"Please Understand. We don't want no trouble, we just want the right to be different. That's all." PULP - D.I.F.F.E.R.E.N.T.C.L.A.S.S poll

The lyrics are of course great, but what I loved about this record was its sound – the vintage keyboards, electrodisco stylings, Cocker's vocals. Nothing sounded like this album in 1996.

Like, it's not saying 'reject your parents and be bohemian', it's saying 'might as well be like your parents, we're going to hate you anyway'.

lol true
it's another reason i wasn't mad on 'em, and i dunno if el jarv grew up 'common'
song is kind of confusing insofar as the chick is greek, makes all the stuff abt class tourism... slightly oblique

with the 'suburban ennui' thing or whatever, yeah -- i had in mind other pulp stuff, not 'common people'

Actually I think the only song I know off of Different Class is "Common People" (which is far and away my favorite Pulp song, so it's sort of weird that I haven't gone after the rest of the album)

Nothing sounded like this album in 1996.

― Gucci Mane hermeneuticist (Alfred, Lord Sotosyn), Thursday, September 2, 2010 4:25 PM (2 minutes ago) Bookmark

sparks were still having chart singles in 1995

"Disco 2000" is the giddiest desperation song ever written; and it was guaranteed to get thekids dancing at the indie clubs I hit eight years ago.

sparks were still having chart singles in 1995

Well, sure, but not in Amerikay.

His N Hers > We Love Life > This Is Hardcore > Different Class

Oh, I voted for "Disco 2000" -- sorry!

oh my god, that's my ordering as well!

We Love Life is soooo underrated.

for me the second half of WLL tails off. "Bad Cover Version" sounds more self-pitying than I'd like from them. But I adore "The Trees" – top five Pulp.

We Love Life is simply goddamn brilliant and sometimes is my #1

I agree with that.

I'd go as far as to say that His'N'Hers is their real masterpiece

tru

^ maybe tru. Intro a better encapsulation of that era but as nrq says, not a REAL album. (might as well be though - bound together thematically and creatively as well as funding-wise.)

ENBB OTM, but might vote for I Spy if I see this poll again. Would listen to album and decide properly if I had time!

At the time, I thought the "we are indie so we are cool, you wear white shirts so you are awful" stuff was a bit worrisome coming from a 30-year-old man - even though it was directly calculated to speak to me and my friends! And I still vacillate between thinking this when I think about those songs, and then surrendering because they're so well-judged, and well-phrased, and he's just been waiting to express it until he HAD some power and social agency, so everything is so focussed... but then you remember that tache and the patter at the beginning of the video, you know...

There's a whole separate thread to be had about the cultural meaning of white shirts as leisure wear - they are abt 85% of what I wear leaving the house now but I feel so conflicted about it!

you feel conflicted about everything! it is your superpower!

i was hyper-aware of the class aspects of the album at the time, partly because i was just starting to read all the music press i could get my hands on and they all emphasised it, and partly because i was hyper-aware of class at the time myself. i found it really hard to navigate the question of whether i was 'allowed' to like the record when i was pretty clearly posh myself.

At the time, I thought the "we are indie so we are cool, you wear white shirts so you are awful" stuff was a bit worrisome coming from a 30-year-old man - even though it was directly calculated to speak to me and my friends! And I still vacillate between thinking this when I think about those songs, and then surrendering because they're so well-judged, and well-phrased, and he's just been waiting to express it until he HAD some power and social agency, so everything is so focussed... but then you remember that tache and the patter at the beginning of the video, you know...

― Teddybears.SHTML (sic), Friday, September 3, 2010 2:12 AM (8 hours ago) Bookmark

yeah otm

i bought my first ever white shirt this summer. looks p balla quite frankly.

xp before i make it sound like 'i totally understood everything about everything when i was 13' let me just point out that only about 2 months ago did i realise that the keyboard at the beginning of 'sorted for e's and wizz' is meant to suggest, like, techno, rather than just being a noise.

man I had no idea 'Common People' is nearly 6 minutes long. did they play the full version on the radio?

the 'like a dog lying in the corner' bit isn't in teh radio edit iirc

It's supposed to be a nick from something specific, isn't it? (the 'sorted' intro)

xpost No, there's a 'short' version that misses out the "like a dog lying in the corner" section.

xpost again.

the 'like a dog lying in the corner' bit isn't in teh radio edit iirc

― czyczyczyczy comparative (c sharp major), Friday, September 3, 2010 10:40 AM (1 minute ago) Bookmark

yeah, which is... kind of unpleasant and o_O rly? says the southern, privately educated guy but still. people 'called out' damon albarn for ventriloquizing but p sure jarvs is doing the same?

That keyboard bit throws me every time, like I always assume it is the tune of the song and wait patiently for it to reappear.

Um, no he still says "they" throughout that bit.

Also, he never 'admits' to being a common people (it's all relative really), but knows more about themfrom where he'sstanding.

that keyboard bit is... The Theme by Unique II maybe?

Um, no he still says "they" throughout that bit.

Also, he never 'admits' to being a common people (it's all relative really), but knows more about themfrom where he'sstanding.

― Mark G, Friday, September 3, 2010 10:54 AM (1 minute ago) Bookmark

well yes... does this even make it worse?

Jarv is definitely implicated in CP, there's a hint that the rage and sneering he/the narrator wells up with is unpleasant and perhaps unearned BUT you're totally invited to let those emotions take you over as well rather than stop and consider that. basically the narrator is not presented as having any admirable characteristics BEYOND his opposition to the object of the song. as a listener, this is meant to be enough to identify with - as a reader, you can take it a bit deeper.

'something changed' because love >>>>> class wars, maaaayne

there's a hint that the rage and sneering he/the narrator wells up with is unpleasant and perhaps unearned

i think it's not so much the suggestion that the rage & sneering are unearned, but that they're sort of misdirected at this basically harmless/guileless rich girl, simply for being who she is. agree that the song builds to this ecstasy of self-righteous fury and that it effectively invites us to share & revel in that. also that in its terrible intensity it begins to subvert itself, making us think about the anger's underlying sources and why it's choosing this particular target for its expression. how much of that is intentional and what level of authorial distance is intended are left completely unclear, which adds to the song's power, imo.

common people, btw

common people, woyeh

The class war aspects were the parts I most enjoyed, or was most energised by. "Take your Year in Provence and shove it up your asssss". I can relate.

Yeah, and what happened next? (wrt Jarvis I mean)

Always struck me as weird that he pronounced it "ass" (oh and when I said upthread that there wasn't much class talk on the album outside of 'CP' I forgot about this verse)

sort of torn between feelingcalledlove and something changed. some sweet chord changes in the latter, and a temporal conundrum in the spirit of dylan

Underwear for its massive chorus and vintage Bowie stylings.

Listening to this album for the first time in 10 years as a result of this and related threads.

We Love Life > His 'n Hers > This is Hardcore > Different Class (challopsy I know)

Of this record, "I Spy", followed closely by "F.E.E... etc.

Underwear for me, I think.

Another interesting thing about this album: possibly (and correct me if I'm wrong, which I probably am) the first creative use of the jewel case CD format, with the postcards and the artwork that was explicitly designed to suit CDs. Not surprising considering the band's background, but well realised nevertheless.

Also "take your year in Provence and shove it up your arse", what a lyric.

And another thing: the handbag house remix of "Disco 2000" is way better than the original version.

I haven't checked ILM in a few days but I've had "Disco 2000" in my head all day. Now, here I am, there's this poll and I'm voting for "I Spy".

Underwear. Should've been a single.

the sleeve design worked even better on the LP, what with the frame and all

We Love Life > His 'n Hers > This is Hardcore > Different Class (challopsy I know)

challotm

Wasn't Experimental Jet Set Trash No Star released before Different Class?

yes

Automatic thread bump. This poll is closing tomorrow.

i was not able to listen to this, so i'm voting for "Disco 2000" because of Deborah.

Gonna go down into my grave and turn into dirt loving This is Hardcore. Every chorus on that record is a train. Sorry aer0.

This record is still kind of impossible to pin to one song. Going with the immediate intentions of my gut: "Underwear." Creepy, sad, Pulp.