KRAUTROCK Listening Klub! - New Albums Every Wednesday

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Two albums okay Herman?

van smack, Friday, 11 March 2011 00:31 (2 years ago) Permalink

lets see what preference others have. im ok with 1 or 2. But if one of them encourages more posts then thats fine

Algerian Goalkeeper, Friday, 11 March 2011 00:36 (2 years ago) Permalink

I would be okay with just one. And when that discussion or whatever fizzles, the next person can start their share.

van smack, Friday, 11 March 2011 00:45 (2 years ago) Permalink

if you have 2 to go then do it. will leave it up to the individual to decide what to do with their week

Algerian Goalkeeper, Friday, 11 March 2011 00:50 (2 years ago) Permalink

Okay I will do two albums then. Anyway, here is the first one (second one coming a bit later).

Kinda wanted to do a label listening club more than anything, but this thread is closer to what I wanted to go with anyway. Maybe this album is not full-on Krautrock -- more minimal synth/electronic, but comes from Kraut label Sky Records.

van smack, Friday, 11 March 2011 01:33 (2 years ago) Permalink

Deutsche Wertarbeit - Deutsche Wertarbeit (Sky Records, 1981)

Fantastic and long out of print solo project of Dorothea Raukes. Dorothea is the ex-singer in of the famous German progressive, Krautrock band Streetmark (founded 1968 in Düsseldorf and released 4 albums between 1976-1981). Dorothea Raukes was one of the few female characters of German progressive rock scene. LP was previously released by Sky Records in 1981. The LP is instrumental and reminiscent of a style similar to other classic late 1970′s synth pioneers (Cluster, Tangerine Dream, Wolfgang Riechmann, etc.)....The LP consists of 6 beautiful synth tracks and will be certain to appeal of fans of the above mentioned artists or any fans of early minimal wave, synth soundtrack, or other lost classics from the era of late 1970s/early 1980s.

Non-Lemon-Party-Link

van smack, Friday, 11 March 2011 01:33 (2 years ago) Permalink

I like most of Streetmark's records and haven't heard this solo record. This will be exciting!

JacobSanders, Friday, 11 March 2011 01:57 (2 years ago) Permalink

I'm skipping town for the weekend, so I'll post my second album on Sunday.

van smack, Friday, 11 March 2011 22:14 (2 years ago) Permalink

thanks for posting the Deutsche Wertarbeit, absolutely loving it

zappi, Saturday, 12 March 2011 17:06 (2 years ago) Permalink

Really feeling the Deutsche Wertarbeit as well, hadn't heard it before but I love it!

La descente infernale (Le Bateau Ivre), Monday, 14 March 2011 16:15 (2 years ago) Permalink

Enjoying it too!

Algerian Goalkeeper, Monday, 14 March 2011 19:29 (2 years ago) Permalink

Next one coming up in a few minutes

van smack, Monday, 14 March 2011 19:41 (2 years ago) Permalink

Okay here's another one from Sky. No youtube previews found.

Earthstar - French Skyline (Sky Records, 1979)

French Skyline is the second full-length album by the American electronic band Earthstar. It was their first release for Hamburg, Germany–based Sky Records.

French Skyline was recorded in 1978 and 1979. The opening track, "Latin Sirens Face The Wall," was recorded at Klaus Schulze Studios in Hambühren, West Germany, and was engineered by Klaus Schulze. Bass and strings were recorded at Aura Sound Studios in New York. All other tracks were recorded at Deponté la Rue Studio in Paris, France. Additional recording took place at four different studios in Germany and New York State. The album was released by Sky Records in 1979.

French Skyline strongly shows Klaus Schulze's musical influence on Craig Wuest and Earthstar. Wuest's idea was to create a "wall of sound", as described by the New Gibraltar Encyclopedia of Progressive Rock: "...his desire apparently is to create music that doesn't necessarily suggest a particular instrument, rather creates a new texture. Therefore, though there are credits for flute, guitar, bass, violin, viola, French horn, sitar and vocals, it's pretty hard to distinguish any of these." French Skyline was also the first of three albums on which Wuest made heavy use of the Mellotron and the rare Birotron, a variation on the Mellotron that can sustain notes beyond eight seconds.

Non-Lemon-Party-Link

van smack, Monday, 14 March 2011 20:01 (2 years ago) Permalink

Love this record, esp. the opener. Their other one, 'Atomkraft? Nein, danke' is pretty decent too, though not nearly as epic.

WARS OF ARMAGEDDON (Karaoke Version) (Sparkle Motion), Monday, 14 March 2011 22:23 (2 years ago) Permalink

that cover is SO APPEALING to me

Ralpharina (La Lechera), Monday, 14 March 2011 23:15 (2 years ago) Permalink

Listening to the DW album now... Really good - like a lost cousin to Harmonia.

scott pgwp (pgwp), Tuesday, 15 March 2011 15:50 (2 years ago) Permalink

I concur with the DW praise, really excellent stuff, Lindstrom for one was obviously listening.

Neil S, Tuesday, 15 March 2011 16:01 (2 years ago) Permalink

yeah, DW is a nice one for sure. it was reissued on vinyl last year. picked it up from aquarius records a few months back.

(⊙_⊙?) (Alan N), Tuesday, 15 March 2011 16:36 (2 years ago) Permalink

have earthstar on now. was not familiar with this one before but things like "ashra," "popol vuh," and "blade runner" have been popping into my head and that can't be a bad thing.

(⊙_⊙?) (Alan N), Tuesday, 15 March 2011 16:47 (2 years ago) Permalink

going to listen to these tonight
honestly, thank you so much.

Ralpharina (La Lechera), Tuesday, 15 March 2011 19:54 (2 years ago) Permalink

On that DW album - "Der Grosse Atem" is really lovely.

scott pgwp (pgwp), Tuesday, 15 March 2011 23:12 (2 years ago) Permalink

^^ Astounding song, only heard it this week through this but kept it on repeat for a while. Amazing.

La descente infernale (Le Bateau Ivre), Tuesday, 15 March 2011 23:14 (2 years ago) Permalink

I'll make this my commute listening this eve.

WARS OF ARMAGEDDON (Karaoke Version) (Sparkle Motion), Wednesday, 16 March 2011 00:02 (2 years ago) Permalink

Earthstar reminds me of everything I love about Tangerine Dream -- spacey, kind of aimless, but grounded.

Ralpharina (La Lechera), Wednesday, 16 March 2011 01:26 (2 years ago) Permalink

i just realized that i was listening to this REALLY LOUD. hope my neighbors liked it and appreciated how massive it is.

Ralpharina (La Lechera), Wednesday, 16 March 2011 01:34 (2 years ago) Permalink

Glad you guys are liking the music. I really like both albums a lot.

van smack, Wednesday, 16 March 2011 01:36 (2 years ago) Permalink

Will grab these and report back. Include me in for a week.

Tom D (Tom D.), Wednesday, 16 March 2011 11:21 (2 years ago) Permalink


16 March - Scott pgwp
23 March - Neil S
30 March - AnotherDeadHero
6 April - ilxor
13 April - jacob sanders
20 April - Tom D

Algerian Goalkeeper, Wednesday, 16 March 2011 13:58 (2 years ago) Permalink

Embryo: Opal (1970)

No Allmusic review. As I understand it Embryo eventually morphed into something jazzier and more influenced by world music (correct me if I'm wrong). A run of later albums from the group featured horn player Mal Waldron, who had previously accompanied Billie Holiday (!). This is their debut, from 1970, and to me it sounds at times a lot closer to Amon Düül's heavier and more focused moments—with saxophone. Psychedelic free jazz. The final, 26-minute "Läuft" was not on the original issue of the album

Link

Manuel Göttsching: Inventions for Electric Guitar (1975)

Allmusic review:

This album is sometimes credited to Ash Ra Tempel, but the music was composed and performed by Manuel Göttsching alone. All sounds were created with guitar, but Göttsching's use of echo, delay, and assorted treatments give these pieces the flavor of sequenced synthesizer music, occasionally reminiscent of Tangerine Dream's work from the period. The opening "Echo Waves" is a trance-inducing space guitar masterpiece, with repeating rhythm figures and gradual phase shifts creating a warped sense of time. The first 14 minutes of the track consist of short, subtly changing melodic phrases, until Göttsching questionably chooses to close with a searing, acid-fried guitar solo. "Quasarsphere" is much more contemplative, with Göttsching processing his guitar to sound like a synthesizer in the vein of Robert Fripp. The closing "Pluralis" consists of endless variations constructed around a simple guitar sequence; it possesses a structure similar to "Echo Waves" (down to the late-breaking blast of psychedelic soloing) with a bit more space and a slower tempo. In some respects a precursor to the groundbreaking proto-techno of E2-E4, Inventions for Electric Guitar is an essential document for space rock enthusiasts.

I had to scroll through this thread to make sure I didn't pick this album up via ILM. I don't know where I came across this last year but it was a true find. This is a gorgeous all-guitar ambient record. I like this more than any of the Ash Ra Tempel stuff I've heard so far.

Link

scott pgwp (pgwp), Wednesday, 16 March 2011 14:16 (2 years ago) Permalink

Embryo: Opal (1970

No Allmusic review. As I understand it Embryo eventually morphed into something jazzier and more influenced by world music (correct me if I'm wrong). A run of later albums from the group featured horn player Mal Waldron, who had previously accompanied Billie Holiday (!). This is their debut, from 1970, and to me it sounds at times a lot closer to Amon Düül's heavier and more focused moments—with saxophone. Psychedelic free jazz. The final, 26-minute "Läuft" was not on the original issue of the album

Link

Manuel Göttsching: Inventions for Electric Guitar (1975)

Allmusic review:

This album is sometimes credited to Ash Ra Tempel, but the music was composed and performed by Manuel Göttsching alone. All sounds were created with guitar, but Göttsching's use of echo, delay, and assorted treatments give these pieces the flavor of sequenced synthesizer music, occasionally reminiscent of Tangerine Dream's work from the period. The opening "Echo Waves" is a trance-inducing space guitar masterpiece, with repeating rhythm figures and gradual phase shifts creating a warped sense of time. The first 14 minutes of the track consist of short, subtly changing melodic phrases, until Göttsching questionably chooses to close with a searing, acid-fried guitar solo. "Quasarsphere" is much more contemplative, with Göttsching processing his guitar to sound like a synthesizer in the vein of Robert Fripp. The closing "Pluralis" consists of endless variations constructed around a simple guitar sequence; it possesses a structure similar to "Echo Waves" (down to the late-breaking blast of psychedelic soloing) with a bit more space and a slower tempo. In some respects a precursor to the groundbreaking proto-techno of E2-E4, Inventions for Electric Guitar is an essential document for space rock enthusiasts.

I had to scroll through this thread to make sure I didn't pick this album up via ILM. I don't know where I came across this last year but it was a true find. This is a gorgeous all-guitar ambient record. I like this more than any of the Ash Ra Tempel stuff I've heard so far.

Link

scott pgwp (pgwp), Wednesday, 16 March 2011 14:19 (2 years ago) Permalink

Sorry for the double post - the Embryo image didn't load the first time around.

scott pgwp (pgwp), Wednesday, 16 March 2011 14:19 (2 years ago) Permalink

OTM on "Opal". In fact, OTM on both!

Tom D (Tom D.), Wednesday, 16 March 2011 14:20 (2 years ago) Permalink

I think I'll grab the Gottsching album for the cover alone

BTW; last weeks albums were really good

frogbs, Wednesday, 16 March 2011 14:21 (2 years ago) Permalink

seriously excellent smirk for the ages he's got there

has this been posted about elsewhere? it's enjoyable ambient guitar music

Ralpharina (La Lechera), Wednesday, 16 March 2011 14:29 (2 years ago) Permalink

i guess it's not krautrock if it's from cleveland
unless it is

anyway, not sure i could carry a week of this, but i am enjoying listening (and reading)

Ralpharina (La Lechera), Wednesday, 16 March 2011 14:37 (2 years ago) Permalink

that gottsching album is a big fave of mine.

(⊙_⊙?) (Alan N), Wednesday, 16 March 2011 15:45 (2 years ago) Permalink

There are other excellent Ashra/Gottsching ambient guitar albums. You should hear Blackouts, New Age of Earth, Dream and Desire, E2-E4, among others.

Trip Maker, Wednesday, 16 March 2011 16:06 (2 years ago) Permalink

... stick around, you just might

Tom D (Tom D.), Wednesday, 16 March 2011 16:07 (2 years ago) Permalink

Tho, of course, none of them have has much guitar as "Inventions"!

Tom D (Tom D.), Wednesday, 16 March 2011 16:08 (2 years ago) Permalink

blackouts might! (my fave btw)

(⊙_⊙?) (Alan N), Wednesday, 16 March 2011 16:09 (2 years ago) Permalink

"Inventions" is ALL guitar tho. Said it before, but i prefer Ashra to Ash Ra Tempel.

Tom D (Tom D.), Wednesday, 16 March 2011 16:11 (2 years ago) Permalink

oh, never realized that inventions has no synths at all!

I definitely prefer ashra. guitar loops + snyths = gateway to pleasure

(⊙_⊙?) (Alan N), Wednesday, 16 March 2011 16:12 (2 years ago) Permalink

Think in this thread (club?), the electronic/ambient/motorik side of K'Rock tends to be predominate at the expense of the psych/ freakout/ jazzrockin' sides

Tom D (Tom D.), Wednesday, 16 March 2011 16:17 (2 years ago) Permalink

it does. needs some to balance it up

Algerian Goalkeeper, Wednesday, 16 March 2011 16:21 (2 years ago) Permalink

Can't help it if that's what the kidz prefer

Tom D (Tom D.), Wednesday, 16 March 2011 16:22 (2 years ago) Permalink

damn pesky kids?

Algerian Goalkeeper, Wednesday, 16 March 2011 16:23 (2 years ago) Permalink

I'm with the kids on this one

Tom D (Tom D.), Wednesday, 16 March 2011 16:24 (2 years ago) Permalink

i don't qualify as a kid, but comparatively i am definitely a noob
jazz/psych/freakout for up times and ambient drone for down times ime

Ralpharina (La Lechera), Wednesday, 16 March 2011 16:42 (2 years ago) Permalink

The good Ash Ra Tempel freakouts are without compare, tho. I mean...AMBOSS is freaking huge.
But I haven't listened to the rock jams much since I've discovered the electric inventions, it is true.

Trip Maker, Wednesday, 16 March 2011 16:46 (2 years ago) Permalink

Hey, check the Embryo record for jazz/psyche/freakout! There was a lot of Popol Vuh/Guru Guru/Amon Duul II on this thread earlier, too...

Definitely want to check more Gottsching. E2-E4 was posted on this thread a while back but iirc it was only a spotify link so I couldn't listen to it.

scott pgwp (pgwp), Wednesday, 16 March 2011 16:51 (2 years ago) Permalink


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