when i get to the bottom i go back to the top of the WHITE ALBUM POLL

^
That's interesting. Side D coming in last, even with the #1 vote-getter included.

I wonder how common that distribution would be for other double albums?

lennon: 84 (13 songs)
mccartney: 43 (12 songs)
harrison: 25 (4 songs)
ringo: 0 (1 song)

x-post

physical graffiti poll:
side a: 16
side b: 21
side c: 19
side d: 9

tusk poll:
side a: 29
side b: 20
side c: 12
side d: 15

not really any strong pattern i guess, except that the most popular side is on the first disc for all 3 (probably because of intentional front-loading by the band/record company, and because people often pull out the album, listen to the first disc, and don't get all the way through to the second, so they're more familiar with the first)

Lennon didn't write too many good songs after 1967. McCartney did, but the good ones he wrote in 1968 were too underproduced to work out fully in the White Album context.

Thank you, Geir.

"Birthday" is wonderful ... the playful interplay of the band

From memory, 'Revolution in the Head' has Birthday as a McCartney solo effort - done in about two hours one day before the rest of the band turned up for work

I disagree that "Martha My Dear" and "Honey Pie" are underproduced. "Lady Madonna" isn't underproduced either.

x-post: That's not the story I remember with "Birthday." The story I remember was that the whole band came up with it quickly after seeing Little Richard or something?

Was Across the Universe written before or after 1967? Has any Beatles song ever been submitted to more absolutely awful covers than this one (by "rock" singers, not Yesterday by Vic Damone or whatever)

I disagree that "Martha My Dear" and "Honey Pie" are underproduced. "Lady Madonna" isn't underproduced either.

x-post: That's not the story I remember with "Birthday." The story I remember was that the whole band came up with it quickly after seeing Little Richard or something

I think the group had all just watched "The Girl Can't Help It" and decided to write something in that spirit.

Those be some fikken afscinating r'sults right there, fkk. "Birthday" getting nil votes, yet bludy "Bungalo Bill" reaping, grimly enough, 2.

From memory, 'Revolution in the Head' has Birthday as a McCartney solo effort

You're thinking of Back in the U.S.S.R., I'm guessing...

http://www.songfacts.com/detail.php?id=164
http://en.wikipedia.org/wiki/Birthday_(song)
http://www.dmbeatles.com/disk.php?disk=10

Didn't know Yoko sang backup on "Birthday"!

I disagree that "Martha My Dear" and "Honey Pie" are underproduced. "Lady Madonna" isn't underproduced either.

"Lady Madonna" isn't particularly good though. "Blackbird", "Mother Nature's Son" and "Rocky Racoon" are all underproduced.

"Lady Madonna" isn't particularly good though.

I'm with you there.

so i just came up with the ultimate, best, incontrovertibly GENIUS one-disc white album, based on a re-edit of a tracklist a coworker and i did like ten years ago, CHECK IT OUT

basically the idea is to treat the whole thing as their like weirdo coming down from a bad-trip late night rock album, favoring only songs that are either LOUD or ones that sound sickly, strange and oddly haunted around the ages.

SIDE ONE

I'm So Tired
Dear Prudence
Everybody's Got Something To Hide, etc.
Rocky Raccoon
Revolution, fading a couple minutes in into Revolution 9
Cry Baby Cry
While My Guitar Gently Weeps
Back in the USSR

SIDE TWO

Helter Skelter
Glass Onion
Don't Pass Me By
Why Don't We Do It In The Road?
Yer Blues
What's The New Mary Jane?
Happiness is a Warm Gun

have only tested parts of this so far - transition from "Cry Baby Cry" to "WMGGW" is highlight for me right now.

No long long long?

Ahhh crap! Cut and paste error at some point in the process! Yeah that totally needs to be there.

I guess Back in the USSR is the odd man out here, so replace that with LLL and add to the pile of suitable things for their followup attempt at a pop comeback after this career suicide record.

Although wait, crap...Bungalow Bill probably fits the theme here too although I don't really like the song very much. Agggh. It's hopeless!

favoring only songs that are either LOUD

if that's one of yr criteria you can hardly leave off BitUSSR

Maybe I should in fact sequester all the loud rocking songs onto this hypothetical next album (could pair them up with Get Back, Don't Let Me Down, etc) and really just keep it as weird and spooky as possible...

SIDE ONE

I'm So Tired
Dear Prudence
The Continuing Story of Bungalow Bill
Revolution 9
Cry Baby Cry
While My Guitar Gently Weeps
Long Long Long

SIDE TWO

Don't Pass Me By
Why Don't We Do It In The Road?
Glass Onion
Yer Blues
Rocky Raccoon
What's The New Mary Jane?
Happiness is a Warm Gun

This looks suspiciously like a John Lennon solo album at this point, which is funny cause I'm generally a way bigger Paul fan...

Then do two more, a rockin' record that regains the lost rockers and adds Get Back," "Don't Let Me Down," and maybe "One After 909", and a largely acoustic record that picks up "I Will," "Mother Nature's Son," "Two of Us," "For You Blue," etc... I WILL MAKE THIS WORK SOMEHOW

ugh, i give up, i'm going back to my one-disc All Things Must Pass which I still quite like.

serious shade at any white album reduction that finds room for "rocky racoon", "bungalow bill" and "why don't we do it in the road" while excluding the likes of "julia", "back in the ussr", "blackbird". hrmf.

it was a self-proclaimed thematic edit that favored loud stuff, it's not like he said "Blackbird" isn't good enough to be on the album

yeah, but was also a comedown record focusing on "haunted around the edges", so...

I will freely concede that "Julia" should be in there (and "Sexy Sadie") - also just trying to make it work as a Beatles record which means some balance of John/Paul stuff.

I do find "Bungalow Bill" haunted if not actually that GOOD. It's a weird, mean little Lennon song at its core. Rocky Raccoon is sort of its opposite number - where John tells a half-formed yarn of nasty boastful, hollow "bullet-headed" cowboy, Paul just has...a story about a guy who gets shot up in a bar fight. And yet Rocky, along with "Don't Pass Me By," adds to this overall, I dunno, "Mouldy Old Dough" quality to this record, there's some kind of creaking saloon stench wafting through the whole place - it's the same saloon where John is slumped in a chair, contemplating a drink in "I'm So Tired." It fits together in my head anyway.

yeah, that makes sense. the "moldy old dough" music hall stuff would be the first to go on the chopping block if i were doing this, but i ain't, so do what thou wilt.

I mean, the great thing about the White Album as the sprawling mess that it is, is you really could carve two or three clearly coherent theme/vibe albums from it - - I think when I first started I wanted to make it HEAVY, that spun off separately the stuff that's actually GENTLE, and then I decided what I really ultimately like about the record is that it's WEIRD. "The Weird Album." Or, knowing that Dune was out and John liked wordplay, "The Weirding Album"...

^^^just crossed the line

hahahahah

if the white album was released today they would have been forced to stretch it out to 3 LPs

i'm just noticing that the 7-songs per side tracklisting there is way too long to fit onto 1

also cry baby cry AFTER revolution 9 is just weird to me

just wanted to say that the David Bowie cover of across the Universe should be used as scare-em-straight material to any young band that thinks messing with cocaine in a recording studio is a good thing.

http://www.dustandgrooves.com/rutherford-chang-we-buy-white-albums/

artist guy is assembling a show/"store" whose stock consists entirely of first-edition copies of the White Album. He's also playing a bunch of them back and recording them overlapped; there's a soundcloud embed in that article where you can hear Side One gradually fall out of sync and become a total cacophonous mess. Not bad.

That embed is brilliant.

yeah, that sort of thing seems to work really w/ the beatles in particular, the combination of musicality and heavy familiarity. reminds me of a kenny g show from wfmu that i can still remember dropping my jaw listening to it live over ten years ago - http://wfmu.org/playlists/shows/2633

Count me as someone who thinks the winner is a rather dubious (least aggressive word I can come up with) #1.

"Long, Long, Long" and "Martha My Dear" would be my picks. My third got zero votes: "Don't Pass Me By."

The great thing about Beatles albums is how you can know every single detail of them by heart, for years, and still individual songs and moments can sneak up on you and hit the exact right note at the right time. Feel like the White Album is maybe the epitome of this just for having so much stuff floating around. Like, the ending of "I'm So Tired" just hit me like a stack of bricks. Damn.

(accidentally misposted to the "worst song" thread, reposting)

The title and cover of this is weird: it implies austerity and restraint whereas the album is both the most playful and heterogeneous albums the Beatles releases. Malevich would not approve.

not necessarily... it could imply a blank canvas, suggesting a world of possibilities lie within.

Maybe... Isnt white "all colors" and black is "no colors." that might be what they were thinking. Still, the album is full of genre experiments and is very pop art whereas blank white canvasses, in 1968, suggested an Ab-Ex sensibility, maybe.

Idk it just feels like the wrong cover for that album to me.

it's meant to look like conceptual art

it is

i don't really get yr point

none more white

The cover is part and parcel of the album's charisma, especially in how it doesn't "fit"

Results of this poll are so suspect

iirc McCartney wanted it to be the complete opposite of Sgt Pepper

Some artist dude set up the album art. I don't think it was The Beatles' idea.

But yeah, pop-art and abstract both equally fit for this record IMO.

plus idk, with all the tension in the band the absence of artwork feels like a fuck you, and the way the album is just a huge melange of song styles is kind of a fuck you too

from wikipedia

The album's sleeve was designed by Richard Hamilton, a notable pop artist who had organised a Marcel Duchamp retrospective at the Tate Gallery the previous year. Hamilton's design was in stark contrast to Peter Blake's vivid cover art for Sgt. Pepper's Lonely Hearts Club Band, and consisted of a plain white sleeve. The band's name was discreetly embossed slightly below the middle of the album's right side, and the cover also featured a unique stamped serial number, "to create," in Hamilton's words, "the ironic situation of a numbered edition of something like five million copies."[citation needed

Interesting. I forgot about the serial numbers.

Woah, never knew it was Richard Hamilton! I really only know him by the 50s collage stuff (''What Is It That Makes Today's Homes'' etc etc), so I don't know how this fits into his work but it's interesting since he would also have been known for kind of a four-color pop-culture maximalism, not dissimilar from the Pepper cover.

I think the cover works well for the reasons Treeship gives. If I had to give it another cover it'd probably be something like Revolver: four separate personalities, airy and bright from a distance but crowded and weird and bashing-into-each-other up close.