Every huge artist has their "New Jersey" - a huge event album that ultimately feels a bit hollow & signals a career decline

but either way madonna was no where near her zeitgiest or sales peak on ray of light, which is what i think dan is suggesting?

R.E.M. - Monster

From Wikipedia:
Monster debuted #1 in the US and UK charts. "What's the Frequency, Kenneth?" and "Bang and Blame" were the band's last American Top 40 hits. Their following album New Adventures in Hi-Fi debuted at number two in the US and number one in the UK. The five million copies of the album sold were a reversal of the group's commercial fortunes of the previous five years.

Mj's "bad"

Music doesn't count cuz "Don't Tell Me" is like one of her biggest late era hits and people love that album

Mellon Collie and the Infinite Sadness.

An element of buyer's remorse also factors in. The "I realized one album too late that he/she/they were never all that."

it's funny....Watch the Throne ISN'T one of these because of where it fits in their careers, but man does it FEEL like one.

Mellon Collie and the Infinite Sadness.

― skip, Tuesday, August 7, 2012 12:11 PM (34 seconds ago) Bookmark Flag Post Permalink

^^great example

xpost I mean, that's the pulse reading everyone's giving Born This Way now.

Melon Collie has too many fans to count. Plus "1979"!

Smashing Pumpkins fans aren't saying "oh man I can't even remember those Melon Collie singles"

interesting though how some bands react to this: so I'd say Rattle & Hum is U2's New Jersey but their best albums came afterward; or am I f'ing this up?

Monster is probably a much better mid 90s example of this though... Mellon Collie certainly has its "hollow" moments but "The End Is The Beginning Is The End" is probably the real beginning of the end for SP.

This would technically have to be an album that really DID mark the end of an artist's era, right? Like, we're talking artists that only ascended to the apex once and then fell almost just as fast? If so, Madonna probably doesn't exactly qualify.

well, the thing about being the end of Bon Jovi's era is that it was the end of the era where they got automatic radio play; they still sell out practically every venue they play and every album they've released since Slippery When Wet has hit the top ten, most often #1

so, I feel a lot of this is based on perception rather than actual performance; Ray of Light has sold more copies than Like A Prayer, for example

I don't want to admit Monster counts cuz I love it but the sheer number of copies sold back probably defines "buyer's remorse"

Rattle & Hum probably counts in that it was definitely followed by a left turn and people today would be like "um, Angel In Harlem was a top 20 hit? Really?"

I get the sense artists don't recover from their New Jersey.

Dancing on the Ceiling - Lionel Richie

xpost - Monster is, in many ways, the iconic Used CD.

on an indie rock level:

The Shins - Chutes too Narrow

interesting though how some bands react to this: so I'd say Rattle & Hum is U2's New Jersey but their best albums came afterward; or am I f'ing this up?

― Euler, Tuesday, August 7, 2012 12:14 PM (2 minutes ago) Bookmark Flag Post Permalink

yeah but Rattle & Hum is a New Jersey...U2 just did the trick of pulling a Kid A after a New Jersey

haha raffles is good at this

Bon Jovi has certainly had a ton of hits and made a ton of cash since but it was definitely a game changer. Madonna doesn't quite work because basically she was Queen Shit and aging gracefully (with a mild mis-step around Erotica) and then made American Life.

Human touch/Lucky town

well, the thing about being the end of Bon Jovi's era is that it was the end of the era where they got automatic radio play; they still sell out practically every venue they play and every album they've released since Slippery When Wet has hit the top ten, most often #1

Maybe then it's less a signpost of "career decline" and more a mass discovery of career limits that didn't previously seem obvious/relevant.

Mj's "bad"

I would say it's probably Dangerous, that was MJ's first CD-length album and clearly was meant to be the start of a new era, free from QJ, on to a different sound, etc. etc. And there were a ton of singles from it but compared to Off the Wall, Thriller, and Bad, only maybe one of them is still ubiquitous today (and that one is one of his most routinely mocked).

Even less-huge artists have this. e.g., Replacements and Don't Tell a Soul.

Genesis - I Can't Dance (in re: the career of Phil Collins)

Don Henley - The End of the Innocence

that album still has a lot of respect for a Don Henley album - in Don's career I'd argue Eagles' Hell Freezes Over

Wait a sec, what about NIN - The Fragile

nice one frogbs

yeah but i don't think a New Jersey is necessarily terrible or even critical reviled, it can be good and popular etc but there's this inexpressible sense that the era of this artist is slipping away even as they are super popular at the moment.

Wait a sec, what about NIN - The Fragile

― frogbs, Tuesday, August 7, 2012 12:21 PM (58 seconds ago) Bookmark Flag Post Permalink

^this would be a great pick but Trent lets too much time go in between albums, it was a different era when he reemerged, but if it were like a year or two after the downward spiral i'd be totally on board

thing is, an album like End Of The Innocence or Melon Collie isn't loaded with the sense of somebody slipping away, it's just the last album they made before it happened.

and with the pumpkins it's more like Madonna where they had to go and push the envelope too far on the next album

Mellencamp "Lonesome Jubilee"

ultimately i am not the world's foremost don henley expert....so i will defer.

melon collie DID have some hits, and at least one (1979) that's beloved, but man even at the time that was a fucking SLOG

I hate myself for writing this but... Wild Mood Swings

INXS - Welcome to Wherever You Are

Mellencamp "Lonesome Jubilee"

― chr1sb3singer, Tuesday, August 7, 2012 12:25 PM (28 seconds ago) Bookmark Flag Post Permalink

^good one

I hate myself for writing this but... Wild Mood Swings

― keeping things contextual (DJP), Tuesday, August 7, 2012 1:26 PM (10 seconds ago) Bookmark Flag Post Permalink

wouldnt wish be a better examp

I wish Weezer's Make Believe had been one of these but they are just as popular as ever.

this would be a great pick but Trent lets too much time go in between albums, it was a different era when he reemerged, but if it were like a year or two after the downward spiral i'd be totally on board

I see what you mean, this is why I didn't really want to mention Human After All because the follow-up to Discovery would have been huge had it came out in 2003. But The Fragile still sold boatloads.

wouldnt wish be a better examp

NO SHUT UP I HATE YOU

yeah weezer's thing is too weird because their Led Zeppelin IV was perceived as a New Jersey when it came out and then things changed a few years later.

wouldnt wish be a better examp

NO SHUT UP I HATE YOU

― keeping things contextual (DJP), Tuesday, August 7, 2012 12:27 PM (4 seconds ago) Bookmark Flag Post Permalink

haha your anger just confirms that Wish is a New Jersey.

THE ALBUM EVERYONE LOVES followed by THE ALBUM EVERYONE BOUGHT followed by THE PROOF THINGS DONE CHANGED

with New Jersey in the middle - so albums that are adored by the fanbase (like Melon Collie) can't really qualify

Fatboy Slim - Halfway Between the Gutter and the Stars is another one, maybe FBS was never really "huge" per se but that was the "wait, why did we make such a big deal out of this guy" moment

wouldnt wish be a better examp

NO SHUT UP I HATE YOU

― keeping things contextual (DJP), Tuesday, August 7, 2012 12:27 PM (4 seconds ago) Bookmark Flag Post Permalink

haha your anger just confirms that Wish is a New Jersey.

― Elrond Hubbard (upper mississippi sh@kedown), Tuesday, August 7, 2012 1:28 PM (33 seconds ago) Bookmark Flag Post Permalink

lolll

You're right, I think REM and NIN fit that pattern though.

it's actually a real accomplishment to get a New Jersey - a lot of bands miss their window and go straight to PROOF THINGS DONE CHANGED

WMS still went gold in the US

Bloodflowers then went gold in... Switzerland

Phil Collins "...But Seriously"

I've said this before and I 'll say it again, Drake is an artist where almost every album of his feels like a New Jersey. I think VIEWS might be the best candidate.

― MarkoP, Wednesday, May 31, 2023 8:04 AM (one hour ago) bookmarkflaglink

2019's scorpion was prob his biggest album tho. he was atop the billboard charts for like half the year with "god's plan," "nice for what," "in my feelings"

off-topic, but "god's plan" might be one of the blandest, least memorable mega-hits of all time

I just learned that in Canada Views was certified 6x Platinum, while Scorpion was only certified 2x Platinum, whereas in the US, Views was certified 6x Platinum, while Scorpion was certified 5x Platinum. This might be why I have thought of Views as being a much bigger deal than Scorpion.

Drake also has songs that are other people's songs technically, like "Going Bad" w/Meek Mill or "Sicko Mode" w/Travis Scott that feel more like Drake songs than the other artists' that were hugely popular

Neither it or its predecessor Riptide broke the 3xPlatinum threshold and its chart position was nothing special, but in its own ways Heavy Nova still gives off elements of NJ.

(Sorry for bumping with a non-NJ but I can't shake the thought. The album was feels designed to do as well as possible.)

Yeah, I'd say it qualifies were it not for the sales threshold. It's clearly trying to be Riptide: The Sequel except Palmer wrote and produced the whole thing himself (as he tended to do pre-Riptide).

lol "Simply Irresistible" only made it to #2. Kept out of the top spot by "Sweet Child o' Mine"

He also moved (up) from Island to EMI, did five music videos (two of which have AtL homages), pretty much everything perhaps except make the actual album too long.

I feel like the album's analogue should be Winwood's Roll with It, which actually did better. But it just seems less NJ-brash somehow.

Heavy Nova has "Early in the Morning," another of his credible electro-R&B covers.

happy 35th to the original

Hah just remembered one restless night not too long ago deciding that Red Dwarf's Back in the Red was a UK TV New Jersey.

As you were.

cult acts have a different but similar arc involving albums that seemed like potential breakthroughs that weren't in hindsight, shit like that deserves its own thread

― da croupier, Tuesday, 7 August 2012 19:40 (eleven years ago) bookmarkflaglink

I think Bossa gave the perception that they'd only likely be a marginal concern going forward, rather than breaking through into the mainstream.
In the slipstream of Doolittle, it kinda seemed anything was possible.

That WOULD be a nice separate thread.

― mr.raffles, Tuesday, 7 August 2012 19:43 (eleven years ago) bookmarkflaglink

If this never became its own thread it still should.

It also made me think of how Feeder's Pushing the Senses was their biggest album in the UK, or had the best first week sales anyway (made no. 2), and was the moment that they seemed to finally seemed to settle in the UK (Q are quoted on wiki as saying it could finally establish them as "major league players"). Whereas today it's 'the one that everyone bought and cannot remember why'. After their successive hits compilation, also a big hit, they fell off a cliff commercially forever. Only 'Feeling a Moment' survives - although I did hear all but forgotten top 5 lead single Tumble and Fall playing on the radio in a charity shop recently.

Feeder were utter shite

Their britrock brothers in christ Ash have something rarer - a genuine bouncing back album, where after having fell from grace after their moment had seemingly passed they went and made an album that was as big as their breakthrough, if not bigger, and crucially were made to be 'relevant' again, and achieved more one actual hit. Not that Ash ever were mega-MEGA sellers but that's a number one album we're speaking, to go with the one they had back in 1996. Larger-scale versions of this are Californication and American Idiot and maybe not much else. Born in the USA?

Oh and, on a similar level to Ash, Embrace's Out of Nothing

for failed intended breakthroughs, i was reminded of GVSB's freak*on*ica (mentioned upthread), but maybe it was the more common "indie act jumps to major label and faceplants" scenario.

"Indie" bounce backs similar to Embrace and Ash...

Blur Parklife (though this was already in process during the MLIR era)
The Charlatans S/T
Kaiser Chiefs Education
Suede Coming Up (DMS went gold but they were very much on the periphery relatively speaking by the end of that campaign)

Must be more?

Really great examples there. Although I'd argue Education cannot count as it was only as big as, say, Off with Their Heads. Charlatans' Britpop rebirth is a strong yardstick for this, particularly as it lasted a long time.

AM's AM is probably up there. And although it probably cannot count, the first Black Grape was Ryder's own bouncing back. Stanley Road-era Weller - numerous, still-famous hits prepping up his best-seller - is some sort of bouncing back except as only his third solo album there isn't a clear point before that you can point to except the wishy washy generalisation '80s Jam and mid-period Style Council'.

was ash’s bounce back album free all angels? nu-clear sounds completely smokes it, imo, especially the US edition with the shuffled track list and “a life less ordinary”

Yeah FAA abruptly (and probably quite unexpectedly) moved them back to the centre, following Shining Light and Burn Baby Burn (which, along with Girl From Mars, I feel are their three most famous in the UK). I do get the impression that, nicely for them, a lot of it honestly probably was down to just people - radio and the public - taking to those songs so much. Because was their initial profile or promotional gambit of the period necessarily any stronger than that which Nu-Clear Sounds had? I don't get the impression they were. (Nu-Clear Sounds has a distinct lack of obvious single material imo, but I guess for them it's the Dog Man Star to Free All Angels' Coming Up.)

I don't understand how Parklife could be considered a bounceback?

Parklife is really it's own thing where their own 1991 success became wholly overshadowed/steps to the main event.

It was success in 1991 though. A proper hit single

and

(idk how that happened)

Parklife was a bouceback because Blur were in the wilderness starting w "Bang". They basically lost all their casual fans (most of their fans would have been casual at this point)... then slowly gained new "real" fans when ppl twigged how enjoyable MLIR was. But that def took time. 1992 wasn't that fun of a year for them, I'd imagine?

The situation is similar to Radiohead in America (not the UK where the Bends was soon enough a bona fide hit)

(The somewhat odd thing with the Blur story is that Bang actually precedes Leisure by a month. Goodwill from TNOW wasn't enough to sustain another hit single but the album then went on to do fine.)

What's the situation like in the US with Heart? I'm looking at Bad Animals' performance and wondering if that could be one? Sure there's 'Alone' but even New Jersey has 'Bad Medicine' so I don't know if I'd be right to dismiss the notion solely on that.

Brigade would be a better one for Heart because it also had big hits and went 2x platinum but that was it for them - the next album sold far less and I'm not sure if many people remember it

Brigade's a good one.

the next album sold far less and I'm not sure if many people remember it

Has a very "It's 1993 and we're still relevant, damnit!" album cover.

https://m.media-amazon.com/images/I/81EgDFlwSbL._UF350,350_QL50_.jpg

After that they spend the next several years releasing live stuff (including a non-MTV 'unplugged' effort), compilations, and a Christmas album before their next proper studio album in 2004.

There's also The Lovemongers' Whirlygig, which is a Heart side-project that became their main band for a bit in 1997

Pink Friday 2

Flaming Lips - Yoshimi Battles the Pink Robots

― Mr. Snrub, Friday, 23 May 2014 19:13 (nine years ago) link

i dunno, isn't it at war with the mystics? yoshimi has "do you realize"

― i also enjoy in line skateing (spazzmatazz), Friday, 23 May 2014 19:18 (nine years ago) link

the yeah yeah yeah song from at war with the mystics did fairly well, yeah? no one remembers that one

― i also enjoy in line skateing (spazzmatazz), Friday, 23 May 2014 19:18 (nine years ago) link

glad someone beat me to this

If “Houdini”, “Training Season”, and “Illusion” are any indication, we might be looking at the single biggest New Jersey since New Jersey.

Was going to say "don't the singles have to be relatively successful for it to be an NJ?" then I checked and saw that the first two hit the top 10. Shocking.
This has felt floptastic from word go.

the only thing is the singles from Future Nostalgia did pretty well, so I don't expect this album to outperform (if that is a requirement for an NJ). Otherwise, it does feel like the jig is up. I enjoy "Training Season" but it's not a patch on any of the Future Nostalgia singles. and "Illusion" is a poor excuse for a single

i heard a dua song in public recently and thought "oh this must be one of her not-quite-a-hit songs that didn't really connect from a few years ago" (like "we're good" or "idgaf" or w/e -- yes i know the latter was an actual hit in the uk, but not here). the song turned out to be current (or should i say past) single "training season"

song is bad btw

idgaf is at 1.5 billion Spotify streams