Jackson Browne - C or D?

Ah, the gang: I knew it well. I'd had an encounter with one of its thugs, see, and in the process got tossed by said mag for telling what was it?, oh yes, the truth. This was '72. After several false starts, Jackson Browne finally had an album out, which seemed a good occasion to bring to light some interesting hokum from his past--I'd known the mutha since '67. So I did the first feature on him for Rolling Stone or anywhere else--a rave, for crying out loud, and he freaking hated it, thought it made him look "too punk." And what might be so wrong with that? Before twelve people knew who the fuck he was, he was like some weird-isn't-the-word cross between the Young Marble Giants, say--or from a later universe: Cat Power--and Byron or Shelley. On his first visit to New York, he backed up (and horizontal-danced with) the fabulous NICO, had a connection to Lou Reed and the Warhol crowd, blah blah blooey. So I talked all this stuff up--what the hey--it was what I thought would make him MOST APPEALING. And he's so upset he gets Asylum Records prez David Geffen to call the Stone and have me booted, good riddance, don't come back.

Four years later, I was eating at South Town Soul Food in L.A. when Jackson walked in with gang-sister number one Linda Ronstadt. Not wanting her exposed to my cooties, he motions for her to stay put, struts over, sits down, and in less than a minute explains to me how it is. "We singer-songwriters"--he always relished being part of something (but imagine calling yourself such hogwipe)--"feel we get a better shake from this Cameron kid...he never challenges us...accepts our side of the story...we don't have to worry what he'll say...no offense, but..." I.e., writers exist to write-about-musicians, bub...so go wash dishes or something.

poor thing.

Lots of comments here on the Jackson songs recorded by Nico on Chelsea Girls, plus Meltzer's comments on Jackson's early songs. There was a double LP acetate album produced in '67 as a songwriting demo album. Jackson has never released the stuff, but it has been bootlegged as the Nina Demos. I think Meltzer's comments are a little over the top--there's a saccharine element to some of these songs--but I swear there are like fifteen or more songs on the thing that are as good as those three songs on Chelsea Girls.

Steve Noonan's Elektra album is worth hearing. Meltzer has some things about it in Aesthetics of Rock.

i must say: alex, you've outdone yourself

i dunno, his sense of humor seems really academic and leaden to me. i say this as a pretty big fan of his first 2 1/2 records.

I also love his "Mae Jean Goes to Hollywood," done brilliantly by the Byrds...and I just heard a good version of it by Johnny Darrell, on this Raven Byrds-associated song comp called "Byrd Parts 2."

I mean, I think that's his best song ever.

Overall, though, not someone I go back to. I kinda think "Running on Empty" album is all right. He was on the road and all. I share Alex's wish to consign the Eagles to some eternal hell, though--even though I admit to liking "Take It to the Limit" and sort of halfway respecting some of what they did otherwise, like "Life in the Fast Lane," which is, uh, really well performed and recorded...

The other day I had a sudden, intense need to hear "Tender Is the Night" and "The Pretender" and maybe also "Rock Me on the Water" and even "Lawyers in Love." Just for grins I thought maybe I also needed "Running on Empty" as well.

Holy moley. The dude is catching some very specific range of Boomer middle-aged melancholy that I'm going to find irresistible for a week and then put back on the shelf for another couple decades, but don't harsh my mellow just yet.

I never want to hear "Doctor My Eyes" again but there are a few lyrics of his that I absolutely need to have exist. God sends his spaceships to America. I want to know what became of the changes we waited for love to bring. Looking into their eyes I see them running too. Tender are the hunters. Just make sure you've got it all set to go before you come for my piano.

The production values show some of the worst late-70s excess and bigness/slickness, but then he mostly stick to recognizable, basically timeless rock instrumentation--few synth drums, few sax solos--and it has some agreeable white-t-shirt purity to it. His voice can be too earnest and a bit laconic, but at the same time, the way he sings "the benediction of the neon light" and "now we've got all this room, we've even got the moon" charm me.

just yesterday a friend tried to convince me that Jackson Browne is better than Tom Petty. i wasn't having it, but i need to hear more browne

But yeah, "Tender Is The Night" is prolly my POO...

the albums are pretty uniformly excellent in my opinion all the way up through The Pretender

However, Springsteen's Tunnel of Love is his only album to approach the delicate filigrees of "In the Shape of a Heart."

Like, "Breaking the Law"? Sure. "Tender is the Night"? Nope.

I love that song so much. It made me want to grow up so that I could meaningfully stroke my chin and think baout things, such as being in a sadly doomed romance. Drag racing was not on the agenda. It felt more personal and intimate than its close companion, "Lawyers in Love," which was mixed up with all sorts of Reagan-era apocalypolitical stuff. Whoever made that comment is either deluded or just plan weird.

Josh --

That YouTube comment is fairly typical.

It's just the cultural version of false memory syndrome, where everything in the past blurs into a fuzz of vague meta-nostalgia.

"Yes, I was born in 1975. Whenever I listen to Billy Joel's 'Keeping the Faith' or Paul Simon's 'Late in the Evening,' I am reminded of how much we enjoyed Sen-Sen mints and the many street-corner doo-wop groups in my neighborhood, and how the cars all had big fins on them. Then we'd go down to the diner, to see if the Fonz was there. Man, that Cuban Missile Crisis sure was something, wasn't it?"

still not sure who started the fire tho

After all, it was you and me.

lol

I am reliably informed that you can't start a fire without a spark

he's very likeable in the eagles doc

taught glenn frey how to write songs (indirectly, frey was living in the apartment above browne, would wake up to the sound of browne's piano through the floor, listening to browne playing the same verse over and over, 20 times, until he had it down)

will i ever be able to hear "fountain of sorrow" without bursting into tears

you've had to hide sometimes, but now you're all right

thats a great song. lady of the well is the jb track that currently gets me.

you've had to hide sometimes, but now you're all right

gets me absolutely every time

It's a good song.

I can still be undone by "Rock Me on the Water," or even "Tender is the Night."