Dexy's Midnight Runners: Classic Or Dud

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I rather feel that Dexy's Midnight Runners are way overrated. But if they weren't, I'd feel sorry for them. There's a whole other interesting emotional-musical category: Bands You Like Cos You Feel Sorry For Them. Far more common, in my life, than Bands You Like To Annoy Somebody Else (and other improbable variants).

the pinefox, Wednesday, 28 February 2001 01:00 (twenty-five years ago)

it really depends on what side of the Atlantic you're on. You'd be hard pressed to find anyone over here who champion "Classic." And over there you have that recent Kevin Roland solo album debacle to erode respect.

brent d., Saturday, 3 March 2001 01:00 (twenty-five years ago)

two weeks pass...
Whether classic or dud - I think they were a bit of both, to be honest. They were so committed to what they did, that made them a classic - but at the same time, it blinkered them to their faults. If there's only one thing I admire about them - it's their gang mentality, them against the world. That makes a pop group something to aspire to - they had that mentality in spades. No other pop group since has had this . . .

Vaughan, Wednesday, 21 March 2001 01:00 (twenty-five years ago)

.....except for Killing Joke!

HONOUR THE FIRE!

Sorry, sorry.

Tom, Wednesday, 21 March 2001 01:00 (twenty-five years ago)

eight months pass...
I'm listening to "Don't Stand Me Down" as I type, and wanted to chime in with a "classic." FWIW, I can't think of a band I've loved as much this year as this one, partly because Kev caught me by surprise. It's so earnest, but it comes across as so honest as well. Songs such as "My National Pride" and "One of Those Things" would have encouraged snickers from me in the past, but now this Recovering Indie Boy is pro-sincerity and this is about as sincere as it gets, and rather beautiful as well -- and those are probably the weakest tracks on this record. I just believe every word that Kev sings or speaks. Sister Ray had a copy of "My Beauty" while I was traveling in October and, were I more nimble, I'd kick myself for not buying that.

KR has beauty and soul -- and not a regard for anyone else but himself, which I applaud. As singular to me as Struan in the good ol days, Travis Morrison or Isaac Brock at their more adventurous, Darren Hayman at his most pointed, or Jarvis. Daming praise to a lot of you, but, hey, when it comes to literate pop I guess I'm in Nitsuh's "music for you" pen.

scott p., Saturday, 1 December 2001 01:00 (twenty-four years ago)

two months pass...
I`ve been a DMR fan since they bought out Searching for the Young Soul Rebels. It was so fresh and new it blew my mind. Of course I had to turn the volume down on some of the songs with cuss words in them, but on the whole I was very impressed. I was 16 when Geno came out, and everytime I listen to that song it takes be back to 1980 when there wasn`t all that much good music about. I remember I had a poster on my wall of DMR. Kevin Rowlands et al were on a running track and were posed getting ready to run. I don`t know what ever happened to that poster, but whenever I hear Geno it takes me back to my teens and having posters on my wall such as DMR, Squeeze, and Paul Weller! Tom...I don`t understand why DMR were only a one hit wonder in the US either. They obviously didn`t appreciate them as much as the UK did. Their loss! :-D

Wendy B, Sunday, 10 February 2002 01:00 (twenty-four years ago)

one month passes...
I hear that EMI Liberty has a reissue of "Don't Stand Me Down" slated for 15th April. This one will be "The Director's Cut" apparently: KR having been unhappy with the sound on the Creation CD. Also, at least one additional song: "Kevin Rowland's Thirteenth Time" and - get this - VIDEOS for "This Is What She's Like" "Knowlegde Of Beauty" and "Listen To This". Not sure if those videos arer with the regular audio CD issue or something else, btw. I didn't know such things existed.

Tim, Monday, 11 March 2002 01:00 (twenty-four years ago)

Previously unissued, according to Robert Elms the other day.

N., Monday, 11 March 2002 01:00 (twenty-four years ago)

I've now seen these videos and they are great, particularly "This Is What She's Like": manages the balance between intensity and a sense of the ridiculous (and the ridiculously ordinary) in just the way the song does. Kevin's freaky dancing is a joy to behold.

The band they assembled for that "DSMD" looks even crazier on video.

Tim, Thursday, 14 March 2002 01:00 (twenty-four years ago)

Being a youngster, I had a laissez-faire attitude towards Dexy's for many years, despite being excited by their awesome brass playing. But then I started a band with a couple of old control freaks, one of whom was obsessed with the way Kevin allegedly ran his band - making them go jogging and all that. He seemed keen to bring this kind of cult-y discipline to our group, and of course failed, but hearing all these stories about Kevin Rowland's rampant meglomania kinda put me off them. Now when I hear them I just think of frustrated shouty little men. I'm all in favour of great rock tales of mental band leaders if the resulting music justifies the means, but with Dexy's I just don't think it does. I'm sure you people disagree; maybe it's a generation thing.

Ondes Martinot, Thursday, 14 March 2002 01:00 (twenty-four years ago)

Being a youngster, I had a laissez-faire attitude towards Dexy's for many years

That's the greatest start to a post in history.

Ally, Thursday, 14 March 2002 01:00 (twenty-four years ago)

one month passes...
hi there. the final word on it is that dexys are perfect. all their faults make them even more perfect because they show you what kevin was putting across.

"were just human and were just putting human feelings across"

not his words exactly but they looked right this way.

del a robbo, Thursday, 2 May 2002 00:00 (twenty-four years ago)

six months pass...
I never knew or cared who did "Come on Eileen" until last night. I was riding in a taxi with my current love interest and the song came on. She asked (cautiously, in retrospect), "Do you like 80's music?" (meaning, I think, this kind of 80's music). I said, "Not particularly, but I like some of it." "Do you like this song?" "No." "Why do people like this song so much?" "I don't know. It probably has to do with things that were happening in their lives when the song was out." I like her more for asking why people like that song.

DUD

Rockist Scientist, Thursday, 21 November 2002 18:38 (twenty-three years ago)

You are Nick Hornby, what did I win?

Ally (mlescaut), Thursday, 21 November 2002 18:44 (twenty-three years ago)

b-b-but saying the dexys are only 'come on eileen' is such a false start. there's much more than that behind it.
and 'come on eileen' isn't such a bad song, it might just be that it's been so overexposed throughout the years (other examples like 'losing my religion' come to mind...).
in my book, the dexys are totally CLASSIC.

joan vich (joan vich), Thursday, 21 November 2002 19:34 (twenty-three years ago)

Ally wins again!

Aaron W, Thursday, 21 November 2002 19:46 (twenty-three years ago)

rockist- they made three records you know. I've heard the odd track from each of them and they are all quite diff in stylistic terms so don't dismiss 'em just for the one song.

thisreminds of the subway sect thread where pinefox dismissed them on one song.

Julio Desouza (jdesouza), Thursday, 21 November 2002 22:30 (twenty-three years ago)

yes but the pinefox is the grebtest living englishman

mark s (mark s), Thursday, 21 November 2002 22:35 (twenty-three years ago)

"ooOOooh, we shall be exceedingly clevah and name ourselves after dexedrene and it's after-effects. How saucey indeed!"

I hate bands with clever names. They should have names that aren't trying to be clever at all, like Ray Gae & Skadorfis Skadorfis Skadorfis Skadorfis (featuring members of mid-90's ska stars, Orafice Skadorafice).

Helltime Producto (Pavlik), Thursday, 21 November 2002 22:38 (twenty-three years ago)

to judge a name by its name is so...that's kinda like judging a book by its cover dude!

Julio Desouza (jdesouza), Thursday, 21 November 2002 22:54 (twenty-three years ago)

Joan and Julio, "Come on Eileen" is such a quintessentially annoying 80's song of the sort that is so popular around these parts, but fair enough: I have not knowingly heard any of their other songs.

Rockist Scientist, Thursday, 21 November 2002 22:59 (twenty-three years ago)

"Come On Eileen" is the best record ever made. If you don't like that there's not much hope for you vis a vis the rest.

Tom (Groke), Thursday, 21 November 2002 23:57 (twenty-three years ago)

What Tom said.

Aaron W, Friday, 22 November 2002 00:18 (twenty-three years ago)

why didn't Kevin Rowland's vision travel?

I think for precisely the Soul/Stax/Northern Soul influences cited by Dr. C, 1980s Americans wouldn't have found Dexy's accessible because of the soul influences but in spite of them. Americans don't have the same tradition of Blue Eyed Northern Soul as the British (we have the original) -- I have always been curious about Nothern Soul, actually. What is it?

Dexy's only made sense to me in the context of British post-punk -- artists like the Jam, Secret Affair, Magazine -- because Kevin's Rowland's vocals and attitude make the overall effect come off more like the Boomtown Rats than conventional soul artists. He sounds more angry than hurt. 1980s American angry was more along the lines of JFA and the DKs and, you know, so Dexy's wouldn't necessarily appeal to that audience, either. And Dexy's do the weird, 2-part song thing that we American's don't usually understand (like in "Geno," the Jams's "Little Boy Soldiers;" Queen's "Bohemian Rhapsody" . . . ) Ok there are exceptions, but it usually presents a major stumbling block.

Classic, by the way. I never, ever, ever tire of of Don't Stand Me Down. I think 25% of my ILM posts mention it.

(Here is where I can put in my plug for Kevin's solo album "The Wanderer" --no, not that horrible covers record from a couple years ago but a county and western album from 1988 or so. Has anyone on the face of this earth besides me ever heard it?)

felicity (felicity), Friday, 22 November 2002 02:45 (twenty-three years ago)

one year passes...

"Come On Eileen" is the best record ever made.

I was just listening to this right now, being as I'm listening to Too-Rye-Ay, and now my memory of this song is the exultant sing/dance/shoutalong to it at the ending of Tom E's wedding FAP in London last October -- and Mike Daddino dancing on a chair to boot.

Yeah, pretty damn classic.

Ned Raggett (Ned), Monday, 7 June 2004 19:12 (twenty-two years ago)

so classic right now.

cozen (Cozen), Monday, 7 June 2004 20:54 (twenty-two years ago)

I got into a fight because of "Come On Eileen" on Friday, which just re-emphasized the classic status of Dexys to me.

El Diablo Robotico (Nicole), Monday, 7 June 2004 21:43 (twenty-two years ago)

This thread is not vast - yet it has been frequently revived.

I can essentially stand by what I and the lovely Msrk S said.

A question unanswered here is: why do Geezers love Dexy's?

the junefox, Monday, 7 June 2004 21:48 (twenty-two years ago)

A fight! Details, Nicole!

Ned Raggett (Ned), Monday, 7 June 2004 21:54 (twenty-two years ago)

I just got 'The Bridge', their live video thing today. Haven't watched it yet though.

Classic - Come on Eileen is one of the greatest pop songs ever written, and each of their albums is my favourite in a different way. If forced I might opt for Don't Stand Me Down as their masterpiece, but that's only because it's the last one I listened to. One of my favourite bands...

Kevin Gilchrist (Mr Fusion), Monday, 7 June 2004 23:06 (twenty-two years ago)

seven years pass...

New Dexys album in 2012. Involves Mick Talbot.

http://thequietus.com/articles/06562-new-dexys-album-in-2012

Alba, Monday, 11 July 2011 00:51 (fourteen years ago)

Obviously there's been talk of this before but it feels like something might actually be occurring this time...

Rebekah Brooks Ate My Country (Doran), Monday, 11 July 2011 00:53 (fourteen years ago)

Kind of extcited and very nervous for this. I did like the two new songs on the best of and that demo they put on Myspace a few yeas ago was pretty cool so I'm hoping this will of a similar quality. The reunion show I saw them do in 2003 was the best gig I've ever been to, so much love for this band.

Kitchen Person, Monday, 11 July 2011 01:01 (fourteen years ago)

Guitarist is this fellow:

http://en.wikipedia.org/wiki/Neil_Hubbard

Seems like quite a lineup.

timellison, Monday, 11 July 2011 01:09 (fourteen years ago)

"Here is the influence "Don't Stand Me Down" had on the course of popular music.

None whatsoever.

You are all stupid scum and deserve to die, but that's another story."

http://www.hungoverdrawn.co.uk/dexys/03.html

piscesx, Tuesday, 12 July 2011 01:16 (fourteen years ago)

only the plinth remains.

Mark G, Tuesday, 12 July 2011 08:22 (fourteen years ago)

Chris Roberts all over the MFing money

Everyday is a Whining Choad (Noodle Vague), Tuesday, 12 July 2011 08:27 (fourteen years ago)

Dug this out last week (I took a long time to find the DVD edition when I bought it. It should have been made obligatory)

The improvements (missing tracks added, general sonic improvements) and the fact that there were at least two singles that should have been issued, means that this was designed by KRowland to be a 'neglected masterpiece'.

As it was, the LP version was dominated by the conversational bits. It needed more songs, and now it has them.

Mark G, Tuesday, 12 July 2011 08:31 (fourteen years ago)

At the moment, I am listening to "The Projected Passion Revue" on Spotify, I recommend this.

Mark G, Tuesday, 12 July 2011 08:36 (fourteen years ago)

wd have to listen to it separately, i will never contradict K. Rowland's decisions on anything

Everyday is a Whining Choad (Noodle Vague), Tuesday, 12 July 2011 08:37 (fourteen years ago)

Well, he decided it should come out, so yeh.

Mark G, Tuesday, 12 July 2011 08:39 (fourteen years ago)

As it was, the LP version was dominated by the conversational bits. It needed more songs

I dont agree with this at all.

Tim, Tuesday, 12 July 2011 09:24 (fourteen years ago)

Well, that's how it seemed to me at the time.

(Yeah, that does read a bit Geirlike: purely my opinion there, probably should have played it more at the time.)

.. buat having "Kev Rowl's 13th dream" opening it now makes so much more sense, why did they not have it there in the first place? Running time issues?

Mark G, Tuesday, 12 July 2011 09:27 (fourteen years ago)

BECAUSE IT'S PERFECT AS ORIGINALLY RELEASED

Everyday is a Whining Choad (Noodle Vague), Tuesday, 12 July 2011 09:41 (fourteen years ago)

otm, 13th Dream a huge opener. Occasional Flicker makes sense, sort of, as statement of intent, but it's slow burn.

Quietus article mentions it, but in case Londoners do not know, Rowland DJing at How does It Feel on Saturday. I enjoyed it last time - he plays some 70s soul, sings along a bit (led crowd in acapella continuation of 'Let's Go Round Again'), generally A Good Time (though I spent large part of evening working myself up to say thank you for all the music, meant a lot to me etc etc to him). Will try to get along, but may have to persuade girlfriend. Not her crowd.

you don't exist in the database (woof), Tuesday, 12 July 2011 09:45 (fourteen years ago)

sorry xp otm, nv offtm

you don't exist in the database (woof), Tuesday, 12 July 2011 09:45 (fourteen years ago)

how often does he do this?

thomp, Tuesday, 12 July 2011 09:48 (fourteen years ago)

once every couple of years I think. This is the third time.

you don't exist in the database (woof), Tuesday, 12 July 2011 09:51 (fourteen years ago)

I have just:

a) bought my tickets for the Duke of York's residency

b) Listened to Projected Passion Revue & thumped a wall in excitement harder than I intended at moment where Soon goes into Plan B.

Excited, knuckles hurt slightly, can't wait till April.

woof, Tuesday, 19 March 2013 21:38 (thirteen years ago)

one month passes...

Going in I was a bit unsure about the new album & wondering whether my head was in the right place for latest part of the journey of K Rowland, but that was spectacular, an amazing evening. Really really fun, charming & the band are in great shape. Cathartic.

obvs highlight was This is What's She's Like, but Old – 'I'm getting old! What can I do? Absolutely nothing!' - was immense.

woof, Thursday, 25 April 2013 10:23 (thirteen years ago)

Sounds great, wish I could have gone to see them this time round. The show I saw them do in 2003 was maybe the best gig I've ever seen.

Kitchen Person, Thursday, 25 April 2013 11:06 (thirteen years ago)

I saw them in 2003 too - I don't think it was quite up there with that, but haha yeah that's a v high bar, those shows were something else.

woof, Thursday, 25 April 2013 11:31 (thirteen years ago)

I went there not really knowing what to expect, just thought they would be doing a straight forward hits set I guess. I did not expect all the sketches and little details they added to those songs. It was funny, moving and just ridiculous at times. This Is What She's Like (like you said) was the big highlight for me but really the setlist was perfect. Love this band so much.

Kitchen Person, Thursday, 25 April 2013 11:37 (thirteen years ago)

yeah, this has a lot of those same elements - drama, intensity, self-mockery - & carried some bits over - like the 'how can I stop the burning?' Kev/Pete-as-Policeman routine (which was amazing again).

woof, Thursday, 25 April 2013 11:48 (thirteen years ago)

Haha, yeah that bit was amazing! I really love the album and would have liked to see it performed live but sadly I'm travelling in New Zealand and think by the time I get back to the UK the tour might be over.

Kitchen Person, Thursday, 25 April 2013 12:01 (thirteen years ago)

& something I only saw recently - 9 minute Too-Rye-Ay era rework of There, There My Dear, w/ press-ups. So good:

https://www.youtube.com/watch?v=6SQ1lHZP0es

woof, Thursday, 25 April 2013 13:13 (thirteen years ago)

one year passes...

just didn't realise they were playing the roundhouse on Friday, think I might go again. Interested to see:

Sadly, Madeleine Hyland is unable to do the shows, but we are delighted that Siobhan Fahey will step in to play the female role. We’re sad that Maddy isn’t with us, but really feel good about Siobhan’s involvement.

woof, Monday, 23 June 2014 15:19 (eleven years ago)

one year passes...

https://www.youtube.com/watch?v=H5tDsR52Yjk#t=10.678776

This 1980 live recording shows a British "soul" band. The singer, Kevin Rowland, cries out his frustration being an Irishman living in England

woof, Sunday, 22 May 2016 01:16 (ten years ago)

whoa that there there my dear video is awesome!

new noise, Sunday, 22 May 2016 01:47 (ten years ago)

YES it is

woof, Sunday, 22 May 2016 02:02 (ten years ago)

at this point, I'll do some press-ups

woof, Sunday, 22 May 2016 02:12 (ten years ago)

STOP

GO

woof, Sunday, 22 May 2016 02:12 (ten years ago)

https://www.youtube.com/watch?v=rmMPQ8H-ioo

Taken from the album Let The Record Show: DEXYS DO IRISH AND COUNTRY SOUL

small doug yule carnival club (unregistered), Monday, 23 May 2016 02:49 (ten years ago)

nine months pass...

Rowland DJing at How Does It Feel again in April:
https://www.howdoesitfeel.co.uk/hdifkevin.html
I missed the last one, but (as per me above) have been a couple of times and it is great fun.

woof, Tuesday, 7 March 2017 13:31 (nine years ago)

spanning from Toots And The Maytals and David Bowie to T Rex and the Stooges, Kevin also sang along with some of the songs, making the night more like an intimate gig than a regular club.

I'm guessing he might get a bit more obscure in his choices than that, but sounds like fun anyway

curmudgeon, Wednesday, 8 March 2017 19:16 (nine years ago)

That's a draft lyric for the first verse of "Come On Eileen"

Mark G, Wednesday, 8 March 2017 22:34 (nine years ago)

nine years pass...

"This Is What She's Like" is rubbish. The contemporaneous critics were right.

Jonk Raven (dog latin), Wednesday, 11 March 2026 18:59 (three months ago)

I love it.

Kim Kimberly, Wednesday, 11 March 2026 19:06 (three months ago)

I don't get it

Jonk Raven (dog latin), Wednesday, 11 March 2026 19:07 (three months ago)

What, the Little Nibble?

fetter, Wednesday, 11 March 2026 20:43 (three months ago)

I love it.

uploading this content requires perseveration (sic), Wednesday, 11 March 2026 20:50 (three months ago)

I love it.

Saxophone Of Futility (Michael B), Wednesday, 11 March 2026 20:59 (three months ago)

I love it.

Tim, Wednesday, 11 March 2026 22:47 (three months ago)

I love it.

Priory, Thursday, 12 March 2026 03:03 (two months ago)

i have ears and a soul (tbc), so I love it.

podcast Diderot (Noodle Vague), Thursday, 12 March 2026 07:07 (two months ago)

Sounds like thin gruel spread over too many minutes. And the ambiguity of the lyrics don't do anything for me, especially the opening dialogue. I'm missing something, clearly. But it always sends me back to Too Rye Aye

Jonk Raven (dog latin), Thursday, 12 March 2026 07:26 (two months ago)

You want Kevin to tell you what she’s like? He’s really trying to!

Tim, Thursday, 12 March 2026 08:48 (two months ago)

It's SO ANNOYING!

Jonk Raven (dog latin), Thursday, 12 March 2026 09:18 (two months ago)

As per ILX teachings, this post reveals dog latin secretly fancies "This Is What She's Like".

a ZX spectrum is haunting Europe (Daniel_Rf), Thursday, 12 March 2026 09:42 (two months ago)

That dog latin, what's he like?

Schlub 7 (Tom D.), Thursday, 12 March 2026 10:05 (two months ago)

Well i listened to the first half of Don't Stand Me Down this morning so the revive was worth it

podcast Diderot (Noodle Vague), Thursday, 12 March 2026 10:34 (two months ago)

Lolled several times, Kevin's rambling still cracks me up

podcast Diderot (Noodle Vague), Thursday, 12 March 2026 10:35 (two months ago)

I bet dog latin puts creases in his old Levis

Saxophone Of Futility (Michael B), Thursday, 12 March 2026 12:41 (two months ago)

I might need the appeal of this song explaining to me. I feel daft in that I fundamentally don't get it.

Musically it sounds like a thin, jammy imitation of their tighter more, balls-out previous work.

And then I simply don't understand the premise or appeal of the song.

Why would you be talking behind someone's back about what someone thinks of someone else and then have them struggle to explain that opinion to them for 12 limp minutes? Is that the point, that he's dithering? Who is SHE to them? Is that the point, the ambiguity of it all?

When he says he DOESN'T like people who put creases in their jeans and attend CND rallies or whatever, is that the person She is like? Or is She not like them?

Jonk Raven (dog latin), Thursday, 12 March 2026 12:53 (two months ago)

In time, in time

bulb after bulb, Thursday, 12 March 2026 12:56 (two months ago)

a lot of time

Jonk Raven (dog latin), Thursday, 12 March 2026 13:30 (two months ago)


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