I think this is a POLL of shit while John Sinclair rots in prison: THE WHO RESULTS THREAD (ilm artist poll #25)

like "Odorono"...is it a song or a skit?

Yes!

The greatest part about Our Love Was is the way it comes in from the jingle

I love the bassline in 'Our Love Was' so much.

Great solo on "Our Love Was"-- very Randy California (and predates Spirit as a recording unit).

My number one is "Our Love Was, Is" (the title on the US that is from what I understand the stereo version with a different guitar solo). Glad to see it finishing this high. "Odorono" was on my ballot too and I have high hopes for lots of the rest of Sell Out to also show as we go.

I would no more take apart Sell Out for individual track plays than I would Another Green World or The Residents Commercial Album, but picking favorite sections ended up a fairly comprehensible task.

From "go to the church of your choice" to Our Love Was, Is, to the jingles leading into I Can See For Miles: insane.

<<Great solo on "Our Love Was"-- very Randy California (and predates Spirit as a recording unit).

― Instagrams of Lily on My Facebook Wall (C. Grisso/McCain), Monday, September 10, 2012 4:18 PM (3 minutes ago) Bookmark Flag Post Permalink>>

Oh yeah!

My number one is "Our Love Was, Is" (the title on the US that is from what I understand the stereo version with a different guitar solo).

I remember that being the title on the US Sell Out, as well as on Magic Bus - The Who On Tour. Don't know if I've heard that solo, though. The YouTube link above is the mono mix, which has more prominent Daltrey vocals and a pedal steel solo.

<<The YouTube link above is the mono mix>>

Wow, wish I could share it (wonder if my library has the CD, my own is well-worn vinyl)

....it's a very sleek electric solo, and the stereo mix on that song is breathtaking. Great french horn part too.

I had a tough time picking out favorites too. Ultimately i placed "Tattoo" at number one, but I remember "Odorono" being an early favorite and pretty much everything is charming! I don't think too many "Sell Out" tracks were on my top 10, even though it's my favorite record. I agree it's biggest strength is as one undifferentiated experience.

But there are so many great moments! The fuzzy solo on "Our Love Was, Is" is wonderful.

A long time ago i found the complete Radio London jingles collection on slsk. Great listen as well!

it's smoooth sailing with the highly successful sounds of wonderful radio londooooon WHOOPEE

"Hoooolllldddd yer group toooggggethaaa with Ro---to---Sound Strings!"

Gooooo to the chuuuuuurch of your chooiiiiiice

Never cared much for "The Seeker"--it's okay--but it was used well in American Beauty. (Strangely enough, it was also used in The Limey the very same year.)

"The Seeker" almost seems like something they could have done in '65 or '66, but with that slowed-down 70's classic rock syrup dripped all over it. Which is still nice at times.

I guess writing for stoned festival-goers vs. writing for methed-out mods.

Who the fuck you callin' methed out?!!?!?

Oh, the other kind of mod, nm.

lol

I love "My Wife" so much. Can't really think of anything else they did that sounds anything like it.

― clemenza, Monday, September 10, 2012 12:21 PM (9 hours ago) Bookmark

for years it was all tangled up in my brain with "5:15"

really happy about the high placing of "Naked Eye"

also disappointed about how low "Who Are You" is, that song is so awesome and full of different great parts

guh can find jason forrest's 'ten amazing years' on youtube or vimeo but did manage to find this: http://vimeo.com/33103241

Love that.

How he got the song:

So we went to MCA or whoever has it and they said, “Well, we have the master rights and Pete Townshend’s publishing company has the publishing, and it’s a favored-nations deal.” In other words, whatever we negotiated with them, we would then also have to pay Pete and the publishing. So their first offer was, I think, $150,000. [Laughs.] Because it was the whole song! So we’d have to pay $300,000 total. That’s a whole episode for us. That’s the whole budget for the entire episode. But we didn’t give up. That’s the way it worked. And either the company or someone else told Blair, “The other way to work it is to go to Pete Townshend first.” Because it’s the same in the other direction: Whatever deal he makes, they have to honor his deal, too. They have to take whatever offer he gives. They have to match it. But try to go get Pete Townshend on the phone. That’s even harder. So it just took a lot of fuckin’ time. And occasionally, we’d be on the set shooting “Blueberries” or “Moving” or whatever it is, and I say to Blair, “How’s it going with The Who?” and she’d either say, “Dead” or, “I just talked to a guy today” or, “A guy I talked to today is looking into something.” And it went on and on. And finally, she said, “Well, Pete Townshend wants to know exactly how it’s being used, and he wants to see the show. He wants to see some episodes.” So I wrote him a synopsis of how it would be. I described it very carefully, and we sent him the DVD of five episodes from last season. And then, I don’t know, three or four months later, it felt like, he came back to us and said, “Can you send me 7,500 bucks?” [Laughs.] Yeah! And so the whole thing cost $15,000, which is fucking nothing!

awesome story

It's a cool scene.

Most awesome part of the Louie scene is the younger actress's obvious and futile struggle not to react to Louie or the song, but she ends up wiggling her fingers to the beat at one point.

Gonna roll out more results today; would folks prefer #20-#11, or the whole top 20?

Not ignoring the question -- it's just a tough one! Maybe the whole enchilada today, but either way is cool.

No need to rush. I say reveal the top 10 tomorrow

Sounds good. Will do 20-11 today, starting shortly...

20. "5.15" (Quadrophenia), 1973) 11 votes, 233 points
http://www.thewho.net/linernotes2/515.jpg
http://youtu.be/FlL-FFQZd2I

That was my #10 (and the only non-'60s track in my top 10).

19. "Eminence Front" (It's Hard, 1982) 10 votes, 241 points
http://www.mutineermagazine.com/img/blog/schlitz_rocks_america.jpg
http://youtu.be/07hoKUrMT5A

Great scene in the movie, but "5:15" hasn't aged well for me--partly because of the horns, mostly because of the vocal.

TOOOOOO LOW

this is a put on, right?

fuckin 60s

TOOOOOO HIGH

VegemiteGrrl you are no longer forgiven

Has Pete said anything in any interviews about the radical changes in his guitar soloing in the last 10 years or so? Is he getting lessons or something?

That's the most 1982 tour poster ever.

Same year as Tron, which I'm guessing they saw. And really liked.

Schlitz Rocks America

great sequencers

All you have to do is see Daltrey's bleach blond surfer dude hair to know that this song is the worst

The reason I hate it so much is that if you didn't like or know the Who you might go, "oh wow this is a cool Peter Gabriel song"

Has Pete said anything in any interviews about the radical changes in his guitar soloing in the last 10 years or so? Is he getting lessons or something?

I think his single-string facility really started taking off in 1982. With "Eminence Front" (and Kenney Jones), he was finally able to luxuriate in a backbeat; his solos on that song in '82 were unlike any he'd played previously (and were one of the few highlights of those shows).

More recently, though, he hurt his arm/hand in a bike accident in 1991, and my guess is that he doubled-down on practicing as part of his rehab. That seems to be around when the fast fingerpicking started.

Personally, I thought his psychedelic psoloing in the expanded "Sell Out" (especially "Mountain King") a revelation!

OK. I mentioned lessons because he's doing more GIT/Berklee style stuff in the post-2000 stuff I've seen, some jazz modal playing and whammybar tricks -- but if anyone in rock music could teach himself that at home alone with a book, guitar, and computer, it'd be Pete.

I don't think all of the changes to his soloing are brilliant, but they're noticeable!

Little love for these 2 tracks from me. 5.15 is too forced, though the bridge "inside outside" is nice. Other Quad tracks deserved much better.

I certainly hope that wasn't it for Quad!

He's said his all-time favorite guitarist is Pat Martino, so I can see why he'd want to gravitate towards that style of playing. I'm not personally a fan of Martino's, but when that style is filtered through Pete, it gets pretty scary.

xp

18. "Behind Blue Eyes" (Who's Next, 1971) 11 votes, 261 points, one #1 vote
http://upload.wikimedia.org/wikipedia/en/thumb/d/dc/The_Who_Behind_Blue_Eyes.jpg/220px-The_Who_Behind_Blue_Eyes.jpg
http://youtu.be/KLMc6J9h3mU
(start at 1:45)