― Alex in Doncaster (Alex in Doncaster), Wednesday, 11 February 2004 00:17 (9 years ago) Permalink
'Naughty Boys' might be the greatest synth-pop album ever.
― Patrick South (Patrick South), Wednesday, 11 February 2004 00:58 (9 years ago) Permalink
very...weird.
― Dan Selzer (Dan Selzer), Wednesday, 11 February 2004 01:10 (9 years ago) Permalink
― Geir Hongro (GeirHong), Wednesday, 11 February 2004 01:40 (9 years ago) Permalink
Sakamoto's '1000 Knives' is very close to the YMO sound, more jazz less kitsch though. 'B-2 Unit' and 'Esperanto' I love to tiny bits.
The new Sketch Show record 'Loophole' has disorientingly modern production; it's glitch-o-clock. But it's really growing on me. It's currently a hyper-expensive import, I wouldn't say it's $28 worth of brilliant but if you're a YMO fanatic, you definitely want this. If it ever comes out domestically, people will be talking about it.
― (Jon L), Wednesday, 11 February 2004 01:56 (9 years ago) Permalink
― (Jon L), Wednesday, 11 February 2004 02:18 (9 years ago) Permalink
I'm unclear on Xoo Multiples...is it just a compilation of the first two, or are the versions of the songs on that one somehow different?
― Sean Carruthers (SeanC), Wednesday, 11 February 2004 02:28 (9 years ago) Permalink
― Geir Hongro (GeirHong), Wednesday, 11 February 2004 02:31 (9 years ago) Permalink
― Dan Selzer (Dan Selzer), Wednesday, 11 February 2004 02:41 (9 years ago) Permalink
the us edition replaces the skits with several tracks from 'solid state survivor'. hopefully any new reissue will just feature the japanese edition.
early copies of the us edition of 'B-2 Unit' replaced the dissonant 'Participation Mystique' with the amazing 'Warhead', from the a-side of a 12" single. if the song you're thinking about has a one-beat slapback delay on all the human vocals and insane vocoder vocals for the chorus, that's 'Warhead'. they're both incredible songs.
― (Jon L), Wednesday, 11 February 2004 02:51 (9 years ago) Permalink
Those are insane and wonderful. Anyone who complains/can't deal with hip-hop skits probably just won't know WHAT to think about these.
― Ned Raggett (Ned), Wednesday, 11 February 2004 02:54 (9 years ago) Permalink
― (Jon L), Wednesday, 11 February 2004 02:56 (9 years ago) Permalink
― donut bitch (donut), Wednesday, 11 February 2004 03:48 (9 years ago) Permalink
And I agree with milton on 'Loophole'. Pretty great album. I was surprised. The one from '02 'Audio Sponge' is good as well (higher highs, lower lows maybe).
― Patrick South (Patrick South), Wednesday, 11 February 2004 05:52 (9 years ago) Permalink
― Alex in Leeds (Alex in Doncaster), Wednesday, 11 February 2004 10:25 (9 years ago) Permalink
Patrick, will definitely be listening to Naughty Boys more. I found the instrumental version a bit repetitious and grating when I listened last but I was also in a bad mood, so...
― Sean Carruthers (SeanC), Wednesday, 11 February 2004 11:54 (9 years ago) Permalink
― eleki-san (eleki-san), Wednesday, 11 February 2004 15:07 (9 years ago) Permalink
'Solid State Survivor' seconded, no contest. Then 'XXO Multiplies'.
Comparing this band with late 70's/early 80's synth pop from other countries; everywhere else, the synth sounds seemed to inevitably lead to concept pop bands focusing on either amped up irony (M's 'Pop Musik') or dehumanized alienation (Ultravox / Numan / Human League, even Moroder etc.) YMO's a bizarrely happy, kitsch party band throwing out references to video games, sleazy lounge music, happy party fun. If it's dehumanizing, they seem very happy about it. Maybe because the same technology in Japan signified unprecedented financial prosperity? I can't know. Seriously, if anyone can knowledgeably fill me in on how YMO was received in their home land, please post to this thread.
Obviously a big part of the group's concept was throwing up a funhouse mirror to the west's asian stereotypes (the Martin Denny cover, the Snakeman Show skits, the unbelievable 'Tighten Up' single: 'We Don't Sightsee, WE DANCE You Understand, Yahdee!'), but they don't seem... angry... they seem happy? Or is it actually intensely focused rage? Or... what? Huh? How?
For perspective, the only other group doing Martin Denny tributes in the late 70's was Throbbing Gristle (certainly coming from an entirely different place).
The last reissue wave was the early 90's, still one decade too soon. Hopefully they'll catch on this time.
― (Jon L), Wednesday, 11 February 2004 19:16 (9 years ago) Permalink
― (Jon L), Wednesday, 11 February 2004 19:24 (9 years ago) Permalink
― Geir Hongro (GeirHong), Wednesday, 11 February 2004 21:59 (9 years ago) Permalink
― Geir Hongro (GeirHong), Wednesday, 11 February 2004 22:06 (9 years ago) Permalink
― geeta (geeta), Wednesday, 11 February 2004 22:20 (9 years ago) Permalink
― Patrick South (Patrick South), Thursday, 12 February 2004 04:57 (9 years ago) Permalink
I will cop to less familiarity with the later period and shouldn't generalize. Looking forward to checking out the reissues.
― (Jon L), Thursday, 12 February 2004 05:24 (9 years ago) Permalink
― Alex in Doncaster (Alex in Doncaster), Wednesday, 12 May 2004 21:55 (9 years ago) Permalink
― mzui, Thursday, 13 May 2004 08:03 (9 years ago) Permalink
my YMO 10 right now
1. Taiso2. Rydeen3. Firecracker4. Tighten up5. Tighten up (I can do this!)6. You've got to help yourself7. Light in darkness8. Nice Age (perverse!!!!)9. Day Tripper10. Absolute Ego Dance
B-2 Unit is indeed an excellent record. I'll have to check out 1000 Knives. I've been tetchy with Sakamoto solo releases as he's rather ...inconsistent. Haruomi Hosono's Monad Box isn't really worth it either.
I have still not ponied up for any Sketch Show releases! *forehead slap*
Ally's mom in the car when Tighten Up came on the stereo: "They sound like they're making fun of japanese people!"
― TOMBOT, Thursday, 13 May 2004 13:43 (9 years ago) Permalink
― cºzen (Cozen), Friday, 10 September 2004 19:02 (8 years ago) Permalink
― (Jon L), Saturday, 11 September 2004 06:31 (8 years ago) Permalink
― Ned Raggett (Ned), Wednesday, 27 April 2005 13:48 (8 years ago) Permalink
― Ned Raggett (Ned), Wednesday, 27 April 2005 14:14 (8 years ago) Permalink
I can gmail/YSI you guys sick Yamantaka eye remixes also!
― Open your eyes; you can fly! (ex machina), Wednesday, 27 April 2005 15:16 (8 years ago) Permalink
― milton parker (Jon L), Wednesday, 27 April 2005 17:33 (8 years ago) Permalink
― vahid (vahid), Wednesday, 27 April 2005 18:41 (8 years ago) Permalink
― joseph (joseph), Thursday, 28 April 2005 01:19 (8 years ago) Permalink
― Ned Raggett (Ned), Thursday, 25 May 2006 19:32 (6 years ago) Permalink
― Ned Raggett (Ned), Thursday, 25 May 2006 19:38 (6 years ago) Permalink
Solid State Survivor's so outstanding I can't believe I didn't happen upon it earlier, the perfect synthesis of their pop orientalism and mastery of electronic texture -- the "Japanese Kraftwerk" thing really plays here, with "Behind the Mask" (bizarre history notwithstanding) something of an antidote to "The Model" (there's an absolutely hideous YouTube clip of Sakamoto playing this in the 90s that makes me shivver to even think about). "Insomnia," too, with the noirish vocoder melody that appears in the last third.
I'm only digging into BGM now, but Technodelic seems to get seriously short shrift -- the sound develops by leaps and bounds here, with "Taiso" birthing Nick Rhodes perhaps even more than Richard Barbieri ever could. Transitional, but not the worse for it. Shades of the Beatles, which would show up later on with "Lotus Love."
With Service and Naughty Boys, the music becomes extremely...digital, more symphonic. Some great stuff -- "Limbo," "Wild Ambitions" (featuring Bill Nelson's eBow pretty prominently), "Kai-Koh." These records almost sound like a different band, featuring little of the wit or bounce that kind of defines early YMO songs like "Absolute Ego Dance" and "Firecracker," with much more of an opaque Ippu-Do thing going on.
Still digging in, but with such a diverse profile, it's hard to believe these guys were left with such a niche reputation.
― Naive Teen Idol (Naive Teen Idol), Thursday, 2 November 2006 05:54 (6 years ago) Permalink
― Zachary Scott (Zach S), Thursday, 2 November 2006 06:22 (6 years ago) Permalink
― Patrick South (Patrick South), Thursday, 2 November 2006 07:01 (6 years ago) Permalink
It's great! "Epilogue" should reduce many a grown man to sobbing.
― LC (Damian), Thursday, 2 November 2006 12:06 (6 years ago) Permalink
with "Taiso" birthing Nick Rhodes perhaps even more than Richard Barbieri ever could
Clearly I meant "Light in Darkness" here.
― Naive Teen Idol (Naive Teen Idol), Thursday, 2 November 2006 13:20 (6 years ago) Permalink
― Naive Teen Idol (Naive Teen Idol), Thursday, 2 November 2006 16:52 (6 years ago) Permalink
can someone recommend some other Haruomi Hosono projects aside from YMO (solo or otherwise)?
― amateurist, Tuesday, 4 August 2009 14:49 (3 years ago) Permalink
Haruomi Hosono
― damo tsu tsuki (r1o natsume), Tuesday, 4 August 2009 14:52 (3 years ago) Permalink
Paraiso is really good. Tropical music with a bizarre electronic twist. Very odd and affecting, and quite catchy as well.Cochin Moon is an early electronic classic. Really neat stuff.His Nokto de la Galaskia Fervojo soundtrack is chilling, it's minimal (as is a lot of Hosono's stuff) but very cold and moving. Love it.
― frogbs, Monday, 15 November 2010 19:26 (2 years ago) Permalink
so glad this was revived. just found a mediafire folder with all the albums and needed some guidance.
― brotherlovesdub, Monday, 15 November 2010 21:58 (2 years ago) Permalink
really loving these stripped down live versions YMO have been playing this year
― missingNO, Saturday, 25 December 2010 03:16 (2 years ago) Permalink
Love the synth trumpet!
― Naive Teen Idol, Sunday, 26 December 2010 17:47 (2 years ago) Permalink
Whoah, YMO doing "Thank You For Talkin' to Me Africa"!
― Naive Teen Idol, Sunday, 26 December 2010 17:48 (2 years ago) Permalink
excellent video (if you can ignore the camera effects). kinda weird to see a shorthaired 70's Hosono funking out by himself. they really did keep it tight though.
― frogbs, Tuesday, 30 October 2012 12:23 (6 months ago) Permalink
― Late night with Amazing Bo (MaresNest), Sunday, 31 March 2013 23:48 (1 month ago) Permalink
amazing find
― (⊙_⊙?) (Alan N), Monday, 1 April 2013 00:20 (1 month ago) Permalink
i think cindy crawford is in one of those!!
― frogbs, Monday, 1 April 2013 02:10 (1 month ago) Permalink
hah, she is! I caught her posing dramatically with a piano while randomly skipping around.
― (⊙_⊙?) (Alan N), Monday, 1 April 2013 04:38 (1 month ago) Permalink
Somebody really needs to write me a good, thorough examination on YMO and the Japanese New Wave (400 pages at least). I like the process of rooting around and finding out little bits and pieces of information but I need some cultural CONTEXT dammit!
― Late night with Amazing Bo (MaresNest), Monday, 1 April 2013 16:42 (1 month ago) Permalink
I'm thinking that Nick Kent (the guy who runs technopop.info) could probably do something like that. YMO are interesting enough to warrant their own book but Japan is such a small country that all that stuff really ran into each other at some point. Like there's 3 degrees of seperation between pretty much every one of those bands. Most of it is probably through Harry Hosono, who seemingly appeared on everything that came out of Japan from 1976 to 1990 or so.
― frogbs, Monday, 1 April 2013 17:42 (1 month ago) Permalink
Too true, Hosono is a walking infographic.
― Late night with Amazing Bo (MaresNest), Monday, 1 April 2013 17:50 (1 month ago) Permalink
a book like that would leapfrogbs to the very top of my reading list, for real
― your holiness, we have an official energy drink (Z S), Monday, 1 April 2013 17:51 (1 month ago) Permalink
it's weird how popular ymo seem to be when reading about them, but every time i've asked a native japanese if they've heard of them, they haven't. maybe it's a generational thing?
― 君ちゃん (clouds), Monday, 1 April 2013 18:16 (1 month ago) Permalink
I've experienced this a couple of times with some Japanese aged under thirty or so, although they seem to know Sakamoto for some reason.
What's interesting is that if they are aware of YMO they're often interested that a westerner would be bothered listening to 'old' Japanese music, or even Japanese music period.
― Late night with Amazing Bo (MaresNest), Monday, 1 April 2013 19:19 (1 month ago) Permalink
yeah it seems like japanese don't have the same retromania that americans do, but i have no idea really
― 君ちゃん (clouds), Monday, 1 April 2013 19:40 (1 month ago) Permalink
― Late night with Amazing Bo (MaresNest), Monday, April 1, 2013 5:42 PM (2 hours ago) Bookmark Flag Post Permalink
I've not felt the urge to write about music much over the last few years, but I *really really* want to write a longform piece on Jun Togawa. Never going to happen without a rudimentary knowledge of Japanese, though.
― emil.y, Monday, 1 April 2013 19:42 (1 month ago) Permalink
If you want to blow the mind of a 40+ Japanese person, tell 'em you love Ippu-Do or Guernica.
― Late night with Amazing Bo (MaresNest), Monday, 1 April 2013 19:43 (1 month ago) Permalink
I know a lot of big music nerds who have no idea who Kraftwerk are, for instance...some people just don't really care about anything older than they are
― frogbs, Monday, 1 April 2013 19:46 (1 month ago) Permalink
You know, I heard an phone interview on Resonance last week with Akiko Yano (interspersed with some of her music), it was a show called Clear Spot. Maybe you could speak directly to Jun herself? If she speaks Eigo of course.
― Late night with Amazing Bo (MaresNest), Monday, 1 April 2013 19:46 (1 month ago) Permalink
emily - have you read this?http://www.groundzeromongkok.com/2010/12/memory-and-gender-in-music-of-jun.html
― frogbs, Monday, 1 April 2013 19:47 (1 month ago) Permalink
oops, XP
― Late night with Amazing Bo (MaresNest), Monday, 1 April 2013 19:47 (1 month ago) Permalink
Frogs, yeah, it's a good piece (and I love the toilet ad it links to), but I want more! I guess really I want something book-length, with a really good biographical content as well as analysis.
― emil.y, Monday, 1 April 2013 19:51 (1 month ago) Permalink
basically, a book version of this would be the most amazing thing:http://park10.wakwak.com/~techno/jgenealogy.html
― (⊙_⊙?) (Alan N), Monday, 1 April 2013 21:53 (1 month ago) Permalink
and yeah, togawa is really fascinating. would read all of these imaginary books.
― (⊙_⊙?) (Alan N), Monday, 1 April 2013 21:54 (1 month ago) Permalink
Wow - I need to hear that Akiko Yano Resonance show.
― That elusive North American wood-ape (Capitaine Jay Vee), Monday, 1 April 2013 23:49 (1 month ago) Permalink
CJV - I imagine it'll turn up in the Resonance 104 Soundcloud page if you check there in the next few days.
― Late night with Amazing Bo (MaresNest), Tuesday, 2 April 2013 12:37 (1 month ago) Permalink
found it!http://www.mixcloud.com/alberto-umbridge/akiko-yano-broadcast-on-resonancefm-25th-march2013/
― (⊙_⊙?) (Alan N), Tuesday, 2 April 2013 14:37 (1 month ago) Permalink
Japan is such a small country
It is?
― Step not on a loose unforgiving stone on a pyramid to paradise (Tom D.), Tuesday, 2 April 2013 14:42 (1 month ago) Permalink
Not in terms of population, but in size - like in the US, in the 70's you had the Detroit scene, and the New York scene, and the Nashville scene, and the Chicago sound...in Japan it kinda feels like everybody knew each other and played on each others' records.
― frogbs, Tuesday, 2 April 2013 14:59 (1 month ago) Permalink
Of course theres no book about any of this so I'm just guessing here. Didn't Takahashi and Hosono produce or otherwise appear on all the YEN records stuff, which made up a large portion of Japan's new wave scene?
― frogbs, Tuesday, 2 April 2013 15:01 (1 month ago) Permalink
(sakamoto being cool)
― your holiness, we have an official energy drink (Z S), Wednesday, 3 April 2013 00:36 (1 month ago) Permalink