sometimes, when I'm in the right mood, the ludicrous codas make me laugh; most of the time I just skip them (except, weirdly, for "Blame Game", I think because of the Aphex sample)
― BO (DJP), Thursday, 9 December 2010 22:06 (thirteen years ago) link
http://www.blogcdn.com/blog.moviefone.com/media/2010/08/nekromantik.jpg
― phish in your sleazebag (contenderizer), Thursday, 9 December 2010 22:07 (thirteen years ago) link
well that was necessary
― BO (DJP), Thursday, 9 December 2010 22:07 (thirteen years ago) link
whose dark twisted fantasy is this?
― Gus Van Sotosyn (Alfred, Lord Sotosyn), Thursday, 9 December 2010 22:11 (thirteen years ago) link
is it a fact that he's "taking tips"?
i knew someone was gonna swing at that.
anyway, MAYA seems a good comparison, in that they're both identity-defining event albums from stars who've risen over the past 5 years, and they've attracted a lot of attention weird little pocket universe where pitchfork indie intersects with pop. and they're both kind of a mess, defensive products of people who seem to wall themselves up behind a sense of embattlement and paranoia. and i like them both, though i wouldn't call either a favorite. in some ways, they're more fun to reflect on, raise an eyebrow at and/or talk about than to listen to.
― phish in your sleazebag (contenderizer), Thursday, 9 December 2010 22:13 (thirteen years ago) link
multi-xpost: "art-rap" is good — I still kinda like "glam-rap" but that doesn't seem like it's gonna catch on (oh well)
― unemployed aerosmith fans I have shoved (bernard snowy), Thursday, 9 December 2010 22:14 (thirteen years ago) link
I don't think MAYA is a mess at all.
― Gus Van Sotosyn (Alfred, Lord Sotosyn), Thursday, 9 December 2010 22:15 (thirteen years ago) link
It's sonically surprising but of a piece.
"...a lot of attention in the weird little pocket universe..."
^ note
― phish in your sleazebag (contenderizer), Thursday, 9 December 2010 22:16 (thirteen years ago) link
The middle section of MAYA still feels like a lazy copout to me, like taking the "oh I'll just record any old shit" vibe of "Mango Pickle Down River" and extending it over three consecutive tracks.
"Teqkilla", "Lovalot" and "Illygirl" own tho
― BO (DJP), Thursday, 9 December 2010 22:20 (thirteen years ago) link
recent kanye is kinda glam
― Local Hardman (some dude), Thursday, 9 December 2010 22:22 (thirteen years ago) link
OTM:
http://www.soulstrut.com/index.php/forums/viewthread/67374/P420/jamesPosted: 07 December 2010 12:38 PMI keep wishing this record were either smarter or more honest, one of the two. It's not honest enough that I feel like I'm really getting warts and all, but nor is it smart enough that I feel like whatever's being held back is being held back intentionally. It's not focused enough to be a real deep listen, but it's calculated enough that I can't quite convince myself to hear its inconsistency as, you know, a sign of its flawed humanity or whatever.
Sonically, I think it's kinda lacking presence. It's relevant, though, and you can't front on that.
It's definitely a weather-report record, and as such it does deliver a certain electricity. But while it may stand for a minute as a sonic/aspirational yardstick, I can't imagine that in and of itself it will still have much spark six months from now. I'll be surprised if this one retains cultural or individual resonance beyond its commercial moment like 808s did.
― lotta diamonds ... but prolly more display names (deej), Thursday, 9 December 2010 22:24 (thirteen years ago) link
MDTF is his David Live.
― Gus Van Sotosyn (Alfred, Lord Sotosyn), Thursday, 9 December 2010 22:24 (thirteen years ago) link
belongs in a different thread, but i've sort of run in circles with MAYA. it initially struck me as bleak, hopelessly muddled and only occasionally successful, but i played it to death over the course of a week, and gradually came to love everything about it. but in retrospect, i've come back around in my appreciation to where i'm now somewhere between the two points. it's good, occasionally great, but the one thing it doesn't sound, to me, is "of a piece". it's more like a jigsaw puzzle than an album, and i keep changing the running order, swapping tracks in and out to make sense of it.
MBDTF has different problems, in that it does sound of a piece, but the whole is rather ugly. DJP OTM re: "teqkilla" (which threw me at first) and "illygirl", but i'd swap "lovealot" for "born free", "xxxo" and/or "meds & feds".
― phish in your sleazebag (contenderizer), Thursday, 9 December 2010 22:25 (thirteen years ago) link
yeah that soulstrut post is pretty on point. not sure what graemlin would convey that, though.
― Local Hardman (some dude), Thursday, 9 December 2010 22:26 (thirteen years ago) link
nailing it down in that soulstrut post
― phish in your sleazebag (contenderizer), Thursday, 9 December 2010 22:27 (thirteen years ago) link
soulstrut post pinpoints my problem with the album's POV and self-awareness. wish i could have thought that through and articulated it on my own, but i'm glad someone did. but, even if MBDTF isn't smart or honest enough to make real virtues of its many flaws, the absence of humanizing virtue helps give it a grotesque, darkly comic kind of trainwreck appeal.
― phish in your sleazebag (contenderizer), Thursday, 9 December 2010 22:33 (thirteen years ago) link
the google connected to the government
― Erykah Badiou (markers), Thursday, 9 December 2010 22:35 (thirteen years ago) link
("Born Free" and "XXXO" are also great; "Meds and Feds" is okay but I've come to enjoy the Sleigh Bells song it samples more)
For me, there are certain songs on this that will still spark six months from now ("Power", "Monster", "Runaway", "Hell of a Life", "Blame Game" and "Lost in the World"). As an overall album, this isn't as good as 808s or LR; I kind of view it on par with Graduation.
― BO (DJP), Thursday, 9 December 2010 22:37 (thirteen years ago) link
i still like this album, though i usually stop listening at "blame game" (i think i've maybe only heard "lost in the world" once or twice (!?!)). i don't really care how truthful it is or whether it's prog or glam, i just think it's a really visceral, exciting album. it fits in my wheelhouse of dense, energetic, loud music.
― congratulations (n/a), Thursday, 9 December 2010 22:39 (thirteen years ago) link
"lost in the world" is great though!
― phish in your sleazebag (contenderizer), Thursday, 9 December 2010 22:41 (thirteen years ago) link
the Sleigh Bells song it samples
o_O
― goole, Thursday, 9 December 2010 22:41 (thirteen years ago) link
not much talk of the album concept/story here which is largely because you'd have to see the short film to really pick up on it and everyone just accepts that it's a really lame and So Appalling story right?
― modrić in paradise (blueski), Thursday, 9 December 2010 22:43 (thirteen years ago) link
"Meds & Feds"https://www.youtube.com/watch?v=R86GH2wmx2o&feature=fvst
"Treats"https://www.youtube.com/watch?v=BnSuRHiW988
"samples" isn't the right word really, but yeah
― BO (DJP), Thursday, 9 December 2010 22:43 (thirteen years ago) link
oh ha i didn't read closely enough and didn't think you were talking about MIA
― goole, Thursday, 9 December 2010 22:45 (thirteen years ago) link
am still disgusted by it on a real level but in a way that doesn't interfere with the enjoyment
just like hard porn amirite
― modrić in paradise (blueski), Thursday, 9 December 2010 22:46 (thirteen years ago) link
okay Kanye sampling "Rachel" would be kind of amazing
― BO (DJP), Thursday, 9 December 2010 22:47 (thirteen years ago) link
Has anyone gone hard on Runaway? I find myself liking the beat more and more but Kanye is p lame on top it. If it was 8 minutes of Pusha it would be A+++
― irish xmas caek, get that marzipan inta ya (a hoy hoy), Friday, 10 December 2010 18:25 (thirteen years ago) link
i like itit's a good sing-along song
― congratulations (n/a), Friday, 10 December 2010 18:26 (thirteen years ago) link
Kanye is completely inconsequential on "Runaway"; that song is all hook and really all the better for it.
― BO (DJP), Friday, 10 December 2010 18:32 (thirteen years ago) link
the part where he's belting out incompetently/incoherently "RUNAWAY FROM ME BEH BEH DRNENENEN CRAZY" is like the nadir of the album for me.
― some dude, Friday, 10 December 2010 18:34 (thirteen years ago) link
yr nutz!
― hipity-hopity muzik ftw! (Ioannis), Friday, 10 December 2010 18:36 (thirteen years ago) link
you're into the vaguely melodic mumbling?
― some dude, Friday, 10 December 2010 18:38 (thirteen years ago) link
best part of the track imo.
― hipity-hopity muzik ftw! (Ioannis), Friday, 10 December 2010 18:39 (thirteen years ago) link
but then it may be my fave track of the year.
― hipity-hopity muzik ftw! (Ioannis), Friday, 10 December 2010 18:40 (thirteen years ago) link
you're into the vaguely melodic mumbling?― some dude, Friday, December 10, 2010 1:38 PM (3 minutes ago) Bookmark Suggest Ban Permalink
― some dude, Friday, December 10, 2010 1:38 PM (3 minutes ago) Bookmark Suggest Ban Permalink
wtf, isn't like sonic youth your favorite band?
― in my world of young puppies (Whiney G. Weingarten), Friday, 10 December 2010 18:42 (thirteen years ago) link
really would love to hear some youtube fiend put the first verse of "Runaway" after the first chorus in Natalie Imbruglia's "Torn."
― da croupier, Friday, 10 December 2010 18:45 (thirteen years ago) link
there's a huge difference between rock singers working within their limitations and a rapper trying to belt out a big R&B hook and collapsing into a puddle of consonants
― some dude, Friday, 10 December 2010 18:46 (thirteen years ago) link
that's a load of horseshit, Al.
― hipity-hopity muzik ftw! (Ioannis), Friday, 10 December 2010 18:47 (thirteen years ago) link
would it have ruined the magic of the moment if Kanye went for a 2nd take and clearly enunciated every word?
― some dude, Friday, 10 December 2010 18:48 (thirteen years ago) link
the best part about kanye's singing is that it's out of his limitations
― in my world of young puppies (Whiney G. Weingarten), Friday, 10 December 2010 18:49 (thirteen years ago) link
It's symbolic of Kanye's dick-on-his-sleeve emotional bravery
― da croupier, Friday, 10 December 2010 18:49 (thirteen years ago) link
it would be like complaining that Thurston Moore can't hit all the same notes as Loverboy.
― in my world of young puppies (Whiney G. Weingarten), Friday, 10 December 2010 18:50 (thirteen years ago) link
I will take Kanye shouting at the top of his lungs over the vaguely croony horseshit he does on "Dark Fantasy" every single fucking time
― BO (DJP), Friday, 10 December 2010 18:50 (thirteen years ago) link
i dunno. but let's ask Mick Jagger why he couldn't be bothered to enunciate properly first, shall we?
xps
― hipity-hopity muzik ftw! (Ioannis), Friday, 10 December 2010 18:50 (thirteen years ago) link
if only there was some sort of hint on the record that Kanye understood the value of indie-rock imperfections
― in my world of young puppies (Whiney G. Weingarten), Friday, 10 December 2010 18:51 (thirteen years ago) link
pretty sure people would do this if SY made an album that tried to sound like loverboy
― da croupier, Friday, 10 December 2010 18:52 (thirteen years ago) link
almost every note of Bon Iver singing on this album has Charlie Wilson higher in the mix. i'd probably be fine with CW singing the bridge of "Runaway," he can pull of what it sounds like Kanye's attempting.
― some dude, Friday, 10 December 2010 18:53 (thirteen years ago) link
i don't think kanye is trying to make an r kelly record croups
― in my world of young puppies (Whiney G. Weingarten), Friday, 10 December 2010 18:55 (thirteen years ago) link
of shipley's criticisms of "runaway", the "how does it make you a jerk off to never take work of?" line rings a bit more true
― gimme schefter (J0rdan S.), Friday, 10 December 2010 18:57 (thirteen years ago) link