Pete Chambers from mnml ssgs got me onto this: Terre Thaemlitz as his politically charged deep house alter ego DJ Sprinkles makes an album of absolutely gorgeous, lustrous deep house, strewn with embittered soundbytes railing against the disenfranchisement of gay/transgender/black/hispanic house fans by capitalism, in particular Madonna, who gets targeted for particular ire owing to "Vogue". People might be familiar with earlier (and also fab) release "Sloppy 42nds".
Thematically it's like a queer-Pipecock, but musically it's totally undeniable - like Moodymann meets Playhouse meets really lush stuff like early Deep Dish or Dubtribe Sound System at their best. Lots of tinkling pianos, ear-tickling rhythms, and melodies that swell up irresistibly like a good pill. In particular "Sisters, I Don't Know What This World Is Coming To" is like peaking into the mind of God.
Tip!
― Tim F, Thursday, 13 November 2008 09:27 (4 years ago) Permalink
Where do I hear some of this stuff?
― mr. mayan end times guy (The Reverend), Thursday, 13 November 2008 10:12 (4 years ago) Permalink
This is the best I could find: some instrumental samples from the first two singles. The album isn't out until January, and it's on a Japanese label. (Terre Thaemlitz lives in Japan.) Might be tricky to track down, which is a shame as I like what I'm hearing.
http://www.wordandsound.de/article/56525http://www.mbeat.de/catalog/Dj-Sprinkles-Aka-Terre-Thaemlitz-Grand-Central-Part-1-p-40847.html
― mike t-diva, Thursday, 13 November 2008 10:31 (4 years ago) Permalink
Wondering if I can vote for this this year or if I should wait until next year. It's def. top ten material after only one listen.
― Tim F, Thursday, 13 November 2008 10:43 (4 years ago) Permalink
thread title of the year
― WHALE WARS (jabba hands), Thursday, 13 November 2008 11:18 (4 years ago) Permalink
The other record this reminds me of: the first Maurice Fulton. Alla that plush shit.
― Tim F, Thursday, 13 November 2008 11:22 (4 years ago) Permalink
Put onto this by Tim F, and he's right, it's an incredible record, absolutely lush. Also worth hearing the Sprinkles remix of Ultra-Red, which you can get to from here:
http://www.comatonse.com/soundfiles/#hush
Re: the Madonna "Vogue" thing, Thaemlitz has been on that for at least a decade, something I was reminded of while re-reading his liner notes to Love For Sale - Taking Stock In Our Pride (on which he also re-versioned earlier Sprinkles track "Sloppy 42nds"):
'...A condition which entered a downward spiral during the early '90s with Madonna's "Vogue", in which most of the Queer community had no problem with her representing a dance form deeply rooted in African-American and Latino Transgendered communities with the phrase, "it doesn't matter if you're Black of White, if you're a boy or a girl."'
― jon dale, Saturday, 29 November 2008 13:29 (4 years ago) Permalink
I've said it before.. Thaemlitz is gifted. One of the few artists where the whole discography is essential. Glad to see Mule is getting his work wider appeal, the earlier Mille Plateaux and his own Comatonse output is wonderful too.
― mmmm, Saturday, 29 November 2008 17:43 (4 years ago) Permalink
this is dope thnx tim!!
― deej, Saturday, 29 November 2008 18:41 (4 years ago) Permalink
LWE has a review of this up now: http://www.littlewhiteearbuds.com/dj-sprinkles-midtown-120-blues/
― matt2, Thursday, 11 December 2008 19:55 (4 years ago) Permalink
Very, very good. Reminds me of both Silentintroduction and Pansoul. Check it out...
― Treblekicker, Tuesday, 16 December 2008 23:36 (4 years ago) Permalink
awful gay, political deep house music.
― what U cry 4 (jim), Wednesday, 17 December 2008 20:44 (4 years ago) Permalink
seriously though, pretty good in places. House Music Is Controllable Desire You Can Own is a jam.
this is dope thnx tim!!― deej, Saturday, November 29, 2008 6:41 PM (2 weeks ago) Bookmark
― deej, Saturday, November 29, 2008 6:41 PM (2 weeks ago) Bookmark
― t_g, Wednesday, 17 December 2008 20:46 (4 years ago) Permalink
also good: that song hush now which is on some compilation
― t_g, Wednesday, 17 December 2008 20:47 (4 years ago) Permalink
It's available for free on Terre Thaemlitz's home page.
http://www.ultrared.org/publicrecord/archive/2-04/2-04-001/2-04-001-01.mp3
What I like is the way it loops 'hush now' at first and then 'silence = death' towards the end playing one off against the other. Again, as with the DJ Sprinkles record, the concept explained sounds laboured and like it's going to be dreadful listening, despite the worthiness of the concept, but the execution is so flawless that it works. I guess it reminds me of Matmos in this. The concepts always had the potential to make for dull music but they were never second to the sound.
― Treblekicker, Wednesday, 17 December 2008 21:16 (4 years ago) Permalink
thakig u tim
― the HOOS from the hilarious internet connection (BIG HOOS aka the steendriver), Wednesday, 17 December 2008 21:18 (4 years ago) Permalink
can't wait to hear this. i picked up the you again? comp earlier this year and it is ace (i don't know about "peaking into the mind of god" ace, but v good nonetheless)
also, search "class" (loco dice remix) by social material (another TT alias)
― tricky, Wednesday, 17 December 2008 21:49 (4 years ago) Permalink
this sounds good
― moonship journey to baja, Wednesday, 17 December 2008 23:04 (4 years ago) Permalink
I should probably listen to this.
― these bitches they hatin cuz i just put my new weave in (The Brainwasher), Wednesday, 17 December 2008 23:08 (4 years ago) Permalink
Also, RE: Madonna's "Vogue" - that song has always bothered me, particularly the bridge when she starts rattling off all of these icons of beauty and they're all white. I mean, "Rita Hayworth gave good face"? Really? :| Anyway, I read a piece on this by Essex Hemphill that was great, let me see if I can find.
― these bitches they hatin cuz i just put my new weave in (The Brainwasher), Wednesday, 17 December 2008 23:11 (4 years ago) Permalink
Rita Hayworth was half Spanish.
― Kevin John Bozelka, Thursday, 18 December 2008 21:03 (4 years ago) Permalink
HOOS is mexican btw
― K DEF FROM REAL LIVE (deej), Thursday, 18 December 2008 21:05 (4 years ago) Permalink
the criticism is not that all the people mentioned in vogue are white, it's more about the lyrics "It makes no difference if you're black or whiteIf you're a boy or a girl".
― what U cry 4 (jim), Thursday, 18 December 2008 21:08 (4 years ago) Permalink
what thaemlitz is clearly having a go at is the appropriation of a gay/black/latino artform by madonna. To then tell these people that these things which they identify themselves with don't matter could be seen as a bit of a kick in the teeth.
great album though, i dismissed his ouput and a lot of force/mille stuff cos i was a grumpy litlle techno/idm fella, really up for revisiting
― straightola, Thursday, 18 December 2008 21:15 (4 years ago) Permalink
― Kevin John Bozelka, Thursday, 18 December 2008 21:03 (28 minutes ago)
Errr... what is your point.
Anyway, here is the Hemphill criticism I was talking about, I had to type it up since I couldn't find it online but it's from a piece entitled "To Be Real":
...But from Madonna, the legendary "material girl," the raider, the plunderer, you will never hear acknowledgment of the fact that voguing grew out of Black and Puerto Rican gay ball communities.Her "Vogue" song, a commercial hit, was an insult to these communities because the litany of names she calls in the song as representative of the style and attitude deliberately excludes Blacks and Puerto Ricans. Obviously Madonna must believe that Blacks and Puerto Ricans have contributed nothing to the theater of style and attitude originating in this country, since names like Josephine Baker, Dorothy Dandridge, and Celia Cruz are conspicuously absent from her list of the beautiful ones. Black gay British filmmaker Isaac Julien raised an important issue regarding Black art and culture... he said, "I'm more interested in questions concerning the commodification of Black art and culture. I think questions such as commodification provide a more realistic analysis and critique of Black art as we approach the end of the twentieth century." Not only are questions of commodification more critical then we may yet realize, but urgent questions about American and Western cultural appropriations of those it despises, marginalizes, and disempowers also emerge from the interrogation Julien suggests.
Also, bell hooks has some interesting criticisms RE: racial politics & Madonna. I think it's a pretty interesting topic of discussion, even though it doesn't stop me from enjoying her music.
― these bitches they hatin cuz i just put my new weave in (The Brainwasher), Thursday, 18 December 2008 21:56 (4 years ago) Permalink
not bad
― Usic of My Mind (The Reverend), Friday, 19 December 2008 05:02 (4 years ago) Permalink
This fucking album. I'm 3 minutes in and just, yeah. . .
It's good to know that Ball'r, first heard last year, is probably going to be still at least top 5 of 09 at the end of the year.
― mehlt, Sunday, 22 February 2009 01:43 (4 years ago) Permalink
So completely rules my best of 2009 already after half a day of constant listening !
― Tannenbaum Schmidt, Thursday, 25 June 2009 22:06 (3 years ago) Permalink
so yeah this is really beautiful
― ❉❉❉❉❉❉❉❉Plaxico❉❉❉❉❉❉❉❉❉ (I know, right?), Thursday, 25 June 2009 23:38 (3 years ago) Permalink
this grew on me in a big way. grand central part one! it's extremely referential, which is usually annoying, but it just works.
― elan, Friday, 26 June 2009 00:38 (3 years ago) Permalink
Huh? @ gays being offended by "Vogue," which is like the gayest song Madonna's ever done (the whole "Stroke a pose" thing). I'd think they'd be more pissed at, say, "La Isla Bonita" ("...where a GIRL loves a BOY and a BOY loves a GIRL.")
― Mr. Snrub, Friday, 26 June 2009 01:38 (3 years ago) Permalink
not getting it
― moonship journey to baja, Friday, 26 June 2009 01:45 (3 years ago) Permalink
ignore the tracks with the spoken word and just check out the endless hall/house of mirrors
got this on CD in japan at tower this summer and I've been digging it too, it's pretty classic terre stuff, I think, reminds me of other comatonse things
― Neotropical pygmy squirrel, Friday, 26 June 2009 01:49 (3 years ago) Permalink
the sample from shadows and fog on "grand central station pt. ii" is so excellently deployed
― susan fassbender (donna rouge), Friday, 26 June 2009 02:24 (3 years ago) Permalink
Lol "stroke a pose"
― Tim F, Friday, 26 June 2009 04:36 (3 years ago) Permalink
been meaning to check this out but been wary because his old ambient house stuff sucks so bad. i love "lovebomb" and "couture cosmetique" and dig "means to an end" but this guy crawled so far up his own asshole intellectually that it's hard for me to think he could let it all go and get into a deep house thing. but tim f's description at the top makes it sound pretty successful.
i know there's a main thaemlitz thread around here but let me just say that the 2nd track of lovebomb, where he autotunes some revolutionary radio propaganda broadcast to minnie riperton's "loving you" needs to be put in the smithsonian or something
― winston, Friday, 26 June 2009 04:59 (3 years ago) Permalink
Leaving aside the monologues (mostly mixed very low so you can ignore them if you want to) there's actually something oddly... anonymous about this album?
Which I don't mean as a diss, more like: in spite of all the conceptual baggage that attaches to thaemlitz generally and this album specifically, the music itself is really just trying to be the best of its type, the kind of thing any house producer would be really really proud of having made.
Which is my roundabout way of saying i think you'd like it notwithstanding your concerns, winston.
― Tim F, Friday, 26 June 2009 07:27 (3 years ago) Permalink
omg haha
When Madonna came out with her hit "Vogue" you knew it was over. She had taken a very specifically queer, transgendered, Latino and African-American phenomenon and totally erased that context with her lyrics, "It makes no difference if you're black or white, if you're a boy or a girl." Madonna was taking in tons of money, while the Queen who actually taught her how to vogue sat before me in the club, strung out, depressed and broke. So if anybody requested "Vogue" or any other Madonna track, I told them, "No, this is a Madonna-free zone! And as long as I'm DJ-ing, you will not be allowed to vogue to the decontextualized, reified, corporatized, liberalized, neutralized, asexualized, re-genderized pop reflection of this dance floor's reality!"
― ❉❉❉❉❉❉❉❉Plaxico❉❉❉❉❉❉❉❉❉ (I know, right?), Friday, 26 June 2009 10:47 (3 years ago) Permalink
it's good that it's mixed so low
― elan, Friday, 26 June 2009 15:13 (3 years ago) Permalink
i'm fine with the lyrics applied in madonna's case but it's always been specifically the case of the pop star voguing and the homos on the side as back up dancers for it (continuing to this day re: beyonce, lady gaga) that just seems off and awkward
― fauxmarc, Friday, 26 June 2009 21:07 (3 years ago) Permalink
― susan fassbender (donna rouge), Friday, 26 June 2009 02:24 (Yesterday)
More info on this please.
― Tannenbaum Schmidt, Saturday, 27 June 2009 13:34 (3 years ago) Permalink
when I see him out there, in his make-up, getting knocked around and falling in a big tub of water with all the people laughing, I can only think "he must have suffered so to act like that"
― ❉❉❉❉❉❉❉❉Plaxico❉❉❉❉❉❉❉❉❉ (I know, right?), Saturday, 27 June 2009 19:28 (3 years ago) Permalink
"it's good that it's mixed so low"
yeah but the whole album is mixed that way, on purpose so say the liner notes. it's amazing that it doesn't turn into complete sludge. i haven't heard anything from 2009 that sounds like this, although i might put it into the whole "aquatic" faction of dance music (maybe political non-fiction to drexciya's sci-fi and chain reaction's stalagmitic explorations. maybe.).
― society for cutting up (tricky), Saturday, 27 June 2009 21:57 (3 years ago) Permalink
fuck, i'm scaring myself now by thinking "what if I'd never come across this album...."
aamazingly, in the same week that i picked this up, also got Round Two - "New Day" , which I'd completely missed out on. Fuuuucccccck! Goosebumps, within 5 seconds.
― Tannenbaum Schmidt, Sunday, 28 June 2009 01:13 (3 years ago) Permalink
i'll co-sign on this album. easily among my favorite full-length bobbins of 2009, even if it did come out in 08
― psychgawsple, Sunday, 28 June 2009 02:27 (3 years ago) Permalink
I've read that Terre Thaemlitz made this as a reaction/reflection to the current/a recent deephouse revival. Have I missed this? Without derailing this thread too much, what's been going on that's worth checking (all I seem to hear my way in revival terms was disco and prog/kraut influences for the last 12 months)
― Tannenbaum Schmidt, Sunday, 28 June 2009 03:46 (3 years ago) Permalink
Oh, the MCDE (Motor City Drum Ensemble) mixes of "Grand Central Part 1 (Deep Into The Bowel of House) are killer also, especially the "Raw mix"
― Tannenbaum Schmidt, Sunday, 28 June 2009 03:48 (3 years ago) Permalink
Might be worth noting that there's a letter from Terre Thaemlitz in the July issue of Harper's - about Catholic ROTC military academies.
― with hidden noise, Monday, 29 June 2009 13:16 (3 years ago) Permalink
can you c+p for nonsubscribers?
― elan, Monday, 29 June 2009 18:53 (3 years ago) Permalink
P.s. Routes Not Roots = would acquire.
― EDB, Sunday, 3 April 2011 18:09 (2 years ago) Permalink
wow, love these tracks. Anything house with an intro that talks about 'what house is' I love. Someone should do a mix of only these.
― owenf, Sunday, 3 April 2011 18:19 (2 years ago) Permalink
even better than midtown 120 blues
if this is true, hot damn. need to find a copy
― a lagoon par la mer (psychgawsple), Sunday, 3 April 2011 18:36 (2 years ago) Permalink
I'm not sure it's better but it is as good. In fact, it's basically the same record.
― brotherlovesdub, Sunday, 3 April 2011 19:24 (2 years ago) Permalink
Thanks for the tip on Routes on Roots, I didn't know about that one. Looks like you can get it cheap from Amazon.fr (at least if you live in the EU), so I ordered it right away.
― Tuomas, Sunday, 3 April 2011 19:39 (2 years ago) Permalink
A rare perfect rating on Resident Advisor.
Haven't gotten a copy yet (I'm hoping this review means local stores will actually stock it), but I can't say I'm surprised.
― EDB, Wednesday, 6 April 2011 17:54 (2 years ago) Permalink
LOVE this. i can see why brotherlovesdub would say its the same record, but really while the sound palette is similar, i find it less langorous/ambient and more... well, idk if i would go as far as to say banging, but it finds a wonderful balance between melancholy and straight up rhythm+bass exhilaration. its not as fragile or wispy as midtown 120 blues and a few tracks really build up some momentum. i could def do without the 6min long interruption of "Stand Up", tho, i mean its interesting to hear it once, but i'll be skipping it from now on.
― karl...arlk...rlka...lkar..., Thursday, 7 April 2011 01:40 (2 years ago) Permalink
omfg B2B when the lush synth pads roll in ((((d-_-b))))
― karl...arlk...rlka...lkar..., Thursday, 7 April 2011 01:44 (2 years ago) Permalink
So, I'm thinking I prefer Midtown 120 Blues to this, but I wouldn't kick it out of bed for eating crackers...
― henry s, Thursday, 7 April 2011 01:46 (2 years ago) Permalink
it finds a wonderful balance between melancholy and straight up rhythm+bass exhilaration. its not as fragile or wispy as midtown 120 blues and a few tracks really build up some momentum. i could def do without the 6min long interruption of "Stand Up", tho, i mean its interesting to hear it once, but i'll be skipping it from now on.
agree on all of this - think this is why i prefer it to midtown 120 blues...
― lex pretend, Thursday, 7 April 2011 06:48 (2 years ago) Permalink
I was wondering, has Thaemlitz actually released much house music (or dance music in general) before these records? I bought one of his experimental electroacoustic albums on Mille Plateaux back in the 90s, and while the liner notes had some interesting queer polemics, the music was mostly boring as hell, which made me write him off for years. Looking at Discogs, most of his records are classified as "experimental" or "ambient", are there any gems among them? I really like "Between Empathy And Sympathy Is Time" as an experimental piece, but is the rest of Lovebomb as good?
― Tuomas, Thursday, 7 April 2011 10:01 (2 years ago) Permalink
The "You? Again?" compilation has a lot of dancier stuff that he released under other pseudonyms. It's great.
― corey, Thursday, 7 April 2011 10:26 (2 years ago) Permalink
lol at that apache sample in the mix of june's lost area. works tho!
fav sprinkles thing (and one of my fav tracks of last year) was the remix of low point on high ground
― cherry blossom, Thursday, 7 April 2011 10:51 (2 years ago) Permalink
"lovebomb" is largely more, uh, 'conceptual' pieces, not very much house action there. i second the 'you? again?' comp (those two tracks that sample "see line woman" especially)
very excited to hear this k-s.h.e. album
― Sittin' Fran (donna rouge), Thursday, 7 April 2011 15:37 (2 years ago) Permalink
the video version of "lovebomb" available through comatonse is the one to get (and it comes with an audio cd, too). the visuals bring it together.
― beavis2, Monday, 11 April 2011 02:57 (2 years ago) Permalink
the "lost area" remix is so awesome
― banjee trillness (The Reverend), Monday, 11 April 2011 03:50 (2 years ago) Permalink
sprinkles' latest remix! the people doing these skylax videos are absolutely insane, haha!
<iframe title="YouTube video player" width="480" height="390" src="http://www.youtube.com/embed/pJOZK0GQ4aU"; frameborder="0" allowfullscreen></iframe>
― beavis2, Monday, 11 April 2011 17:08 (2 years ago) Permalink
oops - sorry
― beavis2, Monday, 11 April 2011 17:10 (2 years ago) Permalink
Just got Routes not Roots. Cross Town is so fucking marvelous. Is there an important distinction between the new release and the original 2006 version? There seems to be a new mix of Fuck the Down Low and Double Secret (Dub) instead of Double Secret. Is it worth tracking down the old one instead?
― Odd Future Wolf Gang Kill The Radio Star (Alex in Montreal), Tuesday, 12 April 2011 17:46 (2 years ago) Permalink
does the new double secret have a talk talk sample on it? if not then you should def get the earlier version.
― jed_, Tuesday, 12 April 2011 18:15 (2 years ago) Permalink
No. it doesn't....hm. ok.
― Odd Future Wolf Gang Kill The Radio Star (Alex in Montreal), Tuesday, 12 April 2011 19:14 (2 years ago) Permalink
Oh no wait. Maybe it does.
― Odd Future Wolf Gang Kill The Radio Star (Alex in Montreal), Tuesday, 12 April 2011 19:16 (2 years ago) Permalink
saw him dj at love fever on 2nd of april. he was really really good. hardly anyone there had heard of him though, which was a bit strange tbh. was hoping to meet some homo house thugs.
― Ride, Thursday, 14 April 2011 15:12 (2 years ago) Permalink
ah how was that? - I went to Sud instead - quite a few people there seemed to have been at sprinkles beforehand
― colby, Thursday, 14 April 2011 15:15 (2 years ago) Permalink
deep as you like! terre really got into it, was great to hear tracks from midtown on such a big system... would definitely go again. lost my phone at some point and one of the organisers called my friend the next day to say they'd found it :)
― Ride, Thursday, 14 April 2011 15:29 (2 years ago) Permalink
This love fever night - its a new thing, right?
― colby, Thursday, 14 April 2011 15:30 (2 years ago) Permalink
that's the one i went to the other week. even the venue was quite nice!
― lex pretend, Thursday, 14 April 2011 15:33 (2 years ago) Permalink
http://www.lovefever.org/
― Ride, Thursday, 14 April 2011 15:35 (2 years ago) Permalink
Oh it was those that had the Larry Heard party - I went to something else that night as well:/
― colby, Thursday, 14 April 2011 15:55 (2 years ago) Permalink
I really wanted to go to DJ Sprinkles thing a few weeks ago but had a load of tix for Schmulletover.. frustrating. He was good when playing records at RFH last year w/ Matmos and Moritz von Oswald etc...
Not sure of these are known about but;Here's a great mix (if someone can spot the track coming in at 49 mins, please!) - http://www.clubberia.com/music/podcasts/2-CB-002-DJ-Sprinkles-a-k-a-Terre-Thaemlitz/
Another I haven't heard yet - http://www.madelikeatree.com/Pages/grrl.html
― mmmm, Thursday, 14 April 2011 16:23 (2 years ago) Permalink
mmmm; sounds a lot like one of his own.
by the way, for anyone who likes midtown, also check out Terre Thaemlitz presents... You? Again? if you haven't already.
― Ride, Thursday, 14 April 2011 16:52 (2 years ago) Permalink
Love the parallax bros track in the clubberia mix - not sure what the 49 min one is - theres a moodymann amp fiddler track in there toward the end tho
― colby, Thursday, 14 April 2011 16:55 (2 years ago) Permalink
> There seems to be a new mix of Fuck the Down Low and Double Secret (Dub) instead of Double Secret. Is it worth tracking down the old one instead?
the changes are not big. "fuck the down low (what's your secret mix)" literally only adds 30 seconds of a nice break within what otherwise sounds like the original, and "double secret (dub)" is just a bit more straight forward then the origina, which had a few more ambient breakdowns (but still always within dance range). but i guess the idea was just to make the old vinyl-only tracks on cd, and vice versa... more for hard fans.
― beavis2, Friday, 15 April 2011 01:02 (2 years ago) Permalink
re: clubberia podcast> Here's a great mix (if someone can spot the track coming in at 49 mins, please!)
i love that record, too! b-side to manoo & francois a's "traffic ep"!!!
― beavis2, Sunday, 17 April 2011 04:43 (2 years ago) Permalink
Thank you Beavis!
― mmmm, Sunday, 17 April 2011 07:26 (2 years ago) Permalink
Just reading about the Love Fever parties. I HAVE to go to these, they sound like they could fill a void.
― owenf, Thursday, 12 May 2011 09:44 (2 years ago) Permalink
So does anyone else have Soulnessless yet?
― skip, Thursday, 26 July 2012 02:47 (9 months ago) Permalink
There's a new album? Sweet. My boyfriend was gonna see them play in Brooklyn last week but it sold out.
― twinkin' and drinkin' and ready to fly (Alex in Montreal), Thursday, 26 July 2012 16:24 (9 months ago) Permalink
midtown 120 <3
― Crackle Box, Monday, 29 October 2012 14:01 (6 months ago) Permalink
perfect hurricane music
― skip, Monday, 29 October 2012 16:44 (6 months ago) Permalink
great interview
http://www.sfbg.com/noise/2013/02/21/nite-trax-lost-mix-dj-sprinkles
― max, Thursday, 28 February 2013 13:51 (2 months ago) Permalink
yes it is. thx
― a phenomenological description of The Eagles (Noodle Vague), Thursday, 28 February 2013 14:55 (2 months ago) Permalink
Very.
― Ned Raggett, Thursday, 28 February 2013 15:00 (2 months ago) Permalink
love him/her
― brimstead, Thursday, 28 February 2013 16:46 (2 months ago) Permalink
wow
― the little prince of inane false binary hype (Alfred, Lord Sotosyn), Thursday, 28 February 2013 19:17 (2 months ago) Permalink
classic thaemlitz. love the lady gaga take down, lol.
― karl...arlk...rlka...lkar..., Thursday, 28 February 2013 19:35 (2 months ago) Permalink
Has anyone heard the new mix album? I d/l'd a vinyl rip while I'm waiting for the CD to arrive, it's sounding niiiiiice
― beau 'daedaly (wins), Sunday, 24 March 2013 22:51 (1 month ago) Permalink
yeah, really really enjoying it. That Gene Farris track ('Good Times') is particularly delicious.
― the Shearer of simulated snowsex etc. (Dwight Yorke), Sunday, 24 March 2013 23:18 (1 month ago) Permalink
Loving this mix, and also this track.
― toby, Tuesday, 9 April 2013 08:48 (1 month ago) Permalink
That Gene Farris track ('Good Times') is particularly delicious is exactly what I came to say.
― boxedjoy, Friday, 12 April 2013 22:45 (1 month ago) Permalink