assault the well defended: Pink Floyd's "The Dark Side of the Moon"

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people who go out of their way to attack records like Dark Side are pathetic to me. I mean, it's not one of my favorites, but it isn't offensive or anything. Like it or don't, jesus.

Kevin Keller, Sunday, 2 November 2008 02:00 (6 years ago) Permalink

Hey, I like it! I think Christgau's comment about it being kitsch says more about him than it

iago g., Sunday, 2 November 2008 02:09 (6 years ago) Permalink


Doris Troy

energizing the base (briania), Sunday, 2 November 2008 02:12 (6 years ago) Permalink

They were actually playing that Dub Side of the Moon thing in the bar I was in last night. Pretty good, and bot just in that "Well, it's better than the reggae tribute to the Police" way.

If Timi Yuro would be still alive, most other singers could shut up, Sunday, 2 November 2008 02:13 (6 years ago) Permalink

ftr There were three black female backing singers on Dark Side doing the three part harmony stuff, the vocalist on The Great Gig is Claire Torry who is white.

MaresNest, Sunday, 2 November 2008 20:42 (6 years ago) Permalink

Thanks MaresNest, I knew she was white.

iago g., Sunday, 2 November 2008 22:49 (6 years ago) Permalink

1 year passes...

RIP Roger The Hat

It was with sadness that we heard the news this week that Roger "The Hat" Manifold, a prominent and much loved roadie in the 1970s for Pink Floyd, Johnny Winter, and many others, passed away on October 31st, 2009. He got his famous nickname due to his habit of wearing a top hat (and other such headwear) during his roadie duties.

He is best known to Floyd fans as one of the more notable voices heard on The Dark Side Of The Moon, providing lines such as "Live for today; gone tomorrow. That's me!" and "I mean they're gonna kill you, so if you give them a short, sharp shock, they don't do it again.... I mean, good manners don't cost nothing, do they? Eh?"

Elvis Telecom, Thursday, 12 November 2009 02:06 (5 years ago) Permalink

2 years pass...

A suggestion that on later CD pressings a faintly audible orchestral version of The Beatles's "Ticket to Ride" can be heard after "Eclipse", over the album's closing heartbeats, may be due to a remastering error.[47]

Wow, I've been wondering about that for years. I always assumed this was intentional. And I never knew it was "Ticket To Ride..." Thats... kinda amazing.

billstevejim, Wednesday, 15 February 2012 04:47 (2 years ago) Permalink

I don't have a problem with this record at all. The only real criticism I could level at it, is that if I'm in completely the wrong mood, 'Us And Them' draaaaaaaaaaaaaaaaaaaaaaaags like a motherfucker.

Turrican, Friday, 17 February 2012 23:11 (2 years ago) Permalink

pink floyd rules

tylerw, Friday, 17 February 2012 23:13 (2 years ago) Permalink

I hate the sound of this record

max buzzword (Shakey Mo Collier), Friday, 17 February 2012 23:16 (2 years ago) Permalink

forward he cried
from the rear
and the Pink Floyd rules

Euler, Friday, 17 February 2012 23:16 (2 years ago) Permalink

A suggestion that on later CD pressings a faintly audible orchestral version of The Beatles's "Ticket to Ride" can be heard after "Eclipse", over the album's closing heartbeats, may be due to a remastering error.
if you play "ticket to ride" backwards you can hear ringo say "pinnnnk floyyyyyd rullllles"

tylerw, Friday, 17 February 2012 23:19 (2 years ago) Permalink

In fact, come to think of it: Nick Mason's drumming. Are those drum tracks completely laced with marijuana or could he just not be bothered? :D His drumming has this real 'I caaaaan't beeeeee arrrrsed' feeling about it, which I really don't get from many other Pink Floyd albums.

Turrican, Friday, 17 February 2012 23:20 (2 years ago) Permalink

huh, the part where the drums come in on us and them is like my favorite part of this record

tylerw, Friday, 17 February 2012 23:23 (2 years ago) Permalink

hell yes

Euler, Friday, 17 February 2012 23:23 (2 years ago) Permalink

should I turn off "Jamaica Jerk-Off" to listen to "Us & Them"

ridiculous question, I know

Euler, Friday, 17 February 2012 23:24 (2 years ago) Permalink

The most powerful drumming on the record has to be on either 'Time' or 'Eclipse'. The part where 'Brain Damage' segues into 'Eclipse' is THE moment on this record for me.

Turrican, Friday, 17 February 2012 23:25 (2 years ago) Permalink

I have no idea what this means but it rules

Euler, Friday, 17 February 2012 23:26 (2 years ago) Permalink

should I turn off "Jamaica Jerk-Off" to listen to "Us & Them"

ridiculous question, I know

― Euler, Friday, February 17, 2012 11:24 PM (1 minute ago) Bookmark Flag Post Permalink

Yes :)

Turrican, Friday, 17 February 2012 23:26 (2 years ago) Permalink

I think if you read that graph starting right when "Us & Them" starts, it rules

Euler, Friday, 17 February 2012 23:27 (2 years ago) Permalink

lollll i love that graph.

tylerw, Friday, 17 February 2012 23:28 (2 years ago) Permalink

wtf

Euler, Friday, 17 February 2012 23:28 (2 years ago) Permalink

by which I mean, it rules

Euler, Friday, 17 February 2012 23:29 (2 years ago) Permalink

no idea what i was on about 6 years ago re Gilmour's vocals. i love those vocals!

piscesx, Saturday, 18 February 2012 04:34 (2 years ago) Permalink

So I guess I'm the only one whose ever turned up the volume really loud after the "Eclipse" fadeout. I was like 13 when this happened, so forgive me.

billstevejim, Saturday, 18 February 2012 04:36 (2 years ago) Permalink


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