that four-CDer looks like it's got adequate deck space betwixt the bow and stern.
― bendy, Sunday, 6 June 2010 02:20 (fourteen years ago) link
thanks for the tips folks, i am gonna get the Elvis75 Box
― iago g., Sunday, 6 June 2010 02:39 (fourteen years ago) link
RCA has just reissued From Elvis In Memphis. It now includes a second disc that contains just about all the tracks recorded at Moman's studio in 68/69. So awesome. This stuff rocks hard.
picked up this 2cd set yesterday : wow.
subsequently, i got the 2 cd set of his live albums on stage/in person today.
cant get enough of the big band + backing singers ..
― mark e, Friday, 4 November 2011 16:25 (twelve years ago) link
The deluxe 2CD reissue of Promised Land (the third album from Elvis's Stax Studios sessions of July and December 1973) finally came out; I got my copy in today's mail. Gonna write a lengthy article about these sessions. Overlooked even at the time (the albums all placed way higher on the Country charts than on the regular top 200).
― 誤訳侮辱, Saturday, 25 February 2012 19:26 (twelve years ago) link
Thought this revive would have something to do with Dolores Hart movie.
― Can You Please POLL Out Your Window? (James Redd and the Blecchs), Saturday, 25 February 2012 20:01 (twelve years ago) link
x-post
I need to hear that. I've been spinning Elvis Country a lot. What a great album.
― QuantumNoise, Saturday, 25 February 2012 21:48 (twelve years ago) link
His band in those days was always on fire, and the 70s box is absolutely flawless -- one of the most consistently thrilling boxes I've ever heard. Definitely gonna look into the Promised Land reissue.
― Let A Man Come In And Do The Cop Porn (Tarfumes The Escape Goat), Saturday, 25 February 2012 23:07 (twelve years ago) link
Me on the TV-advertised double album that topped the charts after he died: http://nobilliards.blogspot.co.uk/2012/08/elvis-presley-elvis-40-greatest.html
― Here he is with the classic "Poème Électronique." Good track (Marcello Carlin), Sunday, 19 August 2012 13:11 (twelve years ago) link
Great piece Marcello.
― EZ Snappin, Sunday, 19 August 2012 13:53 (twelve years ago) link
indeed.
really enjoyed reading that mc.
― mark e, Sunday, 19 August 2012 13:59 (twelve years ago) link
That's really good, both as a survey of his career and as a memory of August 1977. Thanks!
― Brad C., Sunday, 19 August 2012 15:06 (twelve years ago) link
I guess you didn't get to see Geraldo Rivera in a white TCB In A Flash jumpsuit on that side of the pond during that fateful August way back when.
― Safe European Momus (James Redd and the Blecchs), Monday, 20 August 2012 00:25 (twelve years ago) link
typically excellent piece from marcello -- espec. nice to see someone taking elvis's 'lost' early '60s years (after the army but before the comeback) seriously.
― (The Other) J.D. (J.D.), Monday, 20 August 2012 00:31 (twelve years ago) link
Agreed. Although I think "Stuck on You" is a little better than he credits.
― Safe European Momus (James Redd and the Blecchs), Monday, 20 August 2012 00:40 (twelve years ago) link
Yeah, that was nice. Never really noticed all the stalkerish/rapey lyrics in his tunes but y'know, he was the King
― frogbs, Monday, 20 August 2012 14:10 (twelve years ago) link
In 1977 there were 170 Elvis impersonators. By 2002 there were 85,000. At that rate of growth, by 2019 a third of the world's population will be Elvis impersonators
― frogbs, Monday, 20 August 2012 14:14 (twelve years ago) link
http://www.moma.org/collection_images/resized/162/w500h420/CRI_151162.jpg
― Safe European Momus (James Redd and the Blecchs), Tuesday, 21 August 2012 17:04 (twelve years ago) link
when i visited Tupelo, loved the sign on the church opposite the birthplace: "COME INSIDE AND MEET THE REAL KING!"
― Jamie_ATP, Tuesday, 21 August 2012 17:17 (twelve years ago) link
ha.
during a drunken session last week i ordered the legacy editions of the kings debut, and 'elvis is back' each of which is backed with another album, plus a lot of extra tracks.
― mark e, Tuesday, 21 August 2012 17:58 (twelve years ago) link
Buying this tomorrow.
― 誤訳侮辱, Tuesday, 13 November 2012 01:48 (eleven years ago) link
bought Elvis in Memphis recently, partly because of this or another ILM thread and ugh really not feelin it. Should've gone w/Sun Sessions.
― A True White Kid that can Jump (Granny Dainger), Tuesday, 13 November 2012 02:08 (eleven years ago) link
That live set looks amazing. Can't wait to hear your thoughts on it.
― EZ Snappin, Tuesday, 13 November 2012 02:11 (eleven years ago) link
i love 'from elvis in memphis' -- it's prob the one i'd take to a desert island -- but yeah 'elvis at sun' is the one even elvis-haters ought to love.
― (The Other) J.D. (J.D.), Tuesday, 13 November 2012 02:12 (eleven years ago) link
i have the 'elvis stage' 2 cd legacy edition, so thinking i dont need the new live set ..
or do i ?
― mark e, Monday, 26 November 2012 00:53 (eleven years ago) link
I believe it is a different band, different setting, different year. So yes? I think?
― EZ Snappin, Monday, 26 November 2012 00:56 (eleven years ago) link
The On Stage set (which I might pick up this week) is Las Vegas 1970, this one is NYC 1972. Basically the same band (James Burton, John Wilkinson Jerry Scheff and most importantly Ronnie Tutt on drums—on the MSG set the dude is practically playing blast beats on some of the rockabilly numbers) but a lot of different material. I think you need both.
― 誤訳侮辱, Monday, 26 November 2012 01:03 (eleven years ago) link
ok. i'm convinced.on stage is totally brilliant .. the band are beyond good ...i've played this and the legacy editions all weekend and loved every minute.guess this new set has to be added to the archive.
― mark e, Monday, 26 November 2012 01:10 (eleven years ago) link
I threw on 30 #1's for the hell of it last night driving home. I've listened to Elvis, especially hits, for most of my life, and in my head there was always the memory of this big sound that went with 'All Shook Up'...but I realized it's all Elvis! I mean that song is just handclaps and a faint piano! (or that's what it sounds like). The way he performs it, it's almost acappella. I dunno why but that blew me away.
― set the controls for the heart of the sun (VegemiteGrrl), Wednesday, 24 April 2013 16:36 (eleven years ago) link
Watched this Roy Orbison and His Friends tv concert video a week or two ago and was happy to realize that the house band was basically Elvis's TCB band from the Vegas period.
― What About The Half That's Never Been POLLed (James Redd and the Blecchs), Wednesday, 24 April 2013 17:17 (eleven years ago) link
Cool interview with Steve Binder about the 68 Comeback special
http://www.elvis.com.au/presley/interview_steve_binder.shtml#sthash.ZZ30qGFA.dpbs
Q : Was there a mix-up of tickets where no one showed up and you had to get people from Bob's Big Boy? A : The incident with the tickets was --- I went to Colonel Parker and when I was told it was okay to do this and I decided we'd have two audiences and we were inviting 250, 300 people to come to each one of these sessions. And so I had NBC guest relations print up the Elvis Presley tickets. And believe me, we could've sold those tickets for $1000 apiece or something, even in those days. I mean, to see Elvis Presley for an hour or two, you know, improvisationally singing and talking and everything was just unheard of. And so I went to the Colonel and I said 'How many tickets do you want for your friends or your family or RCA or whatever?' And he said, 'Bindel, said you don't understand how the Colonel works'. He said, 'I don't want any tickets. But, if you want all of Elvis fans with the bouffant hairdos and all the screaming and yelling and everything from Memphis,' he said, 'I want all the tickets. And if you give me all the tickets, that means all of 'em. You can't have any, NBC can't have any, Singer can't have 'em, nobody gets 'em'. So I went to NBC and I went to Bob Finkel, and I went to the sponsors and I said 'This is the deal. And for me there's no contest, let's give 'em to the Colonel and let's get this, cull this audience'. Not taking into consideration that my real feelings were, in all honesty, is I didn't trust what the Colonel said. I mean, I just didn't feel 100 percent confident when he said he was gonna do something it was really gonna happen. And I usually try and protect my backside all the time by anticipating whether things are gonna happen. In this case I didn't. I convinced everybody to give the Colonel all of the tickets for both shows, which I did. He got out his briefcase and all the tickets went into the briefcase. And I'm expecting these airplanes to fly in from Memphis, and all these screaming women coming out and all the Elvis hard core fans and so forth. And about two days after the tickets were given to the Colonel, the guard at NBC while I was driving out one evening, said 'Hey Steve, do you need any tickets for Elvis?' And I said 'What are you talking about?' And there on his desk in the guard booth was a stack of Elvis Presley tickets. That was my first indication we're in trouble in River City, you know, we're in deep trouble if this doesn't come off. So the next morning I got there extra specially early, expecting to see the Johnny Carson, Jay Leno fans lined up outside of NBC but, you know, tenfold. I just expected there'd be fans taking over all of Burbank wanting to see Elvis Presley. There was nobody and I drove into the gate and we're gettin ready to organize the staff and the stage to shoot this sequence and all of a sudden the head of the guest relations comes to me and said 'Steve we're in big trouble'. There's just a few people standing outside. Those tickets weren't distributed. They didn't go to anybody. So we panicked. I mean, we called some friends of ours at some local radio stations and asked them to promote it on the air. We sent somebody over to Bob's Big Boy to ask customers eating hamburgers and malts to come over to see Elvis Presley and we somehow pulled together with enough people at NBC who were there, calling their friends and families and what have you to get these audiences in there.
A : The incident with the tickets was --- I went to Colonel Parker and when I was told it was okay to do this and I decided we'd have two audiences and we were inviting 250, 300 people to come to each one of these sessions. And so I had NBC guest relations print up the Elvis Presley tickets. And believe me, we could've sold those tickets for $1000 apiece or something, even in those days. I mean, to see Elvis Presley for an hour or two, you know, improvisationally singing and talking and everything was just unheard of. And so I went to the Colonel and I said 'How many tickets do you want for your friends or your family or RCA or whatever?' And he said, 'Bindel, said you don't understand how the Colonel works'. He said, 'I don't want any tickets. But, if you want all of Elvis fans with the bouffant hairdos and all the screaming and yelling and everything from Memphis,' he said, 'I want all the tickets. And if you give me all the tickets, that means all of 'em. You can't have any, NBC can't have any, Singer can't have 'em, nobody gets 'em'.
So I went to NBC and I went to Bob Finkel, and I went to the sponsors and I said 'This is the deal. And for me there's no contest, let's give 'em to the Colonel and let's get this, cull this audience'. Not taking into consideration that my real feelings were, in all honesty, is I didn't trust what the Colonel said. I mean, I just didn't feel 100 percent confident when he said he was gonna do something it was really gonna happen. And I usually try and protect my backside all the time by anticipating whether things are gonna happen. In this case I didn't. I convinced everybody to give the Colonel all of the tickets for both shows, which I did. He got out his briefcase and all the tickets went into the briefcase. And I'm expecting these airplanes to fly in from Memphis, and all these screaming women coming out and all the Elvis hard core fans and so forth.
And about two days after the tickets were given to the Colonel, the guard at NBC while I was driving out one evening, said 'Hey Steve, do you need any tickets for Elvis?' And I said 'What are you talking about?' And there on his desk in the guard booth was a stack of Elvis Presley tickets. That was my first indication we're in trouble in River City, you know, we're in deep trouble if this doesn't come off. So the next morning I got there extra specially early, expecting to see the Johnny Carson, Jay Leno fans lined up outside of NBC but, you know, tenfold. I just expected there'd be fans taking over all of Burbank wanting to see Elvis Presley. There was nobody and I drove into the gate and we're gettin ready to organize the staff and the stage to shoot this sequence and all of a sudden the head of the guest relations comes to me and said 'Steve we're in big trouble'. There's just a few people standing outside. Those tickets weren't distributed. They didn't go to anybody. So we panicked. I mean, we called some friends of ours at some local radio stations and asked them to promote it on the air. We sent somebody over to Bob's Big Boy to ask customers eating hamburgers and malts to come over to see Elvis Presley and we somehow pulled together with enough people at NBC who were there, calling their friends and families and what have you to get these audiences in there.
― set the controls for the heart of the sun (VegemiteGrrl), Wednesday, 24 April 2013 23:14 (eleven years ago) link
Wow
― What About The Half That's Never Been POLLed (James Redd and the Blecchs), Thursday, 25 April 2013 00:38 (eleven years ago) link
what i love about the colonel is he was actually a pretty shitty businessman -- like outright incompetent -- who managed to fool everyone into thinking that he was this slick master operator just by acting like everyone's cartoon image of what a slick, devious businessman was like.
― (The Other) J.D. (J.D.), Thursday, 25 April 2013 01:07 (eleven years ago) link
yeah Charlie Louvin's descriptions of him in his book give the impression that he wasn't much more than a legitimized carny
― set the controls for the heart of the sun (VegemiteGrrl), Thursday, 25 April 2013 01:21 (eleven years ago) link
Motherfucker took an insane percentage, and his renegotiations with RCA were so inept that not only did Elvis lose out on millions, but the Colonel himself did too.
Also, wasn't it some shadiness with Parker that was the reason Elvis never played outside the US?
― Pope Frank is the messenger of your doom (Tarfumes The Escape Goat), Thursday, 25 April 2013 02:14 (eleven years ago) link
Parker was an illegal alien, and could have been denied reentry in the States if Elvis had travelled overseas.
― Sheela-Tubb-Mann, You Real Know-It-All (C. Grisso/McCain), Thursday, 25 April 2013 02:17 (eleven years ago) link
^ bingo
― set the controls for the heart of the sun (VegemiteGrrl), Thursday, 25 April 2013 02:58 (eleven years ago) link
albert goldman's 'elvis' actually has a lot of great, fascinating stuff about parker in it, espec his shady background and total mismanagement of elvis's finances.
― (The Other) J.D. (J.D.), Thursday, 25 April 2013 04:47 (eleven years ago) link
man on stage is fucking great, huh
― set the controls for the heart of the sun (VegemiteGrrl), Thursday, 25 April 2013 17:36 (eleven years ago) link
I gotta get that. His 70s band(s) were insane.
― Pope Frank is the messenger of your doom (Tarfumes The Escape Goat), Thursday, 25 April 2013 17:38 (eleven years ago) link
― (The Other) J.D. (J.D.), Thursday, April 25, 2013 12:47 AM (12 hours ago) Bookmark Flag Post Permalink
I'd heard that about the Goldman book, but because it's Goldman, stayed away. May check it out.
It's one thing for a manager to screw their artist and make millions doing it; but from what I've read, Parker screwed himself out of millions, possibly hundreds of millions. That's kind of amazing in its way.
― Pope Frank is the messenger of your doom (Tarfumes The Escape Goat), Thursday, 25 April 2013 17:40 (eleven years ago) link
oh yes ...
― mark e, Thursday, 25 April 2013 17:41 (eleven years ago) link
Yeah, I love this period of Elvis. I had a bootleg cassette copy of his Vegas 72 opening night in college and it was one of my favorite things. I mean, there's nothing he can't sing, nothing the band can't play, it's just awesome to hear him kill every single song.
― set the controls for the heart of the sun (VegemiteGrrl), Thursday, 25 April 2013 17:41 (eleven years ago) link
That's The Way It Was band is killer
― four Marxes plus four Obamas plus four Bin Ladens (Shakey Mo Collier), Thursday, 25 April 2013 17:44 (eleven years ago) link
er That's the Way IT IS
that is
― four Marxes plus four Obamas plus four Bin Ladens (Shakey Mo Collier), Thursday, 25 April 2013 17:45 (eleven years ago) link
#waltercronkite
― set the controls for the heart of the sun (VegemiteGrrl), Thursday, 25 April 2013 17:46 (eleven years ago) link
#rundmc
― What About The Half That's Never Been POLLed (James Redd and the Blecchs), Thursday, 25 April 2013 18:31 (eleven years ago) link
I bought that 2CD Madison Square Garden '72 set when it came out last year, and that band fucking tears it up. The drummer, Ronnie Tutt, in particular, is amazing.
― 誤訳侮辱, Thursday, 25 April 2013 18:37 (eleven years ago) link
Crazy - after Elvis's death, Ronnie Tutt joined the Jerry Garcia Band, and is now Neil Diamond's drummer!
― 誤訳侮辱, Thursday, 25 April 2013 18:39 (eleven years ago) link
wow, I didn't know that
― set the controls for the heart of the sun (VegemiteGrrl), Thursday, 25 April 2013 18:40 (eleven years ago) link
A bunch of the TCB guys backed Gram Parsons on his solo joints, but you knew that already.
― Sheela-Tubb-Mann, You Real Know-It-All (C. Grisso/McCain), Thursday, 25 April 2013 18:43 (eleven years ago) link