MADLIB - C OR D

haha. Yesterdays New Quintet broke up.
http://www.stonesthrow.com/ynq/

When do we get the Chris Gaines collabo?

I liked Beat Konducta 1 & 2 waaaaay more than I did Donuts

haha. Yesterdays New Quintet broke up.
http://www.stonesthrow.com/ynq/

-- jaxon, Tuesday, May 22, 2007 7:49 PM (Yesterday) Bookmark Link

OK it's a nice idea but what about the malik flavors / joe mcduphrey EP tracks? compilation please.

Anyone heard Yesterdays Universe?

i am really digging "yesterday's universe", but it is kinda like what my old roommate described as "elevator music for grad students"

that sounds bad

but i've never been a grad student so who knows?

Having been a grad student and now teaching them myself, I *like* the idea of elevator music for grad students.

Madlib's production for Erykah Badu's tune "The Healer" is super sweet too.

I'm not a big fan of his productions. Yesterday's new Quintet, though sounding like a great idea conceptually, didn't hold up in execution. Nujabes' Modal Soul alone is better than anything he's capable of producing in my honest opinion.

Not quite dud, light-years away from classic.

xp i like the idea of elevator music PERIOD, but his point (i think he was referring to prefuse73) was that all these smarty pants dudes were tricking themselves into thinking this kind of stuff was really "deep"/ "intellectual" and beyond the grasp of normal folk (i.e. "superior") when it's really just easy listening with some wacky blips/clicks and non-linear cuts.

new Beat Konduktah mixtape, The Dil Cosby Suite - a pretty explicit tribute to Dilla - is pretty awesome.

Matos very wrong about Beat Konductah vs Donuts

I prefer Donuts, but I wouldn't disagree that they are of a piece...

I love Madlib, but the Beat Konductah stuff bores me to tears.

I really love it, but I think its an acquired taste, like a Quasimoto album with all the actual 'songs' removed, instead focusing on his more non-sequiteur charms, puzzling vignettes, and a fascination with ambience and sound. The India album was less satisfying - I don't really think it worked as a whole, but there were moments there which seemed almost accidentally genius. For me, a lot of Madlib's charm lays in an absence of or wandering focus, and I think the Beat Konduktah really indulges his penchant for obfuscation - I just like to get lost in this little snippets.

The Dil Cosby suite is very moving, however. It's pretty explicitly a Dilla tribute, sampling a lot of familiar Dilla sources and excerpting his vocals and beats across the tracks; moreover, there's a powerful sense of sadness and loss to the tracks, which is striking as the Beat Konduktah stuff is usually more of an eerie or confusing mood.

I thought the wigflip album was the new one?

wigflip's out now on bbe, dil cosby suite is out this month or next on stonesthrow (available as mp3s now from the site though)

thoughts on wigflip?

crickets?

only heard the one promo track that's out, didn't really excite me

y'know what I need to go back and listen to? Jaylib - Champion Sound. I liked a couple of the singles but I don't think I gave the whole album a fair shot. I bet it's pretty good.

is it true he did a rmx of ronnie foster's mystic brew? any good?

that's probably the best song on the Blue Note record imo (Mystic Bounce)

"singles" as in the ones that were already out on 12" like The Red

madvillainy 2 is sort of ok.

that's just remixes, right? madvillainy verses over new beats?

C!

borrowed time from madvillainy 2's incredible, apart from, weirdly, the vocal bit, just with a beat behind it. the surrounding sound collages are amazing though.

dil cosby's pretty alright, nothing amazing tho

Here we go into 2010...

November 10, 2009

Madlib is launching the Madlib Medicine Show, a once-a-month, twelve-CD, six-LP series. The Madlib Medicine Show will be a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton* stack of vinyl.

Madlib Medicine Show No. 1 is Before The Verdict featuring Guilty Simpson, a 17-track album mixing remixes and new material, something of a prelude to Madlib & Guilty Simpson's forthcoming OJ Simpson album.

MP3: Madlib & Guilty Simpson - The Paper from Madlib Medicine Show No. 1

STONESTHROW.COM advance release date: December 2009
WORLDWIDE release date: January 2010

We are currently planning for the vinyl edition of Madlib Medicine Show No. 1 to be a hand-screened, limited edition release. Madlib Medicine Show No. 2, Flight to Brazil, is a mixtape of Brazilian jazz, funk, prog-rock, folk and psychedelia. Later releases will include Beat Konducta in Africa.

(*4-tons of vinyl, this is true.)

www.stonesthrow.com/madlib

invasion vasion vasion vasion vasion

that should be interesting, a good way to keep track of the insane amount of music dude releases. guilty simpson is awesome for a few songs and then it's just too much angriness and stupidity and i have to listen to something else.

i rep the D, so when you speak about me
i'm the letter between C and E
In fact i'm the one between 3 and 3
with a smokin gun commitin B and E's

listened to it today while working, didnt get to dial in on it too close but it had some great tracks for sure. def sounds like what i would hope a madlib/four tet collab would sound like

love this record

yeah.
i only have madlibs blue note and trojan mixtapes that are credited to him and are great albeit via an excess of sharp cuts.
whereas this is exactly what i needed re samples/beats.
i love it.

def sounds like what i would hope a madlib/four tet collab would sound like

Or at least like the Madlib tracks that Four Tet would most like :)

I had not much of an idea of what to expect from this album, but one thing I'm pretty sure it wasn't, was a sample of Renaldo & the Loaf! ("Critical/Dance" off The Elbow Is Taboo, in "Loose Goose" around 1:44).

The fun thing is that this bit made me question the sounds earlier in the track, which had formerly sounded plausibly Jamaican to match the vocals -- I start wondering whether he has reorganized some slightly silly kazoo/comb bits from "Hambu Hodo" (2:36 on) from the same album?

The kazoo bits in Loose Goose are also from Critical/Dance, just later in the track.

love the use of young marble giants on dirtknock

The kazoo bits in Loose Goose are also from Critical/Dance, just later in the track.

On the R&tL thread, Milton said that the entire track is built on "A Critical Dance", but the version on Arabic Yodelling, not Elbow.

Anyone knows what’s the sample on “latino negro”

I love that one, sounds to me like the updated version of “everything is alright” by Four Tet in 2001: spanish guitar + jazz drums looped. But whereas in Four Tet’s debut you can tell it’s looped, in the madlb one it sound’s played live. I’m not even sure it’s a sample.

So good

i wonder how much material Four Tet had to work with

hate this album lol

it seems so boring and toothless to me, but then again I've always found four tet stuff to be like that. This doesn't really sound like madlib at all to me

for all the crazy finished projects that madlib's sitting on I wonder why they decided to put this out, but I mean I'm prob in the minority here thinking this

probably.
i love it.
i have no idea re the sample sources, and genuinely don't care.
if four tet can extract albums like this out of madlibs chaotic excess then so be it.
i love the flow of the album.
it's as simple as that.

Because Four Tet pushed for it, I think that's pretty obvious

Xp

it seems so boring and toothless to me, but then again I've always found four tet stuff to be like that. This doesn't really sound like madlib at all to me

― Bongo Jongus, Wednesday, February 17,

lol 100% of the music on the album is made by madlib and 0% by kieran. all he did was choose the songs from a file dump and sequence them

i thought he did some arranging

i dont want to weigh in til i listen to this whole project. i heard one song that did make me think bongo jongus might be right. felt like a loop madlib would pick, put into a familiar formal framework (arguably overfamiliar)

i will listen before saying too much more. but i wanted to legitimize the criticism cuz i think madlib's catalog is overwhelmingly huge and kind of discourages close critical reading by nature so ofc the four tet record is the biggest revive this thread had in years

he’s way too prolific, the ynq stuff is just uninspired noodling, but this is the best madlib release in a while

xp- from nyt

For “Sound Ancestors,” Hebden decided that although he could alter and manipulate the material Madlib sent him, he wouldn’t create any new sounds.

sounds nothing like the four tet madvillainy remixes

feel duty-bound to bump this tbh