In praise of...Music for the Masses by Depeche Mode

That's the one vocal on the album which was recorded when he was still in his smack hell. It's edited together from about thirty takes!

I think the only one that annoys me even slightly is "Freestate" because I don't really like it when Gore's recent tendency to become positive 'n' preachy - but even then it's only because it feels like it prepares the way for "Freelove", and yeah, the last half is killer. "Barrell of a Gun" occasionally annoys me because it seems a bit try-hard, but then at other times I love the very same thing about it.

"Insight" is awesome, "Sister of Night" is probably better for that huge synth riff than for the singing, but best of all the album tracks is "The Bottom Line" for me.

No, you couldn't. "The Love Thieves" is the best track on the entire album.

I must agree with whoever posted that I've always loved 'Never Let Me Down Again'. It's just so fucking HUGE. Yes, it is, particularly the version on one of the live DVDs that I have - One Night in Paris? Been a while since I watched it. However, filler such as Pimpf dragges Music for the Masses down as an album, imho.

"Strangelove" is not the single version and that's a good thing, because I like the machine gear loop noise and that barely audible bell-like synth bit then BAM BAM BAM and it's suddenly bass and drums that in its brute simplicity could be, I dunno, Prince 1984 in Eastern Europe or something. Motown 1971 after the apocalypse when the robots took over. The guitar on this one is subtle compared to That Riff on "Never Let Me Down Again" but like on so many later songs it's this lovely shading hiding out amid the strident synth riff that's this unmissable nag nag nag. And the song's about circular codependency of extremism in 'love' or somesuch. I like how at the end there's a part where Gahan calls and responses and then suddenly where his voice 'should' be a sudden high synth bit squirrels across the mix.

I love you love me love

Does it really have anything to do with the "joys of drug use" though??

Ultra is easily the best of their 90s albums IMO; it's much more cohesive than SOFAD and it isn't completely forgettable two weeks later the way that Exciter is.

funny how 7 years later I don't really like Ultra all that much and am really, really, really bullish on Exciter (which still isn't as good as Violator)

also, "Never Let Me Down", "Strangelove" and "The Things You Said" all own hardcore

Especially in their various album mixes.

oh yeah, the single version of "Strangelove" is TERRIBLE and embarrassing tbh

I don't think there's a version of "Never Let Me Down Again" that I've heard that I've disliked, though

There is not one song on this album that I dislike.

I like the remix of "Behind the Wheel" that was on the single more than the album version (probably because I heard the single first)

I had all of the remixes back in the day on a cassette tape, but I couldn't even tell you what they sounded like now.

I like this record but still prefer Violator even if I think about it for more than a few seconds the later album has as much filler.

violator is the ne plus ultra of zero filler albums!

don't like "Blue Dress" or "Clean"

well that's just crazy

Great thread, yawl. What a magnificent op too. Love the love for Agent Orange, I keep going back to it. They have some very pretty instrumentals.

Ned, I hope you're going to vote in this one.

Alas, you'll have to make do without me.

booooooooooooooooooooo

it would be politically and philosophically incorrect to know Ned's top 20 songs by any of his favorite bands. he gave us Ned's Nineties and anyone who dares connect the dots further from there is on their own.

Our loss that any alliterative decades are a long ways off (unless he has a Scooby Doo-style change of heart in 28 years and brings us Raggett's Rirties).

Now that would be a vision.

run rundred rirty eight best ralbums

I always tend to prefer the album mixes of Depeche tracks over their single versions. For me, the single versions of 'Strangelove' and 'A Question Of Time' seem to lack the power that the album versions have. I suppose the Zephyr mix of 'In Your Room' is an interesting and different take on the song, but for me there is nothing more powerful than the 6-minute dark and atmospheric-as-fuck album version.

My favourite version of 'Never Let Me Down Again' is the one on 101 where they segue into the remix briefly for the middle section. I often find myself listening to it and wishing that they could have put that pulsing bass synth section into the album version.