the time, holding the best thing back for the album, like Gimme Shelter or Stairway to Heaven?

Ismael Klata, Wednesday, 4 September 2013 13:06 (ten years ago) link

yeah, this is on another level from the rest of the album. Lyric in the second bridge is one of Henley and Frey's finest: pure prairie depression.

col, Wednesday, 4 September 2013 13:10 (ten years ago) link

langley schools version definitely my fave also

http://www.uproxx.com/wp-content/uploads/2012/03/Screen-shot-2012-03-07-at-11.15.11-AM.png

balls, Wednesday, 4 September 2013 13:23 (ten years ago) link

warren zevon, who ran in the same circles as the eagles and who was equally capable of parodying them and paying them homage, wrote and recorded two songs with desperado in the title: "desperadoes under the eaves" and "gorilla, you're a desperado." it's pretty clear, i think, that both titles are directed at henley, frey and company, though the two songs are very different. but i never noticed until today how much "desperado" itself sounds like a zevon song, musically, lyrically, delivery, everything. zevon was a detail guy and may have felt moved to make the lyrics a bit more place-specific or person-specific, but otherwise, if you told me wrote this, i'd believe you. a great song.

fact checking cuz, Wednesday, 4 September 2013 13:48 (ten years ago) link

Sending this one out to VG. Not a loser was lonesome in this place!

https://www.youtube.com/watch?v=Q47FDEfT9DY

pplains, Wednesday, 4 September 2013 13:49 (ten years ago) link

"Frank and Jesse James" off Zevon's first LP also seems like an outtake from Desperado.

col, Wednesday, 4 September 2013 13:52 (ten years ago) link

henley sings on 'gorilla you're a desperado' right?

balls, Wednesday, 4 September 2013 14:03 (ten years ago) link

I recall the Grace Lichtenstein re: "Desperado" in "Stranded" is pretty good.

Josh in Chicago, Wednesday, 4 September 2013 14:04 (ten years ago) link

Ooo I have a childhood anecdote about this one: my father dragged me along with him to visit one of his sundry girlfriends and after getting me set up with some crayons and coloring books in the kitchen, they adjourned to the living room where the girlfriend put on Desperado and said to my father, "This song reminds me of you." I have a very distinct memory of rolling my eyes.

Anyway, I like this one, too, but definitely not for the same reason.

carl agatha, Wednesday, 4 September 2013 14:06 (ten years ago) link

I live the bit about how over time the desperado will become bleached of all feeling, less human.

i believe we can c.h.u.d. all night (Jon Lewis), Wednesday, 4 September 2013 14:06 (ten years ago) link

Love the bit*

Maybe I'm livin it too

i believe we can c.h.u.d. all night (Jon Lewis), Wednesday, 4 September 2013 14:07 (ten years ago) link

henley sings on 'gorilla you're a desperado' right?

henley, j.d. souther and jackson browne. browne sings on "desperadoes under the eaves" too.

fact checking cuz, Wednesday, 4 September 2013 14:07 (ten years ago) link

Girlfriend was right about that part, at least. xp

carl agatha, Wednesday, 4 September 2013 14:08 (ten years ago) link

Freedom as loss of self/progressive neurasthenia

i believe we can c.h.u.d. all night (Jon Lewis), Wednesday, 4 September 2013 14:08 (ten years ago) link

lol carl

balls, Wednesday, 4 September 2013 14:10 (ten years ago) link

One of my two fave Eagles tracks (it'll be a while before we're at the other one). Corny as hell, but effectively and rather nakedly so; it'll be a long while before its bleached of all feeling for me.

the vineyards where the grapes of corporate rock are stored (cryptosicko), Wednesday, 4 September 2013 14:18 (ten years ago) link

if ever there was an eagles song destined to be sung at talent shows and karaoke night or just about anywhere its this one. its great if you can hit high notes like linda ronstadt but you can be a pretty limited singer range-wise and still pull it off. just make a sad face and look like you're gonna cry. you can sing it softly. or you can go big.

scott seward, Wednesday, 4 September 2013 14:35 (ten years ago) link

Desperados Under the Eaves is beyond great. Desperado... not quite there.

g simmel, Wednesday, 4 September 2013 14:40 (ten years ago) link

Starting to feel like I'm the only one here whose appreciation of the Eagles works its way backward from The Long Run.

The cowboy shit annoys the hell out of me. These guys weren't exactly Marty Robbins.

pplains, Wednesday, 4 September 2013 14:41 (ten years ago) link

No I'm with you on that. The % if tracks I like per album goes up with the more rockin aor albums.

i believe we can c.h.u.d. all night (Jon Lewis), Wednesday, 4 September 2013 14:50 (ten years ago) link

But the cowboy shit has its moments!

i believe we can c.h.u.d. all night (Jon Lewis), Wednesday, 4 September 2013 14:50 (ten years ago) link

Would've loved to have seen an exiled Bernie Leadon listening to "Hotel California" for the first time and going, "But where are the banjos?"

pplains, Wednesday, 4 September 2013 14:58 (ten years ago) link

The cowboy shit annoys the hell out of me. These guys weren't exactly Marty Robbins.

Or Bing Crosby for that matter. Faux cowboy stuff is fine by me btw.

Tommy McTommy (Tom D.), Wednesday, 4 September 2013 15:03 (ten years ago) link

Such a fine line. It's why Uncle Tupelo could pull it off and Whiskeytown couldn't. It's much easier for me to picture Kid Rock as a cowboy than Don effin' Henley.

pplains, Wednesday, 4 September 2013 15:07 (ten years ago) link

I didn't think I hated this song, but after listening to it again, yeah, I do. It's the moment when the Eagles finally realize they will never, ever be the Band, so hey, let's dress up like them!
http://theband.hiof.no/band_pictures/band_mfbp_back.jpg

The song seems to be about this realization: they've resigned themselves to their fate as slick L.A. studio flumpfers, and their strengths were in writing shitty faux-soundtrack music for slick, painless cowboy movies that they imagined themselves starring in.

Shart Week (Tarfumes The Escape Goat), Wednesday, 4 September 2013 15:21 (ten years ago) link

and they got haircuts!

first I think it's time I kick a little verse! (Alfred, Lord Sotosyn), Wednesday, 4 September 2013 15:23 (ten years ago) link

Tarfumes on the mark. May have been bigger egos in The Band too, but they pulled it off.

pplains, Wednesday, 4 September 2013 15:26 (ten years ago) link

Just closed my eyes and did a search for Don Henley Robbie Robertson, and hey look, it's a Scorsese soundtrack.

pplains, Wednesday, 4 September 2013 15:28 (ten years ago) link

soooo many groups wanted to be The Band! (in the BBC documentary based on the Hoskyns bk, David Crosby makes a point of saying how terrifying it was to have The Band watching em from the side of the stage during their second ever gig (at Woodstock))

Ward Fowler, Wednesday, 4 September 2013 15:31 (ten years ago) link

guess don didn't want to cowboy up for the shiloh cover shot.

scott seward, Wednesday, 4 September 2013 15:33 (ten years ago) link

http://www.thirteen.org/13pressroom/files/2012/08/HN720023.jpg

scott seward, Wednesday, 4 September 2013 15:36 (ten years ago) link

http://www.donhenleyonline.com/images/DHenleyShilohInsert.jpg

scott seward, Wednesday, 4 September 2013 15:36 (ten years ago) link

http://www.donhenleyonline.com/images/felicity3.jpg

scott seward, Wednesday, 4 September 2013 15:38 (ten years ago) link

http://www.donhenleyonline.com/images/DHenleyfourspeeds1966.jpg

scott seward, Wednesday, 4 September 2013 15:38 (ten years ago) link

i don't really get the band thing. always felt like they were going for the dusty desert west coast thing. byrds-derived more than band-derived. the byrds were dressing up like cowboys pretty early on. the charlatans, etc.

scott seward, Wednesday, 4 September 2013 15:41 (ten years ago) link

i mean i've never thought of the band when hearing the eagles. lets put it that way.

scott seward, Wednesday, 4 September 2013 15:42 (ten years ago) link

the band were more civil war and the eagles more gold rush.

scott seward, Wednesday, 4 September 2013 15:44 (ten years ago) link

That's true. And I didn't see the Eagles as Band wanna-be's at all until I saw the doc. Their whole attitude seemed to revolve around being a version of The Band that made a shitload of money and had huge hits (two things The Band never really did).

And yeah, the Byrds and the Buffalo Springfield and other bands wore cowboy hats and western gear in '65-'67, but the Band inspired the whole neo-"authenticity"/"back to the land" post-psychedelic hangover thing that so much of country rock took its cues from. True, there was a ton of country rock prior to Big Pink, but a lot of it was Dylan/Band/Basement Tapes influenced (the tapes made the rounds among musicians in '67-'68), and the scene went from hippies dressing as slick country bands and playing the Opry (as the Byrds did) to hippies digging in the dust with mustaches.

(but I'm probably wrong/oversimplifying a lot of this)

Shart Week (Tarfumes The Escape Goat), Wednesday, 4 September 2013 16:08 (ten years ago) link

many xposts to pplains --- aaahhhh!! thank you for posting that LRB version, I love it!!!

set the controls for the heart of the sun (VegemiteGrrl), Wednesday, 4 September 2013 16:14 (ten years ago) link

I really like this song but I think I like it more when Linda Ronstadt sings it. She brings a bit more feeling to it, where as Henley just sings it nice but he's kinda holding back.

set the controls for the heart of the sun (VegemiteGrrl), Wednesday, 4 September 2013 16:15 (ten years ago) link

"Another thing that interests me about the Eagles is that I hate them. "Hate" is the kind of up-tight word that automatically excludes one from polite posthippie circles, a good reason to use it, but it is also meant to convey an anguish that is very intense, yet difficult to pinpoint. Do I hate music that has been giving me pleasure all weekend, made by four human beings I've never met? Yeah, I think so. Listening to the Eagles has left me feeling alienated from things I used to love. As the culmination of rock's country strain, the group is also the culmination of the counterculture reaction that strain epitomizes. "

Christgau, '72: http://www.robertchristgau.com/xg/bk-aow/eagles.php

col, Wednesday, 4 September 2013 16:16 (ten years ago) link

its kind of hard to overestimate the influence of the byrds on so many different types of people from 1966 until the 70's. but certainly dylan/band had just as much influence. both coasts were covered. folk people in general get lost in the shuffle as far as getting credit for bringing old country/mountain music to the kids/hippies. people like mike seeger and a million others toured college campuses for years all through the 60's and made country music cool to non-country audiences. thus the college jug band/string band phenomena of the 60's. every hip college having their olde-tyme combos. just as their were a million collegiate hot jazz societies and bands all across the country in the 40's and 50's.

(not to mention the endless stream of actual folk/blues/country vets who made the college circuit back then.)

scott seward, Wednesday, 4 September 2013 16:31 (ten years ago) link


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