― vahid (vahid), Friday, 20 May 2005 16:59 (7 years ago) Permalink
Also, this mix is just so up her street.
― Alba (Alba), Friday, 20 May 2005 17:00 (7 years ago) Permalink
― Alba (Alba), Friday, 20 May 2005 17:12 (7 years ago) Permalink
mullygrubber, did i give you Plantlife cd? their cd has really been growing on me. my wife was listening to and loving it, but she thought it was from the 70s until the monie love sample came in mid album.
― [that bastard] jaxon (jaxon), Thursday, 9 June 2005 22:55 (7 years ago) Permalink
― mullygrubbr (bulbs), Friday, 10 June 2005 00:08 (7 years ago) Permalink
i'm not feeling the new mix at all, i must say.
― strng hlkngtn, Friday, 10 June 2005 03:13 (7 years ago) Permalink
― vahid (vahid), Friday, 10 June 2005 03:15 (7 years ago) Permalink
― strng hlkngtn, Friday, 10 June 2005 03:19 (7 years ago) Permalink
― mullygrubbr (bulbs), Friday, 10 June 2005 03:21 (7 years ago) Permalink
xpost: wait, what?
― strng hlkngtn, Friday, 10 June 2005 03:23 (7 years ago) Permalink
what's up with PHANTOM SLASHER and MAJOR SWELLINGS?
i just picked up phantom slasher's "PUDDLE & SPOUT" lp for $5 and i really like it! is this an idjut boys side project? is it dj harvey? somebody else entirely?
how about major swellings? is that any good? is major swellings related to lindstrom / prins thomas?
― vahid (vahid), Wednesday, 7 September 2005 05:17 (7 years ago) Permalink
side note: i had a hell of a weekend! i picked up
phantom slasher - puddle & spoutfaze action - plans & designsakwaaba - too shinyjhelisa - galactica rushchateau flight - puzzlei:cube - 3all of the kelley polar EPsdj food - jazz brakes 5
it is all bongos and jazz beards over here.
― vahid (vahid), Wednesday, 7 September 2005 05:20 (7 years ago) Permalink
― Tim Finney (Tim Finney), Wednesday, 7 September 2005 06:22 (7 years ago) Permalink
― jed_ (jed), Wednesday, 7 September 2005 07:00 (7 years ago) Permalink
― blunt (blunt), Wednesday, 7 September 2005 16:18 (7 years ago) Permalink
― Michael F Gill (Michael F Gill), Wednesday, 7 September 2005 16:44 (7 years ago) Permalink
a few weeks ago i got their "MORE OR LESS" mix from the year 2000, on u-star, from tower's clearance bin, and i'm just now listening to it!
it's missing the first CD but who fuckin cares, my lord!
― Tracer Hand (tracerhand), Thursday, 19 January 2006 04:32 (7 years ago) Permalink
it sounds like ... it sounds like ... uh ... a cross between faze action and motorbass??
― vahid (vahid), Thursday, 6 April 2006 02:14 (7 years ago) Permalink
― Michael F Gill (Michael F Gill), Thursday, 6 April 2006 02:18 (7 years ago) Permalink
fuck, this makes me want to down a bottle of cough syrup.
― vahid (vahid), Thursday, 6 April 2006 02:21 (7 years ago) Permalink
http://s35.yousendit.com/d.aspx?id=3H08HFIX1WRLU2RBVSZR2572AD
anybody who wants to DL this and play it on ipod / laptop speakers / other system without knock can go E a D.
― vahid (vahid), Thursday, 6 April 2006 03:46 (7 years ago) Permalink
― vahid (vahid), Thursday, 6 April 2006 03:47 (7 years ago) Permalink
― vahid (vahid), Thursday, 6 April 2006 03:48 (7 years ago) Permalink
― geeta (geeta), Thursday, 6 April 2006 05:04 (7 years ago) Permalink
― vahid (vahid), Thursday, 6 April 2006 05:06 (7 years ago) Permalink
"since u-star records formed in 1984, its releases have been characterised by the use of studio techniques that draw their inspiration from the type of heavily effected sounds that original djs/mixers such as francois kevorkian and larry levan used during their more creative dub-based disco phase. after owners dan tyler and conrad mcdonnell (aka idjut boys) forged a useful partnership with like-minded studio producer laj (raj gupta), early releases such as 'oh la la teaparty' and 'funkyland' by bam bam proved that impressive and humorous talent was already developing. unfortunately, these extremely limited releases ensured that the idjut boys were kept a well-hidden secret.
the first u-star record to achieve any recognition was the not reggae ep (1995), which stood out from the vast majority of new releases because of its originality and the quality of the production. mixing live instrumentation with deep, dubby, heavy four-to-the-floor grooves, it was the sketch for the london 'nu-house' sound prevalent in recent years. included on the b-side were extended beat-based instrumentals which used heavily effected studio tricks to create a sound that shocked, then rocked dancefloors. tracks such as these are a staple element of their djing, tying vocal-led cuts between percussive grooves of original disco tracks between modern house, using techniques similar to dj harvey.
ben davies' the quakerman ep followed suit with the piano-led 'cream cheese' and the electro/house fusion of 'schlam me.' the beating on dave ep and the beard law ep (both 1996) continued in a similar vein, but also marked a progression in the intricacies of their pot-fuelled music which would later become evident on their debut album.
although still an enigma to most, the idjut boys received sufficient attention in london and from abroad to work on dub-reimxes, as opposed to complete reconstructions, for a variety of like-minded artists. one of their earlier efforts, a remix of century falls' 'it's music' (1996), produced live instrumentation above and beyond the normal artificial house sounds, managing to mix live salsoul-styled disco with dubbed-out house. their remix work has involved a man called adam, 16b, dimitri from paris and dj gilb'r, as well as re-editing jazz-funk records such as kabbala's 'ashewo ara' (1997) and atmosphear's 'deep space nine.'
alongside london's faze action, dj harvey, crispin j glover and ashley beedle, idjut boys were placed at the centre of the media vaunted 'nu-house' scene. while live instrumentation had become the fresh sound of house, the idjuts marked themselves out by veering clear of aimless 'jazz-noodling' and making records people could dance to.
alongside their u-star and noid imprints, the idjuts have launced the fiasco label (featuring a tabasco bottle on the front cover), with laj and quakerman providing the music, and the difunctional label, offering a diverse range of tracks from artists around the world. in 1997 they picked up more club play with the fela kuti-influenced drum sounds of the whoktish ep and perhaps their most complete production to date, the roll over and snore ep (1997), with a title track which uncharacteristically kicked into life with killer piano hook similar to those used on early chicago house cuts by the likes of marshall jefferson and sterling void.
1998 witnessed their debut album, noid long player. although it featured none of their singles to date, it had the idjuts' mark clearly stamped over every track. using a wealth of jazz-funk/disco samples as a common thread, cuts like highway 167 and steinworld are nothing but ludicrous drum breaks, extreme sound effects, and crazy marx brothers samples all the way."
― geeta (geeta), Thursday, 6 April 2006 05:20 (7 years ago) Permalink
― geeta (geeta), Thursday, 6 April 2006 05:27 (7 years ago) Permalink
― blunt (blunt), Thursday, 6 April 2006 05:45 (7 years ago) Permalink
― geeta (geeta), Thursday, 6 April 2006 05:48 (7 years ago) Permalink
-- vahid (vfoz...), April 5th, 2006.
Are you still doing this?
I'm impressed!
― Giles Manius (jsoulja), Thursday, 6 April 2006 05:54 (7 years ago) Permalink
― geeta (geeta), Thursday, 6 April 2006 05:57 (7 years ago) Permalink
― blunt !=Rednex (blunt), Thursday, 6 April 2006 06:11 (7 years ago) Permalink
― j blount (papa la bas), Thursday, 6 April 2006 06:14 (7 years ago) Permalink
― Jacobs (LolVStein), Thursday, 6 April 2006 08:53 (7 years ago) Permalink
― gaseous (gaseous), Tuesday, 9 May 2006 05:27 (7 years ago) Permalink
― FLOWING STRAIGHT FROM THE SURVIVAL SCROLL (vahid), Tuesday, 9 May 2006 05:50 (7 years ago) Permalink
― gaseous (gaseous), Thursday, 25 May 2006 22:29 (6 years ago) Permalink
― lil' merzbow wow (haitch), Thursday, 25 May 2006 22:32 (6 years ago) Permalink
"NOID LONG PLAYER" JUST REISSUED ON CD.
― JABBA JABBA!! NIB NIB!! (vahid), Saturday, 22 July 2006 05:57 (6 years ago) Permalink
― JABBA JABBA!! NIB NIB!! (vahid), Saturday, 22 July 2006 05:58 (6 years ago) Permalink
BETTER THAN BURIAL
STOP
BETTER THAN GET PHYSICAL COMPS
BUY ON SIGHT
― Michael F Gill (Michael F Gill), Saturday, 22 July 2006 06:26 (6 years ago) Permalink
― milly (bulbs), Saturday, 22 July 2006 06:27 (6 years ago) Permalink
four hour set from manchester's electric chair
http://mixes.electriks.co.uk/IdjutPart1.mp3 http://mixes.electriks.co.uk/IdjutPart2.mp3 http://mixes.electriks.co.uk/IdjutPart3.mp3
― moonship journey to baja, Saturday, 23 June 2007 20:05 (5 years ago) Permalink
yo awesome! thanks vahid
― babedad, Sunday, 24 June 2007 00:33 (5 years ago) Permalink
again, make sure you burn this to a disc and play it on a real stereo ... their use of phasing + delay is just out of this world as usual
― moonship journey to baja, Sunday, 24 June 2007 00:47 (5 years ago) Permalink
some funkiness going on with the track titles.
the track labeled "IdjutPart3" is not contiguous with "IdjutPart2", it's contiguous with "IdjutPart1".
so it goes like this IdjutPart1 -> IdjutPart3
IdjutPart2 is not contiguous with either 1 or 3, so i'm not sure if it's a different night or what ...
accordingly, i performed the following surgical re-section to fit them onto 4 CDs...
Disc 1 IdjutPart1 edited at 69:26 (just at the end of "boogie oogie oogie")
Disc 2 remainder of IdjutPart1 (20:56) IdjutPart3 edited at 47:32 (added a 5-second fade)
Disc 3 remainder of IdjutPart3, edited the fadeout at the 82:03 mark (34:51 total) IdjutPart2, beginning at 00:09 (only the tribal drums, skipping the horns) and cut at 27:06 (just before the cymbals come in)
Disc 4 remainder of IdjutPart2 (62:33)
― moonship journey to baja, Sunday, 24 June 2007 02:09 (5 years ago) Permalink
U-Star Daze.
― brotherlovesdub, Friday, 16 March 2012 02:22 (1 year ago) Permalink
i've got that one, it is..... jam after jam
― TracerHandVEVO (Tracer Hand), Friday, 16 March 2012 11:25 (1 year ago) Permalink
“What we’ve tried to do is make an LP, four tracks a side on vinyl. You stick it on your stereo, have a cup of coffee and read the paper. When it’s finished you stick the other side on. So we’ve made an LP in the traditional way.”
<3
― mizzell, Friday, 16 March 2012 14:14 (1 year ago) Permalink
wasn't too impressed with "One For Kenny" til that piano break came in, then it was pretty great. very much looking forward to drinking coffee and reading the paper to this.
― mizzell, Friday, 16 March 2012 14:26 (1 year ago) Permalink
meanderthals was my soundtrack for that on a lot of sunny weekend mornings last year
― the late great, Friday, 16 March 2012 16:00 (1 year ago) Permalink
my favorites is actually "life: the shoeing you deserve"
"more or less" is a 2cd comp w/ a mixed 2nd disc, that mixed 2nd disc was re-released in the US as "the u-star daze"
i would go with any of those, and then move on to puddle & spout, gruble, etc etc which tbf are basically i guess just elaborate re-edit comps
― the late great, Friday, 16 March 2012 16:01 (1 year ago) Permalink
second Meanderthals, sublime balearic dub bliss.
― beta blog, Friday, 16 March 2012 22:13 (1 year ago) Permalink
Since those early albums seem impossible to find at a reasonable price, I've got stuck into Press Play and Night Dubbin. Really enjoying the track selection on Press Play, but I feel like as a mix it kinda crashes with the cover of Word Up and doesn't really get itself back on track, like the section from there to the end should have been at the start to warm up instead. Night Dubbin is great though, I love the sense of dark queasiness hanging over it, and both mixes are so impressive with the way they eschew traditional beat-matching yet putting together transitions that seem to flow naturally.
― boxedjoy, Monday, 30 April 2012 23:49 (1 year ago) Permalink
not sure if this URL is going to work:
Idjuts mix disc on the first Claremont 56 compilation!
― mikebee (BATTAGS), Tuesday, 1 May 2012 16:10 (1 year ago) Permalink
oh awwwesome.
i am not really loving cellar door :-/
― max, Tuesday, 1 May 2012 16:10 (1 year ago) Permalink
is that a good label? i didn't get into the first smith & mudd album, it had that same-y mush-y vibe that a lot of rong releases seem to have.
― the late great, Tuesday, 1 May 2012 16:34 (1 year ago) Permalink
but maybe i'm just not listening close enough
wish they continued w/ their droid series
― the late great, Tuesday, 1 May 2012 16:35 (1 year ago) Permalink
compile already
― the late great, Tuesday, 1 May 2012 16:36 (1 year ago) Permalink
body so jelly-ish
― the late great, Tuesday, 1 May 2012 16:37 (1 year ago) Permalink
dancefloors gone all wobbly
c56 is pretty much my favorite label, but I'm horribly biased.
― mikebee (BATTAGS), Tuesday, 1 May 2012 17:24 (1 year ago) Permalink
i am feeling cellar door!
― liberté, égalité, beyoncé (lex pretend), Monday, 21 May 2012 20:43 (11 months ago) Permalink
im not :-/
― max, Monday, 21 May 2012 20:44 (11 months ago) Permalink
i have just listened to it twice and enjoyed it both times
think i've abandoned using non-basic words to describe instrumental music though, oh well
― liberté, égalité, beyoncé (lex pretend), Monday, 21 May 2012 20:57 (11 months ago) Permalink