I do love this girl but it makes me feel sad for Kyla.
― o0o00h really? (boxedjoy), Monday, 7 March 2011 21:40 (thirteen years ago) link
i really fancy her too
― kl0ppa kl0ppa down (tpp), Monday, 7 March 2011 23:24 (thirteen years ago) link
producer vs singer/act is always a tension in this stuff
e.g. I totally adore Mis-Teeq's R&B work whereas ultimately their amazing early UKG remixes were more about the remixers than the girls (the only real exception being Alicia's amazing work on the "B With Me" remix) - i.e. to some extent the music "working" as UKG was inversely proportionate to it feeling like the product of a coherent girl group.
Though maybe that tension was exagerrated in UKG (vis a vis uk funky or dubstep or house or etc) because the tempo always necessitated speeding up the vocals.
― Tim F, Monday, 7 March 2011 23:40 (thirteen years ago) link
To be clear though it never bothered me that Mis-Teeq moved away from their roots as they were excellent R&B divas too, and I actually prefer their second album over their first (though that is ace also).
― Tim F, Tuesday, 8 March 2011 00:10 (thirteen years ago) link
ny is the one that really should be attaining equal or greater success - such a good songwriter
― lex pretend, Tuesday, 8 March 2011 08:34 (thirteen years ago) link
ny was/is great. though i dont know much else apart from fallin (which was amazing). but id rather katy b than miss fire. no idea what all the web fuss over her is about. sounds like amateur hour.
― titchy (titchyschneiderMk2), Tuesday, 8 March 2011 09:41 (thirteen years ago) link
kyla obv has a lovely voice but apart from do you mind i sense shes only as good as whoever shes working with.
― titchy (titchyschneiderMk2), Tuesday, 8 March 2011 09:42 (thirteen years ago) link
Been listening to this a bit more. The lyrics are really straightforward and kind of charming, a bit like Mike Skinner or Lily Allen, but without the hard manning of either. She comes across rather sweet on the few tracks I listend to on the way into work this morning.
― barieling cosder chout a fagh in a ballme thrantuman (dog latin), Tuesday, 8 March 2011 09:45 (thirteen years ago) link
I also really liked the original of Addictive's "Domino Effect", those poor girls never really stood a chance though.
― o0o00h really? (boxedjoy), Tuesday, 8 March 2011 09:49 (thirteen years ago) link
Does the album have a Weak Become Heroes-style consciously euphoric-communal moment? Feels like it should have one.
― Matt DC, Tuesday, 8 March 2011 10:09 (thirteen years ago) link
No, but it does have a long list of thank yous at the end of the last track, which is quite endearing even though I never want to hear again.
― Pop is superior to all other genres (DL), Tuesday, 8 March 2011 10:21 (thirteen years ago) link
xpost Haha, I'm yet to delve that deep. But there is a song about getting chatted up in a bar followed by a fairly reasonable shopping list detailing what she looks for in a lad.
― barieling cosder chout a fagh in a ballme thrantuman (dog latin), Tuesday, 8 March 2011 10:22 (thirteen years ago) link
xpost endearing was the word I was looking for, thanks DL.
(PS I sometimes think your posts are my posts and it gets kinda confuse)
― barieling cosder chout a fagh in a ballme thrantuman (dog latin), Tuesday, 8 March 2011 10:23 (thirteen years ago) link
Oh damn, I didn't think about that when I picked a new display name.
― Pop is superior to all other genres (DL), Tuesday, 8 March 2011 10:28 (thirteen years ago) link
But there is a song about getting chatted up in a bar followed by a fairly reasonable shopping list detailing what she looks for in a lad.
starting to sound like the street/danceable kate nash ppl on here were talking about last year.
― titchy (titchyschneiderMk2), Tuesday, 8 March 2011 10:32 (thirteen years ago) link
If kate nash wasn't so risible people would make that comparison much more than they do.
― Tim F, Tuesday, 8 March 2011 10:40 (thirteen years ago) link
still need to hear this album
― titchy (titchyschneiderMk2), Tuesday, 8 March 2011 10:41 (thirteen years ago) link
lol
(took me a couple of days after DL's name change to figure out why he didn't sound like dog latin)
― blud money (sic), Tuesday, 8 March 2011 11:55 (thirteen years ago) link
who is DL originally btw? I can never keep track of name changes on here. Even that thread supposedly explaining them all is like a labyrinth.
― barieling cosder chout a fagh in a ballme thrantuman (dog latin), Tuesday, 8 March 2011 12:04 (thirteen years ago) link
I was Dorianlynskey and then I got increasingly tired of seeing my real name on screen but have never been one for online aliases so I went for the prosaic and (ha) unconfusing DL.
― Pop is superior to all other genres (DL), Tuesday, 8 March 2011 12:17 (thirteen years ago) link
i didnt know it was you.
― titchy (titchyschneiderMk2), Tuesday, 8 March 2011 12:22 (thirteen years ago) link
Really? I forgot to apply my new password to my laptop so I think there are some threads where I'm commenting first as DL, then as my real name, and then as DL again. Internet anonymity is wasted on me.
― Pop is superior to all other genres (DL), Tuesday, 8 March 2011 12:43 (thirteen years ago) link
xposts ah right, it all makes sense now :-)
I've been wanting to ditch the "dog latin" name for ages now. It's a handle I threw together when I first started using the Warp Records messageboard back in 1999 and it just stuck with me. I still use it when I DJ, yet it's one of the uncoolest DJ names I can possibly think of.
― barieling cosder chout a fagh in a ballme thrantuman (dog latin), Tuesday, 8 March 2011 12:47 (thirteen years ago) link
why is there a song tagged "witches brew" on the katy b album. seriously. is that a brew made up of witches? is it a brew belonging to witches, plural, in which case where is the apostrophe? is it a brew belonging to one witch? if so that grammatical disaster may cause me to go on a rampage. THIS IS THE KIND OF THING THAT BOTHERS ME.
― lex pretend, Tuesday, 8 March 2011 15:38 (thirteen years ago) link
The witches are brewing, it's a verb.
― Matt DC, Tuesday, 8 March 2011 15:39 (thirteen years ago) link
Also yeah Miles Davis.
― Matt DC, Tuesday, 8 March 2011 15:41 (thirteen years ago) link
hang on i never noticed that about the miles davis album before - it IS meant to be "brew" as in a verb there, right? or a brew made up of bitches? right? right?
― lex pretend, Tuesday, 8 March 2011 15:45 (thirteen years ago) link
i don't think i can cope otherwise
i dont think he was saying bitches like to heat things up from time to time. its meant to be bitches' brew.
― titchy (titchyschneiderMk2), Tuesday, 8 March 2011 15:47 (thirteen years ago) link
you should prob stay away from urban music. rap esp. you might hurt yourself.
― titchy (titchyschneiderMk2), Tuesday, 8 March 2011 15:48 (thirteen years ago) link
whyyyyyyyyy has this been permitted to happen, why in nearly half a century did no one think to step in and quietly add the necessary apostrophe???
― lex pretend, Tuesday, 8 March 2011 15:50 (thirteen years ago) link
an apostrophe would look unsightly.
― titchy (titchyschneiderMk2), Tuesday, 8 March 2011 15:51 (thirteen years ago) link
http://ecx.images-amazon.com/images/I/51Xl5E86Y3L.jpg
― farieling thosder chout a bagh an i ballme crantuman (dog latin), Tuesday, 8 March 2011 15:54 (thirteen years ago) link
i hate the world
― lex pretend, Tuesday, 8 March 2011 15:57 (thirteen years ago) link
Lex I really liked your FACT review of the album - struck the right tone between setting Katy up as standing for a concept in dance/pop music and but also letting her just stand for and as herself (though maybe this is tautological insofar as the latter is also exactly what she stands for).
― Tim F, Saturday, 19 March 2011 02:07 (thirteen years ago) link
thanks!
it really struck me as i was relistening to the album - which is vv good indeed, and gets even better on repeated listenings, though i think the lightness (and housiness) of the beats has thrown a few people - how singular a figure in pop katy b is. i feel like i go on about this a lot - the best way to essay an underground/mainstream crossover, or to erode the boundaries between them (which is what katy says she wants to do), or just to help underground ideas become part of mainstream pop, is with this kind of identifiable feminine frontperson - it's frustrating that british dance music has been written about in such a tediously blokey way for the past decade plus, given that its form is so conducive to this.
― lex pretend, Saturday, 19 March 2011 09:55 (thirteen years ago) link
anyway my favourite non-singles here are "power on me", "witches' brew" (it has the apostrophe on the actual cover SO RELIEVED), "easy please me" and "hard to get" - can't believe they've actually done the hidden track thing in the itunes age though smh (it's really good though)
― lex pretend, Saturday, 19 March 2011 10:00 (thirteen years ago) link
'Easy Please Me' is the most interesting track on here as far as I can tell. On one hand it's kind of a Lily Allen/Streets-style diary entry about a night out - a device she doesn't tend to rely on too heavily on other tracks - but it also says the most about Katy B as a person.
The album might inhabit a twilit world of clubs and bars, but I couldn't imagine Katy stumbling out of Funky Buddha, flashing her bits at the paparazzi before stumbling into a cab with a premiership footballer. That's not her style, she's much more guarded and self-aware than that, coming off all the better for it in the process. No wonder she seems to get approached so often - she's a popstar with humility, the kind of girl you'd happily take home to your mum for tea and then go raving with all night.
So while she's out to have a good time, she's very much aware of the people around her. She has a kind of passiveness in wanting to please others but really wishes to find the one true person she can help to please. But until then she's politely fending off suitors, with maybe the odd polite flirtation here and there. And this is reflected in the way she approaches her music - not tying herself to any particular genre yet still embracing each one in the same genuine and endearing way. She's as comfortable with the underground as with the mainstream, like so many mumsy teatimes and all night raves.
And don't you just love the internal rhyme of "I was at a bar with my friend Olivia"? Also love those dubby synth sounds that come in during the chorus.
― farielan chosder bout a chagh an i ballme trantuming (dog latin), Saturday, 19 March 2011 10:20 (thirteen years ago) link
Yeah Lex, I just read your review. Really nice!
― farielan chosder bout a chagh an i ballme trantuming (dog latin), Saturday, 19 March 2011 10:28 (thirteen years ago) link
i love that she's spent the past few days bigging up teedra moses on twitter - seen so many retweets of people just discovering teedra b/c of katy <3
― lex pretend, Saturday, 19 March 2011 10:41 (thirteen years ago) link
oh no i think she did it on some radio show - it's teedra who's been retweeting everything lol
well she brought up teedra in this interview
https://www.youtube.com/watch?v=nqk7VtUfofg
and now she's repping her on the radio as well? god i love this woman
― uberweiss, Saturday, 19 March 2011 14:16 (thirteen years ago) link
it's frustrating that british dance music has been written about in such a tediously blokey way for the past decade plus, given that its form is so conducive to this
I think British dance music, post-92 at least, has *always* been written about in a tediously blokey way - female vocalists appear all over the place but they're usually a front for the producers even when they make the whole song (Exhibit A being Shara Nelson on Unfinished Sympathy obviously). 2-step is a bit of an outlier in that respect but even that threw up fewer durable pop stars than one would expect.
― Matt DC, Monday, 21 March 2011 13:00 (thirteen years ago) link
Lex I really liked your FACT review of the album - struck the right tone between setting Katy up as standing for a concept in dance/pop music and but also letting her just stand for and as herself
cosign, really good review lex (just got the FACT email newsletter, read it, thought "oh cool great review!" then noticed yr name at the botton after i'd read the entire thing-- go figure!)
― ilxor you've listened to one odd future album once (ilxor), Thursday, 24 March 2011 14:15 (thirteen years ago) link
bottom* obv
https://www.youtube.com/watch?v=y12kbjyqJ0M
bangin' band behind her there
― abcfsk, Saturday, 26 March 2011 16:41 (thirteen years ago) link
― kris menace isn't even french (sic), Sunday, 27 March 2011 01:06 (thirteen years ago) link
Random Thoughts:
a-*This album is like a rundown of every dance electronic genre of the past decade or so.
God she has a sexy voice. Can I have a crush on a girl even though I'm gay? (thinks for a second) Yeah sure why not?
She really does play hard to get. She never sings a song on what specifics traits she likes in a guy. She keeps that information to herself. Shes both warm and aloof at the same time.
"Why You Always Here?" is the best fuck off song I've heard since the late 90s Scrub/Bills Bills Bills era.
Why the fuck Louder isn't on this album?
Please don't come to the USA and go r&b. That's how Craig David ruined himself.
― “Complete masculinity and stupidity are often indistinguishable (lilsoulbrother), Tuesday, 29 March 2011 07:11 (thirteen years ago) link
She never sings a song on what specifics traits she likes in a guy
ha, until "easy please me" when she tells you all of them!
def one of those albums that gets even better w/repeated listens - seriously impressed by it
― lex pretend, Tuesday, 29 March 2011 09:37 (thirteen years ago) link
vg interview - http://www.guardian.co.uk/music/2011/mar/29/katy-b?CMP=twt_gu
― lex pretend, Wednesday, 30 March 2011 09:26 (thirteen years ago) link