I think it's a bit of both. Lonelady de-emphasises songcraft in favour of these iridescent "Born Under Punches" meets "Walking On The Moon" meets Marquee Moon soundscapes. Which makes the album quite samey ("Flee" aside) and also really leverages the album to listeners' level of interest in post-punk revivalism (probably flagging after 13 or so years). But it's also these things which make me love it so much.
I feel like when it comes to this kind of sound in general terms, typically the choice offered is between minimalist reproductions of the past or a very song/persona driven eccentricity and character. Whereas an approach to post-punk with an aesthetic of serious groove-minded maximalism feels like something rarely attempted outside the Studio album.
― Tim F, Sunday, 29 November 2015 22:21 (eight years ago) link