Mouldy old dough by Earl Brutus.

just a warning.
until we have figured a few things out, i will not be releasing this to the wire as an mp3.
we've come this far, and if between us we can use this opportunity to get the track to crimbo #1 then surely thats a massive winner.
i.e. i am gunning for mark g's suggestion upthread (whether it was serious mark or not it matters not now !)
of course, if this all comes to nothing and i just end up dropping track on the blog due to lack of interest, then so be it, that's the way it goes.
but until then, lets see what fun we can have.

mouldy old dough mouldy old dough no nose job

one show at the Austrian Cultural Institute in 2001 ended with the arrival of the police, who had mistaken the band's pyrotechnic-laden performance for a terrorist attack

fwiw nick sanderson is pretty much my ideal of the human being

just a warning.
until we have figured a few things out, i will not be releasing this to the wire as an mp3.
we've come this far, and if between us we can use this opportunity to get the track to crimbo #1 then surely thats a massive winner.
i.e. i am gunning for mark g's suggestion upthread (whether it was serious mark or not it matters not now !)
of course, if this all comes to nothing and i just end up dropping track on the blog due to lack of interest, then so be it, that's the way it goes.
but until then, lets see what fun we can have.

― mark e, Tuesday, 19 January 2010 18:04 (27 minutes ago) Bookmark

Just spoken to my record label mate who reckons the biggest problem with getting it released in a physical format could well be the MCPS, it might mean either getting a letter from the performers autorising it to us, paying MCPS between 2 and 4 hundred pounds, or, worst case scenario, both.

The good news is that as white labels exist, there must be an acetate and almost certainly, this will be still at the pressing plant. it might be an idea to get in touch with the band again, get a catalogue number and see if they have any idea who pressed it. Of course, this could have been destroyed, the studio might have closed, etc.

If the pressing plates still exist, the cost of creating physical copies will be much lower. Even if it only ends up available as a download, the quality will be the best possible.

I'm sorry if this isn't making much sense, but I've just got off the phone to my mate and he bombarded me with information. He's promised to E-mail me tonight with a clearer list of what would be required

re quality : it seems that there is an mp4a available that was lifted directly from DAT tape.
so if this idea flies, we can go up on the 192.
re pressing plant : thats going to be a long shot innit.
its 10 years plus. they wont have held onto the acetates for an unreleased record will they ?
re mcps : do people have to go through all that for promo-only releases ?
[i think i once looked into this idea before, and just gave up with the legal/costings etc .. its a minefield !]
hey ho.

fuck.
this world is soo small sometimes.
producer bloke who follows my twitter feed has just revealed that the original version of MOD was recorded on his tape machine.

not sure if 'original' version = promo version that was pressed, but i doubt there would have been multiple recording sessions ?

re quality : it seems that there is an mp4a available that was lifted directly from DAT tape.
so if this idea flies, we can go up on the 192.
re pressing plant : thats going to be a long shot innit.
its 10 years plus. they wont have held onto the acetates for an unreleased record will they ?
re mcps : do people have to go through all that for promo-only releases ?
[i think i once looked into this idea before, and just gave up with the legal/costings etc .. its a minefield !]
hey ho.

― mark e, Tuesday, 19 January 2010 19:01 (3 hours ago) Bookmark

Minefield indeed! I think the MCPS thing might not apply but it depends who licenced the white labels. As for the acetates, you're probably right, but any pressing on vinyl would certainly be cheaper if that already exists.

I'm a big vinyl fan, but to be honest, if it gets out and is available and it appears one person in the band at least has given their blessing, it would be a job well done.

This thread has given me so much pleasure already, even if nothing comes to pass, but I would love it if the combined efforts of a small group of fans gave others the opportunity to hear and enjoy one of the greatest and most under appreciated bands of all time.

Listening to Male Wife and grinning. Half day off tomorrow means I might get the chance to find that NME tour video and get it on Youtube.

This thread has given me so much pleasure already, even if nothing comes to pass, but I would love it if the combined efforts of a small group of fans gave others the opportunity to hear and enjoy one of the greatest and most under appreciated bands of all time.

re the NME video.
jamie mentioned that it was actually broadcast live on ch4.
they were billed with BRA .. and apparently, jamies trousers split.
i laughed, but it was quickly pointed out that actually, it was quite serious, and no laughing matter !
so do indeed look closely should you find the video, you may get to see more than you bargained for.

I had a couple of the singles through the post today. The S.A.S and the Glam which has The Scottish on it which is pretty great.

They sent me the wrong CD of Universal Plan which is fine as I can get the other one cheap on Ebay but annoyingly it doesn't come with any new songs (unless Nicotine Stain is counted as an actual song) It does have two songs recorded at the London Astoria January 18th 1998. I'm guessing Come Taste My Mind is the same version on the NME CD where he starts shouting about home safety being very fucking important. It's been years since I actually played that version but I kept that CD for only that song.

I just read about Shin-Yu's rants at their gigs and on Nicotine Stain it finnishes with him shouting he wants some kidney pie, you just don't get that with other bands.

I love the picture in the Universal Plan single of them at the live show. It looks really kind of iconic.

I'm waiting to get the Come Taste My Mind single next.

Also I just noticed one of the singles came with a card to send off for more Earl information. It has an address to contact with other fans directly maybe I should send it? I like how under the place to write my address it says what is your plan? with a space to fill out the answer.

On the other side it says

POP MUSIC IS WASTED ON THE YOUNG.

It will go nicely with the other one I have on my wall that says

JESUS DIED FOR EARL BRUTUS...

until we have figured a few things out, i will not be releasing this to the wire as an mp3.

absolutely right.

i.e. i am gunning for mark g's suggestion upthread (whether it was serious mark or not it matters not now !)

Oh, I was absolutely serious.

Regarding the MCPS, it may need the permission of the original songwriter(s), but I don't think they will object. And as a fitting tribute to Nick and a 'genuinely subversive' act of chart attack, those guys must surely be up for this.

OK, this thread has reached new heights of wonder. Anything I can do to help: count me the fuck in.

Genuinely can't wait to hear this. God, ILM is a wonderful place sometimes. You all rock, mightily.

producer bloke who follows my twitter feed has just revealed that the original version of MOD was recorded on his tape machine

Ha! On a vaguely related note, I sent these two tweets last night:

Going to the pub. LISTENING TO EARL BRUTUS. Match made in heaven, that.

and then on the way home:

On a bus, listening to NORTH SEA BASTARD by EARL BRUTUS. Can any of your readers beat that? 'Course they fucking can't.

and yes, he did say that should someone want to sort out the story of the band he would be a very willing participant

If I had more time right now, I'd jump at the chance to do this. If nobody else takes the bait in the mean time, it's something I might speak to you about again in six months' time, Mark.

OK, this thread has reached new heights of wonder.

i realise i've gone quiet, but rest assured if 37% of what has been discussed in the last 24 hours actually happens, you aint seen nothing yet.

entire discography reissued in a 2CD collection a la Chavez? :D

btw this is probably in my top 3 all-time band-specific ILM threads - there's just so much...desperate enthusiasm, not to put too fine a point on it! i kinda think of this band as being in a holy trinity of Englishness with The Fall and HMHB - and considering they only put out two records, that's saying a lot.

'Larky' single is of course three tracks of sheer, sheer brilliance. Needs more repping!

Oh and I'm totally backing S to do the EB story! Preferably starting with a big fuck-off paragraph about the first time he saw them. Which sounds like roughly the greatest gig experience anyone's ever had.

It's hard to put my finger on why I love them so much. I was 13 when the first album came out and I bought their albums around a time when all I spent my money on was indie and Brit Pop a lot of which has been thrown out or forgotten about. They've stood the test of time better than nearly every band I loved at the time. Both the albums are perfect and sound like proper classics over 10 years on.

Not many bands sounded like they were having as much fun as Earl Brutus did and best of all they had huge tunes to back it all up with.

Larky is indeed a great single, England Sandwich is such a creepy and brilliant song.

I got to hear the Come Taste My Mind singe and it's B-sides today. Brilliant!

Larky is indeed a great single, England Sandwich is such a creepy and brilliant song.

Yeah, and I've had Teenage Opera stuck in my head all day!

The first album has a run of tracks where it loses a bit of momentum (Motarola through Curtsy) and a couple of the tracks near the start are good but not great. The second album is pretty much perfect from start to finish. MAYBE they could have kept Midland Red as a b-side, because if anything it's the least brilliant, but fuck it still bangs, especially in the second half with those guitars. The one I'd especially like to praise is Male Wife, which is more or less as stunning a closing track as there is, especially considering it was their last album. It sounds like the end of music.

It seems like a few people on here prefer the second album which I do but I really don't think there's much in it.

I think the opening five tracks on Your Majesty are all pretty special. I do agree Motarola is maybe the weakest moment but I absolutely love Shrunken Head especially when he starts singing Massive head in that really high voice. Curtsy is a sweet little interlude that gets you ready for Blind Date and Life's Too Long which which are two of the most powerful tracks. I think if anything the first album flows better. The drums at start of Life's Too Long are one of those great moments in rock, the timing is perfect.

Blind Date and Life's Too Long which which are two of the most powerful tracks

Not disputing this; they're enormous. Karl Brutus is really pretty and I *love* the bonus track, wish it had been indexed separately. Don't even know what it's called!

The bonus track is a one off Christmas single they did on vinyl called Single Seater Xmas.

It's awesome! There should be a mini-EP of all their instrumental collages.

If you do want Single Seater xmas separately someone is selling it on Ebay for 5.99 buy it now. I know as I've been searching out all their singles over the last few days. It's a one sided vinyl.

I don't know if you ever watched the ITV Chart Show? It used to have these top 10 indie charts every few weeks. There's a funny one from December 95 that has Earl Brutus at number one but obviously the song didn't have a video so they made their own with a floating picture of the behind in front of a burning fire. It's a brief clip but it is up on YouTube. It's funny that they are number one ahead of Wonderwall by Oasis. I can't ever imagine Earl Brutus outselling Oasis but it was a lovely moment.

Maybe when they finally bring out the boxset there will be an awesome instrumental disc.

https://www.youtube.com/watch?v=nnM76_tR6w4

looooool

I know it's brilliant! I used to watch it every Saturday and tape the indie charts as it was all I was into. Earl Brutus appeared a few times with all the singles from Your Majesty but that is the classic clip.

Changing the subject slightly..what the hell is going on with that Baby Bird song?

I do agree Motarola is maybe the weakest moment

Not having this! Sure, it's not their greatest moment but the last 1'14" is something else: the vocal harmonies, the echo and that fantastic, needling guitar ... fuck's sake, if anyone was doing stuff that sounded like that today, I'd be in clover.

but I absolutely love Shrunken Head especially when he starts singing Massive head in that really high voice

MASSIVE HEAD! MASSIVE HEAD! Er ... yes.

I dunno. Two perfect albums, really. Ultimately, I'd take Tonight ... because I think it just has that slight edge. And, y'know, Second Class War.

what the hell is going on with that Baby Bird song?

I don't remember that one at all! I thought I'd got everything he ever did (don't ask) but that seems to have been the very first single and totally passed me by.

I do really like Motarola but compared to the other tracks it's my least favorite. They have such a high standard. Earl Brutus are one of the few bands I'd give two albums 10/10 to.

I do own that boxset of those early Babybird albums but from that clip that song sounds just a little off. It was a one off vinyl with the excellent Lemonade Baby on the other side. Strange to think a year later he was in the top 3.

“However, we are told these boys definitely won’t be “sleeping in” on Christmas Day!”

Finally on Youtube. Come Taste My Mind from NME Brats Tour 1998.

https://www.youtube.com/watch?v=PL5UeP24bp0

fantastic.
really fantastic.
they didn't have the neon signs on top of the monitors when i saw them. nice touch.
ta for the effort sir .. great to see that.

Who knew?

http://thequietus.com/articles/04092-earl-brutus-for-glastonbury-line-up

not i.

though you can be sure i'm going to try and find out more.

I suggested a cardboard cut-out of Nick Sanderson, perhaps attached to a revolving sign, maybe with a cut-out of Prince Charles on the reverse, Shin-Yu all giving it a drunken kick every so often...

(in 999/1000 cases, this would be inappropriate - not so here)

[Returns to ILX in a puff of fag smoke]

Hello all. What the FUCK is all this about, then? :)

and so the fun begins :

http://the1234shoreditch.com/line-up/2010/pre-present-earl-brutus.html

line up :

THE PRE NEW

(From Stage –L R)

Stuart Boreman – Insecurity Guard
Jim Fry – Vocal / i-Pod
Gordon King – Effects
L B - Guitar
Shinya Hyashida – Bass Guitar / Voice
George Phillips – Drums
Vincent Gibson – Vocal

And as mark e just posted, more details:

http://ireallylovemusic.co.uk/blog/?p=1503

ah. ta ned.
loving the fact i will get to hear some world of twist classics as well as rejoicing in the brutus noise.
needless to say, (to bring the thread back in line), i will be the one shouting out for mouldy old dough

well, what can i say.
on saturday i was lucky to be able to check out the first official live debut by the pre new.
hanging out before the chaos with the band (Shin and Jamie Fry from EB, and some mates adding more noise) was very revealing.
firstly and most shocking to me was finding out out there was/is a secret member of Earl Brutus who provides a lot of the lyrics, and even the vocals to 'on me, not in me'.
secondly, jamie fry is soon to hit the mid century, but to say he is fired up re the Pre New would be an understatement.
oh, and his "thirst for life" is anything but settling down.
as to the actual gig ?
well, Shin is on bass (something he isn't too happy about as it means he has to actually work as opposed to being able to just stand there and get sh*t faced!), and his stage presene consists of standing low, hair down covering face, bass neck vertical, and just letting loose.
Jim on vocals dominates the stage (like Mark Stewart, Jamie is a big big man).
No slacker appearance for him. Sharp suit, sharp shoes, and sharp 'tude.
The music may have lacked the machine beats and synths that make EB so special, but this was just a practise session for the band to feel their feet, so it was pretty straight up rock sounding, but for 40 minutes they rattled out a couple of old classics ('universal plan' of course, the rest are a booze fueled blazed blur), and one or two new ones that have lyrics just as direct and wonderful as previously.
the result of which was just a huge blast and very entertaining (Jamie using the venues air conditioning as extra percussion)
unfortunately due to the need to get up @ 6am the next day, i was not able to stay out with them to celebrate the event, but i'm lead to believe things became somewhat messy.
growing old disgracefully never felt or sounded so good.

^awesomeness

it was beyond awesome.
several times through the evening i just kept getting major rushes of 'what the fuck is happening here !'
it was at times very surreal.
eg. finding out that the drummer was part of electrafixation (live band version) and marion meaning a lot of 90s indie nerd talk was rather appropiate.
my new favourite possession : a 'i'm with the pre new' badge

I am going to have to see this band, very soon. You have me all worked up now!

i would like to hope they incorp. machines into the full set, as opposed to bass/guitar/drums etc..
pretty certain one discussion indicated they intended to.

The Pre New Anthem lyric snippets

We crash fast cars
We kill pop stars
We eat Mars Bars

We eat Mars Bars

We don't do Voodoo
'Cause we don't have too

BOMB ME
BOMB ME
BOMB ME

this is a classic stomp of a track.

cant wait to hear the recorded version.

gosh :

https://www.youtube.com/watch?v=_xrSHMAXz2I

write up the so called riot :

http://dearme.spex.de/2010/06/08/his-royal-darkness-sir-nicholas-sanderson/

also, now i know where the logo for the pre new was lifted from.

Sweet

^ (concealed Chinnichap reference)

I am going to have to see this band, very soon. You have me all worked up now!

They played on Saturday, LJ, where were you?

Not knowing when bands are playing, that's where I was

Internet, dear boy, internet