The Cure: Classic or Dud?

Smashing Pumpkins - '1979' - (Hut)
The Cure - 'Desperate Journalist' - (Fiction)
Joy Division - 'She's Lost Control' - (Strange Fruit)
The Pixies - 'Monkey's Gone To Heaven' - (4AD)
Led Zeppelin - 'Communication Breakdown' - (Atlantic)
The Deftones - 'Minerva' - (Sire)
Cranes - 'Jewel' - (Wergo)
Nirvana - 'Heart Shaped Box' - (Geffen)
David Bowie - 'Saturday Night' - (EMI)
The Sensational Alex Harvey Band - 'Swampsnake' - (Mercury)
Mogwai - 'Killing All The Flies' - (PIAS)
Tricky - 'Moody' - (Epitaph)
Placebo - 'The Bitter End' - (Virgin)
The Beatles - 'Eleanor Rigby' - (Apple)
The Rolling Stones - 'Paint it Black' - (Decca)
Janis Ian - 'Tea and Sympathy' - (Sony)
Thin Lizzy - 'Don't Believe A Word' - (Warners)
The Clash - 'White Riot' - (Sony)
AFI - 'Girl's Not Grey' - (Nitro)
Blink 182 - 'Down' - (Island)
The Cocteau Twins - 'Lorelei' - (4AD)
My Bloody Valentine - 'I Only Said' - (Sony)
Sneaker Pimps - 'Low Place Like Home' - (One Little Indian)
Tom Waits - 'Looking for The Heart of Saturday Night' - (Anti/Epitaph)
Supergrass - 'Alright' - (Parlophone)
The Cooper Temple Clause - 'New Toys' - (RCA)
Scarling - 'Crispin Glover' - (Sympathy for the Record Industry)
Interpol - 'NYC' - (Matador)
Jimi Hendrix - 'Are You Experienced' - (MCA)

Underworld 9.5/10 [they mixed things up, had some special mixes, plus had the buzz of the chat room, and added humour]
Siouxsie Sioux 7/10 [Siouxsie came across as a broadcasting professional, in control, measured - however i expected some more fun like when she was on 6 Music roundtable]
Robert Smith 6.0/10 [too many predictable choices, reminds me of guest slot hour on Xfm]

siouxie had a patch where she was talking under something rather than over it. but nice enough. didn't like her question answering session.

underworld sounded a lot like the 3am comedy strand at times (which is itself worth a listen)

?!?!?!?!?!?!?

-- manthony m1cc1o (anthonyisrigh...), October 21st, 2004.

hahahahahahahahahahahahahahahahahahahahahahahahahahahahaha

** The new release dates are 29th November 2004 worldwide and December 7th in the U.S. on Rhino **

The Cure's debut album from 1979 has now been elevated to the Deluxe Edition series.

Compiled by Robert Smith and Digitally Remastered by Chris Blair at Abbey Road, this 2 CD set is a must for all Cure fans as it contains 6 Previously Unreleased songs and 15 tracks on CD for the very first time! The 16-page booklet has sleevenotes by Johnny Black plus rare and previously
unseen photographs from Robert Smith's personal archive.

DISC 1 - Three Imaginary Boys

01. 10:15 SATURDAY NIGHT
02. ACCURACY
03. GRINDING HALT
04. ANOTHER DAY
05. OBJECT
06. SUBWAY SONG
07. FOXY LADY
08. MEATHOOK
09. SO WHAT
10. FIRE IN CAIRO
11. IT'S NOT YOU
12. THREE IMAGINARY BOYS
13. THE WEEDY BURTON

DISC 2 - Rarities 1977-1979

01. I Want To Be Old (sav studio demo 10/77 - previously unreleased song) (@)
02. I'm Cold (sav studio demo 11/77 - previously unreleased version) (@)
03. Heroin Face (live in the rocket, crawley 12/77 - previously available on 'curiosity' mc 1984) (@)
04. I Just Need Myself (psl studio demo 1/78 - previously unreleased song) (@)
05. 10:15 Saturday Night (rs home demo 2/78 - previously unreleased version)
06. The Cocktail Party (group home demo 3/78 - previously unreleased song) (@)
07. Grinding Halt (group home demo 4/78 - previously unreleased version) (@)
08. Boys Don't Cry (chestnut studio demo 5/78 - previously available on 'curiosity' mc 1984)
09. It's Not You (chestnut studio demo 5/78 - previously unreleased version)
10. 10:15 Saturday Night (chestnut studio demo 5/78 - previously unreleased version)
11. Fire In Cairo (chestnut studio demo 5/78 - previously unreleased version)
12. Winter ('tib' studio out-take 10/78 - previously unreleased song)
13. Faded Smiles (aka I Don't Know) ('tib' studio out-take 10/78 - previously unreleased song)
14. Play With Me ('tib' studio out-take 10/78 - previously unreleased song)
15. World War (on early copies of 'boys don't cry' album 1979)
16. Boys Don't Cry (single - also on 'boys don't cry' album 1979)
17. Jumping Someone Else's Train (single - also on 'boys don't cry' album 1979)
18. Subway Song (live in nottingham 10/79 - previously available on 'curiosity' mc 1984)
19. Accuracy (live in nottingham 10/79 - previously unreleased version)
20. 10:15 Saturday Night (live in nottingham 10/79 - previously unreleased version)

the bastards are gonna make me buy their whole fucking back catalogue again aren't they? gah...

No 'Plastic Passion' either, come to think of it :-/

On the plus side 'though, if I were to buy this, I would finally get to own "World War", after having spent the last 24 years quietly seething with self-righteous wounded indignation about the injustice of having apparently been expected to pay import prices to buy the Boys Don't Cry album, just to get that one track, when I already owned every single other track on the album, several of them more than once.

I may just decide that I'd prefer to carry on sulking about it 'though - I really haven't decided yet.

Never say I don't do anything for you, Baaderonixxx:

http://www.siouxsieandthebanshees.co.uk/

SIOUXSIE & THE BANSHEES - DOWNSIDE UP
B SIDES AND RARITIES - 4 CD BOX SET
Released: 29th November 2004

34 Tracks on CD for the first time including The Thorn EP.
76 Page booklet with an introduction by Siouxsie
Full track annotation by all 3 band members
Full lyrics for all b-sides printed for the first time
Sleevenotes by Mark Paytress

Disc One
01: Voices ( 5.33 )
02: 20th Century Boy ( 1.58 )
03: Pulled To Bits ( 3.24 )
04: Mettagiesen ( 4.00 )
05: Drop Dead Celebration ( 4.24 )
06: Eve White Eve Black ( 3.03 )
07: Red Over White ( 4.34 )
08: Follow The Sun ( 2.47 )
09: Snap Dash Snap ( 3.40 )
10: Supernatural Thing ( 4.24 )
11: Congo Conga ( 4.13 )
12: Coal Mind ( 3.31 )
13: We Fall ( 3.38 )
14: Cannibal Roses ( 4.29 )
15: Obsession Ii ( 3.52 )
16: A Sleeping Rain ( 4.18 )
17: Il Est Ne Le Divin Enfant ( 2.33 )

Disc Two
01: Tattoo ( 3.29 )
02: There's A Planet In My Kitchen ( 5.22 )
03: Let Go ( 3.36 )
04: The Humming Wires ( 4.22 )
05: I Promise ( 4.38 )
06: Throw Them To The Lions ( 4.50 )
07: The Execution ( 3.50 )
08: The Quarterdrawing Of The Dog ( 4.54 )
09: Lullaby ( 3.32 )
10: Umbrella ( 4.13 )
11: Shooting Sun ( 4.44 )
12: Sleepwalking ( On High Wire ) ( 5.10 )
13: She Cracked ( 3.07 )
14: She's A Cuckoo ( 4.15 )
15: Something Blue ( 3.55 )
16: The Whole Price Of Blood ( 3.53 )
17: Mechanical Eyes ( 3.36 )

Disc Three
01: False Face ( 2.51 )
02: Catwalk ( 4.57 )
03: Something Wicked ( This Way Comes ) ( 4.20 )
04: Are You Stil Dying Darling ( 4.44 )
05: El Dia De Los Muertos ( 3.38 )
06: Sunless ( 4.26 )
07: Staring Back ( 3.16 )
08: Return ( 5.02 )
09: Spiral Twist ( 3.55 )
10: Sea Of Light ( 4.35 )
11: I Could Be Again ( 4.30 )
12: Hothead ( 3.30 )
13: B Side Ourselves ( 3.47 )
14: Swimming Horses ( 4.41 )
15: All Tomorrows Parties ( 6.12 )
16: Hang Me High ( 6.05 )
17: Black Sun ( 3.10 )

Disc Four - The Thorn E.P.
01: Overground ( 3.52 )
02: Voices ( 5.25 )
03: Placebo Effect ( 4.36 )
04: Red Over White ( 5.43 )

(Found this on http://neumu.net/ )

if we were trace the Cure's influences, what would they be? the post-punk + krautrock angle seems kinda obvious (Joy Division, etc.) but where did Smith's poppier inclinations come from? I have a hard time imagining what his record collection in the 80s would have consisted of, besides his contemporaries like Siouxsie and Echo & the Bunnymen and whatnot

Dude's on the record as saying Mogwai are his current favourite band. This doesn't remotely answer the question (although it possibly explains some of the longer songs on their post-Wild Mood Swings albums)

Since Mogwai's favourite album after Spiderland is Seventeen Seconds, that isn't that unlikely.

yeah I'm thinking more like from Faith through Disintegration - the gothier stuff has fairly clear antecedents, but where did something like Caterpillar Girl or Close to You or Love Cats or any number of other tunes come from...?

xp

like in among the dreary atmospherics and gothic clanging Smith always had a very keenly developed sense for pop melodies, but he never sounded like he was drawing from, say, the Beatles.

Gonna suggest Steve Harley and cackle irreverently to myself

c'mon Dan surely you have some thoughts on this

Nick Drake. Robert Smith got the band's name from the lyrics of "Time Has Told Me" ('a troubled cure / for a troubled mind')

Well, my main thought is that the incredibly poppy strain always existed in their music, giving you songs like "Boys Don't Cry", "Jumping Someone Else's Train", "Object", "It's Not You", "Meathook", "Play For Today", "In Your House", "Secrets", "Primary", "Doubt", etc etc etc well before "Let's Go To Bed" appeared. As to where it came from, I don't specifically know, but they did cover Jimi Hendrix, The Doors and David Bowie.

xp: um, given how much Robert lies in interviews and how the band USED to be called Easycure, I don't know that I believe that

Syd Barrett as well. At least in terms of hair, eyeliner & poppy quirkiness.

I know the band was called the Easy Cure, but even that is meant in the sense of "the cure for a troubled mind"

When Malice's vocalist Martin Creasy quit the band, they took the new name Easy Cure in January 1977 from a song written by Tolhurst.

never mind lol

Barrett! of course. can't believe that didn't occur to me.

songs about cats, fairytales, fractured psyches.

duh

all of that stuff came from the gormenghast novels though

except for the parts that came from Wind in the Willows and Shakespeare, right

"he never sounded like he was drawing from, say, the Beatles"

Mr Alphabet Says is a good Beatles tribute, surely better than the Dukes of Stratosphear: I'm pretty sure the White Album in particular was a great inspiration for him.

He also cited often Captain Beefheart as an influence and some of the theatrical flair (and the crazy uncle attitude) of Alex Harvey is certainly there.
I'm pretty sure is also a big fan of soul and folk music: if I remember correctly he even eulogized Sandy Bull somewhere.

I just clicked on this thread and Ex-Lion Tamer by Wire came on my ipod, which almost certainly has something to do with Just Like Heaven.

While I know Smith has always downplayed the role punk, er, played, the band (at least in its formative years) always sounded to me like they'd been listening to a lot of, yes, Wire and the Buzzcocks, but arranged their songs in some sort of hushed environs, like a crowded flat with people sleeping or a place with grouchy neighbors, so that everything was sort of muted.