Jimmy Webb's Immortal "Wichita Lineman"

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Freedy Johnston used to play it fairly frequently during his post-This Perfect World "residence" phase here in town.
Yup. When I saw him, that Gerard Depardieu-looking guy from the Blood Oranges did an excellent job on that bassy lead guitar part.

5. the string surges and weird break-through notes on the organ that evoke a telegraph
Songs Featuring A Guitar Lick That Sounds Like A Signal Coming Down A Telegraph Wire

Ken L (Ken L), Wednesday, 19 January 2005 05:03 (nineteen years ago) link

is it really a guitar lick?

Amateur(ist) (Amateur(ist)), Wednesday, 19 January 2005 05:20 (nineteen years ago) link

Now I'm not so sure. I thought it was trebly guitar.

what's wichita line man about anyway?
I thought it was about the guy who climbs up the telephone poles and maintains or fixes those long distance lines- the irony being that he is facilitating everybody else's phone calls while he is stuck out there all by his lonesome unable to talk to the one he loves. Or maybe he fixed train lines, or maybe he fixed telephone lines that ran in parallel to train lines.

Ken L (Ken L), Wednesday, 19 January 2005 05:22 (nineteen years ago) link

I just put this on
my "country that doesn't suck"
CD for my friend

glen campbell's voice is
underrated for real though,
he nails that last note

Haibun (Begs2Differ), Wednesday, 19 January 2005 05:44 (nineteen years ago) link

The imagery. there are only 37 different words in the whole of the song

53 by my count.

fact checking cuz (fcc), Wednesday, 19 January 2005 06:43 (nineteen years ago) link

...of which 44 are one-syllable words, the poet's best friend.

fact checking cuz (fcc), Wednesday, 19 January 2005 06:49 (nineteen years ago) link

the saddest song ever, and one of the most beautiful ever written. I'd hate to ever hear a cover, because Glen Campbell nails it. the baritone guitar does it for me, i think, and the pick up at the end. a beautiful, beautiful song.

did you catch Belle and Sebastian's tip-of-the-hat in 'Photo Jenny'?

derrick (derrick), Wednesday, 19 January 2005 07:46 (nineteen years ago) link

i need you more than want you...

polyphonic (polyphonic), Wednesday, 19 January 2005 07:49 (nineteen years ago) link

saddest line ever.

derrick (derrick), Wednesday, 19 January 2005 07:57 (nineteen years ago) link

...and i want you for all time. greatest lyrical couplet in all popular music.

glen played his own bass on "wichita lineman."

also recommended: jimmy webb's own rendition on his solo Ten Easy Pieces album - the piano accentuates the song's hidden bill evans harmonies.

Marcello Carlin, Wednesday, 19 January 2005 08:01 (nineteen years ago) link

One of the greatest songs ever. Absolutely purrfekt.

Jay Vee (Manon_70), Wednesday, 19 January 2005 10:03 (nineteen years ago) link

6. the rolling guitar arpeggios in the verses. someone will mention the drums in a minute and then we'll have every element in the song seperately listed as a reason for its perfection!

debden, Wednesday, 19 January 2005 10:17 (nineteen years ago) link

just reading this thread and thinking about this song sends shivers down my spine. and yes, it's all to do with that "i need you more than want you" line. why is it not on my iPod? bugger.

grimly fiendish (grimlord), Wednesday, 19 January 2005 14:02 (nineteen years ago) link

yes...and the way he sings 'need a vacation' and the line about the strain....

its genius. the 'I need you' is one of the single greatest lines in western art.

who produced it? its got this golden lustre to it

Campbells voice is under rated......he sings Galveston beautifully as well. Didnt he sing/play on some Beach Boys records?

Carel Fabritius (Fabritius), Wednesday, 19 January 2005 14:10 (nineteen years ago) link

producer: al de lory.

campbell toured as a beach boy in '64/5 after brian dropped out of doing gigs. plays guitar on pet sounds, SMiLE passim, as well as being a spector/wall of sound regular.

brian wrote and produced glen's 1965 why-wasn't-it-a-hit "guess i'm dumb" single. glen is also the lead vocalist on "my world fell down" by sagittarius, which record had input from bruce johnstone and brian wilson (the sound FX in the middle section were originally intended for the "in the cantina" section of "heroes & villains").

Marcello Carlin, Wednesday, 19 January 2005 14:15 (nineteen years ago) link

The version by the Scud Mountain Boys on 'Pine Box' (or 'The Early Year') is really, really lovely.

aldo_cowpat (aldo_cowpat), Wednesday, 19 January 2005 14:15 (nineteen years ago) link

Justus Köhncke's version is pretty great too but, as derrick said, Glen Campbell's version is the one.

jed_ (jed), Wednesday, 19 January 2005 14:25 (nineteen years ago) link

in fact i thought Campbell's was the original til now.

jed_ (jed), Wednesday, 19 January 2005 14:27 (nineteen years ago) link

I also love the ‘I hear you singing in the wires / I can hear you through the whine’

Orange, Wednesday, 19 January 2005 14:38 (nineteen years ago) link

So I think it's pretty clear that all further threads about "the best song of all time" should begin with this song. I'd start a "Jimmy Webb's best songs" but that shit would eat up my whole day and yours too. As far as his concept albums, I'm partial to The Magic Garden, which he wrote and produced for the 5th Dimension, but I haven't heard them all..

Haibun (Begs2Differ), Wednesday, 19 January 2005 14:58 (nineteen years ago) link

also recommended: jimmy webb's own rendition on his solo Ten Easy Pieces album - the piano accentuates the song's hidden bill evans harmonies.

OTM. See also that record's version of "Galveston", which is even more of a revelation. Just try to ignore the cover snap with a barefoot Jimmy.

glen is also the lead vocalist on "my world fell down" by sagittarius, which record had input from bruce johnstone and brian wilson (the sound FX in the middle section were originally intended for the "in the cantina" section of "heroes & villains")

I believe that's a myth...

Naive Teen Idol (Naive Teen Idol), Wednesday, 19 January 2005 15:12 (nineteen years ago) link

in fact i thought Campbell's was the original til now.

it is, isn't it? he didn't write it but i'm reasonably sure his was the first recording.

fact checking cuz (fcc), Wednesday, 19 January 2005 15:13 (nineteen years ago) link

On the Glen Campbell version between the end of a chorus and the guitar solo, there's a chord progression with a high pitch melody.

I just realized that Bobby Lyle's "Magic Carpet Ride", a rare-groove r&B song from the 70's, totally cops that part.

pheNAM (pheNAM), Wednesday, 19 January 2005 15:32 (nineteen years ago) link

i'm trying to decide what i think of the webb/campbell album "reunion" (1974) right now

Amateur(ist) (Amateur(ist)), Wednesday, 19 January 2005 15:57 (nineteen years ago) link

I've never understood the appeal of this song, but I have a Lost Highway compilation where it is sung--nay, intoned, by the Man in Black himself.

You must hear it if you are a fan of Johnny Cash or of the song. I'm just sayin.

The Mad Puffin (The Mad Puffin), Wednesday, 19 January 2005 16:00 (nineteen years ago) link

I think it's a good song, though I don't think I quite understand the reasoning for the hushed, reverent tone in which it is revered on this board.

o. nate (onate), Wednesday, 19 January 2005 16:04 (nineteen years ago) link

hush now!

Amateur(ist) (Amateur(ist)), Wednesday, 19 January 2005 16:16 (nineteen years ago) link

The imagery. there are only 37 different words in the whole of the song, Bob Dylan never created an image as evocative as this in his whole musical career of 3 and a half billion words

Bullshit. Anyway, since you're so concerned with how many *different* words are in the song, how many *different* words do you think Dylan used? Probably not 3 and a half billion. "It Takes a Lot To Laugh, It Takes a Train to Cry" (despite the long title) is approximately as laconic as this song and is at least as effective, as far as I'm concerned.

o. nate (onate), Wednesday, 19 January 2005 16:27 (nineteen years ago) link

the hushed, reverent tone
Are we really being hushed and reverent, or are we just enjoying the shared discovery of a heretofore obscured classic?

Ken L (Ken L), Wednesday, 19 January 2005 16:37 (nineteen years ago) link

Well, some of the tributes being paid to this song upthread verge on the hyperbolic. I mean is it really the greatest song of all time? Yes, it does a lot with a little. The image is effective and original. It tells you just enough to give you a flavor for the guy's feeling but leaves a lot of things shrouded in enigma - for instance, who is the "you" that the song is addressed to? Is it a current lover, a past lover, the object of an unrequited love, is she dead? We really have no clue - which makes the meaning of the song a bit diffuse and gnomic. All we get is the sense of the dutiful working guy out on the roads feeling lonely and thinking of a woman. There are countless classic songs with similar themes of loneliness, desire, and separation: "Solitude", "I Cover the Waterfront", "Visions of Johanna" - to me, to say that this one is unquestionably the best without a little more to back it up just seems a bit premature.

o. nate (onate), Wednesday, 19 January 2005 16:43 (nineteen years ago) link

Was it heretofore obscured?

Campbell's version was pretty ubiquitous on even top 40 radio circa 1979.

The Mad Puffin (The Mad Puffin), Wednesday, 19 January 2005 16:46 (nineteen years ago) link

Its classicity was obscured.

Ken L (Ken L), Wednesday, 19 January 2005 16:49 (nineteen years ago) link

its genius. the 'I need you' is one of the single greatest lines in western art

To be honest, this line kind of bugs me. If he "needs" her more than "wants" her, then why in the very next line does he say "and I want you for all time" - there's the "want" again - didn't he just say he "needs" her more than "wants" her? - so why doesn't he say he "needs" her for all time? Because it would sound weird, I guess. How could you "need" someone for all time? But still, it's clumsy.

o. nate (onate), Wednesday, 19 January 2005 17:22 (nineteen years ago) link

if he needs her more than he wants her, and he wants her for all time, then he needs her THAT MUCH MORE. simple as that, not clumsy.

and you're seriously saying that a song needs to be specific to be good? because that would leave a lot of dylan, esp. 'visions of johanna,' right out on the doorstep.

i never said this was THE greatest song of all time. but it must be considered. 'visions' is good but not on the same level methinks.

Haibun (Begs2Differ), Wednesday, 19 January 2005 17:30 (nineteen years ago) link

It's not remotely clumsy - it's the same construction as saying, "It's more tragic than comic, and it's *very* comic." A is greater than B and B is HUGE.

xpost

Michael Jones (MichaelJ), Wednesday, 19 January 2005 17:32 (nineteen years ago) link

It's a great song about a guy who repairs telephone lines when it's cold outside. I always heard it as a song about work, you know, having to work outside when it's cold, and he's missing his girl or whatever.

I like "Galveston" almost as much. Campbell's vocal on "WL" is very subtle, actually, listen to the inflection on the word "still." That's great singing, it sounds so simple but it's not.

Many people complain about the Al De Lory strings on this song and others. I think "WL" just about defines good countrypolitan music, myself, it's incredibly listenable, smooth yet it's real. Glen's country--the way he says "want" as "wont." I have no trouble with anyone who says this is one the finest songs of all time, none at all.

eddie hurt (ddduncan), Wednesday, 19 January 2005 17:36 (nineteen years ago) link

i'm trying to decide what i think of the webb/campbell album "reunion" (1974) right now

I'm not, Amateur(ist) — it's crap. And believe me: I wanted to like that record more than you can possibly imagine. Or maybe you can.

Naive Teen Idol (Naive Teen Idol), Wednesday, 19 January 2005 17:46 (nineteen years ago) link

the Meters did a version of "Wichita Lineman." It's not too hot, actually.

eddie hurt (ddduncan), Wednesday, 19 January 2005 17:48 (nineteen years ago) link

before I even was "into" music, like, when I was 4 or 5 years old, this song touched me. no doubt from long car rides to grandma's when my mom only listened to country. and many years later, knowing nothing of the songs cult following or that anyone might put it in the canon of great songs, I heard a snippet or saw the title and could just barely make out the tune in my memory, but the FEELING! I wanted to hear the song for years. I'd forget about it completely, only to remember that somehow I had to hear it. then I saw it on a jukebox one day, played it, and someone I was with immediately noted the song choice with seemingly exactly the same "understanding" of the song that I had had. I don't know if it means anything. does this song include a frequency inaudible to the human ear or something?

ilkshake (ilkshake), Wednesday, 19 January 2005 17:54 (nineteen years ago) link

"reverent tone in which it is revered on this board."

are you supposed to revere something in an irreverent tone?

Amateur(ist) (Amateur(ist)), Wednesday, 19 January 2005 17:54 (nineteen years ago) link

in any event i can agree with o. nate that there are many other effective songs with a similar theme, and that "wichita lineman" is a great song, there's no need to declare it the "best of all time" or anything like that. anyway, that sort of hyperbole has a mostly rhetorical function right? no one's actually saying that in some fact-based way this is the "best of all time."

i do have a distaste for hyperbole. it's nice to read something like o. nate's post, then. since this board is so full of hyperbole.

Amateur(ist) (Amateur(ist)), Wednesday, 19 January 2005 17:56 (nineteen years ago) link

. I always heard it as a song about work, you know, having to work outside when it's cold, and he's missing his girl or whatever.

hmmm...this is interesting, because webb has a problem with writing really abstract love lyrics with overly fussy metaphors. in fact i would even say that some of his lyrics verge on the sort of mushy pop-psychological stuff that really turns me off. (as in the "reunion" record which i can't dismiss so easily.)

i think it's this song's specificity, its occasional rendering of concrete detail, that lifts it above a lot of other webb compositions.

Amateur(ist) (Amateur(ist)), Wednesday, 19 January 2005 18:00 (nineteen years ago) link

i like that line in one song on "reunion" about his girl not liking the way he smokes!

Amateur(ist) (Amateur(ist)), Wednesday, 19 January 2005 18:01 (nineteen years ago) link

that line in one song

Yes.

Naive Teen Idol (Naive Teen Idol), Wednesday, 19 January 2005 18:20 (nineteen years ago) link

are you supposed to revere something in an irreverent tone?

OK, fine, but something typed in haste on a message board should necessarily be held to the same level of literary standards as a song, especially if it's claimed to be the greatest of all time.

Maybe the line means what people are saying it means: I x more than y, and I y a lot. But if so, this doesn't strike me as a particularly clever or poetic construction - it's almost childish, really. For a more grown-up, complex, and sexy take on the whole "need vs. want" thing, see Smokey Robinson's "You Really Got a Hold On Me".

o. nate (onate), Wednesday, 19 January 2005 18:44 (nineteen years ago) link

For a more grown-up, complex, and sexy take on the whole "need vs. want" thing, see Smokey Robinson's "You Really Got a Hold On Me".

That was a favorite theme of Motown and vintage R&B. See also Marvin Gaye's "Ain't that Peculiar" ("you do me wrong but still I'm crazy bout you"), Martha and the Vandellas' "Nowhere to Run" ("I know you're no good for me, but you've become a part of me").

The Mad Puffin (The Mad Puffin), Wednesday, 19 January 2005 18:57 (nineteen years ago) link

Shelby Lynne does a kick-ass verison of this live.

mottdeterre (mottdeterre), Wednesday, 19 January 2005 18:59 (nineteen years ago) link

The Avalanches prominently sample the intro to Tony Mottola's string-laden instrumental version of "Wichita Lineman" on "Since I Left You" (the track itself).

Spencer Chow (spencermfi), Wednesday, 19 January 2005 19:05 (nineteen years ago) link

3xpost:
o nate, I disagree with much of what you are saying on this thread, but I am not displeased that you are here saying it- a hater only helps us prove our love even more. To address one of your charges, one that I think some others have already addressed, the question of who is the "you" that the song is addressed to, I would say that a love song that is too specific or concentrates too much on describing the love object can often backfire and repel the listener as it descends into the "sort of mushy pop-psychological stuff" that amateurist mentioned. The mix of specificity with regard to the singer- he is a lineman, in Wichita, for the county!- with the lack of specifics about the "you" on his mind gives the song a nice balance.

As far as "need vs. want" - "You Really Got a Hold On Me" is a great song, especially in the Beatles version, but its razor's edge approach/avoid take on love is actually easier to pull off successfully than the infinite corridor of want that is evoked in "Wichita Lineman."

Ken L (Ken L), Wednesday, 19 January 2005 19:11 (nineteen years ago) link

Stop killing my dreams man.

Jersey Al (Albert R. Broccoli), Saturday, 27 July 2013 06:06 (ten years ago) link

That is most likely the Bass VI heard all over Pet Sounds and Smile if that's Carole's.

Jersey Al (Albert R. Broccoli), Saturday, 27 July 2013 06:07 (ten years ago) link

Nope. She played a regular P-bass throughout the Wrecking Crew years - only real non-standardness being flat-wound strings and playing with a pick.

Elvis Telecom, Saturday, 27 July 2013 06:52 (ten years ago) link

Does anyone have a Spotify J Webb performed by others playlist for the novice?

Thelema & Louise (Jon Lewis), Saturday, 27 July 2013 18:48 (ten years ago) link

Nope. She played a regular P-bass throughout the Wrecking Crew years - only real non-standardness being flat-wound strings and playing with a pick.

Surely she played guitar and baritone guitar on sessions as well.

Orpheus in Hull (James Redd and the Blecchs), Saturday, 27 July 2013 19:19 (ten years ago) link

The lyrical interpretation earlier in this thread was pretty eye-opening; I always figured "And if it snows that that stretch down south won't ever stand the strain" meant "If she freezes me out, these blue balls are gonna kill me."

Hideous Lump, Saturday, 27 July 2013 20:26 (ten years ago) link

some weapons-grade challopery up in this thread

Mancunian stagger (Noodle Vague), Saturday, 27 July 2013 20:42 (ten years ago) link

The version he did on Jools in 2008 was pretty amazing. Stay for the "fine" at the very end.

https://www.youtube.com/watch?v=LMFOnpT9RkQ

that's not my post, Sunday, 28 July 2013 05:01 (ten years ago) link

Glen Campbell still a pretty damn good guitar player at age 72 in that clip. Lot of guys in a group setting like that would have just sang the tune and left someone in the ensemble to do all of those fills from the original arrangement.

earlnash, Sunday, 28 July 2013 22:07 (ten years ago) link

OTM. Was just telling James Redd, Sr. something to that effect.

Orpheus in Hull (James Redd and the Blecchs), Sunday, 28 July 2013 23:07 (ten years ago) link

that's great, as is the weird Forbidden Planet alien world studio one.

That Simpsons bit where Homer's going through his records with the implication that they're terrible and Glen Campbell is one of them bothers me beyond reason.

Fanois och Alexander (Merdeyeux), Monday, 29 July 2013 01:13 (ten years ago) link

http://sadyoutube.com/post/52276658436/this-song-makes-me-cry-my-dad-was-a-truck

I am never clicking through to read this, because "My dad was a truck" is perfect enough without seeing the rest of the sentence.

Here's the storify, of a lovely ladify (Phil D.), Monday, 29 July 2013 01:23 (ten years ago) link

three years pass...
three years pass...

people on this thread dissing Reunion.... my god. you sick people. was super happy to tell Webb how much i loved it when i caught him live.

Hmmmmm (jamiesummerz), Tuesday, 3 November 2020 16:47 (three years ago) link

Crazy. That album's great but I wish they hadn't done that Lowell George song. He's got a habit of doing pointless covers though, like the crap Beatles cover on "The Magic Garden".

Young Boys of Bernie (Tom D.), Tuesday, 3 November 2020 17:48 (three years ago) link


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