― Kenan Hebert (kenan), Thursday, 22 May 2003 04:38 (twenty-one years ago) link
― jess (dubplatestyle), Thursday, 22 May 2003 04:40 (twenty-one years ago) link
― oops (Oops), Thursday, 22 May 2003 04:41 (twenty-one years ago) link
I didn't say that. A useful intellectual is able to get down in the pit of contradiction with everybody else.
― Kenan Hebert (kenan), Thursday, 22 May 2003 04:44 (twenty-one years ago) link
I mean there is just reams and reams of writing about music around, and it's staggering how bad most of it is, how uncool, unsexy most of it is. Meltzer was able to wed theory and his his own whacked concepts to rock music in his writing, in a way that seemed wholly inside, of the music. And he did all this at the beginning! WHen there was no codified "rock criticism", when there were no banal "literary critism" majors running around American campuses. So much of the writing around seems so pointless, so lacking in imagination, I don't even think the writers know why they do it. And we're fucking swimming in it! It's everywhere!
But just as words aren't substitutes for ideas, dropping the names of famous theorists is no substitute for using their ideas in interesting ways. I like Sterling's writing a lot, but that Ja Rule clip was just silly name-dropping; I mean it has nothing to do with any sort of Gramscian concept of hegemony at all, it was just gratuitous. But at the same time, at this point Sterling or any other writer shouldn't have to gloss Gramsci's ideas in the course of invoking him. He's, uh, a pretty well-established theorist. The Genovese reference, however, probably should have been prefaced by something like "In his important text Wages of Whiteness, the African-AMerican historian," (or whatever, was it WoW? I read him like 10 years ago but I hardly think that's the type of name that can just be gracefully dropped without explication)
― Mr. Diamond (diamond), Thursday, 22 May 2003 04:51 (twenty-one years ago) link
oh and Diamond -- it *totally* had to do with Gramsci -- the point being that the "universal" h8 of Ja and his popularity go hand in hand -- the consentual relations to his music cloaked as disdain for his "sellout" persona were the key to the article.
― Sterling Clover (s_clover), Thursday, 22 May 2003 04:57 (twenty-one years ago) link
― oops (Oops), Thursday, 22 May 2003 05:01 (twenty-one years ago) link
― oops (Oops), Thursday, 22 May 2003 05:06 (twenty-one years ago) link
― Mr. Diamond (diamond), Thursday, 22 May 2003 05:07 (twenty-one years ago) link
But if you think people thinking about, talking about, trying to understand the music they listen to is a *good* think -- and I can't imagine you don't -- then it seems pretty obv. that bringing all tools possible to bear in this is also a good thing.
I mean you're the one making the absurd assumption that not using big words = not thinking and talking and trying to understand.
― Sterling Clover (s_clover), Thursday, 22 May 2003 05:26 (twenty-one years ago) link
― oops (Oops), Thursday, 22 May 2003 05:43 (twenty-one years ago) link
proof: the entire history of all music ever
― mark s (mark s), Thursday, 22 May 2003 08:26 (twenty-one years ago) link
(i forgot its actual title)
― mark s (mark s), Thursday, 22 May 2003 08:27 (twenty-one years ago) link
But I'll also admit that a good portion of my love for popular music has to do with a fascination and excitement about its history, and the fact that its history is constantly being written and re-written. And so listening to that Sugar song made me simultaneously think "Wow, that riff is classic! I really want to dance now!" and also "Does this mean Sugar is underrated? If so, how come? Did they suffer from not being Husker Du? Is a singer's second band always considered inferior to their first band? etc. etc." I don't think that everyone is as captivated by that aspect of music as I am, and if you're not, then perhaps criticism doesn't seem as interesting.
― jaymc (jaymc), Thursday, 22 May 2003 14:43 (twenty-one years ago) link
― jaymc (jaymc), Thursday, 22 May 2003 14:55 (twenty-one years ago) link
All the best things in life are useless.
― Ben Williams, Thursday, 22 May 2003 15:08 (twenty-one years ago) link
― jess (dubplatestyle), Thursday, 22 May 2003 15:15 (twenty-one years ago) link
― jaymc (jaymc), Thursday, 22 May 2003 15:17 (twenty-one years ago) link
all of this wasting of time with "ideas" when we could be doing louie louie covers in our garage!
― Sterling Clover (s_clover), Thursday, 22 May 2003 15:19 (twenty-one years ago) link
― Ben Williams, Thursday, 22 May 2003 15:20 (twenty-one years ago) link
― jaymc (jaymc), Thursday, 22 May 2003 15:21 (twenty-one years ago) link
― jess (dubplatestyle), Thursday, 22 May 2003 15:22 (twenty-one years ago) link
― jess (dubplatestyle), Thursday, 22 May 2003 15:23 (twenty-one years ago) link
― jaymc (jaymc), Thursday, 22 May 2003 15:24 (twenty-one years ago) link
― Ben Williams, Thursday, 22 May 2003 15:26 (twenty-one years ago) link
― James Blount (James Blount), Thursday, 22 May 2003 15:28 (twenty-one years ago) link
― Lord Custos Epsilon (Lord Custos Epsilon), Thursday, 22 May 2003 15:28 (twenty-one years ago) link
― Ally (mlescaut), Thursday, 22 May 2003 15:29 (twenty-one years ago) link
― jess (dubplatestyle), Thursday, 22 May 2003 15:30 (twenty-one years ago) link
― jaymc (jaymc), Thursday, 22 May 2003 15:31 (twenty-one years ago) link
― Lord Custos Epsilon (Lord Custos Epsilon), Thursday, 22 May 2003 15:37 (twenty-one years ago) link
― Ally (mlescaut), Thursday, 22 May 2003 15:40 (twenty-one years ago) link
― Neudonym, Thursday, 22 May 2003 15:41 (twenty-one years ago) link
― James Blount (James Blount), Thursday, 22 May 2003 15:41 (twenty-one years ago) link
― James Blount (James Blount), Thursday, 22 May 2003 15:42 (twenty-one years ago) link
― Lord Custos Epsilon (Lord Custos Epsilon), Thursday, 22 May 2003 15:45 (twenty-one years ago) link
― Ally (mlescaut), Thursday, 22 May 2003 15:47 (twenty-one years ago) link
― James Blount (James Blount), Thursday, 22 May 2003 15:48 (twenty-one years ago) link
― jess (dubplatestyle), Thursday, 22 May 2003 15:48 (twenty-one years ago) link
You cannot be serious/Johnny Mac
― oops (Oops), Thursday, 22 May 2003 18:02 (twenty-one years ago) link
― oops (Oops), Thursday, 22 May 2003 18:14 (twenty-one years ago) link
go listen to all music ever and see if you still think the same thing.
― Sterling Clover (s_clover), Thursday, 22 May 2003 18:17 (twenty-one years ago) link
and what the hell is listening to all music ever going to accomplish? I guarantee you that 90% of the musicians i listen to have not read one single word of 'intellectual' music criticism.
― oops (Oops), Thursday, 22 May 2003 18:27 (twenty-one years ago) link
― oops (Oops), Thursday, 22 May 2003 18:31 (twenty-one years ago) link
Also, careful about my reference to "people who 'get it.'" In the context of my post, I meant something like "people who are intimately acquainted with theory" -- i.e., "people for whom 'Gramscian' is a meaningful term." There is no value judgment here. When I ask "Who should we write for?" all I'm asking is "Can we use jargon and short-hand, knowing that a certain segment of people here are more familiar with theory (and thus can follow it more easily), or should we explain more for those of us who aren't as familiar?" What are our responsibilities to our community? And Oops, if you'll notice, I don't understand what "Gramscian" means, either. So I'm not being snobbish. If anything, I want more of the explanations.
― jaymc (jaymc), Thursday, 22 May 2003 20:02 (twenty-one years ago) link
― jaymc (jaymc), Thursday, 22 May 2003 20:05 (twenty-one years ago) link
― oops (Oops), Thursday, 22 May 2003 20:08 (twenty-one years ago) link
Why academicese should never be allowed to pollute music writing:
1) Cleverness is a poor substitute for intelligence
2) It swaps one form of reference spotting for another
3) It's fucking lazy. Parrots parrot because they have nothing to say. Or can't be bothered to coming up with their own ideas.
4)It's inherently exclusionary and elitist, which is surely not the point. Or is it?
5) Audiences don't need "improving."
6) But some music writers might.
7) Phrases like "zones of proximal development" Ugh!
8) Theories deal in generalisations, not messy specifics. Like pop does.
9) Nine of out ten musicians don't give a shit, though they might nod emphaticially and service your self importance, if they think you're further up the chain than they are. Which you probably aren't.
10) There are plenty of words and ideas audiences do understand (see 5) - the question is, do you? (see 6)
11) It provides a convenient filter for ideas - but what's being filtered out?
I'm going to bed. You all play nice now.
― Jamie Conway (Jamie Conway), Thursday, 22 May 2003 22:35 (twenty-one years ago) link
ha ha ha
― jess (dubplatestyle), Thursday, 22 May 2003 22:37 (twenty-one years ago) link
you'd know at least that I wasn't talking about music theory per se when I mentioned it if you'd actually read my post. go eat a bag of dicks.
― Sterling Clover (s_clover), Thursday, 22 May 2003 23:07 (twenty-one years ago) link