ILX 70s album poll - results

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Hobart, that was an excellent blurb on 'Blue'. i guess it was me and you had it as number 1? you have increased my confidence that everyone else is just plain wrong.

Lee F# (fsharp), Friday, 22 April 2005 19:01 (nineteen years ago) link

No love for Todd Rundgren. Bah! Oh well, I am gladdened to see I was quoted about Surf's Up. This is a great thread.

Deluxe (Damian), Saturday, 23 April 2005 10:42 (nineteen years ago) link

Maybe he will appear on the singles list.

RS_LaRue (RSLaRue), Saturday, 23 April 2005 13:20 (nineteen years ago) link

Alternate Blue?

Alternate Blue, indeed... I didn't spot that when I posted the cover. I just thought it was a nice big picture of it. The one on Amazon looked sort of...grey...which defeats the point, really. I wonder what Alternate Blue can be.

hobart paving (hobart paving), Saturday, 23 April 2005 14:50 (nineteen years ago) link

by the way did keith jarrett's sun bear concerts get any votes, hobart?

-- alex in mainhattan (alex6...), April 22nd, 2005.

I'm afraid not, Alex.

hobart paving (hobart paving), Saturday, 23 April 2005 15:07 (nineteen years ago) link

that's what i thought. it would have been my number one if i had voted...

alex in mainhattan (alex63), Saturday, 23 April 2005 15:09 (nineteen years ago) link

Is this going to continue over the weekend, or are you waiting until Monday to do the top 22?

MindInRewind (Barry Bruner), Saturday, 23 April 2005 15:21 (nineteen years ago) link

I voted for Koln Concert if that helps. I haven't heard Sun Bear.

Sundar (sundar), Saturday, 23 April 2005 15:38 (nineteen years ago) link

the köln concert is nice (maybe a little too nice) but the sun bear concerts are the real deal if you like jarrett's solo piano improvisations.

alex in mainhattan (alex63), Saturday, 23 April 2005 15:54 (nineteen years ago) link

Well, here's what we have so far...

100. VA - Nuggets
99. New York Dolls - s/t
98. David Bowie - Heroes
97. Kate Bush - The Kick Inside
96. Bruce Springsteen - Darkness On the Edge of Town
95. The Cure - Three Imaginary Boys
94. Augustus Pablo - King Tubby Meets Rockers Uptown
93. Philip Glass - Einstein on the Beach
92. Sparks - Kimono My House
91. Cheap Trick - Live at Budokan
90. Steely Dan - Countdown to Ecstacy
89. Sparks - No. 1 in Heaven
88. Can - Future Days
87. The B52s - The B52s
86. Parliament - Funkentelechy Vs. the Placebo Syndrome
85. Leonard Cohen - Songs of Love and Hate
84. Iggy and the Stooges - Raw Power
83. The Slits - Cut
82. Nick Drake - Bryter Layter
81. The Beach Boys - Surf's Up
80. Neu! - Neu!
79. The Beatles - Let It Be
78. John Lennon - Plastic Ono Band
77. Funkadelic - Maggot Brain
76. Big Star - Third
75. John Cale - Paris 1919
74. Donna Summer - On the Radio
73. Miles Davis - A Tribute to Jack Johnson
72. Marvin Gaye - Let's Get It On
71. Parliament - The Mothership Connection
70. Brian Eno - Taking Tiger Mountain (By Strategy)
69. VA - Saturday Night Fever
68. Wire - 154
67. Led Zeppelin - Houses of the Holy
66. Led Zeppelin - IV
65. Pink Floyd - Wish You Were Here
64. Big Star - #1 Record
63. Black Sabbath - Paranoid
62. David Bowie - Station to Station
61. Neil Young - Rust Never Sleeps
60. Elvis Costello - My Aim Is True
59. Miles Davis - Bitches Brew
58. Bob Dylan - The Basement Tapes
57. The Congos - Heart of the Congos
56. Fleetwood Mac - Rumors
55. Ornette Coleman - Dancing in Your Head
54. Richard and Linda Thompson - I Want To See the Bright Lights Tonight
53. David Bowie - Hunky Dory
52. The Fall - Dragnet
51. Neil Young - Tonight's the Night
50. Steely Dan - Pretzel Logic
49. Roxy Music - Roxy Music
48. Roxy Music - For Your Pleasure
47. Stevie Wonder - Talking Book
46. Suicide - First Album
45. Miles Davis - On the Corner
44. Curtis Mayfield - Superfly
43. Steve Reich - Music For 18 Musicians
42. Talking Heads - More Songs About Buildings and Food
41. Neil Young - On the Beach
40. Gram Parsons - Grievous Angel
39. Wire - Chairs Missing
38. Stevie Wonder - Songs in the Key of Life
37. Can - Ege Bamyesi
36. Brian Eno - Another Green World
35. Serge Gainbourg - Histoire Du Melody Nelson
34. Nick Drake - Pink Moon
33. Elvis Costello - This Year's Model
32. Neil Young - After the Goldrush
31. Big Star - Radio City
30. The Clash - The Clash
29. The Velvet Underground - Loaded
28. The Rolling Stones - Sticky Fingers
27. Wire - Pink Flag
26. Can - Tago Mago
25. David Bowie - Low
24. Joni Mitchell - Blue
23. Brian Eno - Here Come the Warm Jets

whenuweremine (whenuweremine), Saturday, 23 April 2005 16:58 (nineteen years ago) link

This is definitely better than the Pitchfork list so far. Less Floyd, for one thing. Though that might not last.

o. nate (onate), Saturday, 23 April 2005 17:03 (nineteen years ago) link

but i wouldn't consider a top 100 of the seventies complete without pink floyd. dark side of the moon has to be the one.

alex in mainhattan (alex63), Saturday, 23 April 2005 17:27 (nineteen years ago) link

btw it is Histoire de Melody Nelson

alex in mainhattan (alex63), Saturday, 23 April 2005 17:30 (nineteen years ago) link

Dammit, the seventies was arguably the greatest decade of African-American music, so I'm a bit disappointed by all this proto-indie stuff that's filling the list. But I guess a couple of albums are still to come up ("What's Going On", "There's a Riot Going On"), and the singles list is where, for obvious reasons, we should see a lot more black music.

Anyway, I'm a bit surprised too there's no Fela Kuti on the list at all (was anyhthing besides "Zombie" even nominated?). I guess he could still make it, but I'm kinda doubtful...

Tuomas (Tuomas), Sunday, 24 April 2005 11:11 (nineteen years ago) link

For those who are comparing this list to Pitchfork's, I'm not sure where all the praise is coming from. There's a *lot* of overlap, and while they've got a bit more classic/FM rock (e.g. King Crimson, Randy Newman, Van Halen), we've got a bit more jazz and funk (albeit restricted to a small number of artists).

Then again, our #1 album isn't "Low", which counts for a lot, but the rest of the Pitchfork top 20 is pretty good.

MindInRewind (Barry Bruner), Sunday, 24 April 2005 13:52 (nineteen years ago) link

the pitchfork list was probably better. We've got all three Big Star albums, but they ddin't have LZIV IN THE FUCKING SIXTIES

The Good Dr. Bill (The Good Dr. Bill), Sunday, 24 April 2005 13:55 (nineteen years ago) link

wait, wait, wai.. are the ramones about to COUP this shit?

poortheatre (poortheatre), Sunday, 24 April 2005 21:06 (nineteen years ago) link

This is definitely better than the Pitchfork list so far.

Any list where Pink Moon beats out Mothership Connection by 37 places is better than nothing, except maybe prostate cancer.

Stupornaut (natepatrin), Sunday, 24 April 2005 21:11 (nineteen years ago) link

ahem.

Ian John50n (orion), Monday, 25 April 2005 17:59 (nineteen years ago) link

III and Houses Of The Holy should always place higher than IV. They're all worthy of inclusion, but I don't see why IV should always be given highest placement.

billstevejim, Monday, 25 April 2005 19:47 (nineteen years ago) link

Agreed. The third album is brilliant, on most days my favorite...

Dr. Gene Scott (shinybeast), Monday, 25 April 2005 20:37 (nineteen years ago) link

22

points: 564
1st place votes: 0
total votes: 20

THE RAMONES - THE RAMONES

http://images-eu.amazon.com/images/P/B00005JGAB.02.LZZZZZZZ.jpg

hobart paving (hobart paving), Monday, 25 April 2005 21:15 (nineteen years ago) link

Wahayyy.

Our Alice took this album (along with McFly and Busted ones) to her last day at nursery.

I don't know if they played it at her leaving party...

mark grout (mark grout), Monday, 25 April 2005 21:21 (nineteen years ago) link

I was listening to the Ramones earlier, and I just thought they probably wouldn't care if Shania wore their T-Shirt or not. They are like 1,2,3,4, just get on with it.

-- jel -- (freeduni...), January 23rd, 2003.

hobart paving (hobart paving), Monday, 25 April 2005 21:23 (nineteen years ago) link

nevermind... No Rockets to Russia, i guess..

poortheatre (poortheatre), Monday, 25 April 2005 21:25 (nineteen years ago) link

I think the reason the Ramones are held dearer than the likes of the Pistols and Clash is at least partly due to something I've rarely seen commented on, and which most of their fans are (probably) not really aware of: the extent to which they borrow, soundwise and imagewise, from early 60s girl groups. They've got more in common with the Crystals than AC/DC. This was always obscured by their "rawk, rawk, rawk!!!" trappings, but I think it's got a lot more to do with their lasting appeal than that ever did. They also borrow a lot from the Beatles - their name, obviously, but also Joey's fake-Liverpool accent - who also owed a lot to the Spector groups, so I guess the Ramones might have absorbed a lot of that through listening to the Beatles.

I could be projecting here, since the main reason I like the Ramones a lot has almost nothing to do with them being "punk legends" (yawn) and everything to do with their girlgroup style. The recent deaths do factor into this as well: once someone dies all sorts of not-entirely-thought-out feelings you had toward that person suddenly twist themselves inside out.

Also, I for one am very upset when I see the Slits maligned.

-- Justyn Dillingham (aubade8...), January 24th, 2003.

errr...let's have some posts about the band rather than about the album... well, they ARE interesting comments on the band, even if something more specific would be better. I'm sure there are lots of pertinent comments specific to this album out there, I'm just having trouble finding them.
I think Justyn is RIGHT.

hobart paving (hobart paving), Monday, 25 April 2005 21:30 (nineteen years ago) link


The Ramones *WERE* a handful of magic beans, you fool!

-- Alex in NYC (vassife...), January 28th, 2003.

hobart paving (hobart paving), Monday, 25 April 2005 21:32 (nineteen years ago) link

Wahayyy.

Our Alice took this album (along with McFly and Busted ones) to her last day at nursery.

I don't know if they played it at her leaving party...

-- mark grout (mark.grou...), April 25th, 2005.

I'm just trying to imagine "Blitzkreig Bop" back to back with "Five Colours In Her Hair". Actually, at the risk of being flayed alive, it doesn't seem so terrible.

hobart paving (hobart paving), Monday, 25 April 2005 21:35 (nineteen years ago) link

21

points: 564
1st place votes: 1
total votes: 16

AL GREEN - CALL ME

http://images-eu.amazon.com/images/P/B0000240T5.02.LZZZZZZZ.jpg

hobart paving (hobart paving), Monday, 25 April 2005 21:40 (nineteen years ago) link

I made it through most of my life not knowing what the big deal was until a pal lent me Call Me which, yeah, is incredible drinking music, and seems to get better with age...

-- Pete Scholtes (pscholte...), April 6th, 2003.

I just got Call Me and I'm going bananas. For me the appeal of the 70s stuff I've heard is like 45% production, 35% Green's voice, 20% songs. The sound of those records, the drums, organ squelches, etc, fascinates me. I think of all the chillout/downtempo producers today & how in love they are with "atmosphere" & they never come close to that sound.

-- Mark (mar...), October 8th, 2003.
ooo listen to those snares...

-- amateurist (amateuris...), October 8th, 2003.

Al Green. As a pure singer he's the best-- eddie hurt (eddshur...)

hobart paving (hobart paving), Monday, 25 April 2005 21:52 (nineteen years ago) link

I'll attempt to put some more up over the next couple of days. Sorry for the break over the weekend, I didn't get any spare time.

I dug out a copy of Maggot Brain as a result of this poll. Can't believe I'd overlooked it. Its an immense album - I should have voted for it.

Next poll, maybe..

hobart paving (hobart paving), Monday, 25 April 2005 21:55 (nineteen years ago) link

III and Houses Of The Holy should always place higher than IV. They're all worthy of inclusion, but I don't see why IV should always be given highest placement.

Because with the possible exception of "The Battle of Evermore," IV is utterly perfect. III has moments of brilliance but a lot of weak spots as well, HOTH is fairly close but the overall quality level is prob. a bit lower.

The Good Dr. Bill (The Good Dr. Bill), Monday, 25 April 2005 22:08 (nineteen years ago) link

20

points: 569
1st place votes: 1
total votes: 16

KRAFTWERK - THE MAN MACHINE

http://images-eu.amazon.com/images/P/B000087HXO.02.LZZZZZZZ.jpg


This where Kraftwerk's style, image and theme find their ultimate
expression, The Man Machine is where the group's ideas are most fully
realised. Middle-European melancholy set in "Spacelab", futurism with
an old world touch. All six songs are perfect and beautiful, none of
them sound dated 27 years on. The robots that still define
Kraftwerk's image were introduced here, yet the men's eye for the
ladies in "The Model" shows the machines as human after all. This is
the international edition, in Germany the band released a German
language version. Oh my, the gentle kick drum that starts off "Neon
Lights" has just started while I type this. Oh, and there's that
synth line. I love this music so much.

JoB de wit

hobart paving (hobart paving), Wednesday, 27 April 2005 08:47 (nineteen years ago) link

god what a band

j blount (papa la bas), Wednesday, 27 April 2005 09:02 (nineteen years ago) link

19

points: 601
1st place votes: 0
total votes: 17

THE STOOGES - FUN HOUSE

http://images-eu.amazon.com/images/P/B000005IU2.02.LZZZZZZZ.jpg

hobart paving (hobart paving), Wednesday, 27 April 2005 09:06 (nineteen years ago) link

Fun House is the greatest rock & roll record of all time. I feel sorry for people who can't understand that.
-- shemp (curl...), March 13th, 2005.

IT KNOCKS THE FUCKING WALLS DOWN?
-- Tim Ellison (timejeanne...), January 13th, 2005.

'Funhouse' is the only 'real' record. Everything else by [or with or whatever] Iggy Pop is very strange. Like, sort of cabaret music. Why? That is very strange to me. I don't complain about it being cabaret music, I can still listen 'past' the cabaret-ness of it, but I wonder why he was never again able to make a record that was not cabaret? On the other hand, the reason seems obvious.
-- antonius (r...), September 6th, 2004.

I'd been playing Black Grape and the Happy Mondays just now, and suddenly throwing on Fun House is just so much more FULFILLING than those records (not knocking them, mind you). But fuck...."TV Eye" is playing right now, and it's just fucking UNSTOPPABLE!
-- Alex in NYC (vassife...), January 13th, 2005.

hobart paving (hobart paving), Wednesday, 27 April 2005 09:21 (nineteen years ago) link

I never heared this album, until one day the Fun House sessions arrived at my doorstep unbidded.

I love this album.

mark grout (mark grout), Wednesday, 27 April 2005 09:29 (nineteen years ago) link

18

points: 601
1st place votes: 0
total votes: 18

MICHAEL JACKSON - OFF THE WALL

http://rds.yahoo.com/S=96062883/K=off+the+wall+jackson/v=2/SID=e/l=IVI/SIG=12r98co0b/EXP=1114686155/*-http%3A//linux030.cshc.qc.ca/~dmercier/biographie45/michael/otwallalb.jpg

Off the Wall

Michael Jackson

Somewhere in between Michael Jackson’s difficult childhood and his possibly psychotic reactions to his difficult childhood, he managed to come out with Off the Wall. At the time, we thought it would always be thus.

You can no longer listen to this record without thinking about what came after. Thriller may have made him the King of Pop rather than a good-looking guy with a few hits, but the seeds of MJ’s musical destruction are there. The paranoia, the megalomania, the self-reference (fictional and non-) made for great songs on Thriller, but he’s walking on a wire. He wobbled on “We Are the World,” teetered with stuff like “The Way You Make Me Feel” a great song rendered stiff by the production) and eventually fell off, handing in calcified junk like “Invincible.”

Off the Wall breathes; it’s engaging while it’s impressive. You can dance to it without worrying that you don’t look as cool as Michael Jackson dancing to it. “We’re the party people living night and day/ Living crazy that’s the only way/ So tonight/ Gotta put that 9 to 5 up on the shelf/ And just enjoy yourself.” Slight? Maybe, but fun too. And, as on “She’s Out of My Life,” as on everything here, he sings like he knows what he’s talking about (even though he probably already doesn’t).

Weird Al Yankovic never parodied anything from Off the Wall (on record anyway). That’s because he tweaks excess. And there isn’t any here.

Rick Massimo

hobart paving (hobart paving), Wednesday, 27 April 2005 10:03 (nineteen years ago) link

I nearly forgot about Kraftwerk, even though I voted for them! The Man-Machine should've been in the top 10, I can't see how it could lose to Autobahn, as fun as that record is too.

Tuomas (Tuomas), Wednesday, 27 April 2005 10:17 (nineteen years ago) link

as fun as that record is too

You mean: fahren!

RS_LaRue (RSLaRue), Wednesday, 27 April 2005 10:29 (nineteen years ago) link

17

points: 604
1st place votes: 1
total votes: 15

VARIOUS ARTISTS - THE HARDER THEY COME

http://images-eu.amazon.com/images/P/B00005LZWR.02.LZZZZZZZ.jpg

The Harder they Come

John Peel had a rating system for songs: 1 star meant he might play it
on
the radio, 2 stars meant he should, and 3 stars meant he must. Every
few
years he would announce that an album had achieved the distinction of
every
track on it getting 3 stars (I remember Misty in Roots 'Live at the
Counter-Eurovision' and the first Bhundu Boys album being examples)

Anyway, 'The Harder They Come' falls into this category. Every track on
it
is not just good, but great, good enough that if you bought an album
and it
had just one of these tracks, you'd be satisfied with your purchase
even if
the rest of the album was rubbish.

Joe Kay

Various - The Harder They Come (Soundtrack)

To this day, the artist on the spine of "The Harder they Come" reads
"Jimmy Cliff," although the album is indeed a compilation. Maybe it
was a recognition that Cliff's contributions are more numerous and
arguably better than anything else on the record, but it probably had
more to do with marketing, as Cliff starred in the lead role of the
film. The other selections, by reggae stalwarts such as Toots & the
Maytals and Desmond Dekker, are some of the island's greatest tracks,
and serve as a counterpoint to Cliff's four masterpieces. Even though
you'll often hear that this is a "great introduction to reggae," I've
always thought this collection is all the more powerful because Bob
Marley is absent from it. Not because he is in any way a lesser
artist, but the inclusion of such a major personality would have
distorted the balance of the album. Either way, it's indispensable
for both casual reggae fans and fanatics alike.

Keith C

hobart paving (hobart paving), Wednesday, 27 April 2005 10:30 (nineteen years ago) link

16

points: 616
1st place votes: 0
total votes: 22

THE SEX PISTOLS - NEVER MIND THE BOLLOCKS, HERE'S THE SEX PISTOLS

http://images-eu.amazon.com/images/P/B00000G6PJ.02.LZZZZZZZ.jpg

hobart paving (hobart paving), Wednesday, 27 April 2005 10:49 (nineteen years ago) link

I mean the Pistols opened up Punk, Post Punk, Industrial, New Wave... There were obviously antecendants, but the pistols craked open a lot more creative energy and empowered a lot more people the gnr did. Punk exploded in a million directions, and gnr just became another mark in one continious trajectory(aka white hetero testosterone rock).
Not only did the pistols ignite more energy, they had the potential to be a lot more interesting than they already were. One of the things I would most love to see would be their first set of publicity photos which were shot by Peter Christopherson of TG. He framed them as a bunch of psychotic rentboy, and apparently they were so intense that Malcom actually would not alllow them to be used. The other thing that would have made them more interesting is if there had been more of a fusion between Lydon and Jones/Cook. The Lads rock of Jones and Cook would have been a perfect anchor for Lydons more avant tastes. It would have been a true avant garage band, they just needed the right bassplayer. If Wobble had gone in instead of Sid the Pistols would have tore shit up.

-- Disco Nihilist (current31...), October 22nd, 2004.
I mean trying to pick your least favorite NMTB song is like picking your least favorite orgasm.
"Submission" kinda sticks out as a place where maybe the LP drags a bit, to me. I guess that's why I thought of it first.
I dunno, I never really got into "New York" either.
The rest I can't think of a bad thing to say about.

-- AaronHz (aaronh...), August 5th, 2004.

I get the feeling that _Bollocks_ is the ultimate "you had to be there" album.
-- Dan Perry (djperr...), January 17th, 2003.
I can understand having mixed feelings upon hearing Suicide's debut album for the first time or even being underwhelmed by MARQUEE MOON (which, however, is truly a grower if you stick with it), but I can't imagine not being blown away by NEVER MIND THE BOLLOCKS. Obviously, this many years later it doesn't sound as shocking, but the songs and the character are still there in abundance. Or I think so, at least.

-- Alex in NYC (vassife...), January 18th, 2003.

Bollocks is a far deeper LP than *any* Clash LP in part because its failings — some of which are absolutely deliberate — are more powerful.
-- mark s (mar...), June 4th, 2002.


and "never mind the bollocks" is at least 10000 x better than "the cl..." er, never mind.
-- Pashmina (pashmin...), April 7th, 2003

The first times I heard "God Save the Queen" and "Anarchy In the UK" and enough of the rest for that matter were so momentous that I'll forgive the small repeat play value of Bollocks.
-- sundar subramanian (sundar_subramanian200...), January 17th, 2003.


hobart paving (hobart paving), Wednesday, 27 April 2005 11:15 (nineteen years ago) link

15

points: 683
1st place votes: 3
total votes: 18

THE MODERN LOVERS - THE MODERN LOVERS

http://images-eu.amazon.com/images/P/B0000A5BUA.02.LZZZZZZZ.jpg

hobart paving (hobart paving), Wednesday, 27 April 2005 12:29 (nineteen years ago) link

Hooray!

Pradaismus (Dada), Wednesday, 27 April 2005 12:30 (nineteen years ago) link

C-C-C-C-C-C-C-C-C-CLASSIC. I love pretty much everything Jonathan Richman has ever done. Too much to put into words. I am not rational about it and I don't care.
-- Madchen (madchen_in_unifor...), November 16th, 2004.

ist album is a classic. plus it's hilarious. "I'm Straight" is one of the funniest songs ever, whilst still being a good rock song. "Roadrunner," "Astral Plane," "Pablo Picasso," "She Cracked," "Old World," "Modern World" are all fine tracks as well. Someone thought this was awhiny album, maybe a little but not on the really good tracks. Whoever said it was proto-indie wank or something is just failing to appreciate a pretty unique album. Recorded in 71, the VU influence is obvious but other than that it pretty outside of what was going on in rock at the time. That said, I don't think any of Richman's later stuff has been nearly as good
-- g (graysonlan...), December 11th, 2001.

an obvious classic and "she cracked" alone still means a lot for me.
-- Marco Damiani (magog0...), November 16th, 2004.

[sputtering]...he INVENTED punk rock on The Modern Lovers!

-- M Matos (michaelangelomato...), April 12th, 2002.

i burned a copy of this for my girlfriend, and she told me they were a shitty Doors ripoff. She doesn't know it, but i still haven't forgiven her for that.
-- Felcher (wangchungvsah...), September 17th, 2003

hobart paving (hobart paving), Wednesday, 27 April 2005 12:53 (nineteen years ago) link

I think this is the only album apart from the Ornette Coleman and Parliament I haven't heard. Gaps in my knowledge I'll have to fill but this high postion has me intrigued.

Billy Dods (Billy Dods), Wednesday, 27 April 2005 12:58 (nineteen years ago) link

14

points: 692
1st place votes: 0
total votes: 20

DAVID BOWIE - THE RISE AND FALL OF ZIGGY STARDUST

http://images-eu.amazon.com/images/P/B00001OH7P.02.LZZZZZZZ.jpg


hobart paving (hobart paving), Wednesday, 27 April 2005 13:08 (nineteen years ago) link

Its the beautiful sleaze of it all. The world is ending, the bar lights splutter and the boy on the stage looks so very pretty, so corruptible - or corrupted or...well, whatever it is, he'll do.

The TV announcer begins, telling us all of our imminent demise and the rest is a "what the fuck, its all over, let's take what we can get" ride. The last ever rock n roll band appearing, entrancing the kids, and getting torn to shreds. The aliens whispering over the airwaves, and those willing to listen going out, staring at the sky and hoping for some sort of salvation.

It ends with a stagger home, a lit cigarette, screeching brakes as the singer assures you you aren't alone, he'll comfort you, he'll make it all okay. Perhaps you just need to go home, come down, it'll all be okay. The world will be allright, and you imagined everything.

Not completely consistent, but which of his albums is? It doesn't need to be. The result is a technicolour dystopian dream - frightening and utterly seductive.

hobart paving (hobart paving), Wednesday, 27 April 2005 13:29 (nineteen years ago) link

13

points: 698
1st places: 1
total votes: 19

GANG OF FOUR - ENTERTAINMENT

http://images-eu.amazon.com/images/P/B00003WG0M.02.LZZZZZZZ.jpg

hobart paving (hobart paving), Wednesday, 27 April 2005 13:52 (nineteen years ago) link


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