White Witch were AMAZING. I always thought they were just some heavy rock band. They are a heavy rock band, partly. But only as one of the things they do in the overall context of being an intense, eccentric POP PROG (and indeed quite TWEE pop prog) band with amazing compositional skills, virtuosic playing, and immaculate execution.
So,
WTF in general?Why so little love?What's their story (they were from the south somewhere)?Etc.
I give you White Witch:
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 06:34 (7 years ago) Permalink
(who will post next? xhuxk or george?)
― el sabor de gene (yournullfame), Friday, 28 October 2005 07:07 (7 years ago) Permalink
Actually, I personally found that LP to be a little disappointing - I was hoping for a little more heaviosity. Expected/hoped they'd sound kinda like Captain Beyond or J.D. Blackfoot or some other Southern metallurgists. Instead, I got fairly undistinctive prog-boogie, like Five Man Electrical Band or maybe Kansas without violins. They basically don't ROCK, and if you're gonna decorate your album covers with occult iconography, you'd better be able to compete with the Sabbaths and BÕCs who specialize in this sort of thing. Not nearly as good/bad as Lester Bangs made 'em sound in his review. (CREEM, December '72, reprinted in "Psychotic Reactions and Carburetor Dung".) My favourite track: The cute little pro-pot music-hall ditty.
Oh, and their 2nd album (which I've never seen anywhere) showed up in "Stairway To Hell". Don't know if Chuck ever heard the debut.
― Myonga Von Bontee (Myonga Von Bontee), Friday, 28 October 2005 08:38 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 15:59 (7 years ago) Permalink
i think they were just xian rockers, tim. not into majick. well, christ was majik and all, but you know...
― scott seward (scott seward), Friday, 28 October 2005 16:18 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 16:22 (7 years ago) Permalink
Haha, listen to "Home Grown Girl" again!!!
And calling them "undistinctive prog boogie" neglects their bizarro pop/bubblegum elements.
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 16:29 (7 years ago) Permalink
Heh heh...not if you hope to convert a few folks from the dark side!
Actually, tho, I am curious about their 2nd album, even with the kinda silly Allmusic review. What can I say - I'm a sucker for that "late '60s/early '70s thud rock" thing and LOVE discovering previously-unheard (by me) gems from the era.
― Myonga Von Bontee (Myonga Von Bontee), Friday, 28 October 2005 16:32 (7 years ago) Permalink
― Myonga Von Bontee (Myonga Von Bontee), Friday, 28 October 2005 16:43 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 17:00 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 17:05 (7 years ago) Permalink
Yeah, I was gonna say -- Sabbath were basically christian rockers too, no?
― walter kranz (walterkranz), Friday, 28 October 2005 17:10 (7 years ago) Permalink
― walter kranz (walterkranz), Friday, 28 October 2005 17:15 (7 years ago) Permalink
Early Queen is my favourite christian rock band.
― Matt #2 (Matt #2), Friday, 28 October 2005 17:39 (7 years ago) Permalink
That's about right. The second White Witch record is the better of the two and it becomes obvious the band or members were blowing Christian smoke on some of the tunes. Basically, I think it was Ron Goedert who continued his recording career as a solo artist for one or two more albums.
Second White Witch is fair to good. Hippie-ish a lot of the time but with strong fuzz riff on a few of the songs. They were bizarre hicks on Capricorn, even by Capricorn white trash standards, and at the time us kids got a little excited because of the artiness of the second cover. Reissue was first review I spec'd to the Voice. Chuck was going to run it but he misplaced it and e-mailed me for a dupe. I'd also deleted it, never bothered to reconstruct it. Instead went with Savoy Brown or Metal Mike and Kevin Saunders' 68 solo album or something. Both rocked more than White Witch. But, I'll tell ya, I'm not giving WW up. It'll be in my collection until death claims me.
― George the Animal Steele, Friday, 28 October 2005 18:11 (7 years ago) Permalink
"Born Donald John Francis, this acrobatic and hugely confident singing drummer had taken his stage name from the 17th century religious poet Don Francisco Placido, whose ministry had taken place among the Aztecs. Blond, urbane and supremely confident, the manner in which Francisco sung Stevens’ songs dumped all the blues melodies and replaced them with the kind of spaced-out shrieking vocal acrobatics that John Garner had brought to Sir Lord Baltimore (and which that beautiful cosmic brother the late Ron Goedert would eventually bring to White Witch’s A SPIRITUAL GATHERING)."
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 18:24 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 19:37 (7 years ago) Permalink
The web site where I found this picture has a track by track description that includes the following:
"7- BACKBONE- Heavy paced bass driven song that has that dirty CBGB's sound. Ron is definitely in his Rock God mode on this one, delivering this funky vocal that again, reminds me of LENNY KRAVITZ and yes I admit, Axle (Ron's ugly little cousin) Rose. At this point I will apologize for my harsh attack on Mr. Rose. Some of you may like him but I have this thing about him. I used to play White Witch to some of my musician friends and they were harsh, saying things like "Naaaa, man, this dude whines too much, he needs to open his throat" Then these same people come to me with "Hey man, check out Guns & Roses! I get up around 7 get out of bed around 9" AAAARRRGHHHH!!!!. I hate that! Goedert was a genius Axle sounds like a pissed off drunk Ethyl Mermen! Sorry."
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 20:29 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 20:31 (7 years ago) Permalink
― Matt #2 (Matt #2), Friday, 28 October 2005 20:33 (7 years ago) Permalink
― George the Animal Steele, Friday, 28 October 2005 21:23 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 21:37 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Friday, 28 October 2005 21:53 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Sunday, 30 October 2005 05:44 (7 years ago) Permalink
― latebloomer (latebloomer), Sunday, 30 October 2005 16:49 (7 years ago) Permalink
― Sang Freud (jeff_s), Sunday, 30 October 2005 18:34 (7 years ago) Permalink
"ILLUSIONS- OK... This is Axle's GOD and Master, flooding his super spirit through this space/metal machine, hovering... looking down on his tiny creation with an intensity that reveals little Axle for what he is... A mirror freak, marionette dancing and squawking like the drunk, shirtless redneck he is. And what do the grunge uniformed kids see? Only the dancing monkey, never the mad genius cranking the music box over his shoulder. Only in this case, the coin collecting monkey makes off with all the coins, while the real genius stands unnoticed as the crowds disperse. Does any one get that? I thought about doing the analogy of Ronn Goedert comes down from his mountain to check on his flock only to find them worshiping the golden calf that is Axle Rose, but I thought, 'No need to get all biblical about it'."
― Tim Ellison (Tim Ellison), Sunday, 30 October 2005 19:50 (7 years ago) Permalink
― Ned Raggett (Ned), Sunday, 30 October 2005 20:02 (7 years ago) Permalink
― George the Animal Steele, Sunday, 30 October 2005 20:31 (7 years ago) Permalink
This is interesting in that perverse weird way only 70's media coverage of presumed oddness in hard rock could be. What, the producer's somehow missed Alice Cooper and Ziggy Stardust?
Picking White Witch is utterly strange since they were on Capricorn, the bastion of red neck he-man southern rock. Yeah, Phil Walden was into all those transvestite bands: the Allman Bros, Elvin Bishop, the Charlie Daniels Band, Captain Beyond, the Dixie Dregs, the Marshall Tucker Band, and Wet Willie.
― George the Animal Steele, Monday, 31 October 2005 03:18 (7 years ago) Permalink
I saw that album around a lot. The "look" on the album photo looks uncommon now. But it was pretty common back then. Those girly pants, especially. Maybe not the color, orange, but I can tell lots of guys in hard rock bands, including me, flirted with buying them. Foghat often looked mighty mighty twee onstage at the Spectrum. Check live stage photos when Nick Jameson was playing bass. (Went with old reliable but more expensive leather. Onstage, leather pants in a dive bar didn't even work out that great. They just got soaked with sweat and didn't do well. Recall stories of BOC complaining about how the dye from their leathers soaked into their skin giving them a bluish black hue.)
I dunno, I seem to remember, given the choice, spending my dinero on The Heavy Metal Kids first album (from the UK) around that time. That and the debut by Sharks. The HMK's had a similar look. Their album did suck mightily so maybe I made the wrong choice.
― George the Animal Steele, Monday, 31 October 2005 03:32 (7 years ago) Permalink
― xero (xero), Monday, 31 October 2005 03:59 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Monday, 31 October 2005 04:05 (7 years ago) Permalink
Not to mention the poses.
― Tim Ellison (Tim Ellison), Monday, 31 October 2005 04:09 (7 years ago) Permalink
(Tim: You are the DIFFUSER. George is the DEFUSER.)
― xero (xero), Monday, 31 October 2005 04:13 (7 years ago) Permalink
I must be fucking up. All right, let's try and reframe it. White Witch got played on Sludge in the 70's, my college radio show that was the most popular on the station despite the fact everyone professed to like much otherwise more popular hipster stuff at the time. It was in there with Black Pearl and Bull Angus and Head Over Heels, all bands I loved dearly even though they made really imperfect records. In terms of thud White Witch were not on the cutting edge. In terms of freaked out image, they were.
Zolar X sounded right where they should have been for the time. The image was over the top, but the tone was in step with the hardest moments of Ziggy Stardust and not quite as heavy as Ariel Bender-edition Mott, but heavier than Mick Ralphs Mott. They didn't write better songs than Ian Hunter. Better than the second Queen album, not better in any way than Queen I or Sheer Heart Attack. Not better than primo Slade, equiv to Play Loud Slade or Nobody's Fool. Of course, Zolar X were coming in when LA punk was getting started, or around then, which made them odd men out but in line with declining Mott and Slade.
They met the same fate almost as Thor's Keep the Dogs Away, another fair to good but sub-Slade-glam rock-type album. "Got to keep the dogs away, got to keep the dogs at bay! Keep the dogs, keep the dogs!"
As for Klaatu, I liked the first album best. Now maybe we should start talking about A Foot In Cold Water. For some reason, I listened to them a lot at the same time. "Make Me Do Anything You Want" or something like that.
― George the Animal Steele, Monday, 31 October 2005 07:04 (7 years ago) Permalink
Also, Jackson Slade, from the first LP, rocks. The keyboard player, Buddy Pendergrass, went Christian. Ronn was a far out space man until the day he died. When I tried to regroup them, Pendergrass wouldn’t do certain songs. One of them being Jackson Slade. Years later he finally realized Ronn was singing about incest & bestiality. Ronn’s answer to that was, “We weren’t advocating it... I threw in “Have you ever thought of changing?” : - )
The highlights of the second LP for me was “Crystalize & Realize” & “Auntie Christy” (aka The anti-Christ :-) Ronn used to burn the Bible on stage when he did Auntie Christie. Dressing up like a space tranny & burning bibles down south... in the 70's... Is almost punk!
Ronn’s solo LP isn’t on cd. But there are some mp3's floating around, that were taken from clean copies of the LP.
Also, Julian Cope & I did a record exchange. I sent him the 1st White Witch LP. He didn’t dig it that much when he first heard it. He compared them to BANG. But, I think the LP grew on him. It seems he explored their 2nd LP & now has kind things to say about them.
Cheers to you lot!Damien
― Damien Youth, Monday, 31 October 2005 15:11 (7 years ago) Permalink
I wonder if this is not the equivalent of comparing VON LMO to some workman-like, successful new wave/punk bands that had entire careers and saying that LMO doesn't really rate as high, i.e., neglecting the the intensity and grandiosity of vision and the utterly focused and realized manner in which artists like Zolar X and LMO, though they were only around for a little bit, came to deliver their messages?
― Tim Ellison (Tim Ellison), Monday, 31 October 2005 17:22 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Monday, 31 October 2005 17:31 (7 years ago) Permalink
They did have an over-the-top image and some kind of vision. Who knows why they never got out of Hollywood?
If I were going to write a book collecting all my 70's hard rock stuff and detritus in it, there would be a lot of descriptions that might make individual lovers of specific semi-precious stones howl, but the impression would be that there was always a lot of quality to be heard.
― George the Animal Steele, Monday, 31 October 2005 18:04 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Wednesday, 2 November 2005 21:00 (7 years ago) Permalink
I was totally impressed by the reverence put into the White Witch fansite.
― George the Animal Steele, Wednesday, 2 November 2005 21:08 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Wednesday, 2 November 2005 23:37 (7 years ago) Permalink
― Jim Brown, Friday, 11 November 2005 17:53 (7 years ago) Permalink
― Jack Dee, Friday, 11 November 2005 19:19 (7 years ago) Permalink
― jack dee, Saturday, 12 November 2005 14:29 (7 years ago) Permalink
― brianiac (briania), Saturday, 12 November 2005 18:44 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Saturday, 12 November 2005 19:24 (7 years ago) Permalink
― Tim Ellison (Tim Ellison), Saturday, 12 November 2005 19:50 (7 years ago) Permalink
Well, actually a lot of people still do care about this kind of music or Wounded Bird would be out of business. And a lot are still making it. The love of it just doesn't appear in the right places to seem like it is being written about. Some of it has to do with a lot of the potential writing pool not knowing enough about it to actually compose well on it. Some has to do with publications general feeling of paranoia about being perceived as unhip. Some of it has to do with the general level of who-cares associated with any type of at best semi-popular rock music, particularly with loud guitars falling squarely into the classic rock, not indie, medium.
That would all change any given Sunday if a place where it shouldn't be written about would commission someone to write about it, ala the LA Times of New York Times on Sunday. People believe whatever nonsense they see in the big newspapers over the weekend, and then someone on NPR stupidly repeats like the wisdom of the ages through the week. So it could be hip in a flash, it's just a matter of positioning.
Case in point: recent article on heavy metal for snobs and other types of so-called smart people. Until then, you have to read about how The Darkness are bringing back the 70's or something because that's all anyone can think of to say.
That being said, Martin Popoff's book on 70's hard rock would really entertain you. Better, it comes with a CD that's superior to actually just reading about it. I wrote about it a year or so ago but don't have the URL available, maybe xhuxk will fill it in.
Anyway, I get CDs from bands recreating these types of idiosyncratic sounds, doing it for the love it, and getting pretty close if not right on top of it.
thinking about that band's little corner of the universe at the time is groovy and especially if they really had something going on in the songwriting/chops department other than just lookin' kind of freaky...
Well, yeah!
i mean yeah it's like when i talk to my dad about seeing local hippie bands in the early 70s, and yeah usually he takes a george kind of position and says something like, "well yeah it was cool, but really the allman brothers and dead shows i saw were like way cooler"
Hah. I never liked the Dead and the Allman Brothers weren't high on the menu, either. Now you know what I feel like when no one gets involved in my Where is the Love threads.
― George the Animal Steele, Sunday, 13 November 2005 23:06 (7 years ago) Permalink
― Bill Terlop, Monday, 14 November 2005 14:36 (7 years ago) Permalink
― Chet Yoakum, Thursday, 24 November 2005 20:11 (7 years ago) Permalink
― Bill Terlop, Friday, 2 December 2005 02:54 (7 years ago) Permalink
― Tony Bleach (blackshoeswhitesocks), Friday, 2 December 2005 19:10 (7 years ago) Permalink
I had a dream last night that I was at a White Witch concert! And you were there! We were both watching from the side of the stage. We got to see Captain Ronn sing!
― Tim Ellison (Tim Ellison), Wednesday, 1 February 2006 02:34 (7 years ago) Permalink
― George the Animal Steele, Wednesday, 1 February 2006 03:56 (7 years ago) Permalink
― Sven Couture, Tuesday, 21 February 2006 03:43 (7 years ago) Permalink
― James Lenahan, Wednesday, 3 May 2006 02:40 (7 years ago) Permalink
― Marco Damiani (Marco D.), Wednesday, 3 May 2006 12:12 (7 years ago) Permalink
― charles brunson, Saturday, 27 May 2006 22:19 (6 years ago) Permalink
― Tim Ellison (Tim Ellison), Tuesday, 18 July 2006 21:19 (6 years ago) Permalink
― Tim Ellison (Tim Ellison), Tuesday, 18 July 2006 23:50 (6 years ago) Permalink
― Tim Ellison (Tim Ellison), Sunday, 28 January 2007 02:21 (6 years ago) Permalink
Just found this site. A lot of information on Ron.
I knew Ron from 1983 till his death in 2000. I'm just a guy who writes and records his own version of rock and roll.
Ron sang on many of my songs and is on a couple of the albums I have released.
Ron and I were sitting in my studio in 1999 and he asked me if I had ever heard of a band called Wite Witch. I moved to Florida in 1978 and had never heard of White Witch.
Ron proceeded to bring all his albums into the studio (vinyl) and luckily I had an oldpioneer record player at my house so we were able to run them thru the studio monitors.
The music wasn't really my cup of tea but I only had one listen.
Wish I had a copy of all his work from White Witch but I don't. I do have studio masters ofthe material he was recording at Pendergrass's studio in Tampa. Ron brought it to me to remasterbecause he felt it just didn't have the kick he wanted.
Ron told me his plan was to put togeather a rock/opera type show with the material. The material was definitely more MOR with one outstanding tune called Valentine. A nice love song based on valentines day.
After the mastering session I did for Ron he took the new 2 track versions and left. I did not realize this would be the last time I would ever see him. We actually made plans for Ron to come in and sing on somenew tunes of mine in 2000 for the new album I had been writing for.
Ron never mentioned his solo efforts to me at all and I have never heard any of that material.
My personal impression of Ron was a person who loved music and devoted his life to it. On occassion hewould bring his daughter to the recording sessions. Could tell she really loved her dad and Ron really love her.
I was shocked when I received a call from my keyboard player informing me of Ron's passing away. Itwas such a shock to learn of this - a good guy gone with all his hopes for the future forever lost.
But I do have several demos of material with Ron singing and I am going to include of these on mynew album. It is called "Full Orange Moon" and has Ron at his craziest and best singing and doingall his own backup harmonies. Everyone who has heard the rough mixes love Ron's singing on this tune.
Great to have found this site and share my short story of Ron.
― StillCrazy, Thursday, 6 August 2009 12:33 (3 years ago) Permalink
Great Ron track from 1995! I think it was from a small press CD EP:
― timellison, Friday, 3 August 2012 19:47 (9 months ago) Permalink