Come anticipate Kill Bill with me

Quentin drives the Pussy Wagon now.

also the garden behind the House Of Blue Leaves is one of the most beautifully designed + lit sets of all time.

Also, I hope they release a special edition DVD that comes with a free "PUSSY WAGON" keychain.

Nate the Dork: "HOLY FUCKING SHIT HE'S BRINGING IT RAGING BULL STYLE"

S1utsky: "yeh"

hey that black and white part was obviously that Sword of Doom reference I was talking about it isn't inexplicable !@#$#@!$@

I just heard that there's like an "easter egg" after the end credits, so now I'm pissed I didn't stay for them. Did anyone see it? Could you descibe it to me?

what genre was the vernita green scene supposed to represent?

Dan: yeah, how great was that!

here: http://www.bol.ucla.edu/~alexward/script.htm

Pam Grier blaxploitation, supposedly (though I am disappointed with the lack of razors hidden in her hair)

movie is worth seeing, but not the greatest that was released this year.

Bud = Zombie
Elle = Western
Bill = "suspense" of all things.

Sorry.

1) GO-GO! She steals the movie, IMHO, and her duel scene with The Bride is the highlight of the final big fight sequence.

2) The rockin' handclap/kick/synth(?) track that played as the anime O-ren Ishii was rooftop sniping. If this is a RZA track I just want an entire cd of this type of shit. If it's not RZA -- who is it?

: related note : I was surprised at the non-Wuness of the incidental music. Really simple yet suspenseful use of sounds with nary an MPC beat in sight.And that Morricone music *swoon*!

3) The orange skies fake ass airplane scenes.

Good movie. Can't wait to see it again.

I will chop up violent people with a machete or bang their heads repeatedly in a door.

*those who own Beretta 70 will understand my dorkery.

but its the only thing the world still loves us for! well, that and our pizza pies. and our, how you say, yankee doodle mutherfucker cheeseburgers.

That sounds like the best Applebee's menu item ever. Eatin' good in the neighborhood!

For what it's worth when I went to see it for a second time today (to sort out my conflicting thoughts on it) two jackasses brough their 10-12 year old sons and i thought that was pretty horrifying. I doubt they can appreciate the irony of the violence.

fyi to momus-kill bill has a great eyepatch scene.

Yeah, well, it was a last minute change, I believe. Check the original teasers and trailers, and you may be able to see at least one or two quick cuts that are in color there that were b/w in the film.

...

I'm sorry, but this film just flat out sucked. I'm not even going to go into detail, because all I have to say is this - I was not engaged at all on any level whatsoever in any sort of emotion, experience, suspense, enjoyment (or distate, for that matter). It just felt totally flat, empty, and dull. Actually, fuck that, I'm not apologizing. This film sucked, and I do really only say this about once a year, but
"I WANT MY TIME BACK!"

Wouldn't it be nice if, in the year of 'shock and awe', an American director made a film which wasn't 'the most violent movie ever' or 'the ultimate film violence desensitizer'?

vs.

"Wouldn't it be nice if, in a time of racism, sexism, Republicanism, and general assholishness, a 'cool kids' magazine didn't gleefully rejoice in these things, in the name of supposedly 'desensitizing' us to them?"

visually too, it was quite lovely. and i enjoyed the music as well.

That thesis was, I believe, disproved.

Hmm. The music I'm thinking of was during the "sword presentation ritual" with the whistling, with Edda Dell Orso (sp?) type singing - sounded just like something out of a Leone western. I need to check out this Bacalov feller. Any recommendations?

Probably not a good thing though; little kids shouldn't be watching all that violence!