Taking Sides: Keith Morris vs. Ron "Chavo Pederast" Reyes vs. Dez Cadena vs. Henry Rollins -- BLACK FLAG VOCALIST SMACKDOWN!

Message Bookmarked
Bookmark Removed
Not all messages are displayed: show all messages (108 of them)
Henry was looking at a mirror on the wall on the side of the stage and started screaming "I hate you". Then he smashed his head into the mirror.

I know he didn't mean that to be funny, but I find it pretty fucking hilarious.

Alex in NYC (vassifer), Wednesday, 13 April 2005 01:19 (nineteen years ago) link

It was one of those double-take situations where I was torn between thinking this guy is a disturbed wild man in need of help, and laughing at the ridiculousness of it. Plus I was familiar with seeing him around Dc onstage and off. I think at a subsequent show I saw he and Black Flag do with the Minutemen he jumped off the stage and did an Iggy, cutting himself up on something on the floor.

Steve-k (Steve K), Wednesday, 13 April 2005 02:47 (nineteen years ago) link

Steve,
Where are you? There's a book called Turned On which is a bio of Hank written by James Parker where I tell the story of his doing that in Richmond Virginia. It was Spring '84 with Nig-Heist and Meat Puppets opening. This is how I described it to Parker...
We were playing one night in Virginia, the place was mobbed. Black Flag was cranking, they were so fucking good, but the audience HATED it. And Henry would occasionally go into the crowd for effect, he'd get down on his belly and roll around on glass and do all of that snakeman stuff. This time he goes in, he gets pulled down, I saw it from the stage, he was on the floor on his belly and people were stomping him. So I dove in and started pulling people off, and I look down and there's this bloody rug, and it's Henry. And I'm going "You fuckers this! You fuckers that!" and Flag never stopped playing remember, when all of a sudden I feel this lightning fucking pain in my ankle and I go, "What the fuck!" and look down. It's Henry! He doesn't know it's me, and he's sunk his teeth into my ankle. So now I'm down there hitting him - "Let GO you sonofabitch, it's me! It's me!" That's how it was out there...

And yeah, there were other times he would Iggy out by simply finding a shard of beer bottle and start raking it across his chest. Very entertaining stuff, but not real musical, if you get my drift...
Tom

Tom Troccoli, Wednesday, 13 April 2005 16:36 (nineteen years ago) link

Jesus, Tom, that's nothing. That's fucking softcore. You shoulda seen The Field Mice from Bristol, England, maan. Maximum.Rock.And.Fucking.Roll. They woulda whipped these pussies.

Dr. C (Dr. C), Wednesday, 13 April 2005 18:56 (nineteen years ago) link

Hey Dr. C!
I know there were more hardcore scenes happening all over the place. Next to GG Allin, Idi Amin looks tame. I was simply wondering if Steve's memory might have been of that particular gig.
As I also implied, I was far more impressed by the pain in my leg than the overall musicality of the situation.
Until Rollins, the crowds would get rowdy, but Rollins thing was to jump into it and be part of it. Previous to that Flag more or less surved as a backdrop or soundtrack to the mayhem around them.
I too saw far more violent gigs than the one described. I still wonder about the poor kid swimming in his own blood after having taken a broken off beer bottle in his gut at a Fear show at The Music Machine in the early 80's. I wonder if he even survived. It was Altamont every night for some...
Tom

Tom Troccoli, Wednesday, 13 April 2005 21:45 (nineteen years ago) link

Of all the sangers Black Flag had, Keith is my fave. As for the music overall I prolly like the Rollins-era shit the best though. I think as time went on for hardcore grew to be much heavier and tighter and more aggressive - I think hardcore's most important attributes. And the scene was really taken to a new level with some of the metal crossover shit like SOD, DRI, COC and then all the great NYHC bands like Cro Mags, Crumbsuckers, Bold..

Johnny Badlees (crispssssss), Wednesday, 13 April 2005 22:53 (nineteen years ago) link

Tom:

I saw Black Flag with Henry in Baltimore in 2 different places in the early '80s--Terminal 406 where he smashed his head into the mirror, and uh, I can't remember the other place where, on a bill with the Minutemen, he jumped off the stage and cut up his chest--Marble Bar maybe? I should dig out my old Thrillseeker fanzines and see if we reviewed those shows in there.

I think some people I know used to refer to him as Henry the Lobotomy because of the crazy way he'd act at the gigs of others(when he was living in DC and in SOA), as well as how he'd act at Black Flag shows.

I lived in a MD suburb of DC at the time and used to mostly see shows in the DC area, but occasionally went up to Baltimore.

Steve-k (Steve K), Thursday, 14 April 2005 03:05 (nineteen years ago) link

I saw Black Flag with Dez singing in DC, never saw 'em with Keith or others.

Steve-k (Steve K), Thursday, 14 April 2005 03:28 (nineteen years ago) link

To me, the mid-80s Flag -- Greg, Henry, Kira, Bill Stevenson -- is perfect, singular. Kind of Coltrane's classic quartet.

Live, no band rocked harder.

lencho, Friday, 15 April 2005 19:00 (nineteen years ago) link

HOW COME THEY SUCKED SO BAD ON RECORDS

charleston charge (chaki), Friday, 15 April 2005 19:07 (nineteen years ago) link

On record, the quality stopped dead after the final note on Damaged, if you ask me.

Alex in NYC (vassifer), Friday, 15 April 2005 19:28 (nineteen years ago) link

I BLAME SPOT.

Amon (eman), Friday, 15 April 2005 19:43 (nineteen years ago) link

Charles,
Most of their early records absolutely do NOT suck. From My War on though they do have a very sterile and dry feeling to them which I attribute to the firing of Dukowski, and the fact that as great as Bill was, he always froze up when he knew there was a microphone on. You know there is no bass player on My War, right? Dale Nixon who is credited was Ginn himself. Kira really saves Slip It In all on her own.
Another change was the arrival of Rollins who seemed to display a very limited sense of humor in his writing. Humor which HAD been there before. Dukowski IS a funny guy! Subtle, but really funny.
This plus the ego wars between Rollins and Ginn also led to the decline of quality on those LPs. Greg would complain to me that whenever Rollins wrote the words, he would never leave room for a guitar solo, so with Greg's stuff, he would write maybe three lines and the rest WOULD be ALL guitar solos.
One of those latter Flag LPs (I won't tell you which) was in fact recorded as Ginn's first solo LP. Bill was fired and Ginn decided to change it into a Flag LP mid-stream. As a result it souinds king of like a mish-mosh of mismatching styles.
A big key to enjoying those later albums is your appreciation (or lack of) for Greg's guitar soloing. Lencho a little bit north of this post mentions Coltrane. A very good analogy. Greg really was blowing free-form noise all OVER the place. If you dug it, it was great, if not, well you thought it was tiresome and lame. I can tell you with ALL honesty that there were nights I was convinced without any doubt that Ginn was one of the top 10 most creative LEAD guitarists (he can't play rhythm real well) I have ever heard, and with the exception of natural distortion at the amplifier, he NEVER used ANY special effect pedals of ANY sort. Once or twice in practice he might try a wah-wah, but he never used ANY of that stuff live. What sounds like his hitting a whammy bar for effect is in fact his literally bending the neck of his guitar for the same effect. His guitar had NO whammy bar.
Some nights he could leave you gasping for air with his intensity.
So, yeah. That IS a good question. Why DID those records suck so bad, when the band was so good?
What do YOU think?
Tom

Tom Troccoli (ttrocc7007), Friday, 15 April 2005 19:48 (nineteen years ago) link

An additional note to Amon. Spot actually produced their best records. Maybe one reason the latter LPs DO sound so sterile is because Spot quit producing them. Spot left it all in there, warts and all. When Greg (and sometimes Dave Tarling) took over, Greg started going for a more up to date "Pro" sound. Very dry, very little extraneous noise, limiters and compressors up the ying-yang, the WORKS. Greg thought he was going 'state of the art' but maybe overall he should've considered just staying raw.

Tom Troccoli (ttrocc7007), Friday, 15 April 2005 19:52 (nineteen years ago) link

yah, tom, i really hate the drum sound on all mid to late 80s sst records. they even made george hurly sound cheeseball.

charleston charge (chaki), Friday, 15 April 2005 19:58 (nineteen years ago) link

okay i thought Spot produced all those later ones. actually i do still like My War. that was the first one i heard by them.

re: solos - i've always thought "Process of Weeding Out" was underrated. some great jazzy soloing on that.

Amon (eman), Friday, 15 April 2005 20:16 (nineteen years ago) link

Jesus, Tom, that's nothing. That's fucking softcore. You shoulda seen The Field Mice from Bristol, England, maan. Maximum.Rock.And.Fucking.Roll. They woulda whipped these pussies.

hahahahahhaha

The Silent Disco of Glastonbury (Bimble...), Friday, 15 April 2005 20:22 (nineteen years ago) link

Charlie,
One reason George sounded so weird on those records was because Watt really DID want REAL success and had George playing along to 'click-tracks' or like a metronome. Now that works for some, but George is a very 'emotional' player and speeding up and slowing down is a big part of his style. In Vida we made sure NO CLICK TRACKS WERE USED! In Vida, George was allowed to be George. Hell, we even got him singing 2 of his own tunes on there. Even in Red Crayola, there are times George is forced to play with a click-track.
The drums were also mixed to sound more like a big time rock band rather than the funny little jazz-funk trio they actually were. George has a very light touch, he is not Bonham. He's much closer to say a Mitch Mitchell.
And hey Amon, I'm with you. Process has some AWESOME stuff on it. The instrumental gigs they did around town were not well recieved. Everyone who came out kept hoping Rollins would show up and sit in. Yet, those were some of the most challenging Black Flag gigs ever.
Tom

Tom Troccoli (ttrocc7007), Friday, 15 April 2005 21:16 (nineteen years ago) link

awsome insite tom. thank you sir.

charleston charge (chaki), Friday, 15 April 2005 21:29 (nineteen years ago) link

That's tons of interesting stuff, Tom. Thanks so much for dropping by. You're confirming a lot of my suspicions, too. I'm a huge defender of Spot, who I think ended up recording, on balance, the greatest SST output. The sound on Slip It In is wonderful, and I'd still play "Wound Up" first for anyone who says Rollins-era Flag sucked (then "Drinking and Driving"). There's an immediacy to The Punch Line, Double Nickels, and Zen Arcade that the later ones lack.

As for the question of best line-up, I only saw them once, in Madison, Wisconsin circa '85, when it was Ginn, Rollins, Kira, and the guy who replaced Bill Stevenson, who was actually really great. Rollins glared at the audience and I couldn't tell why, so it was a weird gig. They kept karate kicking would-be stage-divers. I got punched by a girl I bumped into. Idiots yelling "TV Party." It was that kind of vibe. But "Wound Up" sounded great.

On record, I'd have to go with Chavo. The Jealous Again EP is the best distillation of Black Flag in sound and attitude, and yeah, he rocks in the Decline of Western Civilization.

Pete Scholtes, Saturday, 16 April 2005 20:27 (nineteen years ago) link

what is it with these measly 'punk rocker's. you talk of violence at shows, BAH! you know nothing! even at earliest black metal shows when the scene was truest there were children being eaten live on stage! but do you hear this make the press, no. the true essnce of wolfen blackness one needs not to brag about his evil, he only needs to stab your face in with it!

Mr. Vas Djifrens (byzantum), Saturday, 16 April 2005 20:53 (nineteen years ago) link

DEZ!!!!, KEITH, CHAVO, ROLLINS

mr paddy kean, Saturday, 16 April 2005 22:11 (nineteen years ago) link

Pete,


That's tons of interesting stuff, Tom. Thanks so much for dropping by. You're confirming a lot of my suspicions, too. I'm a huge defender of Spot, who I think ended up recording, on balance, the greatest SST output. The sound on Slip It In is wonderful, and I'd still play "Wound Up" first for anyone who says Rollins-era Flag sucked (then "Drinking and Driving"). There's an immediacy to The Punch Line, Double Nickels, and Zen Arcade that the later ones lack.

You're right about MOST of that, but in fact Husker DU took Spot's work back to Minneapolis with them and what you hear on the record is really THEIR production. That's Zen Arcade I am referring to. The Meat Puppets also started doing that from Up On The Sun as well.


As for the question of best line-up, I only saw them once, in Madison, Wisconsin circa '85, when it was Ginn, Rollins, Kira, and the guy who replaced Bill Stevenson, who was actually really great. Rollins glared at the audience and I couldn't tell why, so it was a weird gig. They kept karate kicking would-be stage-divers. I got punched by a girl I bumped into. Idiots yelling "TV Party." It was that kind of vibe. But "Wound Up" sounded great.

The drummer was Anthony Martinez, more of a straight ahead Rock and Roll drummer with very little experience in things 'Punk.' I remember that gig pretty well myself. My band opened, it was at a VFW hall, or old armory. Big old echoy hall with far too much bounce back from the rear of the hall. Once it filled up, it wasn't so bad. I had GREAT times on EVERY visit to Madison. GREAT coffee too! Now, PLEASE don't hunt your cats!

On record, I'd have to go with Chavo. The Jealous Again EP is the best distillation of Black Flag in sound and attitude, and yeah, he rocks in the Decline of Western Civilization.

To each his own. I think I might have liked Chavo better if I hadn't known him. He just didn't have the blood and guts seriousness and heaviness for me to make the music jump outta the grooves, and into yer lap. None the less, there is NO question that Jealous Again was one of THE greatest American Punk Rock records ever made.
And as a special aside to Mr. Vas Djifrens, I was never there for violence, EVER. I never rated one band over another because of the numbers of seriously wounded people being carted off at the end of the night. Why you should is beyond me!
It really was about the MUSIC!
Tom

Tom Troccoli (ttrocc7007), Sunday, 17 April 2005 18:19 (nineteen years ago) link

Ah yes, Turner Hall, the great old gymnasium where Minutemen, Husker, Naked Raygun, Replacements, etc. played before it was torn down. Sorry I missed your band, Tom! I think I might have seen the last song. One memorable moment that night was when there was a power outage or something, and Martinez kept the beat going nonstop for like five minutes without other music, doing that "Modern Man" R&B/hardcore backbeat while the other musicians fixed the problem.

Pete Scholtes, Monday, 18 April 2005 18:44 (nineteen years ago) link

Even though this is a Flag thread, I gotta second Tom's words about Hurley. Hurley was the first guy who made me see how drumming was a hell of a lot more than keeping the beat.

And I still like the quality of Keith's voice the best .. but it's the Ginn that matters.

dave225 (Dave225), Monday, 18 April 2005 18:58 (nineteen years ago) link

"and as a special aside to Mr. Vas Djifrens, I was never there for violence, EVER. I never rated one band over another because of the numbers of seriously wounded people being carted off at the end of the night. Why you should is beyond me!
It really was about the MUSIC!"

but is not the beauty of music the inseparableness of evil from which cannot it be unentwined?.

Mr. Vas Djifrens (byzantum), Monday, 18 April 2005 19:41 (nineteen years ago) link

Vas is joking, Tom, I assume.

I'll have to check out Vida.
http://home.earthlink.net/~ttrocc7007/

Just started reading your D. Boon tribute page, Tom. I didn't know you wrote for the Squealer! How did that hook-up happen?
http://home.earthlink.net/~ttrocc7007/id5.html

Also, I'm hoping this turns out to be good:
Minutemen documentary is done

Pete Scholtes, Monday, 18 April 2005 19:43 (nineteen years ago) link

Pete,
Turner Hall! I had foirgotten about how we blew the power to the building. It happened a few times! I remember Ratman (Dave Levine, our primo sound tech dude and PA supplier) climbing over where I was selling the t-shirts, and tapping the main line ABOVE the circuit breaker! He would do that from time to time. Highly illegal and DANGEROUS! One place in (I think) Florida, he actually climbed a light pole and tapped the city's main grid.
I'm sorry to hear the place is gone.
Okay, my scanner is dead, but I just went into the old personal archive, and there's the poster.
Saturday July 27, 1985: Turner Hall 21 S. Butler, all ages, doors open at 7:30 and tix were 8 bucks at the door. It sez the show was produced by 'Paradise Records.'
In the words of Bob Hope, thanks for the memories!
And for Dave, I was just talking with Bill Bowman who played bass in Vida. He agrees. NO CLICK TRACK FOR HURLEY!
Tom
PS For Vas...
but is not the beauty of music the inseparableness of evil from which cannot it be unentwined?

Nope! The music itself, and that means ALL music is an act of CREATION, violence is an act of DESTRUCTION.

Tom Troccoli (ttrocc7007), Monday, 18 April 2005 19:48 (nineteen years ago) link

Hi Again Pete,
Paul Bernstein editor of The Squealer was (and I presume still is) a HUGE Minutemen fan. When he heard Hurley was in a new band, he flew to LA to check us out. He introduced himself to us, and asked for individual interviews with Dez, George and myself. In passing he asked if I would be interested in writing an occasional column. I said yes. That's it!
I'm too weird to have checked out the new Minutemen doc. Sincerely. It still hurts too much, so I sent my wife to check it out for me. She sez when Ginn hit the screen, the entire theater booed him.
Tom

Tom Troccoli (ttrocc7007), Monday, 18 April 2005 19:53 (nineteen years ago) link

destruction is what i seek! my mission is to bring down misery and pain upon all, and if not misery at least very unpleasant sensations.

Mr. Vas Djifrens (byzantum), Monday, 18 April 2005 19:54 (nineteen years ago) link

"Vas is joking, Tom, I assume."

i am not joking one bloody morsel! i am seriouser than even the most painful torturings. and my coldness 'rocks' the house.

Mr. Vas Djifrens (byzantum), Monday, 18 April 2005 19:58 (nineteen years ago) link

or 'burns down the church' you might add

Mr. Vas Djifrens (byzantum), Monday, 18 April 2005 19:58 (nineteen years ago) link

She sez when Ginn hit the screen, the entire theater booed him.

yikes, was the audience all made up of members of former SST bands?

Amon (eman), Monday, 18 April 2005 20:37 (nineteen years ago) link

Amon,
The screening was in San Pedro, so everyone was either once an SST artist, or is the relative or FRIEND of SST artists. Yup, the entire place was made up of SST bands.
And yeah, Vas, I know you mean it.
Tom

Tom Troccoli (ttrocc7007), Monday, 18 April 2005 21:00 (nineteen years ago) link

Yeah I've heard more than enough stories of Ginn's wheelings & dealings to know that he's made many an enemy over time. Makes that old bumper sticker "corporate rock sucks" seem so laughable and ironic.

Amon (eman), Monday, 18 April 2005 21:27 (nineteen years ago) link

Wow, what a great thread to read all the way through!

My favorite version of Flag was in-between "Damaged" and "My War" -- when Dez and Greg and Chuck were all still in the band, before Rollins had become such an out of control caricature (when the tattoo bill was still under a thousand bucks). When there were two guitarists in the band, Ginn was just so totlaly free jazz nuts hair flying madman, people literally lept the fuck back from the stage not out of fear of getting hair whipped, but 'cause you'd swear he was doing some Haitian possession ritual or something (sorry, I just watched Maya Deren's "Divine Horsemen" with my girl the other day).

Tom's Minutemen/ etc. pages are truly a great read and I really liked TTD when I saw them live -- but then again, I'm someone who wore Grateful Dead shirts to punk rock shows backintheday, and I liked Oktoberfaktion and Saccharine Trust as well (live anyway).

Ohhh, and back to D. -- to this day, Glenn Branca's comment in that "Forced Exposure" interview that he thinks the FBI offed D. Boon strikes a chord with me. Sure it's a bit ridonkulous, but still....

Mike McGillicutty, Monday, 18 April 2005 21:50 (nineteen years ago) link

Mike,
While I do have my suspicions regarding surveillance and The Minutemen, as well as Flag, knowing the facts, I do NOT believe the feds had anything at all to do with Dennis' death. For real.
Tom

Tom Troccoli (ttrocc7007), Tuesday, 19 April 2005 23:38 (nineteen years ago) link

Tom--

Yeah I don't really believe it but part of me wants to in a weird way to "make sense of" something that was and still is really tough to understand. It's just my little brain grasping at straws, really.

--Mike

Mike McGillicutty, Wednesday, 20 April 2005 01:41 (nineteen years ago) link

three weeks pass...
I was only 4 when the mighty Flag called it quits, but I'm a huge fan. I have videos from every singer except Keith, and Rollins is by far the best. Dez has a relatively weak voice and sterile stage performance, although his recordings are great. Chavo was cool, but kinda generic. Henry was wild and psychotic, not to mention he has the most bone-chilling scream in music. I have a live recording of their last show in Detroit and it's the best thing I've ever heard from any live band. I don't understand the bashing of the later records, "Loose Nut" and "In My Head" are some of my most played records. I'll will say, however, that Ginn's "reunion" at the Palladium was vomit inducing....Hanks the only one who really survived post-Flag.

Brandon Sideleau, Monday, 16 May 2005 00:55 (eighteen years ago) link

two weeks pass...
Hmm. No great support for Henry...that surprises me. I love BF enough to have the bars on my arm, but IMO BF started getting REALLY interesting when Henry pitched-up.

http://rootsradicaluk.blogspot.com

Cool thread.

kenny mac, Monday, 30 May 2005 12:57 (eighteen years ago) link

Hmm. No great support for Henry...that surprises me. I love BF enough to have the bars on my arm, but IMO BF started getting REALLY interesting when Henry pitched-up.

http://rootsradicaluk.blogspot.com

Cool thread. Nice one.

kenny mac, Monday, 30 May 2005 12:57 (eighteen years ago) link

eight months pass...
well that was an interesting read, although I haven't heard a lot of the other musicians, I must say im impressed by Rollin's act, I love seeing him perform live, as well as his voice. I just like the psycotic attitude he expelled, he sometimes reminds me of gg allin. I like Kieth too, and a lot of the songs he recorded.

m. chaves, Thursday, 2 February 2006 22:55 (eighteen years ago) link

In my opinion Chavo was the weakest. He sounded like a regular kid. Keith had character to his voice, Dez was gruff, and Henry was kind of a 10 times crazier version of Dez, maybe not so much in the end though. I have a little theory about why Henry is probably the most hated singer. I was thinking that it might have to do with the fact that he was from DC. I believe that all of the previous singers were pretty much from the same area, local fans I think. And Henry coming in might have been viewed as an outsider intruding in their favorite band. Well, like I said, it's just a theory, what do I know, I wasn't there!

xgurggleglgllg (xgurggleglgllg), Friday, 3 February 2006 00:39 (eighteen years ago) link

threads like this are why I read ilm. I grew up listening to the sst and dischord back catalogues religiously. through the 12 or so years I've been promoting shows I've met a lot of the DC people but have never come into direct contact with any of the sst people so the whole scene has remained shruoded in a little bit of mystery. it's pretty amazing to have first hand accounts of this stuff.
but back to the question:
I've gotta say keith, then probably henry, then chavo, then dez.
I think musically they started to meander a little post slip it in but even then when they were on it was great.
I think henry generally gets the blame for the demise of black flag but I think tom pretty much nailed my suspicions that it was henry and greg's ego battles that killed the quality control.

simon 803 (simon 803), Friday, 3 February 2006 01:26 (eighteen years ago) link

tom,

Mentioning Ginn and John Coltrane in the same sentance is absurd. a closer comparison would be Sonny Sharrock, but that' still off board. I'm sure he would tell you that himself.

Greg Ginn wrote some great punk rock tunes. However he's not a free-form jazzbo, nor a great soloist.

Regarding the qualities of the vocalists, I've seen most of them perform, and Rollins doing black flag material owns all of them Keith Morris does the best "Gimmie, Gimmie, Gimmie" - but he can't bring the rage like Rollins can. Of course, I'd rather watch 100 circle jerks shows than watch Rollins sing "low self opinion" but that's another story.

Uncle Tom (Uncle Tom), Friday, 3 February 2006 20:28 (eighteen years ago) link

Yeah, I agree that some of the Black Flag songs fit Keith more, like I said he has that "character" about him. It must be hard to overshadow Rollins though.......

xgurggleglgllg (xgurggleglgllg), Friday, 3 February 2006 20:39 (eighteen years ago) link

Uncle Tom,
Haven't been here in a while, but I see the thread has become active again.
While it's true that the records don't show Ginn's free-form solo by the seat of yer pants stylings (he was always very 'stiff' in studio), seeing him night after night throughout 1984-1986 I can assure you, he was completely off the wall in his soloing. Completely without form or direction, open-ended so the band never knew HOW many solos he would take and when he had a head full of LSD (which while it didn't happen often, on the road, DID happen from time to time) his stuff would explode into outer space.
The opening and middle instrumental jams alone might go on for 10-15 minutes depending on Ginn's mood.
If he had played the way he did on records, I woulda gone outta my mind with boredom after the first 2 nights.
In my own opinion, he was far closer to Coltrane than Sharrock, whereas I was probably closer to Sharrock then Coltrane! It's not the SOUND I am referring to, but the APPROACH to the music. Coltrane WAS Punk in attitude, much like Sonny Rollins who was wearing HIS mohawk DECADES before Dukowski and Darby.
Keep in mind also when you listen to Ginn, he is using absolutely ZERO effects on his guitar. No wah-wah, no tremelo bar, no chorus or distortion pedals. Every single squeal was produced ONLY with his guitar and an overdriven amp. He would get the 'whammy bar' effect by setting up a feedback tone, and then manually bend the neck of his guitar to get that sound.
Tom

Tom Troccoli (ttrocc7007), Saturday, 11 February 2006 17:51 (eighteen years ago) link

two weeks pass...
Ok although I love Rollins angry singing, It has come to my attention that every version of Damaged songs sung by Dez sounds better. Six Pack, Depression, Damaged II, they sound better on Dez in a way, maybe less angry but he sure sings better. I like Chavo and his attitude too, and Kieth, although a version of Johnny Rotten, he has great vocals...I sure would like to hear that version of Gimme Gimme Gimme like said above...in which ep is that one?

cattellar, Tuesday, 28 February 2006 03:14 (eighteen years ago) link

You can find his version on "Everything Went Black".

xgurggleglgllg (xgurggleglgllg), Tuesday, 28 February 2006 04:18 (eighteen years ago) link

Maybe I was wrong, I think the version of Depression I heard...was from Morris instead, It's the first Depression that appears on Everything Went Black...is that Kieth?

cattellar, Thursday, 2 March 2006 19:08 (eighteen years ago) link

dez cadena by a country mile.

― gygax! (gygax!), Sunday, January 2, 2005 7:04 PM (5 years ago)

OTM. gygax! was the first person to rep for dez until Tom Trocolli and his dog chimed in. RIP gygax!

✌.✰|ʘ‿ʘ|✰.✌ (Steve Shasta), Wednesday, 31 March 2010 17:33 (fourteen years ago) link

I remember the Hernandez Bros repping for Dez as the best as well fwiw

Whats with all the littering? (Shakey Mo Collier), Wednesday, 31 March 2010 18:00 (fourteen years ago) link

Thanks for the bump! This thread is a fuckin goldmine.

I can tell you with ALL honesty that there were nights I was convinced without any doubt that Ginn was one of the top 10 most creative LEAD guitarists (he can't play rhythm real well) I have ever heard,

Tom Troccoli OTM.

Bonnie Prince Stabby (Jon Lewis), Wednesday, 31 March 2010 18:19 (fourteen years ago) link

i interviewed tom for my flag book last year, he had some fantastic stories

♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ (stevie), Wednesday, 31 March 2010 20:09 (fourteen years ago) link

one year passes...

Way late to the party but I couldn't find another thread on this : The Off Eps record is ripping my tits off. Great fun to these weathered ears.

Hinklepicker, Tuesday, 16 August 2011 08:39 (twelve years ago) link

they play london next week, i CANNOT wait

sbgorf (stevie), Tuesday, 16 August 2011 18:09 (twelve years ago) link

one year passes...

Why can't I do anything without being yelled at?

how's life, Monday, 31 December 2012 14:34 (eleven years ago) link

I think all their singers have been pretty good vocal choices for what they were doing at the time they had them, though you could probably argue that each was an odd personality choice for that time as well.

Poliopolice, Monday, 31 December 2012 15:03 (eleven years ago) link


You must be logged in to post. Please either login here, or if you are not registered, you may register here.