i think the basic trick to dancing to jungle is ignore everything but the bass
This seems to be true for most people, but actually I dance to the beats in jungle. In some ways jungle really framed how I dance to music generally, even with house music I tend not to dance to the 4X4 so much as all the bits around it, the snare patterns and off-beat hi-hats and the like, to the extent that it has that stuff going on (anything post-Classic really).
All of which makes dancing a much more rigorous exercise.
But the least energising dance music for me is stuff which is too straight rhythm-wise and nothing to build in the friction. I'm not against poundingly 4X4 stuff per se but it the beats need to be rubbing up against something else in the music (something Clarke was referring to upthread). Just dancing to the kickdrum feels a bit too much like being on a stepper machine.
― Tim F, Tuesday, 10 April 2012 23:08 (four years ago) Permalink
see i know what lex wants. now, for my next trick would you be so kind as to have a bang on this?
there will perhaps be a small, briefly disappointing lull of boredom at 3 mins, a perking up and onset of involuntary strutting at 3:40 metastisizing into full-on headbanging as ze untz untz kicks in at 3:52, and finally at 4:04 an opening of the heavens and total overwhelming of electrified e-motion as every skin cell on your body comes alive and is helplessly led every which way by the skittering tattoo, slowmo amen swells and gliding, swooping synth thermals all at once
― r|t|c, Wednesday, 11 April 2012 14:57 (four years ago) Permalink
well you were right about the boredom at the three-minute mark, i liked it a lot before that - the house diva peal obv
― liberté, égalité, beyoncé (lex pretend), Wednesday, 11 April 2012 20:18 (four years ago) Permalink
good jungle beats are very intrinsicslly pleasurable to me. The sped up amen break is just a tremendous sound that hits me on a very basic visceral level
― neutral sequence for flute (blank), Wednesday, 11 April 2012 23:28 (four years ago) Permalink
one thing I've always found somewhat unsatisfying about jungle is how bifurcated it can feel, like, here's the busy drum part here and there are the elements floating on top of it. They relate to each other but don't really coalesce and interact, as if the drums just take up so much space in the track that the rest can't do much other than drift or poke at them a little here and there.
This is part of what I love about jungle, this dense blinding fury of sounds tearing each other apart as they rise to the heavens.
― neutral sequence for flute (blank), Wednesday, 11 April 2012 23:51 (four years ago) Permalink
xxp what, and no love after 3 mins? man truly you are a disgusting cartoon savage
― r|t|c, Wednesday, 11 April 2012 23:59 (four years ago) Permalink
I wonder how much adjusting to different rhythm logics is a bit like learning a new language - i.e. it's much much easier and more intuitive the younger you are when you start.
I got into jungle at the same time as really properly getting into house and techno (at about 16/17). Hardcore rave and 2-step garage as well. So house and/or techno were never at the center of my notion of danceable beats, and instead I think even my approach to house/techno was vaguely "junglist" (or perhaps garage-ist).
― Tim F, Thursday, 12 April 2012 00:00 (four years ago) Permalink
idk, jungle was some of the first dance music i heard in the 90s. obv not in a clubbing context though. but it's not like house/techno is the only rhythm logic i can get into (going to street dance class really gave me a new insight into a lot of hip-hop rhythms, albeit ones i already liked, but in terms of how to hear them and move to them). the prob w/jungle is that i can't actually discern any rhythm logic at all - i assume the beats aren't random but they may as well be for me.
i think what happened at 3mins infected everything that happened after it and the house diva never came back. the 3mins mark inspired me to finally start going through some invoices and then i forgot to pay attention :/
― liberté, égalité, beyoncé (lex pretend), Thursday, 12 April 2012 07:46 (four years ago) Permalink
i listened to "inner city life" yesterday and really enjoyed it though
idk, jungle was some of the first dance music i heard in the 90s. obv not in a clubbing context though.
I think this is kind of key though. I listened to a reasonable amount of erm "album dance" music in the mid-late 90s (Orbital, Aphex Twin, Goldie, The Chemical Bros, The Prodigy, Moby, BT, Deep Dish, Roni Size, Plaid, Lo-Fidelity Allstars... basically any dance music likely to get a big album review in Spin) and also stuff that I guess you could call jungle-pop (EBTG, Lamb) but I don't think I really cared about rhythm, or not in the same way, until I started dancing a lot.
Once I did, it was like the moment in The Wizard of Oz where the image switches from black & white to colour. Within a very short space of time I started to hear lots of things I hadn't heard both in music I wouldn't have liked previously and music that I already had liked. And it was really in that period that a lot of my unthinking musical prejudices (not so much convictions, more the way what I instinctively listen for in the music).
but it's not like house/techno is the only rhythm logic i can get into (going to street dance class really gave me a new insight into a lot of hip-hop rhythms, albeit ones i already liked, but in terms of how to hear them and move to them).
Exactly. Learning how you move to rhythms is a huge thing which i think can be entirely separate from simply enjoying them as a listener (esp. when they can be enjoyed in the context of songs).
I would hazard a guess that your approach to rhythm in dance music generally is less house/techno-ist than it is R&B-ist.
― Tim F, Thursday, 12 April 2012 09:03 (four years ago) Permalink
Jungle is at the pointy end of this issue because it's difficult to background it, you either get it or it's a problem. Whereas it's a bit easier to simply tolerate or passively enjoy a lot of other beats.
― Tim F, Thursday, 12 April 2012 09:05 (four years ago) Permalink
idk what an r&bist approach to rhythm would even be!
the other thing that was kind of life-changing in how i heard hip-hop rhythms was the first time i was driven around in atlanta. it was like, ohhhhh so this is what this music is made for. hard to explain but the rhythm of travelling in a car and the rhythm of the music was a completely natural fit. (cf london where no one ever has cause to get in a car that isn't a taxi, i think i've been in maybe one car a year since i've lived here)
― liberté, égalité, beyoncé (lex pretend), Thursday, 12 April 2012 09:13 (four years ago) Permalink
enjoyable to read though that lunatic theory was, i would suggest that "no one ever" type generalisations may just perhaps be somewhat beyond you
― r|t|c, Thursday, 12 April 2012 11:02 (four years ago) Permalink
Oooft there's some proper beauties on that lovers/r & b jungle thread.
― Mr Andy M, Thursday, 12 April 2012 11:27 (four years ago) Permalink
possibly a tiny bit too on the nose for tim's 'beats as storyteller' binary (ie. erm, ultradeluxe triphop and not dance music per se maybe) but everything coming after the intro setpiece here is just fantastically, captivatingly atmospheric and evocative, always keeping you in this prowling lull but constantly offguard in a unsettling state of paranoiac restlessness, nightmares in paradise
― r|t|c, Thursday, 12 April 2012 11:45 (four years ago) Permalink
I get the trepidation re 'fit' but nonetheless that's awesome!
― Tim F, Thursday, 12 April 2012 12:20 (four years ago) Permalink
In retrospect I was half-remembering what you'd said at the top of the thread:
garage i've always thought of as pop music, and when it comes to pop/r&b my platonic ideal is basically the janet/ciara style of rhythms that may be ridiculously fast or complex but are fundamentally steady enough to use in the regimented atmosphere of a street dance class. 2-step beats fit into that framework, loosely.
I know that doesn't really explain your love of house and techno except perhaps analogously - i.e. something (rhythms, synth tones etc.) takes the place of the "song" and more generally the place of rhythm is as something that can be distinct and impressive but always in the service of a broader structure which it underpins.
― Tim F, Thursday, 12 April 2012 12:28 (four years ago) Permalink
The Razors edge, posted up-thread, has to be one of the most undervalued example of rhythmic science in jungle. Skeleton on a whole were a killer label, its just a shame they didnt have a Pete Parsons on board as the production is invariably dodgy.
Some of the later adventures of Steve Gurley are great examples of stuff that straddles the line between experimentation and danceability:
D'Cruze is often accused of crossing that line, especially with 'control', but I reckon he mostly stays on the right side:
Always loved this one, weird off kilter beat, with the amen pushed tight down in the mix. Really come into its own in the mix:
― droid, Friday, 20 April 2012 09:47 (four years ago) Permalink
Hi droid, never realized you posted here. Mercy Mercy is big big big, yes.I'm not the biggest fan of his stuff generally but Cool Hand Flex did some to go through a real purple patch round about 94-95:
& of course
Mercy Mercy definitely the stand-out for me though.
― Mr Andy M, Saturday, 21 April 2012 22:22 (four years ago) Permalink
One for rtc and the juxtaposition/r&b/dancehall heads (maybe):
― Mr Andy M, Saturday, 21 April 2012 22:34 (four years ago) Permalink
― Tim F, Sunday, 22 April 2012 00:04 (four years ago) Permalink
i don't actually think i ever loved a funky house tune for its rhythm.
THIS IS INSANE TO ME.
― hologram ned raggett (The Reverend), Sunday, 22 April 2012 08:33 (four years ago) Permalink
Haha I'm glad I'm not the only one who listens to funky for rhythm (inter alia) - was starting to feel like a pariah weirdo.
― Tim F, Sunday, 22 April 2012 10:16 (four years ago) Permalink
yeah, for me a huge part of funky's appeal was the fact that it seemed to be on a constant quest to find interesting new variations of rhythms i already liked
― hologram ned raggett (The Reverend), Wednesday, 25 April 2012 03:10 (four years ago) Permalink
I have a piece coming out in a french journal in a few months about funky's approach to rhythm and it's on exactly this point, the way in which funky seemed to slide between the rhythmically familiar and the unfamiliar, managing to be rhythmically comforting and confounding at the same time. This isn't a new trick in dance music but I tend to think funky's golden age took it an extreme (to the extent one can describe such a state of inbetweenness as "extreme").
― Tim F, Wednesday, 25 April 2012 05:01 (four years ago) Permalink
rhythmically comforting and confounding at the same time.
spot on. one of those central tensions.
― hologram ned raggett (The Reverend), Wednesday, 25 April 2012 05:07 (four years ago) Permalink
i don't think i ever heard funky as rhythmically confounding - insofar as i noticed the rhythms they provided a very comforting sweet spot
― liberté, égalité, beyoncé (lex pretend), Wednesday, 25 April 2012 09:00 (four years ago) Permalink
Lex it's fair to say that little if any of the funky you seemed to like most could be described as rhythmically confounding, in particular stuff like "In The Air" and "Falling Again" are basically straight vocal house.
― Tim F, Wednesday, 25 April 2012 09:17 (four years ago) Permalink
I have a piece coming out in a french journal in a few months about funky's approach to rhythm
― etc, Wednesday, 25 April 2012 09:49 (four years ago) Permalink
it'll be in french though.
Rev, did you ever hear Dubplate Wonder's Wonderland 09 set? It's all his own productions and it is basically all about that tension, 100%.
― Tim F, Wednesday, 25 April 2012 11:43 (four years ago) Permalink
Pretty much cosign what Rev & Tim are saying about funky.
Having another boring day where I'm trying to get myself writing, so thought I'd throw in some more thoughts on the whole is jungle danceable/how do you dance to jungle thing -I guess there were aspects of it that I initially had problems with as a dance, but for me it wasn’t so much the full-on Amen rinse-out tunes that I had problems with – yeah it could be difficult, at times nearly impossible to follow every single beat on them but I could at least generally spasm about to them in the same way that I used to do with like Bad Brains or F-Minus or whatever. I guess in that respect it’s helpful that the Amen break has an inherent degree of energy and forward-motion in it that will come through no matter what way it’s chopped and reordered.
The kind of tunes I had more trouble with were the very strongly reggae-influenced tunes that mostly came out in 94 at the peak of jungle’s popularity. Trying to think of good examples here – Dem A Gwarn Like Dem Know Badness by Tek 9 would be one, or even Idiot Sound by New Blood. Both great tunes of course, and there were loads of others in that style that I loved and straight away wanted to dance to, i.e. I found the rhythmically compelling but wasn’t quite sure how to move my body to them. I think part of this came from how the producers folded the breakbeats down into that skanking reggae groove – it would create an effect where the beat would seem to drop out at unexpected places, or else where the overall beat pattern of the tune would feel lop-sided or lurching until you got used to it. I think I’ve pretty much got there with dancing to these tunes – of course, like with almost all dance music I’m never sure that I’m dancing the right way to it. I’ve danced to jungle in clubs but not really for full sets and obv not with og jungle ravers so it’s hard to measure my moves against anything. But I can move to it without really thinking about it now which I think is a big part of it, like I’m not often standing around and hesitating.
― Mr Andy M, Wednesday, 25 April 2012 12:54 (four years ago) Permalink
As a dancer the first kind of jungle tunes that did hook me were along the lines of the M-Beat one I posted upthread, i.e. ones with a beat pattern that was immediately captivating but also concise and not too difficult to follow. Also more steady-rollin’ kind of tunes like The Burial, Helicopter Tune, Sovereign Melody etc. Those were the ones I found myself intuitively making moves to while listening.
― Mr Andy M, Wednesday, 25 April 2012 13:01 (four years ago) Permalink
Lol 'as a dancer' sounds so pompous, 'from a dancing pov' is maybe a better way to put it.
― Mr Andy M, Wednesday, 25 April 2012 13:05 (four years ago) Permalink
i'm with the lex on this thread. man, its hard for me to think of too many genres or sub-genres i never want to hear. but this would be one of them. and i try too. i just played portions of every youtube on this thread.
― scott seward, Wednesday, 25 April 2012 13:34 (four years ago) Permalink
Hey Andy - I used to post a bit on ILC, but I mainly lurk waiting for that rare beast - a good thread about jungle.
RE: Flex. He's a bit patchy fer sure , but I'll forgive him anything because of this:
And this sublime pulsating bass hot pants 4/4 kick combo:
― droid, Wednesday, 25 April 2012 16:01 (four years ago) Permalink
― J0rdan S., Wednesday, 25 April 2012 16:04 (four years ago) Permalink
Hey Andy - I used to post a bit on ILC, but I mainly lurk waiting for that rare beast - a good thread about jungle.Haha I feel you on this - don't post here all that much but when I first saw this thread my eyes totally lit up. Trying to get a bit more involved with things here at the moment though.Had forgotten about Ya Buzzin Again actually, it's a good 'un yeah.Have listened to that Steve Gurley FX In Dub Mix tune you posted 10+ times in the last few days btw, so good.
― Mr Andy M, Wednesday, 25 April 2012 17:50 (four years ago) Permalink
So dark that this wasn't the version of "Watching Windows" used on the album:
― Tim F, Sunday, 26 October 2014 11:25 (one year ago) Permalink
― the late great, Sunday, 26 October 2014 21:31 (one year ago) Permalink
DJ Die remix was also great, but this version goes so fantastically with the actual song, makes it maybe the equal of "Share The Fall".
One of my favourite things about the best Roni/Reprazent beats circa New Forms is how that whole investment in sounding like a live drummer translates into this rhythms where it constantly sounds like the beat is just about to fall behind itself, is always working frantically to keep up. Rather than "fluidity", the effect is a very human wired twitchiness.
― Tim F, Sunday, 26 October 2014 21:58 (one year ago) Permalink
i don't actually think i ever loved a funky house tune for its rhythm.
my mind is still boggling at this assertion two years later
― I Love Makonnen: New Answers (The Reverend), Tuesday, 28 October 2014 07:16 (one year ago) Permalink
― Tim F, Tuesday, 28 October 2014 08:27 (one year ago) Permalink
― deej loaf (D-40), Tuesday, 28 October 2014 09:00 (one year ago) Permalink
this was a good thread
― the late great, Tuesday, 28 October 2014 22:59 (one year ago) Permalink
Vaguely related to peak-era Reprazent, I'm interested in that half-missed opportunity circa 1995-1997 for grooves that were on a Davis/Hancock meets Jon Hassell fourth world tip. Hidden Agenda are the obvious example here but I think they actually verge on being too fiddly when in this mode (my favourite HA track remains "Dispatch #2", which is more of a neurofunk affair).
This was inspired by listening to Form & Function again and rediscovering Peshay's remix of "Rings Around Saturn", the way he redeploys those razor-sharp isolated snares within that constantly pirouetting jazz-funk groove. "On The Nile" probably is a good example of this as well though I'd have to listen again to say just how good.
Funny how drum & bass passed by so many interesting potential avenues of exploration so quickly in its accelerating plunge towards rhythmic conformity. I've really only heard the singles from Miles From Home but they suggested that by 1999 Peshay had totally smoothed out his beats. Even "P vs P"!
― Tim F, Tuesday, 28 October 2014 23:25 (one year ago) Permalink
Don't know if this can exactly be called jungle, but what it can be exactly called is incredible.
― the joke should be over once the kid is eaten. (chap), Saturday, 8 November 2014 07:03 (one year ago) Permalink
― Tim F, Saturday, 8 November 2014 08:00 (one year ago) Permalink
In retrospect Trace and Nico's "Damn Son" sounds rather like a hot uk funky rhythm played too fast:
― Tim F, Saturday, 8 November 2014 08:01 (one year ago) Permalink
Remarc - RIP, DJ Hype Remix. Completely mental.
― Keith Moom (Neil S), Friday, 6 March 2015 15:33 (one year ago) Permalink
Therapy? - Loose (Photek remix)
― Keith Moom (Neil S), Friday, 6 March 2015 15:45 (one year ago) Permalink