Lester Bangs - Classic or Carburetor Dung?

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"You're Welcome!"

― C. Grisso/McCain, Tuesday, 17 April 2007 19:09 (nineteen years ago)

http://fumettidicarta.interfree.it/Farenheit451/LESTER_BANGS/bangsles.jpg

"Whadda 'bout me? I WROTE the stuff!"

― C. Grisso/McCain, Tuesday, 17 April 2007 19:13 (nineteen years ago)

He got too depressingly moralistic and fogeyish in his Village Voice daze (too much booze, not enough speed), but EVERY article/review/profile/whatever he wrote for Creem had at least memorable (or unforgettable) turn of phrase or cracked simile or (yes) dope-addled pronouncement, or even the occasional bit of insight for those who value that sort of thing. Plus he was damned funny (always a good thing in my view), even if not as consistently hilarious as Meltzer or (especially) Rick Johnson. Basically I just plain liked how the guy's prose looked on the page, more than I can say for his hero Jack Kerouac. And finally, it was Bangs who (from beyond the grave!) turned me onto the Stooges/Velvets/Beefheart, not to mention Mingus and the rest of those cats, for which I thank him. Doesn't matter that he'd certainly hate 40% of the music on my personal shelves and hard drive, or how immature and self-destructive an asshole he probably was. I never let such trivialities concern me.

― Myonga Vön Bontee, Tuesday, 17 April 2007 19:14 (nineteen years ago)

http://www.galaade.com/img/auteur/liste/greil-marcus-174x112-NB.jpg

"Quiet you!"

(x-post)

― C. Grisso/McCain, Tuesday, 17 April 2007 19:14 (nineteen years ago)

racism's "banal," huh?

― Matos W.K., Tuesday, 17 April 2007 19:21 (nineteen years ago)

uh oh

― Edward III, Tuesday, 17 April 2007 19:23 (nineteen years ago)

Saint Cough Syrup

― Gorge, Tuesday, 17 April 2007 22:15 (nineteen years ago)

i don't know, the inclusion of the White Noise article in Caburetor Dung seems to me pretty necessary, if you're looking at the anthology as a portrait of Bangs -- which I think is how Marcus set it up. There's a lot of liberal guilt hand-wringing and self-flagellation in the article (which Bangs acknowledges) but it strikes me as an honest attempt to address some of the blatant and not-so-blatant racism that the punk scene contained. it's by no means a perfect article, but I don't think there was anyone else at the time actually attempting to deal with that stuff. I'm sure that within the NYC scene then, it caused a bunch of controversy, but it also may have caused some people to rethink their casual racism.

anyway, i definitely don't lionize Bangs, but I do think he's an often perceptive writer -- and most of all extremely funny, when he wanted to be.

― tylerw, Tuesday, 17 April 2007 22:25 (nineteen years ago)

I always thought it was cool that Marcus was such a huge supporter of Bangs since their writing styles and really, the whole essence of what they seemed to get out of rock music, seemed to be at completely opposite ends of the spectrum. Which isn't to say that Bangs didn't sometimes stumble onto the cerebral - he just surrounded it with a lot of hubris which was fine.

There was a phrase in baseball about how an unworthy successor to some superstar's throne "couldn't hold his jock." I often used to say that one day I would welcome being only so good as to hold Lester Bangs' typewriter and I know for a fact I ain't there and probably never will be, but it's a noble goal nonetheless.

I also think Bangs was the first Blogger as much of his output is so personalized it predates the Blogosphere that since came to redefine criticism.

Oh, and for the OP: Classic without a doubt.

― NYCNative, Tuesday, 17 April 2007 23:03 (nineteen years ago)

Matos, no, that's not what I was saying. More so that Bangs' ruminations about it in that article were maybe a little banal? I don't know - I'd have to read it again.

― Tim Ellison, Wednesday, 18 April 2007 00:15 (nineteen years ago)

I can see that, though as someone else just said, I think the writing itself was really terrific in that one. Maybe the conclusions were banal, but I think the ways he got to them were perceptive.

― Matos W.K., Wednesday, 18 April 2007 00:28 (nineteen years ago)

I dunno, I like the openended soulsearching of "the white noise supremacists." and the honesty. he doesn't just walk around pointing fingers, he pulls his own bigoted skeletons out of the closet for examination, too.

look, the guy wrote "of pop and pies and fun" at the age of 21. that alone blows my mind.

― Edward III, Wednesday, 18 April 2007 02:33 (nineteen years ago)

21!

Part 1
Part 2

― Edward III, Wednesday, 18 April 2007 02:36 (nineteen years ago)

I hate myself. Same damn thing last year, this year, on and on till I’m an old fart if I live that long. Shit. Think I’ll rape my wank-fantasy cunt dog-style tonight.

Classic.

― ian, Wednesday, 18 April 2007 02:40 (nineteen years ago)

I find his style unbearable.

― Hurting 2, Wednesday, 18 April 2007 02:41 (nineteen years ago)

The whole affected talky thing - it's like reading Thomas Friedman

― Hurting 2, Wednesday, 18 April 2007 02:53 (nineteen years ago)

you read a message board all day and complain of "the whole affected talky thing"?? mindboggling.

― ian, Wednesday, 18 April 2007 02:54 (nineteen years ago)

Yeah, zing, I know. But it works fine for a message board, and not as well for essays.

― Hurting 2, Wednesday, 18 April 2007 03:28 (nineteen years ago)

motherfucker didn't have no message board, you schmuck.

― chaki, Wednesday, 18 April 2007 09:25 (nineteen years ago)

ian and myonga OTM -- reading bangs reviews of lou reed's TRANSFORMER and RAW POWER by teh stooges in stereo review when I was 15 turned me on to THE PATH and I'll always revere him for that. when carburetor dung was published in the mid 80s I was working at r0llin $toned where I combed the archives and read everything lester wrote for the rag (no wonder I got fired)anyway I was shocked because contrary to the conventional wisdom bangs wrote some of his best stuff there, breathtaking essays like "the carpenters and the creeps" and a stinging indictment of the counterculture in the wake of janis/jimi's deaths along w/runofthemill LP reviews that would just OPEN UP into streams of postbeatnick sartori and wizdom at the drop of a roachclip.

anyway I think his best work remains unanthologized. greil marcus didn't do lester any favors by printing the failed fiction, breakdown-period rants and lonely-guy musings in the second half of that book, put it that way. and I've always thought that anti-racism article was the precise moment when les "jumped the shark" turning into another self-righteous/hypocrite baby-boomer lecturing the young folks.

the second lb anthology was a huge disappointment, which I don't blame on editor john morthland (who's an lowkey genius writer/critic himself)but on the transitory nature of journalism , y'know how it's tied to the time it was written in. so reading about wet willie makes more sense in 1974 than it does now DUH. still the shocking thing about this book is how dated it feels. take the stuff on miles davis' electric funk -- arguably the most prescient influential and rich music of the 70s and gotdamn if lester didn't get it either he just blabs on and on speculating about miles' emotional state or whatever. bummer.

bottom line: I'm forever in his debt but I think lester bangs' memory/legend has been held up for so long that he's become a negative or even destructive influence, like w/pauline kael in film criticism his ghostly & intimidating presence hovers over the next generation of writers effectively scaring them off of finding their own voices and forging a fresh approach. at the end of the day thurston moore was right you've got to KILL YR IDOLS and find out the new goal.

― m coleman, Wednesday, 18 April 2007 10:35 (nineteen years ago)

bangs on sabbath. so damn perceptive to peg them as moralists.

Part 1
Part 2

I've always thought that anti-racism article was the precise moment when les "jumped the shark" turning into another self-righteous/hypocrite baby-boomer lecturing the young folks.

but that's part of the history isn't it? laughner dies, bangs rejects r. hell's "never grow up" philosophy. it's not like he stumbled blindly into obsolescence, he was making some decisions about the kind of person he wanted to be. he recognized he wasn't gonna stay 21 forever and struggled with it and wrote about it, directly, openly. and I'd rather get lectured by bangs, who was decent enough to be forthcoming about his own foibles, then just about any other rock crit. (btw you're 100% otm about everything else)

it would be great to see the complete works of bangs published.

― Edward III, Wednesday, 18 April 2007 14:28 (nineteen years ago)

i dont get the complaints about his influence on writers. i'd like to see some examples cited. at least people were biting someone whose style is readable.

m coleman OTM as usual though i've never read any super old rolling stones. i didn't read him until i was 18, HOLY SHIT did i think he was awesome and an equal of Hunter S. Thompson who i had read when i was 15.

― artdamages, Wednesday, 18 April 2007 14:33 (nineteen years ago)

i dunno, i kind of liked that Lester completely missed the boat on Miles' electric stuff (xpost) -- shows just how way the fuck ahead of its time it was -- not even Lester "I Love Metal Machine Music" Bangs could see it for what it was. He really struggles with it and you can see that he's just on the verge of accepting and loving it (wouldn't be surprised if this happened later on, but he just didn't write about it).

yeah, a complete works would be cool (i'd buy it!) -- I guess I figured that the best stuff was in the two anthologies...but i guess not? What are some of the good unanthologized pieces?

― tylerw, Wednesday, 18 April 2007 22:48 (nineteen years ago)

He really struggles with it and you can see that he's just on the verge of accepting and loving it (wouldn't be surprised if this happened later on, but he just didn't write about it).

I'm inclined to agree with this. That series of befuddled essays turned me on to electric Miles in the first place ("wtf are these crazy records that are getting to Lester so much?"), and I'd say that if you can get past his value judgements of the fusion stuff, his ideas about the albums still hold up. Miles imagining a less-human future, etc, that shit comes off as kinda prescient to me.

― BIG HOOS aka the steendriver, Wednesday, 18 April 2007 23:59 (nineteen years ago)

Yeah, I'll also back MC on the Miles stuff; there's some good reading in the Morthland anthology, but those pieces really disappointed me. I do like the long reggae excursion in which he decides Marley is a hippie and prefers Lee Perry because he's a fellow boozehound.

― If Timi Yuro would be still alive, most other singers could shut up, Thursday, 19 April 2007 00:01 (nineteen years ago)

HOOS, that stuff about a less-human future is one of LB's major tropes; I definitely see what he's getting at, but as someone living in that future with plenty of truly human friends, I think he leans a little too hard on it. I wonder sometimes how much clinical depression figures into that stuff.

― If Timi Yuro would be still alive, most other singers could shut up, Thursday, 19 April 2007 00:03 (nineteen years ago)

I do wish Lester had lived to write about Flipper. They were working his side of the street in more ways than one.

― If Timi Yuro would be still alive, most other singers could shut up, Thursday, 19 April 2007 00:05 (nineteen years ago)

Also, good non-anthologized pieces include "Free Jazz Punk Rock" from a 1980 Musician, and a long interview with Brian Eno in the same magazine.

― If Timi Yuro would be still alive, most other singers could shut up, Thursday, 19 April 2007 00:06 (nineteen years ago)

Cranky manfulness = authentic

― Hurting 2, Thursday, 19 April 2007 00:11 (nineteen years ago)

― Tim Ellison, Thursday, 19 April 2007 00:19 (nineteen years ago)

Also, good non-anthologized pieces include "Free Jazz Punk Rock" from a 1980 Musician, and a long interview with Brian Eno in the same magazine.

Supposedly he was planning on writing something along the lines of A.B. Spellman's Four Lives In The Bebop Business, with Eno as one of the...um...four lives.

― Sara Sara Sara, Thursday, 19 April 2007 02:08 (nineteen years ago)

Yeah I would've loved that, I think.

― BIG HOOS aka the steendriver, Thursday, 19 April 2007 02:59 (nineteen years ago)

yeah those Musicianpieces were great. the classic "stone" stuff by Lester Bangs that I can excavate from the canyons of my mind:

"The Carpenters And The Creeps" (1971) a live review of the Carps that incorporates autobiography and actual music criticism, becoming a tour-de-force summary of then-current pop scene. Tightly written, too.

review of some Jack Kerouac paperback reissues around the time of his death, a hommage to beat at the height of hippiedom (1969)

the Janis/Jimi riff (late 1970) I think may have occurred during a piece abt something else, but it was definitely the only moment in the history of the publication where the virutes/values of the counterculture were questioned.

and his record reviews 1969-71 were the main event, not only for the writing but musical insight, at the point Lester was like his disciple Xhuxk Eddy in this respect: he listened to everything w/fresh ears including a lot of stuff that other critics didn't take seriously.

that's another reason post-1976 Lester bums me out, he's so jaded.

I've got xeroxes of this stuff but they're BURIED in storage bin :-(

but hey, I forgot that my all time favorite Bangs piece is included in Mainlines:"Bob Dylan's Dalliance With Mafia Chic."

― m coleman, Thursday, 19 April 2007 10:57 (nineteen years ago)

ha ha, yeah the "Mafia Chic" story is amusing because Lester spent about 100 times longer thinking about "Joey" than Dylan did.

I think that the Eno piece is on Perfect Sound Forever...

Who were the other "lives" Bangs was planning on covering in his proposed "Four Lives" book. Quine, maybe?

― tylerw, Thursday, 19 April 2007 14:25 (nineteen years ago)

I think Marianne Faithfull was one of them. There was a list in the foreword to PR&CD, which stated that three of the four lives were set and the fourth was up in the air.

― C. Grisso/McCain, Thursday, 19 April 2007 14:27 (nineteen years ago)

three years pass...

From "Lester Bangs - Last Interview" by a then-17-year old Jim DeRogatis:

Do you think there's a danger of rock 'n' roll becoming extinct?
Yeah, sure. Definitely.
What would there be to take its place?
Video games.

― NYCNative, Tuesday, 8 March 2011 10:42 (fifteen years ago)

now if only JDR had taken this^ to heart...

― gravity tractor VS asteroid B612 (m coleman), Tuesday, 8 March 2011 11:33 (fifteen years ago)

seriously,"video games = death of rock" was a popular music-biz meme ca.1982

― gravity tractor VS asteroid B612 (m coleman), Tuesday, 8 March 2011 11:35 (fifteen years ago)

Now that the music-playing game genre has been declared dead, I wonder how many adherents moved on to actual guitar playing.

― bendy, Tuesday, 8 March 2011 12:03 (fifteen years ago)

Have to say I never cared for either his writing style or, all too often, his musical tastes.

― Lee626, Tuesday, 8 March 2011 12:22 (fifteen years ago)

one year passes...

A couple of posts on Facebook alerted me to the fact that it's the 30th anniversary of his death. I'm guessing there are one or two older posters here who can say they met him. I interviewed Chuck and Marcus in '86; I'd like to think that if I'd started a little later or he'd lived a little longer, I would have tried to interview Bangs (and succeeded, I imagine--he seemed extremely accessible). I didn't start reading Creem till '80 or thereabouts, so I'd read very little by him before the first book came out--really only some Rolling Stone reviews in an early-'70s collection, and some RS reviews later in the decade, when Paul Nelson was publishing him regularly. I tried to write like him early on, and of course it was egregiously wrong. Blaming him for the misdeeds of people like me makes no sense.

― clemenza, Monday, 30 April 2012 22:43 (fourteen years ago)

three months pass...

Haven't read it yet, but a New Yorker contributor on Bangs's influence on her:

http://www.newyorker.com/online/blogs/books/2012/08/how-lester-bangs-taught-me-to-read.html

― clemenza, Thursday, 23 August 2012 13:51 (thirteen years ago)

that is a really, really fantastic article. i don't think i've ever actually seen anyone else -- apart from marcus in his intro to the bangs collection -- actually pin down what i love(d) about bangs's writing so much (haven't read him in a while): even at his silliest, he was a genuinely thoughtful, reflective writer. likening him to DFW is really inspired: i don't know why i didn't think of that before.

― (The Other) J.D. (J.D.), Saturday, 25 August 2012 05:08 (thirteen years ago)

one year passes...

I didn't think this was great, but I am glad it got made:

https://www.youtube.com/watch?v=vyDBcmNDyOc

Early on, I found the cutting of the interviews way too fast; I had doubts about the voice-over excerpts all the way through. (I don't know if it was just the way they were read, or whether it wasn't going to work regardless.) Bangs's friends back home are a very likeable group.

― clemenza, Thursday, 26 December 2013 04:02 (twelve years ago)

Thought young Lester looked like Jake Gyllenhaal.

http://sandiegotroubadour.com/wp-content/uploads/2013/06/Lester-Bangs-YEARBOOK.jpg

― clemenza, Thursday, 26 December 2013 05:51 (twelve years ago)

one year passes...

http://dangerousminds.net/comments/lester_bangs_posthumous_ballot

― Kibbutzki (Jaap Schip), Thursday, 1 January 2015 14:33 (eleven years ago)

Wonder if Mark Shipper wrote that ballot -- he did the "From the Cloud of Lester Bangs" notes in PR&CD.

― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Thursday, 1 January 2015 17:23 (eleven years ago)

wish Robert Quine's I Heard Her Call My Name Symphony was a real thing

― [email protected] (stevie), Thursday, 1 January 2015 18:24 (eleven years ago)

eight years pass...

From the Creem mailing list:

LESTER BANGS AT 75

Lester Bangs is more than a genius, a savant, a beautiful soul, and the north CREEM star in the nighttime CREEM sky: he is also the rock critic that people, gun to their head, can name. In tribute to both his unfettered brilliance, and his name recognition, CREEM is celebrating Bangs in the way that he would appreciate most: hyperbolic praise, borderline slanderous revisionism, and by attempting to sell enough t-shirts riffing on our dead friend to fund a statue of Lou Reed made entirely out of ketamine.

Do we come to praise Lester Bangs? Bury Lester Bangs? Or did we just run out of money for the year and needed to bring in our December issue for under ten grand, and some Lester Bangs hoo-ha seemed the smartest way to do it? (The dead don’t do much, but they do work cheap.) And if it’s the latter, how did Lester Bangs know to plan his 75th birthday at the same time to save our asses yet again?????

Find out when The Lester Bangs Issue starts shipping December 1.

Until then, subscribers can log in to read all of Bangs’ original CREEM writing in our archive. Study up.

― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Wednesday, 18 October 2023 00:30 (two years ago)

he is also the rock critic that people, gun to their head, can name

highly suspect there's only ppl who can name several music critics and ppl who can name none, not ones who can only name Lester Bangs

― Daniel_Rf, Wednesday, 18 October 2023 09:44 (two years ago)

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