Sign me up!
― dronestreet, Thursday, 29 August 2013 17:22 (ten years ago) link
done!
08/30 -- AG09/06 -- DaM09/13 -- frogbs09/20 -- balls09/27 -- ZS10/04 -- dronestreet
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Thursday, 29 August 2013 22:08 (ten years ago) link
I wonder what Mr. Goalie will put up for us to listen to tomorrow.Note: you can post it Friday *your time* so if it's Friday where you live put 'er up.
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Thursday, 29 August 2013 22:10 (ten years ago) link
http://i.imgur.com/XNsR9Rs.jpghttp://open.spotify.com/album/141Ss6mGivtZpTMt4eN4Q8spotify:album:141Ss6mGivtZpTMt4eN4Q8
Review by Rolf Semprebon [-]Cottonwoodhill is one of the trippiest records ever made, capturing the intensity of the peak LSD experience far more successfully than any Timothy Leary recording, and even today, when many such documents from that era can sound silly and dated, Brainticket's fascinating debut still holds hallucinogenic potency. The record has only two proper songs, "Black Sand" and "Places of Light," with a side and a half of the album taken up by the three-part "Brainticket." "Black Sand" opens the disc with a driving funk beat and powerful organ and guitar interplay, adding in vocals distorted beyond coherency. "Places of Light" begins in a slightly lighter vein as a flute leads the proceedings, a looser jazzier piece that throws in some of Dawn Muir's odd spoken word vocals. Before one realizes what has happened, the piece has faded out and there is suddenly a crashing sound, car horns, and engines starting up. "Brainticket" is a bizarre roller coaster ride through weird sound effects and electronics, an endless organ riff, and Muir's acid-rush ramblings from hushed whisper to urgent screams, as any coherency she had earlier becomes lost to mind-expanding visions. Rather than the laid-back mellow groove of some psychedelic music from this era, Cottonwoodhill has a hyper energy in the frenetic organ riff and Muir's voice, like an acid trip out of control, while at times the various sound effects take over completely.
Cottonwoodhill is one of the trippiest records ever made, capturing the intensity of the peak LSD experience far more successfully than any Timothy Leary recording, and even today, when many such documents from that era can sound silly and dated, Brainticket's fascinating debut still holds hallucinogenic potency. The record has only two proper songs, "Black Sand" and "Places of Light," with a side and a half of the album taken up by the three-part "Brainticket." "Black Sand" opens the disc with a driving funk beat and powerful organ and guitar interplay, adding in vocals distorted beyond coherency. "Places of Light" begins in a slightly lighter vein as a flute leads the proceedings, a looser jazzier piece that throws in some of Dawn Muir's odd spoken word vocals. Before one realizes what has happened, the piece has faded out and there is suddenly a crashing sound, car horns, and engines starting up. "Brainticket" is a bizarre roller coaster ride through weird sound effects and electronics, an endless organ riff, and Muir's acid-rush ramblings from hushed whisper to urgent screams, as any coherency she had earlier becomes lost to mind-expanding visions. Rather than the laid-back mellow groove of some psychedelic music from this era, Cottonwoodhill has a hyper energy in the frenetic organ riff and Muir's voice, like an acid trip out of control, while at times the various sound effects take over completely.
― pfunkboy (Algerian Goalkeeper), Thursday, 29 August 2013 23:02 (ten years ago) link
Oh man I love this album! Excellent choice.
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Thursday, 29 August 2013 23:10 (ten years ago) link
yup, this is a good one and it's been a while.
can you put me down for a week, viceroy?
― original bgm, Friday, 30 August 2013 02:05 (ten years ago) link
you got it!
09/06 -- DaM09/13 -- frogbs09/20 -- balls09/30 -- ZS10/06 -- dronestreet10/13 -- Alan N
forget some of those earlier dates I was looking at my calendar wrong.
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Friday, 30 August 2013 02:44 (ten years ago) link
thanks!
― original bgm, Friday, 30 August 2013 04:28 (ten years ago) link
How do I get in on this?
I have a recommendation or two which some might like.
Also, how far can we stretch the definition of prog/kraut/space/psych rock? Because I have some which throw in some folk in there, as well.
― c21m50nh3x460n, Friday, 30 August 2013 05:11 (ten years ago) link
just request a week, it'll be late next month so you have plenty of time to decide on an album. Then on Friday, post the name of it, with a picture possibly a little blurb about it if you can find it. If you don't use spotify that's ok, we can post the spotify link. If the full album is up on youtube you can post the link to that.
As far as stretching the definition... I am very flexible, straight up "folk" probably doesn't fit but if it's 'out there' with sound effects/long complicated passages/prominent synthesizer passages then I think it fits just fine.
Do you want a go?
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Friday, 30 August 2013 06:53 (ten years ago) link
Anyway though, to talk about the album this week -- man I love how the vocalist shouts stuff out in this kind of scared/tense way, and says contradictory stuff, like "Stop! No! YES!! Of course not, of course you can..." etc, like she's responding to stuff during a really heavy acid trip or something. It's kinda creepy but totally awesome.
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Friday, 30 August 2013 06:56 (ten years ago) link
Dawn Muir. She rules.
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Friday, 30 August 2013 06:57 (ten years ago) link
Coming soon!
https://www.youtube.com/watch?v=xtwJSAEh7Uc
― Nate Carson, Friday, 30 August 2013 08:00 (ten years ago) link
Sorry to crash in. Just sharing. Please carry on as you were :)
― Nate Carson, Friday, 30 August 2013 08:01 (ten years ago) link
nice choice AG, need to listen to that more. I would like a week please!
― Neil S, Friday, 30 August 2013 14:34 (ten years ago) link
This is one of the few real psychedelic freak out albums that actually wound up being as insane as the description makes it sound. I wonder how much of Muir's ranting and raving was scripted, it's just so totally ridiculous and almost terrifying, like you'd think after the recording she went straight to the hospital (or the loony bin!)
Can't say I could listen to this often (that groove does kick some ass though), but it's definitely a singularity
― frogbs, Friday, 30 August 2013 16:49 (ten years ago) link
I listen to it a lot actually.
― pfunkboy (Algerian Goalkeeper), Saturday, 31 August 2013 04:38 (ten years ago) link
Uh, sacrilege I know, but the vocals are what put me off this otherwise very fine recording!
― Tommy McTommy (Tom D.), Saturday, 31 August 2013 09:20 (ten years ago) link
i like the nurse with wound cover with jim foetus on vocals.
― fit and working again, Saturday, 31 August 2013 16:34 (ten years ago) link
Braintickets please!
― i'll be your mraz (NickB), Saturday, 31 August 2013 16:44 (ten years ago) link
Cottonwoodhill = so f'in rad!
― the hubert harumphreys of social media (Drugs A. Money), Saturday, 31 August 2013 18:55 (ten years ago) link
Thanks for reminding me about Brainticket
― Mark G, Saturday, 31 August 2013 21:34 (ten years ago) link
Oh, Muir's ranting/raving is totally scripted to me
― Mark G, Saturday, 31 August 2013 21:35 (ten years ago) link
Yeah, it's all a bit Home Counties am dram, though tbf, the Radio 4 continuity announcer accent doesn't help.
― Tommy McTommy (Tom D.), Sunday, 1 September 2013 09:47 (ten years ago) link
The material that most of the players on taht lp cut as Toad is pretty great too. I'm not sure if I've heard any of the other Brainticket stuff, have heard it was more spacerocky though I think. So neither party actually makes music exactly similar to that elsewhere. Quite a good combination on there though.
― Stevolende, Sunday, 1 September 2013 10:27 (ten years ago) link
Well Brainticket is really just Joel Vandroogenbroeck (sp?) and whoever else he's playing with at the time
― Tommy McTommy (Tom D.), Sunday, 1 September 2013 10:29 (ten years ago) link
OK, I'm tuning in. Could I have a week?
― EveningStar (Sund4r), Sunday, 1 September 2013 15:42 (ten years ago) link
So I was really into the first couple of songs on the Brainticket album but this is starting to feel a little interminable when they're just repeating this one riff. Admittedly, I'm listening on laptop speakers while unpacking so I'll reserve final judgment until I can listen on better headphones or speakers.
― EveningStar (Sund4r), Sunday, 1 September 2013 16:14 (ten years ago) link
09/06 -- DaM09/13 -- frogbs09/20 -- balls09/27 -- ZS10/04 -- dronestreet10/11 -- Alan N10/18 -- Sund4r
hope I finally got the dates right this time.
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Sunday, 1 September 2013 20:41 (ten years ago) link
Sund4r- Headphones are great for this album.
― I'll take the jangle-jangle over the throb-throb (brg30), Monday, 2 September 2013 02:34 (ten years ago) link
https://www.youtube.com/watch?v=mjw6jEPgSHg
― reggie (qualmsley), Friday, 6 September 2013 02:28 (ten years ago) link
https://www.youtube.com/watch?v=AT3E2iWjVyw
― reggie (qualmsley), Friday, 6 September 2013 02:47 (ten years ago) link
Since Drugs A. Money hasn't turned up how about asking Drugs B. Money to take his shot?
― pfunkboy (Algerian Goalkeeper), Saturday, 7 September 2013 15:18 (ten years ago) link
Good idea! Drugs? You around?
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Saturday, 7 September 2013 19:19 (ten years ago) link
Sorry about forgetting! I cant do this until tomorrow morning
― the hubert harumphreys of social media (Drugs A. Money), Saturday, 7 September 2013 21:39 (ten years ago) link
But I have an album picked out and can get to it then...
― the hubert harumphreys of social media (Drugs A. Money), Saturday, 7 September 2013 21:40 (ten years ago) link
Cool!
― PRISON WARDEN CONSCIOUSNESS (4th Dimension) (Viceroy), Saturday, 7 September 2013 21:45 (ten years ago) link
OK, Brainticket is sounding a WHOLE lot better on headphones.
― EveningStar (Sund4r), Sunday, 8 September 2013 00:57 (ten years ago) link
Mine is gonna veer more drone/freak rather than prog/kraut, but it still fits I think....
― the hubert harumphreys of social media (Drugs A. Money), Sunday, 8 September 2013 01:09 (ten years ago) link
And wow, that was great, actually. And that was just on mediocre headphones. Now I'm eager to listen to this with my good headphones after I set up my audio interface. I like the theatrical 'scripted' nature of the vocals: it's a great performance imo. In a weird way, it actually made me think a little bit of some of Crass's stuff that came later. But, more obviously, the influence of 60s sound collage stuff is handled well, I think.
― EveningStar (Sund4r), Sunday, 8 September 2013 01:31 (ten years ago) link
Glad this thing is a thing again (the new listening club).
Where are the download links??
How do you listen to spotify without signing up? I am not a facebook user.
― van smack, Sunday, 8 September 2013 02:10 (ten years ago) link
well, the album I wanted to pick out--Angus MacLise's The Invasion of Thunderblt Pagoda--is not available on Spotify, or on Grooveshark, and apparently Grooveshark has fallen victim to both the social networking format and current insane copyright issues, and it's v risky business to just upload shit to it now, or at least so it seems...album is way cool tho and worth checking out; lots of acid trip flutes and bongos
so here is an album on Spotify that is really cool too that a few people on here may not know, even though I discovered it from the whole John Peel's record collection exhibit or w/e
C.A. Qunitet - Trip Thru Hell
http://3.bp.blogspot.com/-S5Fy7tmHhso/UbTGJ5cw5fI/AAAAAAAAAC0/ehEjR8wL1ac/s320/C.A+Quintet.jpg
can somebody help me out with the Spotify links?
― the hubert harumphreys of social media (Drugs A. Money), Sunday, 8 September 2013 12:11 (ten years ago) link
not a spotifier but the whole album's available on youtube ~
https://www.youtube.com/watch?v=mfJ-P-GP7XA
― reggie (qualmsley), Sunday, 8 September 2013 12:36 (ten years ago) link
http://open.spotify.com/album/13S4y1iJkLrDnhJu5VWv35
spotify:album:13S4y1iJkLrDnhJu5VWv35
― pfunkboy (Algerian Goalkeeper), Sunday, 8 September 2013 12:49 (ten years ago) link
Starts off sounding like something from The Secret of Monkey Island or something -- wandering the graveyards to rockin' fartybass keyboardgothicisms. Yeah, this sounds good. Never heard of it during my brief period of exploring "protoprog" or whatever (most of which basically was hardrock albums of the late 60s early 70s)extended drum section kinda lost me -- guessing that zooming in'n'out effect is the sorta thing that might work when you're stoned.Oh, but the screeching guitar bit was badass. (god, I'm a liveblogger.) Bummed that "Colorado Mourning" is more like the theme song to a bad ghost cowboy western TV show -- curious but lame. Gotta go, but will try posting later when I've actually listened to the album a couple of times. Can't wait to find out what a song called COLD SPIDER sounds like!
(hooray for this thread btw! Perhaps a Spotify playlist compiling all the featured albums would be a good idea?)
― Øystein, Sunday, 8 September 2013 12:54 (ten years ago) link
who is doing todays album?
― pfunkboy (Algerian Goalkeeper), Friday, 13 September 2013 12:43 (ten years ago) link
Froggie?
― the hubert harumphreys of social media (Drugs A. Money), Friday, 13 September 2013 12:46 (ten years ago) link
He's in space afaik
― pfunkboy (Algerian Goalkeeper), Friday, 13 September 2013 13:08 (ten years ago) link
I was gonna up this somewhere but my car went kaputt and well, Spotify will have to do
Anyway, my selection is Echolyn - As the World. If you don't know who Echolyn are I'm not surprised, they are a sort of neo-prog group (formed around 1990) from PA that never quite made it. They're still doing awesome stuff today, in fact they're now maybe better than ever, but ATW is really a great album and the one I'm really into now. Basically the band's first album tanked, but their second (Suffocating the Bloom) sold alright and caught the attention of Sony records, and they were offered a major label deal. Now the thing about Echolyn is that they're very passionate about the music, and ATW is really an attempt for the 5-piece to give everything they've got on the platform they're given. It's over 70 minutes, full of all sorts of hidden connections and the kind of songs that take many many listens to really unravel. This isn't like a long Yes or Crimson album though, it's pretty much all ensemble playing and awesome 3-part harmonies. I mean they've got the talent to be a band like that and they've definitely got the compositional skill but they're more akin to Gentle Giant, they're not afraid to bring in outside players when it suits the song, and they're more interested in compositions that reveal themselves over time rather than doing tricky things for the sake of it (there is some flashiness on this album but it's the kind of thing they really tried to reduce over time)
As legend has it the album sold well for its genre but they were dropped anyway, which split them up for a good while. You can probably hear why on this album - in my opinion it's really great because it's as good as a lot of the classic prog albums but it maintains that quality for much longer (Suffocating the Bloom was like this too, including a 30-minute suite that is quite similar to "Supper's Ready"). So they gave it their best and ultimately failed, got real jobs, reformed the band in 2000 and are still great, though they work at a slower pace. But ATW is their attempt at taking the world by storm and it's one of those albums that I listen to a ton now. Enjoy!
open.spotify.com/track/6j3YSd6ZJhpNnGMLskbGgN
― frogbs, Friday, 13 September 2013 14:07 (ten years ago) link
Has anyone heard of Alexander Gradsky? I first heard him on a Russian science fiction animation called the Passage and was fascinated by the proggy sounds and his tense passionate voice ((lots of European and soviet animation from 70s to early 90s has weird avant-garde music)). It turns out Gradsky is a superstar in Russia. A singer-songwriter, rocker, soundtrack guy for films and ballet, and does lots of full blown classical and opera. Huge discography. I've had difficulty finding his proggier stuff on youtube but lots of it is said to exist ((but I did find duets with John Denver and his proposed new Russian national anthem)).
I couldn't find The Passage soundtrack by itself but I did find this amazing thing...https://www.youtube.com/watch?v=8DOFeLuYKc8
I've been looking at these insanely comprehensive lists...
http://rateyourmusic.com/list/honganji/http://rateyourmusic.com/list/groonrikk/progressive_music_artists_worldwide___indexed_by_region/
...and a little worried about how far I should research. In most genres I feel I know the tell-tale signs of what to look into and what to ignore, but hundreds of generic prog bands have fascinating and unusual cover art. Cover art for books and films is totally unreliable but I feel bad bands generally have bad cover art. I've heard it said that album cover art often reflects the tastes and efforts of the bands. I think it's difficult finding a reliable critic for the outer reaches of the genre.
― Robert Adam Gilmour, Sunday, 15 September 2013 15:17 (ten years ago) link
I too latched on to that North Sea Radio Orchestra album.
― bendy, Thursday, 23 February 2023 18:48 (one year ago) link