Feel free to list your own (least) favourite instance of a great song being utterly ruined by just one or two stray lines.
― Edward Okulicz, Friday, 2 March 2001 01:00 (8 years ago) Permalink
"I don't know why I love you/your face is a foreign food"
Presumably Mr. Chadwick was referring to a curry of some sort. Now obviously this would heighten his confusion as to why he loves the owner of such a face, but did he really have to share this quandary with the rest of us?
Actually, that album had a number of choice selections. See "Never", where Guy opines "World war/what a drag/a love of hate is really not the way". It's a "Give Peace A Chance for the Post-Smiths-pre-Stone-Roses Generation!
― Tim, Friday, 2 March 2001 01:00 (8 years ago) Permalink
Generally, I have a high tolerance for crap lyrics.
― Dr. C, Friday, 2 March 2001 01:00 (8 years ago) Permalink
― Patrick, Friday, 2 March 2001 01:00 (8 years ago) Permalink
Bad lyrics ruining good songs...hm, that's a good one. When it comes to bad singing combining bad lyrics making attractive enough songs here and there collapse, Wayne Hussey had a few going for him. Fave example from the Mish's "Sea of Love":
"And if wishes are stall-i-ons/Then kisses are gall-e-ons..."
AAAAARGGH.
― Ned Raggett, Friday, 2 March 2001 01:00 (8 years ago) Permalink
Come again?
― Sterling Clover, Friday, 2 March 2001 01:00 (8 years ago) Permalink
― Omar, Friday, 2 March 2001 01:00 (8 years ago) Permalink
loveless probably has horrible lyrics, but of course nobody can understand them.
― Jake Becker, Friday, 2 March 2001 01:00 (8 years ago) Permalink
And I really want to smack whichever Manic decided to tack on the two spoken lines at the end of "We Her Majesty's Prisoners".
― Ally, Friday, 2 March 2001 01:00 (8 years ago) Permalink
― the pinefox, Saturday, 3 March 2001 01:00 (8 years ago) Permalink
― Mark Richardson, Saturday, 3 March 2001 01:00 (8 years ago) Permalink
as mentioned elsewhere, the tired metaphor at the centre of the magnetic fields' "i don't believe in the sun" would have sunk a weaker voice and melody. i do like the self-doubt of the last line of "busby berkeley dreams" though.
the lyrics to husker du's "diane" always detracted from the guitars and melody for me.
in "outside looking in," still life took a fine creeping bassline and beat and murdered them with the most absurdly notable-for-their- badness teen angst lyrics ever: "searching for answers/in these dark cold caves of my mind/is there anyone who can help me to find/ what it is in life and love i cannot find/...all these words/ all these words that i cannot say." the moment where the vocals degenerate into screaming "why? why? why? why?" for what seems like a minute is legendary.
a number of sonic youth songs. "i'm insane" is one of their finest musical tracks. then thurston felt the urge to talk shit for five minutes on top of it. "kiss my fist/ lay off my brother." _bad moon rising_ was shaping up to be a perfect album until that point (well, except for all that crap about big hair in the middle of "society is a hole.") the same thing happened recently with "small flowers crack concrete": "death poems for the living gods of america/ plastic saxophones bleat/ bleed for nothing, nada."
― sundar subramanian, Saturday, 3 March 2001 01:00 (8 years ago) Permalink
― brent d., Saturday, 3 March 2001 01:00 (8 years ago) Permalink
― Ally C, Sunday, 4 March 2001 01:00 (8 years ago) Permalink
― simon, Sunday, 4 March 2001 01:00 (8 years ago) Permalink
― Otis Wheeler, Sunday, 4 March 2001 01:00 (8 years ago) Permalink
Good lyrics can really enhance the listening experience, but nevertheless, it's always an added bonus for me. That's probably why I'm such a fan of instrumental music. But getting back to the point, I'd say the lyrics to electronic music (trance/techno/trip-hop what have you) are pretty mediocre. I'm sure someone will bring up some exception to the rule, but the fact remains that _I_ haven't heard any electronic music with especially outstanding lyrics. And yes, I'm including Bjork and Portishead.
― Jack Redelfs, Monday, 5 March 2001 01:00 (8 years ago) Permalink
― alix, Monday, 5 March 2001 01:00 (8 years ago) Permalink
― Tom, Monday, 5 March 2001 01:00 (8 years ago) Permalink
― Patrick, Monday, 5 March 2001 01:00 (8 years ago) Permalink
― piscesboy, Wednesday, 7 March 2001 01:00 (8 years ago) Permalink
― the pinefox, Wednesday, 7 March 2001 01:00 (8 years ago) Permalink
― alex thomson, Thursday, 8 March 2001 01:00 (8 years ago) Permalink
― Nick, Thursday, 8 March 2001 01:00 (8 years ago) Permalink
― alex menace, Tuesday, 31 July 2001 00:00 (8 years ago) Permalink
― dave q, Tuesday, 31 July 2001 00:00 (8 years ago) Permalink
― anthony, Tuesday, 31 July 2001 00:00 (8 years ago) Permalink
everything The Doors ever recorded was marred by awful lyrics. ( esp. The End with its Oedpius Thing at the finale)
As well PJ Harveys Stories from the City, Stories from the Sea, Track 11 has bizzarre mixed metaphors. ( ie Horses in my dreams/like waves , like the sea/ The pull out of here / They pull, they are free)
But it is an almost perfect album otherwise.
i didnt mind the lyrics for 'forever changes', except on 'live and let live' and the snot line
― chris, Tuesday, 23 October 2001 00:00 (8 years ago) Permalink
― m jemmeson, Tuesday, 23 October 2001 00:00 (8 years ago) Permalink
Chinatown - "you're out all night/chasin' girlies/you're late to work/and you go home earlies"
IHOP - "You got a banana split/Personality"
Fuzzy Wuzzy - "Maybe tonight will be the night/I could see your fuzzy wuzzy"
I'm sure y'all can come up with plenty more to skewer ...
keith
― zaxxon25, Tuesday, 23 October 2001 00:00 (8 years ago) Permalink
But their cover of "Bonnie and Clyde" makes up for a multitude of sins.
..New Order and the Smiths get my vote. I think I've said it many times: Johnny Marr was the talent in the Smiths. Some of those lyrics were just schmaltzy self-deprecating tripe... although some of them were very clever and cynical. "Girlfriend in a Coma" is good, though not great. "Meat is Murder" - both the song and the LP, has its moments of greatness ("Scratch my name on your arm with a fountain pen - this means you really love me") mixed with moments of the uninspiring ("Well I Wonder" - great song, cheesy lyrics - even for a clad-in-black bohemian pretending to live in 1960's Berlin.)
And New Order has some great ones "You've caught me at a bad time - so why don't you piss off." .. but "I'd like a place I could call my own, have a conversation on the telephone" , while not a crime against humanity, is not worthy of the music behind it.
― Dave225, Tuesday, 23 October 2001 00:00 (8 years ago) Permalink
― Tom, Tuesday, 23 October 2001 00:00 (8 years ago) Permalink
― Mick, Wednesday, 14 November 2001 01:00 (8 years ago) Permalink
"Feel It" by the Tamperer
"WHAT she gonna look like with a chimney on her?"
omfg!!!
― Hazel C. Somerville, Thursday, 31 January 2002 01:00 (7 years ago) Permalink
Some of Grant McLennan's recent lyrics are exceptionally embarrassing. "Going Blind" has several winceworthy couplets, especially the "kitten purr" and "burnum wood" ones.
Steve Kilbey's lyrics are mostly wank. When I was younger I desperately hated the lyrics to "Unguarded Moment" but I can cope with them better now.
― electric sound of jim, Thursday, 31 January 2002 01:00 (7 years ago) Permalink
― Mitch Lastnamewithheld, Friday, 1 February 2002 01:00 (7 years ago) Permalink
PD: Smiths have the greatest lyrics ever
― warsaw, Saturday, 1 March 2003 23:30 (6 years ago) Permalink
― Andrew L (Andrew L), Saturday, 1 March 2003 23:39 (6 years ago) Permalink
― Curt1s St3ph3ns, Sunday, 2 March 2003 00:15 (6 years ago) Permalink
― Curt1s St3ph3ns, Sunday, 2 March 2003 00:16 (6 years ago) Permalink
― Keith McD (Keith McD), Sunday, 2 March 2003 01:45 (6 years ago) Permalink
― Keith McD (Keith McD), Sunday, 2 March 2003 01:54 (6 years ago) Permalink
Even the groaner last line switch to "the corpse you really love" works. Now that's talent.
― Aaron A., Sunday, 2 March 2003 03:04 (6 years ago) Permalink
for a band that made good music, Ride's lyrics were pretty lame - and didn't even flow very well.
She knew she could fly like a birdBut when she said 'please raise the roof higher' nobody heard They never noticed a wordThe light bulbs burn, her fingers will learn
― lolita corpus (lolitacorpus), Sunday, 2 March 2003 04:08 (6 years ago) Permalink
"Killer" by Van Der Graaf Generator. Juicy metal riff spoiled inevitably by crap lines like "Fishes can't fly, fishes can't fly, and neither can I!"
"Let Us Now Make Love" by Genesis (among many possible candidates from same). Terrific music coupled with very unworthy lyrics ("Please/I beg you hear this humble voice/Please/My emerald goddess wash away the wound...")-- ultra-foppish, even for early Peter Gabriel.
"Jesus Christ Superstar" ("Buddha was he where it's at/Is he who you are?/Could Mohammed move a mountain/ Or was that just P.R.?")
― Joe (Joe), Sunday, 2 March 2003 05:54 (6 years ago) Permalink
― Anthony Miccio (Anthony Miccio), Sunday, 2 March 2003 23:48 (6 years ago) Permalink
"THONG THA THONG THONG THONG"
― nickalicious (nickalicious), Sunday, 2 March 2003 23:51 (6 years ago) Permalink
― scott m (mcd), Monday, 3 March 2003 00:06 (6 years ago) Permalink
and the Geto Boys - even Scarface - but Willie Dee was the worst. This one was always a head-scratcher:
"and if you don't like it, spouse / you can suck my dick until your lips fall off"
they were famous for rhyming second lines with nonsensical first lines - so after that first line, you're thinking "ooookay, he's going somewhere good...'burn down your house?' 'snap on you like a mouse?' Nope!
― roger adultery, Wednesday, 5 March 2003 08:04 (6 years ago) Permalink
― weasel diesel (K1l14n), Wednesday, 5 March 2003 09:16 (6 years ago) Permalink
― None of your biz, Sunday, 14 March 2004 15:46 (5 years ago) Permalink
― Kim (Kim), Sunday, 14 March 2004 16:04 (5 years ago) Permalink
― Kim (Kim), Sunday, 14 March 2004 16:06 (5 years ago) Permalink
Go to English class.
― Aja (aja), Sunday, 14 March 2004 16:06 (5 years ago) Permalink
― Kim (Kim), Sunday, 14 March 2004 16:09 (5 years ago) Permalink
― Jen S, Thursday, 18 March 2004 03:56 (5 years ago) Permalink
― poortheatre (poortheatre), Saturday, 20 August 2005 20:42 (4 years ago) Permalink
― poortheatre (poortheatre), Saturday, 20 August 2005 20:54 (4 years ago) Permalink
Subway, she is a porno
― kornrulez6969 (TCBeing), Saturday, 20 August 2005 22:30 (4 years ago) Permalink
Baby, can’t you seeI’m callingA guy like youShould wear a warningIt’s dangerousI’m fallin’
There’s no escapeI can’t waitI need a hitBaby, give me itYou’re dangerousI’m lovin’ it
Too highCan’t come downLosing my headSpinning ‘round and ‘roundDo you feel me now
With a taste of your lipsI’m on a rideYou're toxic I'm slipping underWith a taste of a poison paradiseI’m addicted to youDon’t you know that you’re toxicAnd I love what you doDon’t you know that you’re toxic
It’s getting lateTo give you upI took a sipFrom my devil's cupSlowlyIt’s taking over me
Too highCan’t come downIt’s in the airAnd it’s all aroundCan you feel me now
Don't you know that you're toxic
[x2]With a taste of your lipsI'm on a rideYou're toxic I'm slipping underWith a taste of a poison paradiseI'm addicted to youDon't you know that you're toxic
Intoxicate me nowWith your lovin' nowI think I'm ready nowI think I'm ready nowIntoxicate me now With your lovin' nowI think I'm ready now
― marc h. (marc h.), Saturday, 20 August 2005 23:56 (4 years ago) Permalink