"If That Arm Heals, It Ought To Be Broken Again" 2008 Jazz D Minor Bags Thread

I have no idea what made me click this thread, but I just recently happened to find this record: Lenox Avenue Breakdown [Columbia, 1979] in a cutout bin for a dollar. I am glad to hear it is good.

Maybe you clicked because you wanted to learn the voicing of the elusive Jazz D Minor Bag Chord?

A couple of notable 2007 releases that I'm just now coming around to:

Joan Stiles - Hurly-Burly
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:0nfixzu5ldhe

Great piano-led sextet in a Monkish mood.

The Blueprint Project with Han Bennink - People I Like
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:k9foxzlgld6e

A bit more abstract, Dutch-influenced trio with Han Bennink on drums.

I have no idea what made me click this thread, but I just recently happened to find this record: Lenox Avenue Breakdown [Columbia, 1979] in a cutout bin for a dollar. I am glad to hear it is good.

-- roxymuzak, Sunday, March 30, 2008 5:04 PM (Yesterday) Bookmark Link

i'm sooo jealous that's supposed to be the best one!!!!!

Bennink is duetting with Brotzmann here later this month. I already have a stiffie.

Spring Jazz film series at the Library of Congress in DC on the next 4 Wednesdays for free. This Wednesday April 2 at 7 p.m.:

Imagine the Sound (Sphinx Productions, 1981). Dir Ron Mann. (90 min, color, DVD)

preceded by:

Jazz--Rhythms of Freedom (JAK Films, 2007). Dir Mike Welt. (32 min, color, DigiBeta video)

Ron Mann's recently restored version of his now classic 1981 documentary features interviews and beautifully shot studio performances by four free-jazz firebrands: pianist Paul Bley, trumpeter Bill Dixon, saxophonist Archie Shepp and pianist Cecil Taylor.

Preceded by the short film Jazz--Rhythms of Freedom , one of 94 historical documentaries recently produced by Lucasfilm, which explores the use of jazz as a tool for liberation with profiles of contemporary musicians Billy Taylor, Kahil El'Zabar and Joe McPhee.

Bennink is duetting with Brotzmann here later this month. I already have a stiffie.

-- Oilyrags, Monday, March 31, 2008 4:15 PM

dude i have never heard either one of these dudes in life but i am amped

Yeah, hard to go wrong with that line-up. I like the CD that Brotzmann did with Hamid Drake, The Dried Rat-Dog

I went to see Han Bennink at Tonic last year on Hurting's recommendation. Hurting ended up not going, but my friend and I really enjoyed the show, especially the duets with Anthony Coleman.

I'll hook a HOOS up, man, don't worry.

Anybody seen this doc (not that I can make it tonight to the free showing at the Library of Congress, as I have my son's baseball practice)

Anita O'Day--The Life of a Jazz Singer (Elan Entertainment/UGO Productions, 2007). Dir Robbie Cavolina & Ian McCrudden. Producers Robbie Cavolina, Ian McCrudden, Melissa Davis. (90 min, color, DVD)

I guess not

No, but I'd like to see it.

She had a crazy life

Frank Lowe's Black Beings is being reissued by ESP-Disk this week, with an additional 15 minutes of music. This was William Parker's first session, and it's a killer.

So, what's with Charlie Parker showing up in a Grand Theft Auto ad?

i posted this unnecessary shit on IMM: http://www.youtube.com/watch?v=KeJt1cB7AA0

(dude playing along to the Giant Steps sax solo on keys while accompanying himself on electric bass)

picked this up this weekend, $8 on nice shape vinyl:

http://img11.nnm.ru/imagez/gallery/4/c/1/8/6/4c1863edbde0c5d2fe67754c4d28c0b0_full.jpg

early coltrane stuff...looks like the bandleader is wilbur harden.

it's a nice little record...breezy bop for the most part, but it's cool when coltrane takes a solo as it's clear he's already starting to strain against the conventions, clearly on another level than the others (who are great players, don't get me wrong)....but yeah def. worth checking out...

Harden did a pair of albums with Coltrane in the band. A few years ago Savoy put 'em together on a 2CD set.

This Mary Lou Williams record with Ronnie Boykins and Roy Haynes is awesome.

it sounds like it

oh shit, there's finally a new Brian Blade fellowship album, must get immediately.

the clips alone sound incredible.

Interesting article about jazz obsessive: http://www.newyorker.com/reporting/2008/05/19/080519fa_fact_remnick
I'm listening to the radio show embedded on the bottom of that page. Dude is giving an hour-long monologue on what date Charlie Parker was recorded making a primitive overdub on a Benny Goodman 78 disc. WAS IT 1944 or 1941?!!! I think this guy might be king of the jazz d-bags. Fun stuff.

i'm reading this ethan iverson article on lennie tristano, race, etc.. i've never listened to tristano but it's pretty fascinating: http://thebadplus.typepad.com/dothemath/2008/05/lennie-tristano.html

yeah, that does look good! thanks for the link. have only heard a little Tristano.

Was that Phil Schaap you were listening to tylerw? Every time I tune into his show I never hear any actual music, only him going on for an hour about what he played in the previous half hour.

Ah yes, I see it was. Mary Lou Williams disk is still great a week later.

Over a decade later he is still complaining about the drums in this 1958 interview for Down Beat. He does have one accurate and nice thing to say (“The cymbal beat is an intrinsic part of jazz. You just cannot do without it”)
Haha, that reminds me of a certain famous thread around here.

Tristano’s comment that “I never heard anyone’s foot keep steady time” is ludicrous. Tristano himself played with Philly Joe Jones, Max Roach, Kenny Clarke, Roy Haynes, Shelly Manne, Buddy Rich, Art Taylor, and Paul Motian. Granted, that’s a collection of humans, not metronomes,
One time I talked to Lee Konitz a little bit and he told me a story about once when he was playing with Lenny T and Jimmy Garrison and Lenny wanted to use a metronome! "What do you think of THAT?" said Lee. "Um, Um..." (I'm thinking that's insulting to Jimmy, isn't it). "I think it's a little corny, don't you?" said Lee.

ha, further down in that article:

One of the most amusing stories in Shim’s book is told by Konitz about the time Jimmy Garrison showed up at Tristano’s studio to play a session:

The first thing Lennie did was place the metronome on the piano, and Jimmy said, “Oh, no.” He refused to do it. I thought that was kind of an insult to do that to Jimmy Garrison, who had great time.

I’m sure Tristano didn’t mean to be insulting; he was just caught up in his own systems and not realizing just what kind of young musician he was dealing with. But this story is good example of the divide between Tristano’s scientific approach versus musicians who consider jazz folklore to be of the highest importance.

I've been reading that article and it's various links for half an hour and still haven't gotten to the bottom of it.

I didn't like The Bad Plus too much when I saw them performing outside City Hall across the street from J&R once but everything you've ever linked to in the blog is amazing. I guess I've gotta give them another chance.

I can listen to Phil Schaap for about 90 seconds before I want to reach through the speaker and throttle him. He is the absolute world-beating king of the jazz d-bags. That being said, he comes across in that article as slightly less pathetic than Rodney Bingenheimer, and very nice to lonely old jazz players the rest of the world has forgotten.

jazz is 95 percent wack. smack a sax player. i need some sessions i could call actual phrases that are coherent on a simple level. jazz heads are fucking wackos unless theyre down, which seems exceedingly fucking rare as it turns into an academized specialization

i heard this miles davis and the lighthouse allstars from 53 i think and they seemed on then, heard it again when i was 20 and it seemed dead, empty

listen to some new orleans jazz

Jordan, are you turning into a Moldy Fig?

yeah i'll read th thread

moldy fig?? wtf is u on

haha, maybe! i do listen to (and play) more traditional jazz than modern these days, because that shit is funky.

I've been enjoying some songs by Build an Ark lately, off their late '07 album Dawn. They're a big improvising collective out of LA that plays very direct, spiritual music (sample song title: "You Yourself Are the Key to the Universe") sometimes with vocals, sometimes without - perhaps a bit of a throwback to the ethos (if not the sound) of late-period Coltrane - but they're a bit more mellow and West Coast sounding than Coltrane. Some lovely textures.

http://www.myspace.com/buildanarkdawn
http://www.boomkat.com/item.cfm?id=61154

Some band photos here:

http://www.undomondo.com/2008/04/build-an-ark/

what about old jazz lyrics? who were the greatest in the 30s-63. some of those songs are magic

Most of the songs that later became known as jazz standards started out as songs from musical comedies written for the stage or screen.

I've been wanting to read this book:

The House That George Built: With a Little Help from Irving, Cole, and a Crew of About Fifty by Wilfrid Sheed

http://www.amazon.com/gp/product/0812970187

Yeah, me too.

Here's a rave review from Garrison Keillor, of all people, in the NY Times:

http://www.nytimes.com/2007/07/22/books/review/Keillor-t.html

I'm listening to the radio show embedded on the bottom of that page. Dude is giving an hour-long monologue on what date Charlie Parker was recorded making a primitive overdub on a Benny Goodman 78 disc. WAS IT 1944 or 1941?!!! I think this guy might be king of the jazz d-bags. Fun stuff.

-- tylerw, Thursday, May 15, 2008 11:53 AM (Yesterday) Bookmark

He's like that every show too. Some kind of weirdo jazz aspie for sure, and almost unlistenable, but an immense wealth of knowledge.

And I find Iverson kind of boring as a player but I'd like to read that Tristano article as soon as I have time.

I sat next to PS once at the bar at Dizzy's, and he talked to the bartender a little but nothing too much. I was a little afraid he was going to go into one of his big spiels even while off-mic.

What was the last Iverson thing that was linked to, Why Miles Didn't Like Oscar Peterson?