― Dominique (dleone), Tuesday, 26 September 2006 21:17 (seventeen years ago) link
radio 3 broadcast the entire vexations maybe 7 years ago. i think it started about 8.pm. i listened to a couple of hours of it.
― jed_ (jed), Tuesday, 26 September 2006 21:17 (seventeen years ago) link
LTM is a fantastically brilliant label that started off back in the early eighties as a quiet one-man operation releasing some of the obscurer post-punk stuff around, but now is mainly one of the best reissue labels for that time -- and earlier. Label boss James Nice has had a massive interest in futurism and avant-garde music for many years and over time has released more compilations and reissues of a variety of pieces under that rubric. There are a number of ILM threads on it but mostly we're talking about things like the Factory and Sarah label reissues. ;-)
Here's the label's homepage, and the Satie catalog is listed here. In the US and Canada, distribution is handled by Darla at very good prices.
― Ned Raggett (Ned), Tuesday, 26 September 2006 21:20 (seventeen years ago) link
xpost to me
― jed_ (jed), Tuesday, 26 September 2006 21:25 (seventeen years ago) link
― Ned Raggett (Ned), Tuesday, 26 September 2006 21:26 (seventeen years ago) link
also always been fond of the France Clidat 3 disc set, for the opposite reason, it's like fast ballet, weird grace & precision, like your vision catching on individual snowflakes as they fall, absolutely worth finding (and paying what you might have to, it's out of print)
the easiest one to find is still the Ciccolini 2 disc 'Piano Works' on EMI, with the silly painting of Satie's smiling eyes on the cover, as Scott noted upthread
I actually don't like what I've heard of the Boran Gorisek performances at all, pompous, humorless, stomping ego all over the place, missing the point entirely. Though he does do a pretty great 25 minute version of Vexations, and I haven't heard the new 2 CD LTM reissue that Ned is giving the thumbs up to.
― milton parker (Jon L), Tuesday, 26 September 2006 21:26 (seventeen years ago) link
xp
― jed_ (jed), Tuesday, 26 September 2006 21:35 (seventeen years ago) link
small bit in Janet Jackson's "Someone to Call My Lover"
also, a *excellent* interpretation by Pine*am (it's on their myspace songs thing http://www.myspace.com/pineam).
― I.M. From Hollywood (i_m_from_hollywood), Tuesday, 26 September 2006 22:51 (seventeen years ago) link
― Ned Raggett (Ned), Tuesday, 26 September 2006 22:53 (seventeen years ago) link
― Bumblepuppy (Horbgorbling Slubberdegullion), Tuesday, 26 September 2006 23:06 (seventeen years ago) link
― s1ocki (slutsky), Tuesday, 26 September 2006 23:08 (seventeen years ago) link
― jed_ (jed), Tuesday, 26 September 2006 23:10 (seventeen years ago) link
― estela (estela), Tuesday, 26 September 2006 23:18 (seventeen years ago) link
Francis Poulenc plays the music of Satie and Poulenc -- recorded in 1950, one of the earliest available recordings, though I think this was a disc you had to look for, not as well distributed as the later Ciccolini's on Angel. 42 minutes, great fidelity, Poulenc understands. Side 1 is Satie, side 2 is Poulenc & both are great.
Camarata did three moog + orchestra Satie records, velvet gentleman, through the looking glass and the electronic spirit of erik satie. the last one is the best, the cartoon moog solos playing the lead melodies, mixed just as loud as the entire orchestra, the sound makes you blink. Strange spoken word interjections, a Satie impersonator introducing the pieces, it's a great record
(& in my last post, I meant Jack not Scott, comedy)
― milton parker (Jon L), Tuesday, 26 September 2006 23:43 (seventeen years ago) link
closing tag
― s1ocki (slutsky), Tuesday, 26 September 2006 23:52 (seventeen years ago) link
i was used to it too except when i got the deleeuw version i realized that the faster pace was a mistake and here was how his pieces should've been played all along.
― VVVVVVVVVVV (eman), Wednesday, 27 September 2006 01:05 (seventeen years ago) link
― Iago Galdston (Iago), Wednesday, 27 September 2006 01:11 (seventeen years ago) link
here's the lp w/ the Furniture Music
http://i53.photobucket.com/albums/g80/beermanleshock/DSCN4982.jpg
and, i just found mp3s here:http://www.ubu.com/sound/satie_conceptual.html
― nerve pylon (flat_of_angles), Wednesday, 27 September 2006 01:25 (seventeen years ago) link
― Dominique (dleone), Wednesday, 27 September 2006 01:52 (seventeen years ago) link
that's the pascal roge
http://cover6.cduniverse.com/MuzeAudioArt/010/13821.jpg
― milton parker (Jon L), Wednesday, 27 September 2006 05:18 (seventeen years ago) link
!!!!!!!!!!!!!!!!!
(messed my login up) thx nerve pylon, been wanting to hear this stuff for years and have never been able them on any cd/record. "ahead of their time" is an understatement.
― am0n (am0n), Wednesday, 27 September 2006 15:32 (seventeen years ago) link
― nerve pylon (flat_of_angles), Wednesday, 27 September 2006 16:57 (seventeen years ago) link
i forgot to add, that version of "cinema" is far better than other recordings i've heard. it's a funny piece. kinda philip glass-y (only not annoying)
― am0n (am0n), Friday, 29 September 2006 01:32 (seventeen years ago) link
I really do seem to be accumulating a Satie collection almost without trying -- LTM's just sent their newest, Avant-dernières pensées, which is subtitled 'Selected Piano Works Vol. 1,' so presumably there's more on the way. Tracklisting:
Trois Gymnopédies Gnossiennes 1-7 Je te veux Caresse Musiques intimes et secretes Embryons desséchés Le Piège de Méduse Descriptions automatiques Sports et divertissements Avant-dernières pensées
― Ned Raggett, Friday, 29 June 2007 02:35 (sixteen years ago) link
I was also able to snag a compilation of the Ciccolini recordings on Angel via the Tower implosion last year, so that's been handy for a bit of contrast.
― Ned Raggett, Friday, 29 June 2007 02:38 (sixteen years ago) link
I would recommend his published journals, A Mammal's Notebook
― Michael F Gill, Friday, 29 June 2007 02:38 (sixteen years ago) link
i have the Yitkin Seow recordings on Hyperion. Really, really good.
― poortheatre, Friday, 29 June 2007 05:13 (sixteen years ago) link
how is that LTM disc, Ned? I'm a little afraid of the performer Goran Borisek, but have only heard other disc disc of his.
electronic spirit of erik satie by camarata, utter classic, full chamber orchestra with the leads played by loud moog. if you like perrey & kingsley and you like satie, you already love this record
― Milton Parker, Friday, 29 June 2007 19:03 (sixteen years ago) link
correction Bojan Gorisek
gettin my balkans confused
― Milton Parker, Friday, 29 June 2007 19:05 (sixteen years ago) link
Bojan Gorisek recorded the complete piano works of Satie for a label called Audiophile Classics that were released as a 10-CD box set and as individual volumes (I have two of the individual CDs). I suppose the LTM releases are reissues of some of those recordings. The ones I have are not bad - it's nice to hear some of the less familiar Satie pieces, including ones for voice and piano that are more in a cabaret-influenced style.
― o. nate, Friday, 29 June 2007 21:01 (sixteen years ago) link
There's still a link to some of them from the Amazon.uk page:
http://www.amazon.co.uk/s/ref=nb_ss_m_h_/203-6608162-3103925?url=search-alias%3Dpopular&field-keywords=satie+audiophile&Go.x=14&Go.y=11
I have volumes 5 and 9.
― o. nate, Friday, 29 June 2007 21:05 (sixteen years ago) link
https://www.youtube.com/watch?v=mBj-0BCsNaE
― bamcquern, Tuesday, 13 September 2011 08:08 (twelve years ago) link
https://www.youtube.com/watch?v=nXYi_jHYZZo
@ 4:33-5:28
― Milton Parker, Tuesday, 13 September 2011 08:41 (twelve years ago) link
behave yourselves, the monkeys are watching
― Crackle Box, Tuesday, 13 September 2011 13:49 (twelve years ago) link
want to start subversive public art campaign using erik satie performance instructions
― Crackle Box, Tuesday, 13 September 2011 13:53 (twelve years ago) link
oooooh i love Binaryland!
https://www.youtube.com/watch?v=IDEOVr7SVdk
― zappi, Tuesday, 13 September 2011 13:56 (twelve years ago) link
How I found Erik Satie:
https://www.youtube.com/watch?v=NC-LpzbvWjs
― Corn Maze to the Dark Side (Eazy), Tuesday, 13 September 2011 13:56 (twelve years ago) link
http://pitchfork.com/news/43980-fucked-up-tokyo-police-club-members-to-do-smells-like-teen-spirit-144-times/
― bamcquern, Tuesday, 13 September 2011 21:59 (twelve years ago) link
That family fodder is really good. I like the rhythm at the start of it, when it's just piano.
― bamcquern, Tuesday, 13 September 2011 22:03 (twelve years ago) link
I need to get that box you guys talk about upthread. I only have a one-disc piano thing. It's good and long, but too much of it is of those later parodies.
― bamcquern, Tuesday, 13 September 2011 22:05 (twelve years ago) link
https://www.youtube.com/watch?v=vWY5bVPTyLA
― The term “hipster racism” from Carmen Van Kerckhove at Racialicious (nakhchivan), Friday, 17 February 2012 20:18 (twelve years ago) link
full of subtlety, if you believe me
― Milton Parker, Friday, 17 February 2012 20:29 (twelve years ago) link
'Apply yourself to renunciation''Behave yourself, please: a monkey is watching you''Coldly''Do not speak''Even duller if you can '
― geeta, Friday, 17 February 2012 20:59 (twelve years ago) link
'From a distance, bored'
satie-inspired desserts: http://www.scena.org/lsm/sm7-10/Desserts-en.html
― geeta, Friday, 17 February 2012 21:01 (twelve years ago) link
http://dailyroutines.typepad.com/daily_routines/2009/01/erik-satie.html
On most mornings after he moved to Arcueil, Satie would return to Paris on foot, a distance of about ten kilometres, stopping frequently at his favourite cafés on route. Accoring to Templier, "he walked slowly, taking small steps, his umbrella held tight under his arm. When talking he would stop, bend one knee a little, adjust his pince-nez and place his fist on his lap. The he would take off once more with small deliberate steps."When he eventually reached Paris he visited friends, or arranged to meet them in other cafés by sending pneumatiques. Often the walking from place to place continued, focussing on Montmarte before the war, and subsequently on Montparnasse. From here, Satie would catch the last train back to Arcueil at about 1.00am, or, if he was still engaged in serious drinking, he would miss the train and begin the long walk home during the early hours of the morning. Then the daily round would begin again.Roger Shattuck, in conversations with John Cage in 1982, put forward the interesting theory that "the source of Satie's sense of musical beat--the possibility of variation within repetition, the effect of boredom on the organism--may be this endless walking back and forth across the same landscape day after day . . . the total observation of a very limited and narrow environment." During his walks, Satie was also observed stopping to jot down ideas by the light of the street lamps he passed.
When he eventually reached Paris he visited friends, or arranged to meet them in other cafés by sending pneumatiques. Often the walking from place to place continued, focussing on Montmarte before the war, and subsequently on Montparnasse. From here, Satie would catch the last train back to Arcueil at about 1.00am, or, if he was still engaged in serious drinking, he would miss the train and begin the long walk home during the early hours of the morning. Then the daily round would begin again.
Roger Shattuck, in conversations with John Cage in 1982, put forward the interesting theory that "the source of Satie's sense of musical beat--the possibility of variation within repetition, the effect of boredom on the organism--may be this endless walking back and forth across the same landscape day after day . . . the total observation of a very limited and narrow environment." During his walks, Satie was also observed stopping to jot down ideas by the light of the street lamps he passed.
― j., Friday, 18 April 2014 19:02 (ten years ago) link
can someone recommend a good Satie recording? could be gymnopedies, but I'm very open
― corrs unplugged, Wednesday, 23 December 2020 11:38 (three years ago) link
Funny, I've been trying to work out which recording (presumably of gymnopedies) is sampled on black to comm's 'hotel freund' and i can't find it.
― Adoration of the Mogwai (Deflatormouse), Wednesday, 23 December 2020 19:09 (three years ago) link
https://www.youtube.com/watch?v=_7btR8DGees
― xzanfar, Wednesday, 23 December 2020 19:47 (three years ago) link
after listening almost exclusively to horror soundtracks for 6 or 7 weeks i pulled up Satie's piano works on youtube before bed last weekend as a palate cleanser. these pieces aren't new to me but i've become obsessed with them in a way i haven't been with any other music in a long time. it's singular and internet boards are littered with threads by people looking for something else to sratch the same itch; other than some blatant copycats it doesn't exist because nothing else has that same free-floating feel to it. i think Saloli nailed it:
I ended up playing most of the Gymnopedies and Gnossiennes (his most popular works) throughout my tenure as a Eurythmy accompanist, and I began to notice that although it seems like the music is predictable and repetitive, none of the phrases resolved when I expected them to, and many of them began before the previous phrase was even over.For example, at the beginning of Gnossiene No. 3, Satie sets up an expectation by playing the A minor chord twice and the E minor chord twice. A normal composer would do this again the exact same way, but Satie decides to replace the last E minor chord with the D minor chord (surprise!), which acts as the beginning of the next phrase. The effect is almost like an Escher staircase; you take the stairs up to the top, but you arrive on the side.I came away from the experience thinking that Satie really is a clever, witty composer, and not at all boring. In fact, the musical result of this compositional style is extremely pleasant and meditative, a ticklish elixir that suspends time and expectations so that the listener achieves catharsis while being liberated from persistent and predictable cadences.
For example, at the beginning of Gnossiene No. 3, Satie sets up an expectation by playing the A minor chord twice and the E minor chord twice. A normal composer would do this again the exact same way, but Satie decides to replace the last E minor chord with the D minor chord (surprise!), which acts as the beginning of the next phrase. The effect is almost like an Escher staircase; you take the stairs up to the top, but you arrive on the side.
I came away from the experience thinking that Satie really is a clever, witty composer, and not at all boring. In fact, the musical result of this compositional style is extremely pleasant and meditative, a ticklish elixir that suspends time and expectations so that the listener achieves catharsis while being liberated from persistent and predictable cadences.
https://www.self-titledmag.com/saloli-reflects-on-the-revelatory-furniture-music-of-erik-satie/
i grabbed a bunch of 2cd Piano Works sets off soulseek, including Ciccolini and Roge (whose 2CD Debussy on Decca I like a lot), but ended up preferring the one I found on Youtube, Hakon Austbo, over all of them.
― Deflatormouse, Friday, 10 November 2023 19:24 (five months ago) link
Anne queffelec is my favorite Satie pianist if you’re lookin. She did 2 discs worth which are now in a big box set of her complete recordings
― realistic pillow (Jon not Jon), Friday, 10 November 2023 21:13 (five months ago) link
Can you guys be specific about which Debussey & Satie CDs you're recommending? Catalogue number and title? I find it really hard to find classical discs with just a vague description.
― Gerald McBoing-Boing, Friday, 10 November 2023 21:27 (five months ago) link
My favorite collection of Debussy orchestral work remains this one, mostly conducted by Bernard Haitink in the '70s. For piano music I'm most familiar with Walter Gieseking, whose recordings are from the mono era but have a lovely ambiance; they've been reissued/remastered/repackaged many times (here's a recent one). These recordings were Penguin Guide favorites in the late '90s editions I used to have.
― eatandoph (Neue Jesse Schule), Friday, 10 November 2023 22:08 (five months ago) link
For Satie, I like Thibaudet: https://www.discogs.com/release/9524909-Erik-Satie-Jean-Yves-Thibaudet-The-Complete-Solo-Piano-MusicFor Debussy's "Suite Bergamasque," I like Seong-Jin Cho: https://www.discogs.com/master/1373955-Debussy-Seong-Jin-Cho-Images-Childrens-Corner-Suite-Bergamasque-Lisle-Joyeuse
I haven't heard Roge's Debussy or Queffelec's Satie - thanks for the recommendations!
― ernestp, Friday, 10 November 2023 22:28 (five months ago) link
https://www.discogs.com/master/399109-Erik-Satie-Anne-Queffélec-Erik-Satiehttps://www.discogs.com/master/1513970-Erik-Satie-Anne-Queffélec-Catherine-Collard-Oeuvres-Pour-Piano-Piano-WorksDebussy is my favorite composer and it’s better not to get me started.
― realistic pillow (Jon not Jon), Friday, 10 November 2023 22:44 (five months ago) link
Those links didn’t come out right…
Piano Music of Erik Satie Vol. 1 was the LP my high school friends and I listened to: these are some of the 60s Ciccolini tracks that Jon L. xpost prefers to his 80s re-dos, so maybe we hit it lucky. Way before Discreet Music and so on, they just seemed like tiny landscapes, always eventful and atmospheric, sometimes concisely challenging. That copy was in mono; the stereo didn't have quite the same effect (heard much later, though).
― dow, Friday, 10 November 2023 23:34 (five months ago) link
https://ecm-server.de/audio/00289481/0028948117963/Cover_1000.webp
not all Satie, but this one is just so perfect
― vodkaitamin effrtvescent (calzino), Friday, 10 November 2023 23:39 (five months ago) link
For a second I was wondering about Kim Kardashian's connection to Satie...
― Zelda Zonk, Friday, 10 November 2023 23:40 (five months ago) link
!
― vodkaitamin effrtvescent (calzino), Friday, 10 November 2023 23:41 (five months ago) link
Gotta shout out Reinbert DeLeeuw, whose recordings of Satie's piano music are notoriously slow; his first Gymnopedie alone clocks in at 6 minutes. Music for deep meditation.
This is the compilation to hear: https://www.discogs.com/master/523528-Erik-Satie-The-Early-Piano-Works
― J. Sam, Friday, 10 November 2023 23:53 (five months ago) link
Kim kashkashian rules
― realistic pillow (Jon not Jon), Friday, 10 November 2023 23:54 (five months ago) link
Wow that Rothko Chapel album looks amazing. Thanks, calzino!
― J. Sam, Saturday, 11 November 2023 00:17 (five months ago) link
honestly, it really is amazing and has never ceased to amaze me any less after years of listening to it.
― vodkaitamin effrtvescent (calzino), Saturday, 11 November 2023 00:41 (five months ago) link
or something like that!
― vodkaitamin effrtvescent (calzino), Saturday, 11 November 2023 00:42 (five months ago) link
One of two feldmans I’ve been lucky enough to see performed (the other - patterns in a chromatic field)
― realistic pillow (Jon not Jon), Sunday, 12 November 2023 05:29 (five months ago) link
appreciate these wonderful recommendations
― corrs unplugged, Monday, 13 November 2023 20:36 (five months ago) link
The surprise highlight of that Rothko Chapel CD is the Cage piano piece, almost monochrome yet completely gripping, a lot less dense than the famous Satie pieces.
― Halfway there but for you, Tuesday, 14 November 2023 02:41 (five months ago) link
I think the contrasts between t'other 2 composers and Satie is something that works really good on that recording
― vodkaitamin effrtvescent (calzino), Tuesday, 14 November 2023 05:18 (five months ago) link
http://www.yoshioojima.com/works/music/1258/
https://wereleasewhateverthefuckwewantrecords.bandcamp.com/album/wave-notation-3-erik-satie-1984
xpost to the St. Giga thread possibly, there's more
i know those Morton Feldman Rothko Chapel pieces (they rule) but not this comp.
― Deflatormouse, Thursday, 16 November 2023 22:58 (five months ago) link