I like Tom and Robin's writing a lot, but there's often an undercurrent of "take that, you rockists", a kind of lashing out at a perceived classic-rock hegemony (I'm guessing). But unless I've been missing something and there's a huge groundswell of enthusiasm for Lynyrd Skynyrd and Bad Company among people under 30, wouldn't indie purism/insularity/superiority-complex be the bigger cancer among the kind of music fans likely to read FT ?
― Patrick Hould, Thursday, 14 December 2000 01:00 (8 years ago) Permalink
― Josh, Thursday, 14 December 2000 01:00 (8 years ago) Permalink
I dont know about Robin, but I picked up the word from early 80s NME discourse, or rather from reading *about* early 80s NME discourse - it was used a lot by people writing about post-punk and the New Pop.
― Tom, Thursday, 14 December 2000 01:00 (8 years ago) Permalink
Other despicably rockist acts included using the words "album", "track" and "group" - better were "LP", "cut", and, oh, this last one I forget.
― mark sinker, Thursday, 14 December 2000 01:00 (8 years ago) Permalink
someone was rockist if they only listened to hard rock music: AC/DC, Black Crowes, Judas Priest/ Gun/ Tesla/ Guns N Roses/Little Angels/ King Swamp/The Almighty/ Def Leppard etc
and their favoutite music night - was "rock nite" - with long hair/leather jacket/ Guns N Roses patches/ jack daniels/ headbanging/ skinny black jeans - ie all the rock cliches - I am not going there it is to rockist
I used to refer in a derogatory manner to someone in University in the late 80s for being to rockist, i.e they use to read only Raw magazine and their music tastes were too rockist.
While I listened to a wider variety of music Talk Talk/Spacemen 3/ Cocteau Twins/ Yello/Colourbox/ The Fall/ Happy Mondays/ My Bloody Valentine/ arkane/ Front 242/ Husker Du/ Mary Margaret O'Hara/ Kate Bush/Detroit techno/ Wire/ Lowlife/That Petrol Emotion/ Throwing Muses/ Sonic Youth/Phillip Boa & the Voodoo Club/ The Young Gods/ The Chameleons/ Blue Nile/ Voivod/ Sisters of Mercy/ Skinny Puppy/New Order/Killing Joke etc
― DJ Martian, Thursday, 14 December 2000 01:00 (8 years ago) Permalink
― Lutra Lutra, Friday, 15 December 2000 01:00 (8 years ago) Permalink
If I were to take the term literally and think "music that males with children listen to", I would think dad-rock would be Celine Dion, Bryan Adams, Pink Floyd, Sting and Chris DeBurgh (at least around here). But I don't get the feeling that that's what you're referring to.
― Patrick, Friday, 15 December 2000 01:00 (8 years ago) Permalink
is Reef, Paul Weller, Cast, Oasis, Shed 7, Kula Shaker, Ocean Colour Scene - all retrogressive music - that took their influences from the sixities and early 70s - hence the old reference - of dad - i.e dadrock.
Dadrock - focuses on dull conformity of their retro influences, it refuses experimentation and new ideas.
Dadrock, was what brit pop morphed into from 1996 onwards.
Ocean Colour Scene - have often been labelled dadrock. For their ghastly plodding music. A truly disgusting horrible vile dadrock outfit, and the english equivalent of the bland Hootie & the Blowfish, Matchbox 20. Music so horrible- just hearing their music can induce vomitry.
Dadrock values are little englander, warm beer, laddish behaviour, loaded magazine, music conformity, waving the union jack while abroad looking for fights, conservatism, thinking Chris Evans is with it etc
in 2000 dadrock is on the slide - with only Toploader emerging, and they were utter shite.
Artists as diverse as Killing Joke, Six by Seven, Mogwai, Rico and Asian Dub Foundation - have been very critical of dadrock and the narrow cultural & musical agenda they promote.
DJ Martian - djmartian.blogspot.com the dadrock/britpop hater since 1994
― DJ Martian, Friday, 15 December 2000 01:00 (8 years ago) Permalink
Also, when the rockism debate started in the early 80s, who was getting praised by the anti-rockist side ? I'm hoping Grandmaster Flash and Afrika Bambaataa, but guessing Spandau Ballet and the Human League (who were all right one song at a time on the radio, I guess).
And yes, as I understand it everyone you mentioned would have been anti-rockist. It was a term that let in chancers like Spandau Ballet, probably, though for three albums the Human League were at worst interesting and at best brilliant.
― Tom, Friday, 15 December 2000 01:00 (8 years ago) Permalink
― sundar subramanian, Saturday, 16 December 2000 01:00 (8 years ago) Permalink
― Josh, Saturday, 16 December 2000 01:00 (8 years ago) Permalink
― Patrick, Sunday, 17 December 2000 01:00 (8 years ago) Permalink
― Aquemini, Sunday, 17 December 2000 01:00 (8 years ago) Permalink
― mark sinker, Tuesday, 20 February 2001 01:00 (8 years ago) Permalink
You can sneer at it, but it always seemed to me that the term rockist was pretty useful to describe a kind of person (mostly a kind of journalist) who saw their fundamental roots in rock music - white, male, serious, guitar-based - and other musics as an entertaining diversion. I remember thinking Jamming! - for example - was depressingly rockist because I wanted to see them write about reggae and funk alongside the Jasmine Minks. But Jamming! was much happier writing about Billy Bragg and the Alarm. And the Redskins, for that s- o-u-l flavour. Oh yes. I mean, I enjoyed Jamming! but considered it distinctly rockist.
Now I understand that I should expect niche-marketed narrowmindedness. I have learned that it is unreasonable to expect publications to contain a genuine babble of competing voices and tastes.
'Rockist!' was an insult used, it seems to me, to imply that the recipient had seen punk and post-punk as a shot in the arm for rock music, rather than pick up on the various threads of much more interesting music which seemed available at the time. To fall back into a Great Rock Heritage in the shape of, say, the Bunnymen, or U2, or even Magazine (who I love) still seems lazy and tasteless to me. Even though I no longer see either of those terms as valid. Hm.
There's still a great article on the hip hop wars to be written, by the way.
― Tim, Tuesday, 20 February 2001 01:00 (8 years ago) Permalink
― Patrick, Tuesday, 20 February 2001 01:00 (8 years ago) Permalink
― the pinefox, Wednesday, 14 March 2001 01:00 (8 years ago) Permalink
― Tim, Thursday, 15 March 2001 01:00 (8 years ago) Permalink
― the pinefox, Thursday, 15 March 2001 01:00 (8 years ago) Permalink
Is rockism the liking of rock or the preference for it? Should we distinguish between anti-rockism and pop separatism? ;)
― Tom, Thursday, 3 May 2001 00:00 (8 years ago) Permalink
A lot of the anti-rockism mentality seems to imply that the only way someone can possibly dislike, say, Destiny's Child, is by filtering their music through an outdated set of rock-dude values - I say it's entirely possible to listen to both DC and Television with the same open ears, come away prefering Television by miles, without being a ideologically-rigid pop-hating wet-blanket.
― Patrick, Thursday, 3 May 2001 00:00 (8 years ago) Permalink
I'd kinda like to quote the original Pete Wylie interview in which the term arose, but you know what — I lent my copy of NME that week to Matt Black of Coldcut (then Matt Cohn of the Jazz Insects), because it contained a review of the first A Certain Ratio LP — and he THREW IT AWAY instead of returning it!! When I complained — noting that Ian Penman had written said review — Matt replied: "Mark, you ARE Ian Penman."
So can I be Everett True yet?
― mark s, Thursday, 3 May 2001 00:00 (8 years ago) Permalink
The origins of the term don’t matter too much. For me rockist means an approach – current irredeemable rockers include U2, Primal Scream, Manic Street Preachers, Pearl Jam. If you can air guitar to it, it’s rock. Whether you care for redemption is a separate issue.
― Guy, Thursday, 3 May 2001 00:00 (8 years ago) Permalink
Best definition of rock. Ever. :)
― Omar, Thursday, 3 May 2001 00:00 (8 years ago) Permalink
Who says ILM debates never get anywhere?
― Nick, Thursday, 3 May 2001 00:00 (8 years ago) Permalink
― Stevie Nixed, Thursday, 3 May 2001 00:00 (8 years ago) Permalink
Surely this would mean that Smiths and Belle & Sebastian fans = rockists, and Rolling Stones fans = non-rockists ?
― Patrick, Tuesday, 21 August 2001 00:00 (8 years ago) Permalink
― Tim, Tuesday, 21 August 2001 00:00 (8 years ago) Permalink
Stones = MOST INAUTHENTIC ROCK GROUP OF ALL TIME BAR NONE, and that's what's GRATE abt em of course. Rockists SAY they like em, but when you go deeper, it's all talk.
(Patrick, is that you moved and back and settled in? Or are you another anti-anti- rockist Patrick joined forces with the first?)
― mark s, Tuesday, 21 August 2001 00:00 (8 years ago) Permalink
― dave q, Wednesday, 22 August 2001 00:00 (8 years ago) Permalink
― Patrick, Wednesday, 22 August 2001 00:00 (8 years ago) Permalink
― Jan Geerinck, Wednesday, 6 November 2002 22:24 (7 years ago) Permalink
― Amateurist (amateurist), Monday, 23 December 2002 06:32 (6 years ago) Permalink
― Amateurist (amateurist), Monday, 23 December 2002 06:33 (6 years ago) Permalink
― Lord Custos Epsilon (Lord Custos Epsilon), Monday, 12 May 2003 11:16 (6 years ago) Permalink
― Aaron W (Aaron W), Monday, 12 May 2003 11:24 (6 years ago) Permalink
― Johnney B (Johnney B), Monday, 12 May 2003 11:25 (6 years ago) Permalink
Did I get that right?
― Frühlingsmute (Wintermute), Monday, 12 May 2003 11:28 (6 years ago) Permalink
Albums over songs. "Feeling" over, uh, other stuff. Individual performance and "real" performance over the "fake" (think synths and drum machines). A focus on lyrics. Narrative. "Development".
says Josh.
AND THERE'S NOTHING WRONG WITH IT!
As a side point, I don't think that the world is rockist at all. It only turns into a rockist review when a reviewer who's only used to reviewing rock tries to review somethign else - not equipped with the tools maybe? If you're used to talking about how an album flows from song to song (which is often, for me, an element in the enjoyment of music) how do you cope if there's only 1 track? Or 12 indistinguisble tracks? How do you give a drum machine a mark out of ten for the drumming?
P.S. I'd like to append all of this by saying that I really don't knwo what I'm talking about. Thank you.
― Johnney B (Johnney B), Monday, 12 May 2003 11:35 (6 years ago) Permalink
― Dadaismus (Dada), Monday, 12 May 2003 12:11 (6 years ago) Permalink
― Andrew Thames (Andrew Thames), Monday, 12 May 2003 12:13 (6 years ago) Permalink
― Dadaismus (Dada), Monday, 12 May 2003 12:14 (6 years ago) Permalink
Privileging of received wisdom over new discoursePrivileging of credibility / authenticityPrivileging of numbers and categorisation / lists
Mythology making the arbitrary appear necessary / essential
Making the cultural appear natural by making it appear to be invisible
The pursuit of objectivity
― Jimmybommy JimmyK'KANG (Nick Southall), Thursday, 16 September 2004 08:16 (5 years ago) Permalink
― Ned Raggett (Ned), Saturday, 27 January 2007 16:45 (2 years ago) Permalink
OK, I getcha.
― Alfred, Lord Sotosyn (Alfred Soto), Saturday, 27 January 2007 22:15 (2 years ago) Permalink
― M@tt He1g3s0n: oh u mad cuz im stylin on u (Matt Helgeson), Saturday, 27 January 2007 23:26 (2 years ago) Permalink
Hmm...ideas for future Teena Marie album liner notes.
― Alfred, Lord Sotosyn (Alfred Soto), Saturday, 27 January 2007 23:43 (2 years ago) Permalink
I mean that, in 2006, it is not "natural social behaviour" to listen to an album in one go on vinyl in a room, but it IS to listen to MP3s in bits on the bus. The rockist constructs false environments in which to consume rock because rock needs to be consumed "properly", that's how it's designed - the popist consumes pop whenever and wherever he/she can, because that's what pop is for. Ergo the consumption of pop is more authentic, because it doesn't require falsely-constructed environments, and I would argue that, say, Lex (as definitive strawman popist!) would see it as a positive thing that people listen to Ciara on the bus, because that(consumption)'s authentic, and who gives too figs whether the music was made "because Ciara was feeling it, man, and needed to express it", or because some producer had a tune and some A&R man had a face for the tune (which is inauthentic, because it is manipulative.
And we all know how rock is (supposedly) produced - friends-from-childhood in the garage.
So, pop manipulates you when it is produced, because of the (supposed) unnaturalness of it's production, but not when it's consumed, cos you can consume it whenever and wherever you like. Rock manipulates you when it is consumed, because it ought to be live, or all in one go, but not when it's produced because kids in garages with cheap guitars is "natural".
Of course, pop lies about it's autheticity of consumption just as much as rock lies about it's authenticity of production; the lies necessary tools in the pop playbook in order to construct myths which fit the music into the right slot in order to attract the pre-ordained fanbase necessary for it to succeed. Which is why Scritti Politti "fail" at pop and The Kooks "fail" at rock.
― Sick Mouthy (Nick Southall), Sunday, 28 January 2007 07:29 (2 years ago) Permalink
― Sick Mouthy (Nick Southall), Sunday, 28 January 2007 07:30 (2 years ago) Permalink
― bobby bedelia (van dover), Sunday, 28 January 2007 07:33 (2 years ago) Permalink
― Sick Mouthy (Nick Southall), Sunday, 28 January 2007 07:34 (2 years ago) Permalink
― Mordechai Shinefield (Mordy), Sunday, 28 January 2007 08:03 (2 years ago) Permalink
this is just wild, unsupported assumption stated as fact, on the basis that there is such a quantifiable thing as 'natural' social behaviour in the first place. social behaviour is in no way homogenous, and both can be seen as as 'natural' as each other. there's nothing unusual about the fact that many people who are into music can and do engage in both of these activites, albeit not usually at the same time. there's nowhere to plug in your turntable on the N73.
― m the g (mister the guanoman), Sunday, 28 January 2007 11:28 (2 years ago) Permalink
― Sick Mouthy (Nick Southall), Sunday, 28 January 2007 11:55 (2 years ago) Permalink
http://www.time.com/time/arts/article/0,8599,1663591,00.html
― Tracer Hand, Thursday, 27 September 2007 14:30 (2 years ago) Permalink
no chillax no cred
― ledge, Thursday, 27 September 2007 14:37 (2 years ago) Permalink
"Rockite: A member of an Irish organization associated with agrarian disorders in the earlier part of the nineteenth century. Also Rockism."
Not online yet then.
― ledge, Thursday, 27 September 2007 14:40 (2 years ago) Permalink
sheeeeit.
― That one guy that hit it and quit it, Thursday, 27 September 2007 14:43 (2 years ago) Permalink
that's big.
GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT GEIRBAIT
― Dom Passantino, Thursday, 27 September 2007 14:46 (2 years ago) Permalink
So is this thread ground zero?
― Hurting 2, Thursday, 27 September 2007 14:53 (2 years ago) Permalink
I like how most of the other words there are only used by corny nitwits as well
― DJ Mencap, Thursday, 27 September 2007 14:53 (2 years ago) Permalink
-- DJ Martian, Thursday, 14 December 2000 01:00 (6 years ago) Bookmark Link
― DJ Mencap, Thursday, 27 September 2007 14:54 (2 years ago) Permalink
you couldn't make it up.
― That one guy that hit it and quit it, Thursday, 27 September 2007 14:59 (2 years ago) Permalink
you have to read 'slash' out loud
― gff, Thursday, 27 September 2007 15:00 (2 years ago) Permalink
BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL BUZZKILL
― The Reverend, Thursday, 27 September 2007 15:03 (2 years ago) Permalink
I enjoy a bit of rockism now and again, I don't take it too seriously of course.
― max r, Thursday, 27 September 2007 15:06 (2 years ago) Permalink
Rockism was a meaningful word when originally used by people such as Paul Morley back in the 80s, to defend acts that were taking their music just as seriously, only with synths rather than guitars being their main instrument.
When used to defend corporate teenyboppers unable to write their own material, and with outside people deciding their musical style, it is pointless.
― Geir Hongro, Thursday, 27 September 2007 15:09 (2 years ago) Permalink
^^^ban
― Dom Passantino, Thursday, 27 September 2007 15:10 (2 years ago) Permalink
Think you Morley's ideas arse over tit there, you crazy bastard, Hongro. Still love you loads tho, babe. xxx
― max r, Thursday, 27 September 2007 15:15 (2 years ago) Permalink
*Think you got
sorry, I'm hungover
A love hangover for Geiry-boy.
― max r, Thursday, 27 September 2007 15:16 (2 years ago) Permalink
Geir of the dog
― DJ Mencap, Thursday, 27 September 2007 15:17 (2 years ago) Permalink
Geirsy would never let one of these "outside people" decide his musical style.
― max r, Thursday, 27 September 2007 15:19 (2 years ago) Permalink
Worst and most unlistenable genres/eras ever: 1. 12 tone music (1920-1940) 2. Hip-Hop (1979-present) 3. Funk/disco (late 60s-around 1980) 4. "Contemporary R&B" (Early 90s - present) 5. Bop (1940s)
-- Geir Hongro (GeirHong), Thursday, 24 April 2003 08:09 (4 years ago)
― Dom Passantino, Thursday, 27 September 2007 15:19 (2 years ago) Permalink
Goddamn, Martian stole my record collection in 1989.
― NickB, Thursday, 27 September 2007 15:20 (2 years ago) Permalink
holmes is on point re. 12-tone.
― That one guy that hit it and quit it, Thursday, 27 September 2007 15:23 (2 years ago) Permalink
It's no 2-tone, that's fer sure.
― NickB, Thursday, 27 September 2007 15:25 (2 years ago) Permalink
Is it six times better?
― Dom Passantino, Thursday, 27 September 2007 15:29 (2 years ago) Permalink
Worst bands ever:
1 Oasis 2 Kula Shaker 3 Oasis 4 Kula Shaker 5 Oasis 6 Kula Shaker 7 Oasis 8 Kula shaker 9 Oasis 10 Skrewdriver
― max r, Thursday, 27 September 2007 15:29 (2 years ago) Permalink
I am weary and my brain is malfunctioning and WHY HAS THIS THREAD NOT BEEN HURLED INTO SPACE
― Just got offed, Thursday, 27 September 2007 15:32 (2 years ago) Permalink
11 Mansun
― NickB, Thursday, 27 September 2007 15:32 (2 years ago) Permalink
THEY CAN GO TOO
why does this feel like a Friday
― Just got offed, Thursday, 27 September 2007 15:34 (2 years ago) Permalink
12 Oasis
― max r, Thursday, 27 September 2007 15:38 (2 years ago) Permalink
13. Tupac
― Dom Passantino, Thursday, 27 September 2007 15:39 (2 years ago) Permalink
14. Clap Your Hands Say Yeah (ask yer dad)
― That one guy that hit it and quit it, Thursday, 27 September 2007 15:40 (2 years ago) Permalink
15 Tupac Shaker
― NickB, Thursday, 27 September 2007 15:41 (2 years ago) Permalink
16 Oasis
― max r, Thursday, 27 September 2007 15:44 (2 years ago) Permalink
I hate Pink for her fake "real-ness" but I love Rachel Stevens for her real fakeness. Does this make me a Rockist?
― I know, right?, Saturday, 29 September 2007 13:17 (2 years ago) Permalink
everything's a joke now guys, so just chill ;)
― max r, Saturday, 29 September 2007 14:18 (2 years ago) Permalink
What is Really Real?
Vic Stenger
"Reality Check" in Skeptical Briefs September, 2003
Since I have been writing a column called "Reality Check" for several years now, perhaps it is time for me to say what I think is really real. The best definition I can think of is inspired by a comment made by Samuel Johnson in 1763. As described in Boswell's Life of Johnson,
We stood talking for some time together of Bishop Berkeley's ingenious sophistry to prove the nonexistence of matter, and that every thing in the universe is merely ideal. I observed, that though we are satisfied his doctrine is not true, it is impossible to refute it. I shall never forget the alacrity with which Johnson answered, striking his foot with mighty force against a large stone, till he rebounded from it, "I refute it thus."
So, I define something as real when it kicks back after you kick it. In simple terms, this describes the processes of everyday observations, but also the most sophisticated scientific experiments. When we look at an object with our naked eyes, light from some source bounces off the object into our eyes. Or, the object itself may emit light. In either case, the object and the light receptors in our eyes recoil from the momentum that is transferred in the process and generates an electrical signal that is analyzed by our brains.
Scientific observations are basically the same. Not only visible light, but the whole electromagnetic spectrum from radio waves to gamma rays are available to joggle reality, along with sensors far more precise than the human eye to detect the jiggles that are returned. What's more, other particles, such as electrons and neutrinos, are also available as probes and computers are utilized to supplement the analytic capability of our brains. In short, science is not some special method of learning about the world. It is an enhancement of the only method by which we humans, in fact, learn about the world--empirical observation. The stuff of reality that kicks back when you kick it is called matter. And, that's all there is.
― artdamages, Saturday, 29 September 2007 14:38 (2 years ago) Permalink
I think it's something to do with doric columns.
― Dom Passantino, Monday, 31 March 2008 14:16 (1 year ago) Permalink
Rockism is a ham hock in your corn flakes.
― Sara Sara Sara, Monday, 31 March 2008 14:32 (1 year ago) Permalink