Hüsker Dü Classic or Dud?

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Well what does the production have to do with determining a good band?! Nothing! I believe this was about being a classic or a dud. Like I mentioned before, that Meat Puppets album is great, and sounds worse than any Husker Du recording, the sound is besides the point, you can HEAR the song, right?

xgurggleglgllg (xgurggleglgllg), Sunday, 29 January 2006 02:36 (eighteen years ago) link

I love the record. We only got on this subject because I stated that the bass part was mostly MIA.

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 02:38 (eighteen years ago) link

I think the majority of this thread is an arguement about the bass, or lack thereof!

xgurggleglgllg (xgurggleglgllg), Sunday, 29 January 2006 02:39 (eighteen years ago) link

i dont hear any MIA in the Du's sound, Tim.

latebloomer (latebloomer), Sunday, 29 January 2006 02:40 (eighteen years ago) link

the arguement continues... :-)

xgurggleglgllg (xgurggleglgllg), Sunday, 29 January 2006 02:42 (eighteen years ago) link

He's jamming fairly loosely in the same basic spot. It's not exactly the same each time. It's like A-A-G-D-G or thereabouts.

Hüsker of The Corn, Sunday, 29 January 2006 02:45 (eighteen years ago) link

A-A-G-D-C-G I meant.

Hüsker of The Corn, Sunday, 29 January 2006 02:46 (eighteen years ago) link

the bass just kinda plays the same thing as the guitar in a lot of HD songs, right?

the meat puppets first EP is so insane. like, they have no concept of how to vocalize/sing at ALL. which is awesome. it sounds like a no wave record. i think some ILXors have said as much before.

it's too bad Husker Du never sounded like a no wave band!

xpostststs

Special Agent Gene Krupa (orion), Sunday, 29 January 2006 02:46 (eighteen years ago) link

I actually agree with the idea that the production concept is fine. I don't mind the fact that it's practically mono. But there's no reason why a somewhat more defined bass sound would mean that the sounds were *competing too much with one another* and *you wouldn't know what to listen to*.

It's not even so much that it should have been louder. It's just a crappy tone that does not cut through and YOU CANNOT HEAR A LOT OF THE NOTES.

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 02:47 (eighteen years ago) link

Ooh, actually the only big change during that part is the open E. The rest is still same old scales on 3rd and 5th fret.

Hüsker of The Corn, Sunday, 29 January 2006 02:49 (eighteen years ago) link

xpost: Meat Puppets first EP? What is it called? Now you've got me curious!

If Husker Du had a fatter deep end, I just don't think it would sound like Husker Du. It would sound thick and chunky.

Hüsker of The Corn, Sunday, 29 January 2006 02:53 (eighteen years ago) link

In A Car! It's available pretty easily, I think it may have been released as a twofer CD with the first album at some point?

Special Agent Gene Krupa (orion), Sunday, 29 January 2006 02:55 (eighteen years ago) link

it's like five minutes long or something. but really whacked out. there are these totally incoherent guitar bits that sound like drunken mickey mouse music.

Special Agent Gene Krupa (orion), Sunday, 29 January 2006 02:55 (eighteen years ago) link

the bass just kinda plays the same thing as the guitar in a lot of HD songs, right?

Bob mostly concentrates on the higher strings and lets the bass fill out the bottom end. He does use barre chords, but the deepness of those chords is totally overpowered by the "bass frequencies" :-)

For a good example of just how LOUD the bass is compared to the guitar, listen to "I Don't Wanna Know If You are Lonely". The guitar is really, really buried behind an ultra loud bass, but it sounds cool. Husker is one of those bands where the bass is so present sometimes you think it's the guitar.

Hüsker of The Corn, Sunday, 29 January 2006 02:59 (eighteen years ago) link

Thanks, Special Agent Gene Krupa... I'm on it!

Hüsker of The Corn, Sunday, 29 January 2006 03:00 (eighteen years ago) link

A-A-G-D-C-G? Where is this? I want to know the sequence of bass notes over these lines:

Makes no difference at all
Yeah, it makes no sense at all
Makes no difference at all
I don't know why you want to tell me
When I'm right and when I'm wrong
It's the same thing in your mind
Etc.

And yes, it goes to E minor at the beginning of the "I don't know why you want to tell me" line, and he plays an E on the downbeat, but what is the sequence of notes that follow?

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 03:01 (eighteen years ago) link

>Bob mostly concentrates on the higher strings and lets the bass fill out the bottom end.<

No, he doesn't. It's a lot of chordal playing (open chords a lot, actually, if I'm not mistaken).

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 03:04 (eighteen years ago) link

E minor? On a bass? Hold on, I'm going to really do this up right for you line by line with the notes underneath.

Hüsker of The Corn, Sunday, 29 January 2006 03:18 (eighteen years ago) link

The chord at the start of that line is E minor. The bass player plays the root of the chord on the downbeat.

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 03:24 (eighteen years ago) link

music nerds in nerding out shockah!

Special Agent Gene Krupa (orion), Sunday, 29 January 2006 03:27 (eighteen years ago) link

No, he doesn't. It's a lot of chordal playing (open chords a lot, actually, if I'm not mistaken).

First of all, I said "barre chords" and secondly, higher strings are part of the barre chords. A lot of that jangle is barred top 4 strings (skinnier strings), concentrating on strumming the higher strings rather than the deep end "power chord" area. The rest is a lot of slight soloing (I guess you could call it) on the D and G strings with accents on the B and E. But a lot of that midrange noodling goes from open D and G to the middle of the fretboard somewhere.

Hüsker of The Corn, Sunday, 29 January 2006 03:27 (eighteen years ago) link

Okay, I've just tuned my guitar and gave it another listen, plucking it out on my acoustic with my fingers.

He plays these a little fancier sometimes than others, adding open strings or bouncing back and forth between the same basic notes, so I'm just going to concentrate on the basic notes:

Walking around with your head in the clouds
B-A-C-G
Makes no sense at all
C-B-G

I don't know why...
E-B->G (interesting little slide)

That's basically it. The stuff is easier to play than to transcribe. And I have to count the frets to find the notes since I play by ear, tab or watching someone. Jam along with the radio and see if those notes aren't correct.

Hüsker of The Corn, Sunday, 29 January 2006 03:41 (eighteen years ago) link

Yeah, I know you said barre chords, which is why I mentioned that I remember Bob playing open chords. He's certainly playing a lot of open chords on that single (only Husker record I currently own). And plenty of the chording involves the lower strings. x-post

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 03:47 (eighteen years ago) link

Anyway, I don't know if we accomplished anything, but you can hear the bass now, right?!

Perfect song for really hearing how the bass and guitar meld is "Something I learned Today." Check it out. Opens with a strong bass line that never disappears so you can hear just how thin and washy the guitar is on top of it. It's one of their best songs, too, so worth a download.

Hüsker of The Corn, Sunday, 29 January 2006 03:50 (eighteen years ago) link

>>Walking around with your head in the clouds
B-A-C-G
Makes no sense at all
C-B-G

The beginning of the verse? That's not the part I mentioned, but this isn't even right. It starts on G, goes down to F, and then does a little line around C-B-A-G (IV chord down to I) and then to D (V chord).

>>I don't know why...
E-B->G (interesting little slide)

Uh, there's a whole bass line under this section (most of the notes of which are inaudible).


Tim Ellison (Tim Ellison), Sunday, 29 January 2006 03:53 (eighteen years ago) link

Where it eventually goes up higher? Before it gets higher, he's jamming back and forth between the E-B->G thing and the same B-A-C-G notes played differently than the first portion (from memory)...

Do you really need me to transcribe this or is it just a challenge? I mean, you can clearly hear it, right? You could figure it out and played it if you wanted to, yes?

Hüsker of The Corn, Sunday, 29 January 2006 03:58 (eighteen years ago) link

I think that slide is up to D. And there are four notes before the slide. I believe it's E-B-A-G and then the slide up to D. (This is on the "I don't know why" part of the "I don't know why you want to tell me" line.) It is VERY FUCKING HARD TO HEAR. And there are some notes that are just irredeemable. Not. There.

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 04:10 (eighteen years ago) link

I can see what you're saying to a certain extent because it's hard for me to find the notes on an acoustic guitar, but then again I'm not a great musician and he plays a lot of loose, jammy notes which makes it difficult to keep track of. It's not like Jane's Addiction's "Mountain Song" or something. And as soon as I pluck a note it overpowers my radio since I can not listen to loud music in my apartment, which complicates things.

I can hear the notes going doot dooty doot and if I had a bass, a room to be loud and some time, I could definitely pick the bass lines out.I think sometimes the notes are not there, because he's playing awkwardly and there really is no note there. There is a specific sequence where it sounds like he would be doing a little 4-noter and two of the notes seem to disappear behind a snare drum, but I think he actually just didn't play those expected notes. He's not a sloppy bass player, but he plays weird at times. Like, he "jazzes up" the odd line.

Hüsker of The Corn, Sunday, 29 January 2006 04:19 (eighteen years ago) link

I may be alone in the opinion that their early stuff (Land Speed Record, Everything Falls Apart & More) is pretty good hardcore, if not particularly original. I haven't heard Warehouse, but I don't like anything on Candy Apple Grey apart from the first 2 songs, so I don't know if it's worth my time bothering with it.

Colonel Poo (Colonel Poo), Sunday, 29 January 2006 04:35 (eighteen years ago) link

When I was a kid, I hunted through all sorts of hardcore records hoping to find this one awesome song I recorded from the local college station. Later, I had a friend with access to the station and so I got to scour their records. I never found it until 10 years later when I finally heard Husker Du's "Metal Circus". It was "Deadly Skies." That song kicks ass. But, I prefer their mid-career stuff and I do like Warehouse, too. I'm just not much for hardcore these days.

Hüsker of The Corn, Sunday, 29 January 2006 04:46 (eighteen years ago) link

Their mid-period stuff is their best, I agree, but I love the early hardcore stuff as well.

I really like Crystal off Candy Apple Grey, but most of the other songs just sound like the boring early-90s indie rock they influenced (to my ears).

PS I love lots of early-90s indie rock I'm not dismissing the whole genre just some stuff like Buffalo Tom I couldn't get into at the time

Colonel Poo (Colonel Poo), Sunday, 29 January 2006 04:51 (eighteen years ago) link

their hardcore stuff seemed cheesy when i was younger, but i love it now.

Susan Douglas (Susan Douglas), Sunday, 29 January 2006 04:53 (eighteen years ago) link

I do seem to be more able to like the cheesier side of hardcore now I'm approaching old age (30 this year)

Colonel Poo (Colonel Poo), Sunday, 29 January 2006 04:57 (eighteen years ago) link

>>I think sometimes the notes are not there, because he's playing awkwardly and there really is no note there. There is a specific sequence where it sounds like he would be doing a little 4-noter and two of the notes seem to disappear behind a snare drum, but I think he actually just didn't play those expected notes.

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 05:24 (eighteen years ago) link

Try that post again. Most of it got cut out:

>>I think sometimes the notes are not there, because he's playing awkwardly and there really is no note there. There is a specific sequence where it sounds like he would be doing a little 4-noter and two of the notes seem to disappear behind a snare drum, but I think he actually just didn't play those expected notes.

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 05:26 (eighteen years ago) link

haha i'll be 40 this year and never listened to anything past Flip Your Wig, but everything before that is classic fer sure. Someday I might give the later stuff a chance.

Saw them in '86 with a reformed Zero Boys opening and it was the first time I was exposed to that ridiculous hardcore circle-dance thing.

xpost

sleeve (sleeve), Sunday, 29 January 2006 05:26 (eighteen years ago) link

ILX is malfunctioning! Trying again:

"I think sometimes the notes are not there, because he's playing awkwardly and there really is no note there. There is a specific sequence where it sounds like he would be doing a little 4-noter and two of the notes seem to disappear behind a snare drum, but I think he actually just didn't play those expected notes."

Listen to the very beginning of the song. He starts on the note G. How many times does he play it before he goes down to F? Once? Twice? Three times? On the word "head" ("Walking around with your head in the clouds"), he hits the note C and then goes down. Does he follow the G major scale down (C-B-A and then back down to F)? It sort of FEELS to me like he did, but you really can't hear the B or the A.

After the first line ("Walking around with your head in the clouds/It makes no sense at all") ends, he goes up to D, root of the V chord. When the next line begins, he's back to G. Does he play a line in between these notes or not?

You can't tell. The tone is inarticulate mud, doesn't cut through, and notes are lost.

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 05:28 (eighteen years ago) link

(And I know F isn't in the G major scale. He plays F because it's the root note of a bVII chord they use there.)

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 05:32 (eighteen years ago) link

Now you see, people wouldn't be going through such detail in describing and picking apart a band's sound if they weren't classic to begin with!:-) Now can anybody tell me what the heck Bob Mould is playing in the intro to "Real World"? It sure aint barre chords, open chords, or power chords!

xgurggleglgllg (xgurggleglgllg), Sunday, 29 January 2006 05:34 (eighteen years ago) link

Tim—
What does it sound like to you, this inarticulate mud? To me, if something sounds like it might have changed but I can't tell right away, that generally means I expected it to change, but it didn't. That's why you can still hear bass frequency but can't distinguish the note; because it didn't change. Especially hard if he's just gently fingering the same note rather than replucking it forcefully. Doesn't he play this line differently each time? I think this is also part of why you're confused. He plays in key and he supports the guitar, but he doesn't try to make every note stand out. It seems a lot of old time blues bassists do this who've been at the bass game a long time, so it can't be that bad. Even worse, try to pull out the bass lines in a Quiet Riot or Motley Crue tune.

Hüsker of The Corn, Sunday, 29 January 2006 05:40 (eighteen years ago) link

SPOT: CLASSIC OR DUD

[I wanted to find a good/big picture of spot to put here, but google image search was no help]

Special Agent Gene Krupa (orion), Sunday, 29 January 2006 05:44 (eighteen years ago) link

I've got to say dud based on the sound of pretty much everthing he produced. It might all be the supposedly notorious bad transfers done by SST for their CDs, though, for all I know, I have nothing on vinyl. But everything sounds so thin!

Part of that is the quiet mastering though, it can probably be solved by just cranking the fucker up. Unfortunately I don't have that option living in this flat, too many neighbours to worry about.

Colonel Poo (Colonel Poo), Sunday, 29 January 2006 05:47 (eighteen years ago) link

Husker of the Corn,

You didn't answer any of my questions, for one thing!

There are times when you are not even hearing the bass frequency. It is buried. There are lines being played, but only some of the notes are audible.

I've pointed this out to you in numerous specific parts of the song.

Tim Ellison (Tim Ellison), Sunday, 29 January 2006 06:07 (eighteen years ago) link

I think it was Henry Rollins who said that when it came down to it, Spot was more fun than functional.

xgurggleglgllg (xgurggleglgllg), Sunday, 29 January 2006 06:07 (eighteen years ago) link

And if nobody knows what Bob is playing in Real World, a simple " I don't know" will be fine.

xgurggleglgllg (xgurggleglgllg), Sunday, 29 January 2006 06:09 (eighteen years ago) link

well in that case, I guess I can speak for everyone who ever posts here when I say, "i don't know".
by the way, i saw bob mould's name pop up in the credits to some godawful home make-over show the other day for creating the music. Before you ask, I have no idea what he was playing in that either, but it was kind of all sort of "woah, nice fridge" and "hmmm, interesting window treatment".

Fritz Wollner (Fritz), Sunday, 29 January 2006 06:14 (eighteen years ago) link

I guess you have to grow up some time.

xgurggleglgllg (xgurggleglgllg), Sunday, 29 January 2006 06:19 (eighteen years ago) link

When windows and fridges are the prime concern. :-)

xgurggleglgllg (xgurggleglgllg), Sunday, 29 January 2006 06:20 (eighteen years ago) link

Tim, sorry I'm not trying to be difficult; I stopped listening to that song over and over again around 11 here in NY (It's now 1:14), so I don't know what exactly you're talking about. I do know it's common in music in general for bass to be "buried" under guitar at times, though, especially if it is played that way intentionally. Since he plays certain notes louder and more distinctively both on the albums and live, while playing other notes much more softly, I'm pretty sure it's because he didn't want those particular notes to really stand out.

xgurggleglgllg - don't know. that would be harder to figure out than the bass lines for me.

Hüsker of The Corn, Sunday, 29 January 2006 06:21 (eighteen years ago) link

Fritz, I saw a spotlight in some newspaper featuring Bob Mould. He's thin, creating electronic music and "enjoying being a gay man in NYC," which is a lifestyle he never got to enjoy before so he's "got some catching up to do." I believe he made some comment about his past music as in the past and said something like, "I don't ever want to say I won't play that kind of music again, but I'm really focused on what's happening right now in electronic music." So, sounds like a completely different Bob to me.

Hüsker of The Corn, Sunday, 29 January 2006 06:27 (eighteen years ago) link


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