billy idol : eyes without a face classic or unbelievably amazing.

For myself, I would gladly cease having to post my monthly series of "It's....in Iraq" on ILE, say. Perhaps I will never be given the chance to stop, and I will have to keep counting up the dead and snarling at the idiocies of this world. This said, I still happen to merrily believe that, say, the Darkness deserve massive and bloody beatings.

A peek into the past: Neil Tennant on the power of hate

While the references in many cases are dated, this specific point is potent:

That?s the thing about negative energy, about hatred. It can be positive. It throws into relief all the things you know you like. It tells you, by elimination, what you?re about. Sometimes you can only define yourself by what you hate.

War criminals, killer tsunamis, racism = a more serious matter than discussing music on the internet.

OTM.

The same, though, as defining yourself by your friends and/or certain values -- both approaches can lead to a self-righteous state (but do not have to).

Well, by your estimation, the only reason "Eyes Without a Face" was a sizable hit was because that it was "Prince-like". Why not give Billy Idol a little of his own fuckin' credit, huh?

You interpret my opinions as hateful, yet we've never met. Nine-tenths of the comments I make are with tongue firmly in cheek and they are rarely meant as personal slights.

And as a final thought before I go pick my wife up at the airport, while it's true that I do indeed work as a tiny cog in the vast corporate Death Star that is Time Warner, I do not define myself by my job. I dearly love a lot of the folks I work with at TIME magazine, but if you've been reading ILX over the past year and a half, you might've noticed a thread or two wherein I lament the fact that I'm working where I'm working and that I'm actually trying to leave the magazine (although my reasons have nothing to do with the magazine's hotly debated political leanings). You never honestly answered my question about how you pay your rent and feed your family, so I can't grill you in kind.

Other than that, you're all just a bunch of wet noodlers.

... both wr2 "eyes w/t a face" (a big hit when i was a teenager) and a certain poster's lefter-than-thou rhetoric (and who has, undoubtedly, never worked at a REAL job a day in his life, has no loans/mortgages/etc. to worry about, yadda yadda yadda).

Alex, COME ON.

Don't call me a racist, please.

sheesh!

without having seen this thread!
didn't find it (can always iPod it), but I did find Van Halen II, so whoever shows will "Dance The Night Away"

"i'm on a bus,
on a psychedelic trip,
between burning up books
and trying to stay hip"

does this belong in the same category as the contemporaneous lyrical hash that duran duran were slinging out? or is it actually supposed to MEAN something?

xpost

KIDDING!

the lyrics in the sort of breakout part of this are fucking hilarious and terrible. they feel like they were written by someone's dad impersonating a rebellious figure. especially the way he sings "ooh, the gigolo pool".

When you hear the music you make a dip
Into someone else's pocket then make a slip.
Steal a car and go to Las Vegas oh, the gigolo pool.

Hanging out by the state line,
Turning holy water into wine
Drinkin' it down, oh
I'm on a bus on a psychedelic trip
Reading murder books tryin' to stay hip.

i think id like to make an edit of this track where that bit doesn't happen

ha, i didn't read the previous revive of this thread. a common complaint it seems

i would also put the bpm down by 5 or so

i always thought the lyric was "ooh, the gigolo crew" which is funnier and worse than "gigolo pool" which sounds like a venue or something. i like the idea of idol referring to himself and some cronies as "the gigolo crew".

this is a boss tune and the breakdown and the rest are as luridly trashy as each other

killing yourself would be preferable to editing it into a lynch meets soft sad techno komkukt jam

it's all trashy but the breakdown guitar sound is just unforgivable.

the arguing at the beginning of this thread between press outlets about Dubya coverage is ... something

xp great riff, you're unforgivable

Apart from that, it's a classic. And Prince couldn't rock this hard if his purple little life depended on it.

― Alex in NYC (vassifer), Tuesday, December 28, 2004

I'm on a bus on a psychedelic trip
Reading murder books tryin' to stay hip.

Can imagine Dylan flipping over these cue cards

I never heard this song growing up, only heard the italo disco version (sung in Italian!) that omits the middle section, and assumed it was an original until only a few years ago. Funny that.

https://www.youtube.com/watch?v=gJIfAciHPo8

I like the solo but yeah the bridge singing is pretty mood-breaking. Still a fantastic song

i'm into the bridge. lyrics look ridic spelled out like that, but it's all about that cadence and the marriage of the groove with the buttrock riff. plus it has that cool, careening guitar feedback thing in there. i'll go the opposite way: i'll make an edit of just this part and rock all y'all!

say your pra-hayers

saay yo-our pra-haayyers

i'm always psyched to hear this song, such a finely distilled mood. I understand wanting to erase the middle eight but then you'd lose OOOH GIGOLO POOL which along with THE WOMAN IS WILD OOOOOO is one of the most useful 80s eruptions for almost any situation

Mangzorz1 month ago
The break down is the best part of this song... "I'm on a bus on a psychedelic trip, reading murder books and trying to stay hip" Dude, my entire life, Billy...you truly get me.

the opening synths are incredible