This is the thread where we discuss matters pertaining to the detrius that accompanies the "End of the Year in Cinema" -- 2007

With Death Proof it’s different, because I just don’t think while it’s on.

evidently!

from the Variety article:

"2007 was an incredibly strong year for independent film," said Michelle Byrd, exec director of IFP. "Ranging from the small gems produced on micro-budgets to extraordinary films from specialty divisions, the nominees all share the type of creative vision and risk-taking that are a hallmark of independent film."

I prefer to round third base after Fight Club.

Giving my credit paydowns and Hollywood and indieland's piss-poor 21st-century track records, I am going to repertory and museum fare more than ever.

oh, those daredevil conglomerate specialty divisions

http://animatedtv.about.com/library/graphics/ralph.jpg

Yay! I'm a specialty division!

Thanks to speciality divisions, we'll NEVER miss a little sunshine.

http://imagecache2.allposters.com/images/MMPO/MyBigFatGreekWedding.jpg

no one wants to bet vs. Once securing that Little Sacchaine Pill That Could best picture nomination, right?

I wasn't mad about Once but I don't think it's fair to call it saccharine.

If we're talking Oscar predictions, Hal Holbrook in Into The Wild looks odds-on to win best supporting actor. He deserves it, too.

yeah, he should've won for Wild in the Streets.

i saw one of those wild on! specials, i didn't think the acting was that good in it.

Alba, looking forward to seeing "Into The Wild" - i wasn't sure if i was going to check it out but i definitely will now.

Stevie T - i'm so glad we agree!

I like You Can Count on Me, but one of the decade's best???

Yes.

I've seen practically nothing this year but am hoping to catch up soon. I think I'm gonna see Before the Devil Knows Your Dead on Friday. And Away From Her is sitting atop my DVD player, waiting for me.

[You're]

There is nothing that has even the whiff of innovative/adventurous cinematic tehnique in YCCoMe, which disqualifies it from that level of praise. It's the old "film-imitates-lit-fiction" template.

i saw before the devil... last night. god i hate ethan hawke.

I agree with everything in your post, Dr. Morbius, except "which disqualifies it from that level of praise." I found the acting marvelous.

I usu hate Hawke too, but less so when he plays rogues -- Hamlet, the guy in Tape. I'll be seeing that Lumet Monday it seems.

no one wants to bet vs. Once securing that Little Sacchaine Pill That Could best picture nomination, right?

I predicted that a couple months ago, stopped a month ago when I realized how completely, irreparably insignificant the movie is, and am now back to predicting it again.

Spielberg said he loves it.

LOL

Yeah, but ... there's crap-looking of the Little Miss Sunshine variety and crap-looking of the Once variety. The latter makes dogme movies look like Vincente Minnelli.

There is nothing that has even the whiff of innovative/adventurous cinematic tehnique in YCCoMe, which disqualifies it from that level of praise.

small-minded bullshit

WHITHER THE RACK FOCUS?!

Jed - I'm hestitant to recommend Into The Wild to anyone, because I can easily see how it might put many viewers' backs up.

sorry croupier, if something's one of the best ten FILMS of the last 8 years I expect it to be FILMIC, not a conventional narrative Rex Reed can follow while texting Lauren Bacall.

I can easily see how it might put many viewers' backs up.

These are the only films I feel like recommending.

Alba, i basically agree with Morbius. whether i like it or not i'm very interested in seeing it. i won't hold it against you if i loathe it.

it got the main review in Sight & Sound fwiw. i haven't read it yet though.

what's a detrius?

I expect it to be FILMIC, not a conventional narrative

Why are these two opposed?

Also, I thought your point was not that YCCOM is a conventional narrative as much as the fact that it doesn't take advantage of it being a film rather than a book or a play. (Books and plays can have unconventional narratives, too.)

I'm not bothered by the conventional narrative, nor by the failure to take advantage of the medium. If it were a play, I'd probably love it, too. But it's not. Am I to fault it just because Lonergan decided to put it on celluloid instead of on a stage?

I'm not BOTHERED by it either, John (and that IS what I meant by conventional). I think the Stylus list preferring it as a decade-definer to Wong kar-Wai, Tsai, Chereau, Panahi, Aoyama, Gondry, Maddin, George Washington, The Virgin Suicides, Inland Empire or Kung Fu Hustle is where the "filmic" criterion should enter the picture.

you must regurgitate the correct arthouse cliches in order to be filmic, you know.

reminds me of huston complaining about how time magazine used to have a "best shot in the movie" part of the review and it was always something like a shot of someone reflected in a door handle.

trolling begins 5 hours in.

5.5 hours too late

Main Entry:
film·ic Listen to the pronunciation of filmic
Pronunciation:
\ˈfil-mik\
Function:
adjective
Date:
circa 1930

: of, relating to, or resembling motion pictures

I guess when I think of what films can achieve that books or plays can't, it's less a matter of narrative and more of a matter of visual techniques: cinematography and editing. Although I suppose that editing may make unconventional narratives more fluid and immediate than they would be in another medium.

defining the best examples of an artform by what it can do "better" than other artforms ignores a fuckload of what an artform can do. also inspires people to use redundant adjectives in all caps to describe their criteria. this marienbad shit got debunked 40 years ago so sorry if I sound trollish about it.

what's a detrius?

You know, like a running joke.

I love this thread already. I should always start them sooner, so that they don't immediately get bogged down in Atonement and Michael Clayton purgatory.

You Can Count On Me would have been a fucking banal short story, so Lonergan gets major points for finding the right medium.

So, I'm sorry, where was Munich supposed to be in the master list: above or below the Lonergan?

no mags gonna have The Ten in their top ten so fuck em

this marienbad shit got debunked 40 years ago

elaborate please

I understand the writers strike is affecting awards season screenings or something like that.

Are the writers branch (is the writers branch?) obligated to not nominate screenplays if, come Oscar time, the strike is still on?

elaborate please

Marienbad held to a higher standard than well-made American junk because it starred people speaking foreign languages and had cool cinematography.

this marienbad shit got debunked 40 years ago

elaborate please

I'm a big ol' fan of "Circles & Squares" by Pauline Kael. It's in her I Lost It At The Movies book if you haven't read it.

It basically tears Sarris and auteur theory (as it stood in the 60s, when it meant more than "directors are cool") a couple new cornholes.

Pauline Kael was a fine writer and a reverse snob. Never reviewed a Fassbinder film.

jaymc, with the same actors it would've been just as good a stage play.

xp

no Eric, way down. Cruel Winter Blues got a single #1 only and is 12th overall.

Or the entire plot of Clayton.

johnny crunch, did you really think Ed Harris would be cast as a virtuous cop?

yeah i guess not. there was too much backstory coming out abt his character & the goatee just made him look dubious.

I hope you Film Comment reader got your poll ballots in.

(except nrq)

wow, glad I missed the Indie Spirits -- a Junofest. and the not-too-funny guy from The Office hosting.

i'm a contributor, dogg.

I'm glad I didn't know.

FC readers poll -- same top 3 as crix, Gone Baby Gone is highest non-critic entry, Barleyup 11 spots.

http://www.filmlinc.com/fcm/poll/07extendedma.html

Alpha Dog is great....realllly great.

EVERYONE SHOULD GO WATCH IT. IT'S STARTING IN, LIKE, 20 MINUTES ON SOME MOVIE CHANNEL. (is there really no thread about this movie?)

I'm Not a Puppy, Not Yet a Dog

I just watched it a second time. I kinda think they should have ended it w/ SPOILER SPOILER SPOILER fat SPOILER SPOILER SPOILER sharon stone

right before maybe. surely someone else loved this?

Michael Sicinski top 17:

http://academichack.net/2007topten.htm#2007

Yet one more prompt for Eric to view I'm Not There.

http://tedpigeon.blogspot.com/2008/08/year-that-was-year-that-is-cinema-2007.html

Is the point that his list isn't affected by end-of-year hype? Cause most of those movies he chose were pretty much the same ones being forced down everyone's throats during critics' awards season.

Most Lars and the Real Girl comments seem to lead here...Not what I thought it was going to be--I expected a comedy, not a somewhat morbid mood piece. I could never really accept the film's central conceit, the idea that the whole town would play along, but other than that, some nice moments. I remembered Paul Schneider from All the Real Girls--he's really good, not sure why he doesn't get bigger parts or more attention. Kelli Garner and Emily Mortimer very good too. Gosling, I don't know--kind of mannered.

The Muriels' 10-years-later poll ... Zodiac tops.

http://www.murielawards.org/07anniv.html

1. Zodiac (dir. David Fincher) [193 points / 30 votes]

2. There Will Be Blood (dir. Paul Thomas Anderson) [193 points / 28 votes]
3. No Country For Old Men (dirs. Joel and Ethan Coen) [174 points / 27 votes]
4. The Assassination of Jesse James by the Coward Robert Ford (dir. Andrew Dominik) [71 points / 11 votes]
5. Death Proof (dir. Quentin Tarantino) [62 points / 10 votes]
6. I’m Not There (Todd Haynes) [48/8]
7. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) [34/6]
8. Silent Light (Carlos Reygadas) [33/5]
9. The Diving Bell and the Butterfly (Julian Schnabel) [31/5]
10. Sweeney Todd: The Demon Barber of Fleet Street (Tim Burton) [30/6]

Kind of a shit year, actually.