THE MASTER (2012) P.T. Anderson's film on the origions of Scientology (sort of), Starring Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams, and Laura Dern

still can't believe this isn't nominated for best pic, considering the shit that is

otm

wonder how much that has to do with the subject matter

yeah i've wondered that too but really all in all it's just way too weird of a movie for the oscars.

needed more cgi tigers

Finally saw this for the first time last night and just happened to be watching the documentary The Century of Self afterwards. I was surprised to find that several clips at the beginning of episode 2 of Century of Self that dealt with PTSD were copied very closely by PTA in the early parts of The Master. This includes the shot of all the vets being lectured about PTSD and also the scene where Joaquin was being asked about his crying spell. The dialogue in that scene was taken directly from the PTSD doc. My assumption is that Adam Curtis pulled his clips from the same PTSD documentary that PTA includes in the blu-ray for The Master (not included in the DVD I watched last night).

Oh hey, the home video release was this week, now I finally get to see this thing.

My quick take on The Master: I liked it a lot except that it fizzled a bit toward the end. The details about "The Cause" were a lot more prominent and a lot closer to actual Scientology than I was expecting. I think PTA is being a bit coy in the way he's downplayed how much the film is based on the history of the early days of Scientology. I suspect that much of what happens in the film was modeled very closely off of real events.

oh totally

https://www.youtube.com/watch?v=fMnGawMATN4

This was so great. So much wonderful filmmaking for film students to take in. Long takes, cool camera angles, theming, etc. BRIllIANT soundtrack. Lots of moments stick out, probably the best being when P.S. Hoffman is singing that sea shanty dancing like a maniac cult leader with an all-nude female backing band in his mansion. What a baller.

All the actors do some great work here. Phoenix is pretty great. He tends to look like a ghoul but he's a pretty interesting ghoul. His motivations usually aren't very clear. Funny that most of this seemed to be performance art pieces (shades of "I'm Still Here"?) where he would just half to walk from one wall to the next over and over forever.

I was a little disappointed that Laure Dern didn't have that strong a character -- a scene would start and I would go "Look! It's Laura Dern!" but that's about it. Still, always a treasure to see her in anything.

Laura, even

there is a deleted scene where phoenix dons the raccoon suit from Mario 3

― let's keep this board about feet, please. (latebloomer), Tuesday, October 2, 2012 1:12 AM (5 months ago) Bookmark Flag Post Permalink

LOL

Reading back over this thread, all the 'was this a dream sequence?', 'did this happen in JP's mind?' etc. is interesting, but the first 2 or 3 times i saw this, I didn't really think any parts of the movie were imaginary. Maybe that phone call at the end?

But yeah there is alot of -- as George Lucas saying -- 'rhyming, like poetry' going on here. You could probably isolate every scene where someone is drinking something and deduce the evolution of some theme. Colors of the rooms. People looking through glass. Framing. All that stuff. I don't really see this as a boring film, it's really well made, and if the plot is dull you can just sit and drink in the visual craft at work here.

Need to do a threeway poll: This film, Martha Marcy May Bob Marley and Sound of My Voice (which I saw last night and thought was pretty meh by comparison to this one).

I loved all three of those movies. I am ripe for the culty picking.

Last year's Electrick Children made a good culty companion piece for Martha Marcy May Marlene and The Master. 2012 was a good year for cult films about cults.

I liked their relationship, just two guys who want to have adventures surrounded by a band of joyless pedants.

― lag∞n, Monday, October 1, 2012 2:23 PM (5 months ago) Bookmark Flag Post Permalink

haha i love this

friend explaining the film to me (spoilers?): the beginning of the movie is phoenix as a PTSD sufferer after WWII making a sandcastle of a nude woman with a gaping vagina

which is classic "this is an art movie because it uses sexuality in stupid ways" worthlessness

Not just making the sandcastle.

sorta thought the broad Freudian symbolism was appropriate to the milieu.

was really happy to see some bigass sand titties on the big screen

finally

borrowed this for the weekend

excited but a little trepidatious.

smoke weed first

ysi

It's good!

mordy otm

you won't be disappointed, alfred otm

smoke weed first

i thought that was just for politics posts?

you forgot the pope thread. What are you – high?

it makes everything tedious better xp

it makes everything tedious worse imo

i am looking forward to seeing this again, but i fear it'll never be quite the experience that seeing it in 70mm was.

just sit really close to the tv

thx for the encouragement! I feel less trepidatious now

I rewatched this tonight with my granny. I thought she would like it but her judgement was "oh this is your intellectual shite". idk it has a TRAINING MONTAGE

granny otm

okay this is fucking GREAT

also: v regularly hilarious!

you dont know how relieved I am

the blu-ray comes with a little postcard that has a funny little caption

lagoon still otm with this:

I liked their relationship, just two guys who want to have adventures surrounded by a band of joyless pedants.

― lag∞n, Monday, October 1, 2012 2:23 PM (5 months ago) Bookmark Flag Post Permalink

All pta's films are comedies hiding behind seriousface, tho I'm never quite sure of the extent to which they realise this. His work makes me think of thomp's amusing formulation from awhile back, guy writers vs lady writers. That only goes so far but Anderson is def guy writer par excellence. I'm not surprised he's adapting pynchon.

Highlights apart from TRAINING MONTAGE: go no more A-roving & subsequent handjob, and of course pigFUCK. That got a chuckle from granny, even.

last 1/3 is underwhelming, but i enjoyed this way more than i thought i would - knew it would be gorgeously visually but the pace was pretty tight, esp for a dude who once made me stare at a harmonium for five minutes

My favorite movie of his since Hard Eight.

It's funny how this movie has the "I. Am a man. A man with a vision. And a mustache." dude from TWBB and has him interact with the angry, hapless "I got so much love to give...but I don't know where to put it!" dude from all previous movies.

the shouting in the prison was hilarious too

I liked it so much I'm going to watch it again today :D

oh and can we commision PTA to do a male beach wrestling movie? 3 hours no talking...just point the camera *there*

applause-worthy bit of film, that

Apparently the toilet in the cell was not made to be broken.