― Mark, Friday, 25 January 2002 01:00 (twenty-two years ago) link
― bob snoom, Friday, 25 January 2002 01:00 (twenty-two years ago) link
Maybe "Bola- Soup"?
― Todd Burns, Friday, 25 January 2002 01:00 (twenty-two years ago) link
― Mind Taker, Friday, 25 January 2002 01:00 (twenty-two years ago) link
David Toop's Screen Ceremonies is good for when you want to feel like you're watching a sadistic ritual involving monkeys in the rainforest.
Also like Lamonte Young's Well-Tuned Piano and Morton Feldman's For Samuel Beckett lately, they're kind of ambient...
Miles Davis, He Loved Him Madly.
I always thought Systemische was Oval's best album. 94 Diskont is almost all one track, and it's kind of boring after a while.
Just the very words Chill Out bring on flashbacks...
― Ben Williams, Friday, 25 January 2002 01:00 (twenty-two years ago) link
― Tracer hand, Friday, 25 January 2002 01:00 (twenty-two years ago) link
― Phil, Friday, 25 January 2002 01:00 (twenty-two years ago) link
― justin case, Friday, 25 January 2002 01:00 (twenty-two years ago) link
I will get that album Tracer - sold!
― Tom, Friday, 25 January 2002 01:00 (twenty-two years ago) link
old Biosphere stuff Solar Quest: The Orgship the Freezone compilations on SSR lots of artist on extreme records like Lights in a fat city, Vidna Obmana, Paul Schütze Autechre: amber
going back into time indeed...
― Johan, Saturday, 26 January 2002 01:00 (twenty-two years ago) link
― Billy Dods, Saturday, 26 January 2002 01:00 (twenty-two years ago) link
― chz whz, Thursday, 7 March 2002 01:00 (twenty-two years ago) link
― bnw, Thursday, 7 March 2002 01:00 (twenty-two years ago) link
― K_reg aka nick, Thursday, 7 March 2002 01:00 (twenty-two years ago) link
― , Thursday, 7 March 2002 01:00 (twenty-two years ago) link
― Curt, Thursday, 7 March 2002 01:00 (twenty-two years ago) link
― Paul, Thursday, 7 March 2002 01:00 (twenty-two years ago) link
― Webmaster, Tuesday, 12 March 2002 01:00 (twenty-two years ago) link
― bob snoom, Friday, 15 March 2002 01:00 (twenty-two years ago) link
golden claw music.
the ambient-techno-dub spin off by bloke from PWEI.
dug this out today as a random choice and loved every minute, all of which just made me seriously wish i was part of this weekends crusty-techno-dub weekend @ glade (orb/system 7/dreadzone/the grid etc etc)
― mark e, Monday, 14 July 2008 20:02 (fifteen years ago) link
this is my favorite ambient music of the year so far - and you made it (sorta):
http://www.inbflat.net/
― Z S, Friday, 4 March 2011 01:33 (thirteen years ago) link
playing around w/ that filled me w/ hope & happiness
― Lamp, Friday, 4 March 2011 01:53 (thirteen years ago) link
That's really cool ZS. Thanks for the link
― van smack, Friday, 4 March 2011 01:58 (thirteen years ago) link
at the end of the most recent Ultima Thule podcast they played a lot of Trans Aurora, the new one by James Gordon Anderson, whose stuff I don't otherwise know but Trans Aurora sounds pretty amazing to me - almost like an inverted Steve Roach in that the notes shift relatively rapidly but occur in a similarly beatless landscape, and retain their textures but aren't as bassy...very weird stuff to my ears, really good I think
― brad whitford, witchfynder general (underrated aerosmith bootlegs I have owned), Friday, 3 June 2011 09:27 (twelve years ago) link
lovin this Caretaker album. haven't fallen for an ambient record so quickly in ages
― thistle supporter (mcoll), Thursday, 16 June 2011 03:56 (twelve years ago) link
that Caretaker album is my album of the year flat-out at this point. also notable for having a solidly interesting concept; at first the startling jumps from track to track kinda threw me, but the more I think about it the more I figure that's what remembering stuff when you've got Alzheimer's actually feels like.
― XBOX BING GOATSE (jamescobo), Thursday, 16 June 2011 06:51 (twelve years ago) link
i really like the two new stephan mathieu records this year, 'a static place' on 12k and 'remain' on the line label/imprint.
http://12k.com/
http://www.lineimprint.com/editions/cd/line_047/
they could just as well go on the rolling drone thread, wherever it is.
it looks like there are lot of other good ambientish and ambient-related things on 12k, some moving over more into modern-composition/new-music territory.
― j., Friday, 17 June 2011 01:10 (twelve years ago) link
this michael ranta, mike lewis, & conny plank record, Mu, is blowing my mind lately.
check it out here: http://holywarbles.blogspot.com/2011/05/michael-ranta-mike-lewis-conny-plank-mu.html
― dronestreet, Friday, 17 June 2011 03:22 (twelve years ago) link
Of the things I've heard on 12k, I think my favourites were Lawrence English's A Colour for Autumn and Giuseppe Ielasi's August. The Marcus Fischer one had lots of good write-ups last year, I need to go and listen to that again. All these are on Spotify btw if anyone's ineterested.
― cloaca flocka flame (NickB), Friday, 17 June 2011 09:08 (twelve years ago) link
how about kenneth kirschner?
― j., Friday, 17 June 2011 09:16 (twelve years ago) link
Not someone I know, but heaps of mp3's on his website:
http://www.kennethkirschner.com/
― cloaca flocka flame (NickB), Friday, 17 June 2011 09:23 (twelve years ago) link
stillstream.com
internet radio station that is just unbelievably good
― pathos of the unwarranted encore (underrated aerosmith bootlegs I have owned), Sunday, 4 September 2011 18:20 (twelve years ago) link
i came here to bluster that stillstream is no sleepbot, but it sort of is. +1
― ☆, Sunday, 4 September 2011 18:40 (twelve years ago) link
Alio Die - Suspended Feathers: Is this good?
― qpә (EDB), Sunday, 4 September 2011 23:58 (twelve years ago) link
I just bought it, and it is!
― the girl from spirea x (f. hazel), Tuesday, 15 November 2011 17:55 (twelve years ago) link
"Seriously, you should try Ulrich Schnauss Far Away Trains Passing By"
werd. is that 9 years old already?
also:
http://www.amazon.com/Heart-Forest-Baka-Beyond/dp/B00000062C/ref=pd_sim_m_11
as sampled in:
http://www.amazon.com/Paths-1-7-Future-Sound-London/dp/B000003RVU/ref=sr_1_6?s=music&ie=UTF8&qid=1321542759&sr=1-6
― messiahwannabe, Thursday, 17 November 2011 15:13 (twelve years ago) link
Ambient songs I've discovered recently that I'm pretty into:
But yeah, recommendations would be appreciated.
― 3×5, Thursday, 27 December 2012 04:01 (eleven years ago) link
i'm recording an ambient album at the moment! i suppose it would be bad for to post my own work though. i'm taking most of my inspiration from eno, + a smattering of recent chillectronic indie stuff like toro y moi, bon iver (ok not electronic or strictly ambient, but close enough for inspiration) and adding that aesthetic to the stuff my indonesian bandmates normally do. so, looking for recommendations same as 3x5.
my 3rd and 4th cents: Blade Runner Esper Edition OST
i don't think eno sounds new age-y very often though. at least not the classics like on land, ending (an ascent) etc. did you *really* not like, say, music for airports? perhaps playing in the background in another room as you do something else? i've yet to hear cheesy new age stuff that sounds at all similar to music for airports
― messiahwannabe, Thursday, 27 December 2012 04:55 (eleven years ago) link
*bad form
Surprised Biosphere's substrata did not get mentioned as a "field recordings mixed with music" example. Also Cirque. Tetsu Inoue's World Receiver is a great call. I love these kinds of albums, they do funny things to my brain.
― brimstead, Sunday, 2 March 2014 19:12 (ten years ago) link
so sleepy so awake
http://soundcloud.com/etape/t-12
― cog, Sunday, 2 March 2014 19:50 (ten years ago) link
Surprised Biosphere's substrata did not get mentioned as a "field recordings mixed with music" example.
I'm not sure if there are actual field recordings on that album? I remember reading a interview of him before the album was released, where he mentioned that the album was inspired by his visit to Tibet, and to some Buddhist monastery there. The interviewer then asked if he'd taken a recorder with him, to record the music of the Buddhists and use it on the album. And he said no, he felt that it would've been wrong to record their music and use it like this, because it's sacred to them. He then explained that he didn't have any recorder with him in Tibet; the album is thematically based on the Tibet trip, but what he did was try to recreate the sounds he heard there after he trip was over, in his studio. (Though of course it's possible he did some field recordings in Norway and used them on the album,)
That seems like an interesting approach to doing this sort of ambient music, and I think that between the lines he was also criticizing the cultural appropriation of the "world techno" artists of that era, such as Banco de Gaia, who were straightforwardly sampling the (sacred) musics of other peoples.
― Tuomas, Monday, 3 March 2014 08:08 (ten years ago) link
Though of course it's possible he did some field recordings in Norway and used them on the album,)Yeah I'm just talking about what I'm hearing on the record, not anything Tibet related. Incidentally, he did release an album of field recordings from mountain climbing in the Himalayas, it was pretty cool.
― brimstead, Monday, 3 March 2014 16:29 (ten years ago) link
Okay, I checked the interview, it's in the book that accompanies the Trance Europe Express 3 comp, I misremembered it a bit. It was Nepal where he went, not Tibet, but he did go to some Buddhist monastery. And he says he actually meant to bring a DAT machine along, but forgot to. He told one of the Sherpas helping him that some Westerners sample the music from this place and use it in their productions, and it was the Sherpa who said, oh, it's sacred music, they probably wouldn't be happy if you sample it. So in the end he says it was a good thing he forgot the DAT. In the interview he also explains how Substrata came to be formed by his experience in Nepal and the lack of recorder (the interview is from 1994, and he never mentions the name of the album he's working on, but I assume it's Substrata, because it was the next solo album he released after the interview, and it totally sounds like what he's describing there):
In the end, I had to use my brain as a sampler, just remember what I was hearing. You know how, sometimes you might pick a particular smell in a particular situation and then, afterwards, that smell will always bring back the original memory. I find sounds are like that too. I played my friends some stuff I was working on the other day, and they all said it brought back Nepal for them.
I guess the mountain climbing field record was done at another time, then? There's also that album he did with Higher Intelligence Agency, which was recorded live at a festival in his hometown, and which uses mostly just sounds recorded there, like the snow melting and cable cars creaking. That one's pretty good too, real old-school conceptual ambient.
― Tuomas, Monday, 3 March 2014 22:12 (ten years ago) link
https://musicophilia.files.wordpress.com/2018/04/musicophilia_00_various_-_translucence_1974-2018_cover.jpg?w=1536
Various – ‘Translucence‘ A Tribute to Brian Eno | (1974-2018) 01 [00:00] Yazz Ahmed – “Exhale” (2017) Egisto Macchi – “Le Genti del Deserto” (1974) Mnemonists – “Limbs” (1981) 02 [05:00] Earthen Sea – “Delicately In the Sunlight” (2017) Cliff Martinez – “Will She Come Back” (2002) 03 [09:50] Pauline Oliveros – “Suiren” (1989) Francisco – “Cosmic Beam Experience” (1976) Susumu Yokota – “Saku” (2000) 04 [15:50] Passengers – “Theme From ‘The Swan'” (1995) 05 [18:50] Luciano Cilio – “Studio for Winds” (1977) Paul Motian – “Psalm” (1982) Bernard Parmegiani – “Geologie Sonore” (1975) 06 [24:20] Daniel Littleton – “Elegy #1” (2002) Monoton – “HZ Waltz” (1982) David Sylvian – “The Wooden Cross” (1986) 07 [29:20] Huun Huur Tu – “Harmonics in the Wind” (1999) Brian Eno – “Unfamiliar Wind (Leeks Hills)” (1982) Peter Gabriel – “Powerhouse at the Foot of the Mountain” (1985) Matthew Herbert – “Forest Montage” (2002) 08 [34:20] Shoko Hikage – “Sakura Zukiyo” (2013) Chuck Johnson – “Riga Black” (2017) 09 [41:50] Yo La Tengo – “Shortwave” (2018) Tod Dockstader – “Approach” (2005) Gigi Masin – “Tharros” (1986) Michael Brook with Brian Eno – “Pond Life” (1985) 10 [46:00] Arvo Part – “Spiegel im Spiegel” (1976) Robert Fripp & Brian Eno – “Wind on Water” (1975) The Haxan Cloak – “The Mirror Reflecting (Part 1)” (2013) [Total Time: 56:30]
01 [00:00] Yazz Ahmed – “Exhale” (2017) Egisto Macchi – “Le Genti del Deserto” (1974) Mnemonists – “Limbs” (1981)
02 [05:00] Earthen Sea – “Delicately In the Sunlight” (2017) Cliff Martinez – “Will She Come Back” (2002)
03 [09:50] Pauline Oliveros – “Suiren” (1989) Francisco – “Cosmic Beam Experience” (1976) Susumu Yokota – “Saku” (2000)
04 [15:50] Passengers – “Theme From ‘The Swan'” (1995)
05 [18:50] Luciano Cilio – “Studio for Winds” (1977) Paul Motian – “Psalm” (1982) Bernard Parmegiani – “Geologie Sonore” (1975)
06 [24:20] Daniel Littleton – “Elegy #1” (2002) Monoton – “HZ Waltz” (1982) David Sylvian – “The Wooden Cross” (1986)
07 [29:20] Huun Huur Tu – “Harmonics in the Wind” (1999) Brian Eno – “Unfamiliar Wind (Leeks Hills)” (1982) Peter Gabriel – “Powerhouse at the Foot of the Mountain” (1985) Matthew Herbert – “Forest Montage” (2002)
08 [34:20] Shoko Hikage – “Sakura Zukiyo” (2013) Chuck Johnson – “Riga Black” (2017)
09 [41:50] Yo La Tengo – “Shortwave” (2018) Tod Dockstader – “Approach” (2005) Gigi Masin – “Tharros” (1986) Michael Brook with Brian Eno – “Pond Life” (1985)
10 [46:00] Arvo Part – “Spiegel im Spiegel” (1976) Robert Fripp & Brian Eno – “Wind on Water” (1975) The Haxan Cloak – “The Mirror Reflecting (Part 1)” (2013)
[Total Time: 56:30]
Really pleased with this "thick" ambient mix--I'd say it works per the "wallpaper music" definition but works even better as sound given your attention. Features a lot of heavy mixing of multiple tracks in a very seamless flow, and stumbled across a lot of great interactions--the blend between Shoko Hikage's koto and Chuck Johnson's pedal steel pieces at around 34:20 especially seemed as if they were born to be together. Hope you'll enjoy:
https://musicophilia.wordpress.com/2018/04/03/tribute-to-brian-eno-translucence/
― Soundslike, Saturday, 25 August 2018 17:31 (five years ago) link
Been listening to this tonight - really lovely! Did you use lossless sources at all? If so could I get a lossless copy?
― octobeard, Monday, 27 August 2018 03:59 (five years ago) link
Looks great, can’t wait to delve in. Thx soundslike!
― calstars, Monday, 27 August 2018 05:52 (five years ago) link
the meadow and the trees cracking up some bank holiday bevvies before climate change and developers pummel with fists
Melina Serser at Pluie/Noir https://soundcloud.com/pluie-noir/pluienoirpodcast079
and
Nathalia at Intrinsic https://soundcloud.com/experimentintrinsic/intrinsic-nathalia
― saer, Monday, 27 August 2018 07:26 (five years ago) link
inter-dimensional music is an all time classic
― c u (crüt), Wednesday, 6 March 2024 14:40 (one month ago) link
yessssss so glad i didn't just out myself haha <3
― Swen, Wednesday, 6 March 2024 14:43 (one month ago) link
https://lakemary.bandcamp.com/album/its-okay-you-can-open-your-eyes-now
this was posted on the fahey thread, wonderful steel guitar work
― corrs unplugged, Thursday, 7 March 2024 12:01 (one month ago) link
:) lake mary is so good
― z_tbd, Thursday, 7 March 2024 15:58 (one month ago) link
this is one of those random records that blows up due to the youtube algorithm. pretty good i thought
https://www.youtube.com/watch?v=OZacsXFFbWkWitan - Alchemy
― budo jeru, Tuesday, 26 March 2024 04:53 (one month ago) link
Really excited about this one:
https://htoo.bandcamp.com/album/cycle
― Evan, Thursday, 18 April 2024 16:34 (two weeks ago) link
https://f4.bcbits.com/img/a1283938153_10.jpg
Ooh! Great cover art, and that sample song is awesome. I'm excited now too.
― OneSecondBefore, Friday, 19 April 2024 18:21 (two weeks ago) link
love that art
― Swen, Monday, 22 April 2024 05:18 (one week ago) link