Probably my proudest achievement as a music critic in 2012 has been to be the first person to my knowledge to have written anything anywhere in an actual publication about capital-O Organ.
― Tim F, Thursday, 3 May 2012 04:18 (four years ago) Permalink
― hologram ned raggett (The Reverend), Thursday, 3 May 2012 04:27 (four years ago) Permalink
In my column in a local paper, but i'll probably post the whole set of the last year's columns soon.
― Tim F, Thursday, 3 May 2012 07:33 (four years ago) Permalink
bummed to have been missing out for the past 3 months
― 10. “Pour Some Sugar On Me” – Tom Cruise (contenderizer), Thursday, 3 May 2012 02:55 (8 hours ago) Bookmark
try 5 years
― r|t|c, Thursday, 3 May 2012 10:45 (four years ago) Permalink
idk what to really say to this thread tbh, it's bizarre. maybe kinda fun too but.... mostly bizarre.
its merits are valid and up for discussion by all means but it has to be stressed "organ" isnt really a codified doctrine like dubstep or whatever, it's a liminal, near-subconscious shade of the yorkshire sprachraum that bassline draws from, ebbs and flows in tandem with, coalesces itself from and then dissolves back into, since its inception. cf h20 and platnum's 'what's it gonna be' from 2008 for instance
i guess if there's a story to tell now it's about how fully this has all evolved to become integrated with more general stuff like electro, jackin, 4x4, fidget where it carries an equal weight and influence; kind of a more commercial and populist version of what dj q's been doing with ukg, although then he also includes the likes of nick hannam, paul sirrell, hannah wants, billy kenny....
― r|t|c, Thursday, 3 May 2012 11:12 (four years ago) Permalink
do you want "O"-rgan or do you want THE TRUTH??
― r|t|c, Thursday, 3 May 2012 11:13 (four years ago) Permalink
I think this is precisely what is interesting about this stuff, its status as a not-quite-genre.
― Tim F, Thursday, 3 May 2012 11:47 (four years ago) Permalink
absolutely, and i know you know that but do they?
i mean not that they HAVE to, there's nothing wrong per se with people waving a random track from 2009 around, like whatever, but then when people start deploying it with a capital O and it becomes sarge saying miguel's 'all' is organ it's a bit uhm...
― r|t|c, Thursday, 3 May 2012 12:39 (four years ago) Permalink
l: ilm, r: reality
― r|t|c, Thursday, 3 May 2012 12:40 (four years ago) Permalink
hang on being mariah in that scenario is anything other than knowing how to live?
― liberté, égalité, beyoncé (lex pretend), Thursday, 3 May 2012 13:10 (four years ago) Permalink
yah i am aware of the old de minimis non curat lex chestnut but sometimes a man must be a hardass about stuff sorry
― r|t|c, Thursday, 3 May 2012 13:16 (four years ago) Permalink
i should've gone to law school just for the username potential
― liberté, égalité, beyoncé (lex pretend), Thursday, 3 May 2012 13:18 (four years ago) Permalink
not sure why you feel the need to come at the discussion from this direction, r|t|c. i'm not claiming to be anything but a novice wr2 this uncodified doctrine, about which i'm only tangentially interested, though i'm sure it's helpful to be told that "it's a liminal, near-subconscious shade of the yorkshire sprachraum that bassline draws from, ebbs and flows in tandem with, coalesces itself from and then dissolves back into." poetry is surely a tide that elevates all boats. my interest here is based primarily on the fact that i love a specific song, though it turns that i also like a couple of the dj hasan tubes on the channel tim linked three months back. looking forward to the mixtapes, though i haven't heard them yet.
― 10. “Pour Some Sugar On Me” – Tom Cruise (contenderizer), Thursday, 3 May 2012 14:06 (four years ago) Permalink
am loving that 'organ sessions v 1' comp
― johnny crunch, Thursday, 3 May 2012 14:19 (four years ago) Permalink
eh contendo you can rest easy in your splendid isolation, i havent once denied anyone their right to enjoy this song. what i'm talking about pertains to the dissemination of organ as a "thing" leading off from this track, which is a discussion you've not involved yourself in and therefore my reply was not addressed to you or people in your position.
as for the poetry line, wind your fucking neck in.
― r|t|c, Thursday, 3 May 2012 14:43 (four years ago) Permalink
this must surely be the best site on the whole internet. what a world! i adore the suggestion that each of these tracks can be precisely tagged "jakstep" or "warper" or "funky electro" as if there's ANY APPARENT DIFFERENCE WHATSOEVER
i give it all a thumbs up so far though. tim dya fancy having a rummage and we'll have a little natter on it next week yeah
― r|t|c, Friday, 4 May 2012 18:02 (four years ago) Permalink
well, you led off with a bit of instructional advice to me, so the fact that i took the subsequent history less as having something to do with my posting itt wasn't a huge leap on my part. i did miss the more pointed sarge dis, though, so neck wound.
― 10. “Pour Some Sugar On Me” – Tom Cruise (contenderizer), Friday, 4 May 2012 18:12 (four years ago) Permalink
earlier i was wondering if i could find a better "one of those days" mp3 than my semi-shitty-quality one that i'd been playing. i then found this and impulse-purchased the entire seany mac oeuvre in 320 kbps (or at least what is available thru that site). of course "one of those days" is pretty unique in its gloriousness (compared to like, 99% of all music ever recorded) but the rest is actually quite listenable too -- "midnight love" is my fav non-"one of those days" one. (just fyi, the mp3 that they are selling as "damaged" is actually also "everything", but mislabeled.)
― teledyldonix, Sunday, 3 March 2013 22:29 (three years ago) Permalink