― Dr. C (Dr. C), Wednesday, 6 October 2004 08:53 (8 years ago) Permalink
Dave...the Prefects CD is going to be HUGE, relatively speaking! We've got some serious PR behind it and the early feedback has been fantastic, i.e. many many music magazine in the UK and US will be running reviews/articles etc. That's no easy task, getting this stuff in the press. As mentioned before, I have the 2 new Nightingales singles and while the first one I thought was pretty good, the second, Workshy Wunderkind, just totally kills and has made me all the more excited. I've worked before with the fellow who is booking the Nightingales tour here so I'm involved with helping find opening bands and such and will help promote the shows in NYC. I'm very much looking forward to their tour.
― Dan Selzer (Dan Selzer), Wednesday, 6 October 2004 14:04 (8 years ago) Permalink
― Dan Selzer (Dan Selzer), Wednesday, 6 October 2004 14:05 (8 years ago) Permalink
― Stewart Osborne (Stewart Osborne), Wednesday, 6 October 2004 14:16 (8 years ago) Permalink
― Ned Raggett (Ned), Wednesday, 6 October 2004 14:20 (8 years ago) Permalink
― Stewart Osborne (Stewart Osborne), Wednesday, 6 October 2004 14:32 (8 years ago) Permalink
btw, if anyone was really geeky and curious, yes, I use the convention ACT007 because it sounds like FACT007.
There's a one page article about Acute in the latest issue of XLR8R magazine, the "New York" issue. Good info all around.
― Dan Selzer (Dan Selzer), Wednesday, 6 October 2004 16:08 (8 years ago) Permalink
They should do - it's in the current set.
― Dr. C (Dr. C), Saturday, 9 October 2004 15:24 (8 years ago) Permalink
Personally I'm glad he posted them, 'cause now I get to hear the songs until cheapy vg- copies of the singles come up. I don't do soulseek, or see the real advantage of taking part in file sharing. CDrs suck and I never listen to them no matter how good the music is. That and the sound quality of a lot of that stuff is unlistenable if you're a monkey like me and can't "upgrade" your technology to a reasonable leve. I just take people who I can trust's musical advice, and I guess that's where I learn about a lot of groups I get into. I guess it's good for younger kids trying to get into music who don't have a very big disposable income, but people wearing band shirts and names dropped in thanks lists always did it for me back when I had a $20 a month allowance.
Basically, all I'm seeing here is a bunch of nerds with sand in their vaginas (and someone who doesn't know who Ian Mackaye is, with some Ray Cappo references to boot) 'cause their stock in cool points goes down when more people get into obscure bands with oop records. Unless you were in the band I can't see the reasoning behind assuming how they'd feel about some guy making their songs public domain. I suggest everyone listen to "Street Justice" by the Cro Mags and realize what's really important in life.
― M. Colin Tappe, Sunday, 10 October 2004 01:40 (8 years ago) Permalink
DESPERATE BICYCLES “Occupied Territory” and “The Medium Was Tedium” singles (Refill Records, ’78, ’79). I heard about DESPERATE BICYCLES through a friend of mine, and I trust this guy’s opinion on music so much that even though I had never heard DB before, I didn’t think even twice about dropping the $50 it took to get both of these from a UK seller. Honestly, it was one of the best recent record purchasing risks I’ve ever taken, ‘cause these singles hit me really hard. I guess the best way I could describe DESPERATE BICYCLES music would be to have you imagine THE FALL if they were worshipping old ESP Disk “folk” groups (THE FUGS, GODZ, HMR, etc.) instead of CAN. Think really top notch authentic UK post-punk, but lacking any of the obnoxious pitfalls that genre is often guilty of (artistic pretension, watered down lyrics snatched from LOU REED’S wastebasket, aggrandized sense of importance, and general whiney, explicitly anti-rock and roll mentalities). DESPERATE BICYCLES stand head and shoulders above the competition by actually writing good songs which were rich in melody, but also very minimal in arrangement and experimental in their production approach. Take the farfisa and tambourine driven “Medium Was Tedium” single contrasted to the lofi borderline-garage punk of “Skill,” contrasted still with the languid and schizophrenic flipside “Occupied Territory.” These guys cram more original ideas in one song than most bands do in their entire existence, but somehow the songs really are pleasant to listen to without remotely being obtrusively avant-garde like many of their peers.
It should also be noted that DESPERATE BICYCLES wrote lyrics which will give anyone involved in pressing independent records, or seriously pursuing any form of artistic expression, for that matter, a serious hard on. Two of three songs on these two singles DIRECTLY relate to the do-it-yourself ethic of making music. This line from “Skill” pretty much sums up the DESPERATE BICYCLES ETHOS: “You don’t need skill, just the desire/the interest and desire to do what you believe in,” and of course the “It was easy it was cheap GO AND DO IT!!!” chorus/battle cry of “The Medium Was Tedium” speaks volumes as well.
As it stands there is no DESPERATE BICYCLES anthology, or singles collection. The records have never been repressed (to my knowledge this is as per the band’s request) and to my knowledge never even bootlegged. If you find any of their stuff (they had about three or four other singles and an LP) expect to pay a fair price for it, but trust me, it’s a rewarding investment.
― M. Colin Tappe, Sunday, 10 October 2004 01:42 (8 years ago) Permalink
cause their stock in cool points goes down when more people get into obscure bands with oop records
You're really directing that sentiment to the wrong group of people. Please tell me you're not aiming that at me in repsonse to my posts above.
And can I make the obvious analogy. If you specifically told the public you didn't want anyone to repress the best of M. Colin Tappe Greatest Hits CD, but somebody went ahead and did it without your permission, AND is making money off of it, that'd be perfectly cool?
― Dan Selzer (Dan Selzer), Sunday, 10 October 2004 07:42 (8 years ago) Permalink
That someone was me. Does that mean I don't have SIMV? Anyway, my point being Ian Mackaye is not and has never been in the Desp.Bikes, so his opinion, which I share, is not necessarily the DB's standpoint.
I actually don't know who IMcKaye is anyway, and Ray Cappo is also lost on me. But that's not important. Is it?
― mark grout (mark grout), Sunday, 10 October 2004 15:09 (8 years ago) Permalink
I've only heard 'The Medium Was Tedium', and now I can hear the rest of their songs.
If a remastered CD comes out I'll buy that.
Who's losing money (apart from Derek E) out of this, you fucking naysayers.
― Sasha (sgh), Monday, 11 October 2004 03:38 (8 years ago) Permalink
― Dan Selzer (Dan Selzer), Monday, 11 October 2004 14:28 (8 years ago) Permalink
― Dr. C (Dr. C), Monday, 11 October 2004 14:45 (8 years ago) Permalink
It's a shame that there's certain music that people can't here because the records are prohibitively expensive and there is no cheap reissue, but that doesn't make it ok to go against the bands wishes. The fans don't have some kind of right to the music that supercedes the artists desire to not have their music out there for whatever reason.
― Dan Selzer (Dan Selzer), Monday, 11 October 2004 14:53 (8 years ago) Permalink
I dunno. I hypocrit cuz I downloaded the tracks? Maybe they don't want to be looked on as 'historical' or what they do nowadays would be 'spoiled' by 'immature daubings' or whatever?
I dunno, I havent played it yet.
― mark grout (mark grout), Monday, 11 October 2004 14:56 (8 years ago) Permalink
― Dr. C (Dr. C), Monday, 11 October 2004 15:08 (8 years ago) Permalink
― mark grout (mark grout), Monday, 11 October 2004 15:41 (8 years ago) Permalink
They did release it then, and they have the right to not release it now. Releasing it then doesn't make it public domain. As I mentioned above, there's lots of grey areas...I never said nobody should be allowed to hear them, I've probably done more then anybody in spreading their music because I thought people should hear these great records, all the time confident that the people I was giving these CDs to would buy the records given the chance and would def. buy a reissue should it happen. I was just naive enough to think nobody would bootleg it. They did, and I felt guilty and still do, so now I fall on the side of not freely trading music that doesn't belong to me. Or I'm more likely to make mix tapes then compile "The complete..." because once you do that, it just makes the bootleggers jobs easier.
For a few years now there's been someone selling Prefects CDs of Peel Sessions and live stuff, as well as tons of other punk stuff, all at considerable profit. I hope even people who are aware of his site still find it worthwhile to buy Acute's forthcoming Prefects CD, if only for the liner notes and the fact that money will go to the band.
― Dan Selzer (Dan Selzer), Monday, 11 October 2004 16:01 (8 years ago) Permalink
― mark grout (mark grout), Monday, 11 October 2004 16:05 (8 years ago) Permalink
I even got a copy of the CD directly to Duran Duran's PR agent who said she'd give it directly to John Taylor, as they grew out of the same Birmingham punk scene. Haven't heard back from Mr. Taylor yet though! At the least I hope he'll find it a kick, in the nostalgic sense.
― Dan Selzer (Dan Selzer), Monday, 11 October 2004 16:43 (8 years ago) Permalink
― Ned Raggett (Ned), Monday, 11 October 2004 17:04 (8 years ago) Permalink
― Dan Selzer (Dan Selzer), Monday, 11 October 2004 17:22 (8 years ago) Permalink
― artdamages (artdamages), Monday, 11 October 2004 20:02 (8 years ago) Permalink
― artdamages (artdamages), Monday, 11 October 2004 20:29 (8 years ago) Permalink
http://www.carparkrecords.com/acute_US.html
or buy it from our distributor Mordam, or Forced Exposure, Other Music, whatever your favorite retailer is. iTunes and other trustworthy digital downloaders as well.
― Dan Selzer (Dan Selzer), Monday, 11 October 2004 20:30 (8 years ago) Permalink
― artdamages (artdamages), Monday, 11 October 2004 20:45 (8 years ago) Permalink
― Dan Selzer (Dan Selzer), Monday, 11 October 2004 21:19 (8 years ago) Permalink
I might be pretty dumb, and I don't understand this.
― Sasha (sgh), Monday, 11 October 2004 23:50 (8 years ago) Permalink
― Dan Selzer (Dan Selzer), Tuesday, 12 October 2004 06:26 (8 years ago) Permalink
Sasha, you are correct in your disunderstandment.
If the music is more accessible, more people will get it from the 'free' source, and less people will illegally profit from it. Hray.
But, if the music is more accessible from a free source, the list of people who will not profit from it includes the original artists. Boo.
So now I have the CD, I most probably would not buy the properly remastered version. But I probably would not have anyway.
― mark grout (mark grout), Tuesday, 12 October 2004 08:57 (8 years ago) Permalink
― M. Colin Tappe, Thursday, 21 October 2004 05:03 (8 years ago) Permalink
― mark grout (mark grout), Thursday, 21 October 2004 06:21 (8 years ago) Permalink
http://www.headheritage.co.uk/headtohead/show.php?show=message&id=229475
The reviewer doesn't seem to know who's in the Nightingales, apart from Robert Lloyd, but correctly guesses that Alan Apperley is a lecturer.
― Dr. C (Dr. C), Thursday, 21 October 2004 08:43 (8 years ago) Permalink
― Dan Selzer (Dan Selzer), Thursday, 21 October 2004 14:38 (8 years ago) Permalink
― Ned Raggett (Ned), Thursday, 21 October 2004 14:41 (8 years ago) Permalink
― Dan Selzer (Dan Selzer), Thursday, 21 October 2004 15:04 (8 years ago) Permalink
― Ned Raggett (Ned), Thursday, 21 October 2004 15:07 (8 years ago) Permalink
― Stewart Osborne (Stewart Osborne), Thursday, 21 October 2004 15:12 (8 years ago) Permalink
― Ned Raggett (Ned), Thursday, 21 October 2004 16:07 (8 years ago) Permalink
― chris gilles, Tuesday, 2 November 2004 06:18 (8 years ago) Permalink
Derek Erdman is not responsible for the actions of people who are not Derek Erdman, except the hordes of slime-gods who reign in the center of the Earth, of whom he secretly has control.
― mype ness, Sunday, 14 November 2004 16:55 (8 years ago) Permalink
You don't think I should be allowed to hear them, so up yours Mr. Selzer-Water.
― Sasha (sgh), Monday, 15 November 2004 00:39 (8 years ago) Permalink
Please then tell me why we have any copyright laws whatsoever?
Please, more people have heard of the Desperate Bicycles because of me, in some small part in addition to the likes of Johan Kugelberg, Chuck Warner, Richard Mason etc. I have spent the better part of the last 5 or 6 years making people aware of the Desperate Bicycles, I don't take kindly to the suggestion that I don't think people should be allowed to hear them.
Copying the music for someone you may know personally, and making it available to anyone who has access to google, I think are two different things. I never apologized for the hundreds of Desperate Bicycles CDs I made for people...untill I saw somebody selling them. I still make copies of the CD for friends and people I trust.
― Dan Selzer (Dan Selzer), Monday, 15 November 2004 01:14 (8 years ago) Permalink
wait. you downloaded this? you are nothing but a common criminal
― john'n'chcicago, Monday, 15 November 2004 01:52 (8 years ago) Permalink
― artdamages (artdamages), Monday, 15 November 2004 09:52 (8 years ago) Permalink
― dave papworth, Sunday, 21 November 2004 18:11 (8 years ago) Permalink
― Ned Raggett (Ned), Sunday, 21 November 2004 19:34 (8 years ago) Permalink
― s1ocki (slutsky), Sunday, 21 November 2004 19:42 (8 years ago) Permalink
― Robert Laversuch, Tuesday, 3 April 2007 13:52 (6 years ago) Permalink
― kasperbauer, Friday, 20 April 2007 16:34 (6 years ago) Permalink
eww, this music is fucking shite. there's no reason to hear this bollocks except the fact that someone doesn't want you to hear it. brilliant marketing move, laddies.
i love this pretentious existential explanation for the band: "The Desperate Bicycles were formed for the specific purpose of recording and releasing a single on their own label."
Not to make good music, not to express anything relevant, but simply to release an album. Yes, this has encouraged me to go buy an excessively large Hummer and drive it around just because.
― res, Saturday, 21 June 2008 20:06 (4 years ago) Permalink
i'd say "advice on arrest" definitely expresses something relevant, and far from existential or pretentious. try actually listening to them next time.
― r1o natsume, Saturday, 21 June 2008 20:24 (4 years ago) Permalink
What's really cool about music is that sometimes some people like it, while other people don't. A little respect for other people's taste and opinions goes a long way. They wrote tons of great songs that mean a lot to a lot of people. It's fine if you don't like them, and I guess it's silly for me to argue on the internet about stuff like this.
It was a pretty big deal, a big conceptual leap back then, that you could just put out a record. They had that idea and decided to do it. It was an influential move, but unlike the bulk of their followers, the music was also fantastic and they continued to write songs, released a few more singles and an LP. Most of it is pretty good to completely awesome, in my opinion, if not yours.
And I like it just because.
― dan selzer, Saturday, 21 June 2008 20:46 (4 years ago) Permalink
Is this the thread that is mentioned in the page at the top of the thread that doesn't work when you click on the link on that page?
Because if it is, he's right, it is interesting.
I remember buying the second single from my local record shop and cursing the fact that you must have either lived next to Rough Trade or been a friend of the band to get the first single. Certainly had no chance getting it out in the sticks. It's good to hear it again after all these years.
― Ned Trifle II, Saturday, 2 August 2008 09:25 (4 years ago) Permalink
Dug this up for the first time in probably 4 years? Totally enjoying "Cars"
― "lol" as frivolity (Stevie D), Wednesday, 5 August 2009 16:28 (3 years ago) Permalink
"Holidays" is easily one of my favorite songs of all time. Can't get enough of it.
― Trip Maker, Wednesday, 5 August 2009 16:38 (3 years ago) Permalink
I'm at the "Grief Is Very Private" single and it's quite exceptional. I'm surprised at how fucking good this is.
― "lol" as frivolity (Stevie D), Wednesday, 5 August 2009 16:44 (3 years ago) Permalink
There's a Lusty Ghosts song toward the end of this podcast..!
http://www.slumberlandrecords.com/extras/podcast/27
― prior, Thursday, 10 June 2010 14:50 (2 years ago) Permalink
the "article" I wrote for Swingset Magazine in 2004:
http://swingsetmagazine.com/2012/06/xerox_music_is_here_to_stay/
I may update it one day with newer info, links, color photos etc, and post to the Acute site, but for now you can look at this and learn nothing new.
― dan selzer, Thursday, 14 June 2012 19:54 (11 months ago) Permalink
Dan, I don't know if it's already been addressed, but do you have the Evening Outs single and the Peel Sessions of the Desperate Bicycles on your burned CDs and if so, is it possible to receive any copies?
― MaRK A Gjr, Saturday, 23 June 2012 22:19 (10 months ago) Permalink
the desperate bicycles 7"s were all recently bootlegged with added bonus peel sessions tracks added. no sign of a 'remorse code' bootleg though.
― stirmonster, Sunday, 24 June 2012 17:34 (10 months ago) Permalink
and, great article, dan.
― stirmonster, Sunday, 24 June 2012 17:57 (10 months ago) Permalink
Thanks. Hopefully I'll do the updated version eventually.
I have the Evening Outs single and the Peel Sessions. Neither were on the original burned CDs.
― dan selzer, Monday, 25 June 2012 21:41 (10 months ago) Permalink
Mark, when you email people via ilx, you have to include an email address so they can write back!
― dan selzer, Tuesday, 26 June 2012 12:22 (10 months ago) Permalink
got the 4 "reissue" 7"s todayfirst single is Smokescreen/Handlebars on one side & Occupied Territory/Skill on the other, 2 great singles for the price of one.second single is Medium Was Tedium/Don't Back The Front on one side & 2 tracks from a Peel Session on the other, a slower & more together sounding version of Smokescreen & (i'm assuming) Teacher's Prayer (the sleeve & label have no info at all!)third & fourth singles are pretty straight repros of New Cross & Grief Is Very Private with sleeves changed/added. have to say stylophone/bass/drums is a great idea for a band lineup.
― zappi, Wednesday, 27 June 2012 15:30 (10 months ago) Permalink