Uh, that John Popper's fat?
― Tadeusz Suchodolski, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
― Ally, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
Plus, you can see how non-descriptive the term is; Ethan applies it to "drone rock," Mark S. applies it to Coltrane and Zappa, and Ally applies it to Blues Traveler. Try this: think about times when you are truly bored--I mean, bored out of your mind. Then think about what it feels like to listen to the music you'd call "boring" in a conversation. I think you'll find that the feelings are quite different, tangibly different.
My main gripe is when critics use it (hence the air of "objectivity" I mentioned earlier), or when people use it to attack certain music and never go deeper with their explanations. Some of the most valuable thinking I've done about music has resulted from reflecting on my initial unfavorable reaction to a given song/album/artist. Not to say it has to be that way for everyone, but it does seem rather lazy to just tag something as "boring" and move on, so to speak.
― Clarke B., Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
The problem with a lot of trip-hop is not that it aspires to establish a mood but the unity of mood that it then seems to establish. But as I said to Josh, a lot of my personal dislike of 'trip-hop' is that I'm most aware of it in its - to me - native habitat, the awful London bar.
― Tom, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
― tarden, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
― Ned Raggett, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
Indifference is quite different from a hostile negative response. But often I find that "boring" means "I refuse to engage with the landscape on which this music operates." Now, then there's something to explore, not paper over with a handy word. Because ultimately you then ask yourself why you refuse, and then learn something about your own tastes, and can then not just label something as boring, but as articulating a set of issues and conflicts which in no way concern you.
― Sterling Clover, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
That says, this all applies to GYBE! too.
― Tim, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
― Tracer Hand, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
Maybe it's because I have a very definite non-evangelistic (or even elitist) streak -- I'm used to people thinking that a lot of music I like is "weird" or "boring" or whatever, I figure that people will either "get it" or they won't and in any event I'm not going to waste my time (and theirs) trying to sell them on something they probably won't like nor will they be able to convince me that Blues Traveller or the Dave Matthews Band is worth a moment of my time to consider. Let someone else can do the evangelizing.
Anyway, there definitely seems to be some overlap between this thread and the old "'Aren't Bruce Hornsby and the Range just magical?'" thread.
Eno's ambient music is boring, nothing dramatic happens, but the effect is indirect. But it evokes a sensation of stillness and peace, of being present elsewhere, or even silence. Brian Ferry had something interesting to say about Eno - 'He's great at what he does, but I wouldn't call it music' Which invites the question is music that is boring, yet successful at what it sets out to accomplish, music at all? What is it then, Art?
― K-reg, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
― Janne Vanhanen, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
― Mike Hanley, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
Sterling - sounds like you are saying, alternatively, that 'boring' means 'I don't want to engage this music on its own terms.' Tom always seems to try to spank me when I say stuff about 'its own terms'. Silly Tom.
― Josh, Tuesday, 22 May 2001 00:00 (twenty-two years ago) link
2) i like drone-rock, it just seems to be the 'rock' equivalent of 'boring' trip-hop and yet strangely gets more respect for some reason. i mean, they sound pleasantly alike to me. only i like 'trip-hop' better, you know.
― ethan, Thursday, 24 May 2001 00:00 (twenty-two years ago) link
― Josh, Thursday, 24 May 2001 00:00 (twenty-two years ago) link
― kevin enas, Saturday, 17 November 2001 01:00 (twenty-two years ago) link
― Ronan, Saturday, 17 November 2001 01:00 (twenty-two years ago) link
― bob snoom, Wednesday, 21 November 2001 01:00 (twenty-two years ago) link
"Dear, your aren't bored, you just aren't creative enough to think of something you'd like to do."
― cybele, Wednesday, 21 November 2001 01:00 (twenty-two years ago) link
― bob snoom, Thursday, 22 November 2001 01:00 (twenty-two years ago) link
― Andrew L, Thursday, 22 November 2001 01:00 (twenty-two years ago) link
― Anna Rose, Monday, 20 May 2002 00:00 (twenty-one years ago) link
― Lucy, Monday, 20 May 2002 00:00 (twenty-one years ago) link
There are things going on and changing in rap songs, Anna, just not the things you're looking for.
― Josh, Monday, 20 May 2002 00:00 (twenty-one years ago) link
― cuba libre (nathalie), Monday, 20 May 2002 00:00 (twenty-one years ago) link
― Joe, Monday, 20 May 2002 00:00 (twenty-one years ago) link
Heh, my mum used to say "Well, you can tidy your room/help me clean the house/do the dishes then". Guess it taught me not to complain about being bored. I try not to get bored because of that and to be patient with things, which is definitely reflected in music. But you could attribute boredom with any genre:
Chart Pop: Because it's so manufactured and bland Drum'n'Bass: Because it's repetitive and unrelenting Hip-Hop: Because there are so few changes and the beat stays the same. Prog/post rock: Cos it's slow and contains long repeating passages Metal: Because it's just dirging and doesn't have any female backing singers
see what I mean? That's kind of obvious. But what is boring to one person is really interesting to another.
― dog latin, Monday, 20 May 2002 00:00 (twenty-one years ago) link
― Anna Rose, Tuesday, 21 May 2002 00:00 (twenty-one years ago) link