"night of the hunter"

the woman in the water, of course, the woman in the water.

when mitchum is abt to kill the woman, the shot switches from a close-up view to a shot of the full room, which because at night is bordered in black. i suppose i can't really articulate why this shot is so remarkable.

and one i hated:

the reprise of the 'don't! DON'T!' when mitchum is arrested: this was painful enough the first time round, the boy's first don't too reticent and insincere, his second much too stilted and annoying: and it's acted the same way both times. blech.

i really love the singing all throughout this film too: is that really r. mitchum's voice?

haha oz the movie! i don't see it but i want to!

are welles and laughton similar? when were they around? what's 'touch of evil' like? at all similar?

Maybe partly because the scene is so obviously shot on a sound stage and he not only doesnt attempt to hide the unreality of the thing but actually accentuates it. I suppose thats pretty radical for its time.

anyway memory sux, i got it on tape so maybe tomorrow

Two points - set design and river sequence alone make this a keeper.

and which do i watch most

As for the river sequence, the pure Moses/Homer/Aesop/Brothers Grimm gels there perfectly. It's like a cohesion and perversion of every twisted bit of children's literature. Which also goes to show how perverse the genre is enough that (in my view) censorship is a moot point when we let children read things like that which are just as grotesque. (Which to me is fine - it's the censorship that I'm patronizing.)

(another good thread idea.)

Passion of Joan of Arc got some soft support, Sunrise (my personal guess) nearly came out on top, but in the end we had settled on Night of the Hunter. Now I have to open the question back up among my chums.

There, now destroy that one you ciniphile-nihilist fuckers!

I want to mention another scene from the movie that always sticks in my mind- the boy watching his father (played by Mission Impossible's Peter Graves) get arrested. I couldn't tell you offhand why it works so well, I guess I'll have to go back and watch it again.

http://www.amazon.com/Night-Hunter-Walter-Schumann/dp/B000009NX6

just listened to this & it's pretty great. it's not strictly a soundtrack it's laughton narrating the story of the film over an orchestral background from Walter Schumann with some recordings from the film integrated into the tale.

Once upon a time there was a pretty fly....
he had a pretty wife, this pretty fly...
but one day she flew away, flew awaaaayyyy...

Just saw it, fucking brilliant of course. There's a sprightliness, a mischief in the direction that imbues the film with its timeless, childlike spirit. It's shot completely unlike any other film I've seen. Things come and go with abruptness, without need for rumination. We are subjected to a child's experience.

Three best shots:

1) When we cut to the mother's fiery confession. Like some sort of terrifying Satanic ritual it springs off the screen and envelops us.

2) When the boat comes to rest ashore, little children asleep inside, the camera pans upwards, not to reveal the hunter, but instead to reveal the lovely, hyper-real starlight tableau created with such resonance by the film-makers.

3) John placing the apple on Mrs. Cooper's lap. It's an abiding image of fertility and protection, and done with superb subtlety.

I suspect it to be in black and white, and therefore shit.

(strokes goatee beard)

dude i have seen nothing from you but shitty trolling

You're not reading between the lines.

http://incolor.inebraska.com/sumaree/nebraskafilm/images/foo9.jpg

http://artwells.com/gallery/spacelook.gif

Anyone else notice how the mom's confession in front of a congregation is staged very similarly to the Plainview's confession in There Will Be Blood? I remember noticing that when I saw it, and thinking it was intentional.

Just got to see it remastered at the theater. Pretty great. More technical flaws than I remembered, but killer (no pun intended) performances from many.

More technical flaws than I remembered

if there was ever a film where technical flaws were part of the charm...

Anyone else notice how the mom's confession in front of a congregation is staged very similarly to the Plainview's confession in There Will Be Blood? I remember noticing that when I saw it, and thinking it was intentional.

― Cunga, Monday, July 19, 2010 8:43 PM (Yesterday) Bookmark

not possible - night of the hunter came out first iirc

you're thinking of the night of the hunter rmake starring ryan phillipe and tara reid, surely?

and stifler from american pie

it did seem like it was plague time for little ones

Acting. Pshaw. Acting is so 2010. Concern for "good acting" has blinded many a viewer to genius cinema. And the condemnations are never insightful, pivoting on some bogus, received notion of verisimilitude. Yawn.

rah!

A couple of years after watching Night of the Hunter, I read this Brothers Grimm's tale, and got the same powerful punch in the stomach:

There was once a little girl who was obstinate and inquisitive, and when her parents told her to do anything, she did not obey them, so how could she fare well? One day she said to her parents, "I have heard so much of Frau Trude, I will go to her some day. People say that everything about her does look so strange, and that there are such odd things in her house, that I have become quite curious!" Her parents absolutely forbade her, and said, "Frau Trude is a bad woman, who does wicked things, and if thou goest to her; thou art no longer our child." But the maiden did not let herself be turned aside by her parent's prohibition, and still went to Frau Trude. And when she got to her, Frau Trude said, "Why art thou so pale?" "Ah," she replied, and her whole body trembled, "I have been so terrified at what I have seen." "What hast thou seen?" "I saw a black man on your steps." "That was a collier." "Then I saw a green man." "That was a huntsman." "After that I saw a blood-red man." "That was a butcher." "Ah, Frau Trude, I was terrified; I looked through the window and saw not you, but, as I verily believe, the devil himself with a head of fire." "Oho!" said she, "then thou hast seen the witch in her proper costume. I have been waiting for thee, and wanting thee a long time already; thou shalt give me some light." Then she changed the girl into a block of wood, and threw it into the fire. And when it was in full blaze she sat down close to it, and warmed herself by it, and said, "That shines bright for once in a way."

Laughton to Winters in the murder-scene outtakes: “Doesn’t matter about the lines; just smile, Shelley, and be seraphic.”

http://littleblogtoo.blogspot.com/2008/08/hunting-down-laughtons-haunting-night.html

on TCM tomorrow night (6/15) at 8pm

http://25.media.tumblr.com/tumblr_lyffearYSg1qcay1ao1_500.gif

http://29.media.tumblr.com/tumblr_lyf612nLEX1qcay1ao1_500.gif

http://29.media.tumblr.com/tumblr_lydwdwHkzX1qcay1ao1_500.gif

so, Gish fires one shot at Mitchum and he goes squawking into the barn like a cartoon rooster? mysteriously unsatisfying climax, and someone on the Criterion commentary says as much.

That whole sequence is perfectly filmed.

just disappointingly conceived?

Not really disappointing by my estimation.

I regard this as one of the two or three closest things to a perfect movie.

Chiiiiiiiiiiiiiiiiiiiiiiiiiillllldreeennnn.....

I MUST see this movie again! Soon.....

I've never really done too much hard thinking about it, but the ending certainly seems deliberate in its effect--Gish's character is certainly as archetypal as Mitchum's in that respect...

Just found the book Night of the Hunter on a bargain table and read it; it's actually very good and it turns out the movie is a REALLY faithful adaptation.

This is true and was trying to remember it when somebody said something similar on the thread about The Maltese Falcon.