― The Brainwasher (Twilight), Friday, 12 August 2005 00:15 (eighteen years ago) link
― Curt (cgould), Friday, 12 August 2005 00:57 (eighteen years ago) link
― Matos-Webster Dictionary (M Matos), Friday, 12 August 2005 00:58 (eighteen years ago) link
― Curt (cgould), Friday, 12 August 2005 01:03 (eighteen years ago) link
They are the kinds of rock stars who wear their sunglasses everywhere, onstage and off. If you arrange to meet them at 4 o'clock in the afternoon in a Midtown hotel, they will be wearing sunglasses there, too.
Like many canny celebrities, Amadou Bagayoko and Mariam Doumbia - famous throughout West Africa and lately a fixture on the French pop charts - have found a way to capitalize on their sense of style: They have a deal with Alain Mikli, the French designer of glasses, and wear a sleek, aluminum model of his.
But their fashion isn't simply fashion: for many years, the duo now known as Amadou & Mariam were famous throughout West Africa simply as the Blind Couple From Mali.
On Aug. 2, Nonesuch Records issued an American version of "Dimanche à Bamako," the duo's lovely, fizzy collaboration with the mischievous European producer Manu Chao, which has already been discovered by a surprising number of European listeners: the French have bought more than 100,000 copies alone.
Now American listeners have a chance to hear one of the year's most unexpected rock 'n' roll success stories: a nimble, playful CD that nods toward everything from indie-rock to dance music.
This week the duo made a rare promotional trip to the United States, which ended with a pair of rapturously received concerts at Joe's Pub on Tuesday night. Sometime after 1 a.m. on Wednesday, they began the final encore with "La Réalité," an exuberant Afro-disco track that gives Mr. Bagayoko space to wind his guitar lines around a refrain borrowed from the eccentric reggae producer Lee Perry; from the noise in the crowd, even the two singers onstage must have known that people were dancing. (The duo plans to return to New York next month, for the CMJ Music Marathon.)
Growing up, Mr. Bagayoko, 50, and Ms. Doumbia, 47, feasted on imports. They heard soul and funk and lots of French music, but what seemed to make the biggest impression were blues and rock, some of which they'd get from friends who visited Europe. Comfortably sunglassed in his Midtown hotel, Mr. Bagayoko switched from the French he speaks (and sings in) to rattle off the names: "John Lee Hooker, Led Zeppelin, Pink Floyd." Ms. Doumbia jumped in: "Jimi Hendrix."
In a sense, the duo's music is a celebration of a kind of musical exchange that has swiftly - and, perhaps, happily - become obsolete. These days, a young fan in Mali doesn't have to import Led Zeppelin records from overseas. The country's musicians produce plenty of their own CD's, and thanks to a younger generation of listeners and musicians, Mali now has one of Africa's richest hip-hop scenes. "They listen to much less rock 'n' roll," Mr. Bagayoko said with a rueful smile.
Mr. Bagayoko started playing guitar in the 1960's, and in 1974 he joined Les Ambassadeurs du Motel, one of the country's most popular groups - its ranks included another leading musician, Salif Keita - which played a wide range of genres.
Oddly enough, though, what drew Mr. Bagayoko to rock 'n' roll was a sense of cultural pride: both he and Ms. Doumbia are proud of their Bambara ethnicity, and they say that traditional Bambara music is much closer to the blues than it is to other kinds of West African pop.
In the 1980's, the duo resettled in Abidjan, in the Ivory Coast, and began releasing a series of cassettes and then a series of CD's, while developing their graceful but surprisingly muscular style: a chanted refrain might give way to a chugging guitar riff; a percussionist pounding a djembe might be joined by one of Mr. Bagayoko's serpentine solos.
By the time the group released "Wati" (Universal France), in 2002, Mr. Chao was hooked, and when he asked to work with the duo, they agreed, although not without trepidation about the more chaotic sound that he helped them achieve. "We had a feeling it would be a success in France and Europe," Mr. Bagayoko said. "But we were worried that it would be too strong for Africans. So it was a pleasant surprise when people in Mali liked it, too."
Amadou & Mariam often write simple lyrics full of general - even vague - pleas for peace and harmony, though the music turns these familiar themes into giddy daydreams. It would seem that Mr. Chao nudged the duo toward something slightly quirkier: he helped write and sing the impressionistic lyrics of songs like "Sénégal Fast-Food" and "Camions Sauvage," a light-hearted tirade against dangerous truck drivers.
The two are clearly happy with "Dimanche à Bamako," and with the success it has brought them, which did not come by accident. In Bamako as elsewhere, pop stars tend to be hustlers, too, and with Amadou & Mariam, you get the appealing sense that they've figured out clever ways to acknowledge all their different audiences at once.
Their previous album, "Wati," included "Ilbiwan," a grand and seemingly deeply felt tribute to the Moors of northern Mali. Mr. Bagayoko said it goes down especially well at certain concerts. "When we play that song," he explained, "the Moors stand, they dance." He smiled slyly, and Ms. Doumbia smiled, too. "And they give us money."
Ah. Mightn't it be time, then, for a similar song about the proud - and, let's hope, generous - people of America?
Ms. Doumbia chuckled. "It's coming soon," she said.
* Copyright 2005 The New York Times Company
― Steve K (Steve K), Friday, 12 August 2005 02:54 (eighteen years ago) link
― Marcello Carlin (nostudium), Friday, 12 August 2005 05:21 (eighteen years ago) link
Here's a couple tracks:
http://s38.yousendit.com/d.aspx?id=1OYGJXBXNIJY10GF09104Y4WFS
This one's maybe got the most Manu Chao on it:
http://s41.yousendit.com/d.aspx?id=11BZ09A4N6KAK369Y1XLCHPNNC
And this is, I guess, the big European hit from the last album:
http://s44.yousendit.com/d.aspx?id=01UNHTJ4P9WPS0G6A8MWU9QXWS
― gypsy mothra (gypsy mothra), Friday, 12 August 2005 06:03 (eighteen years ago) link
More like Peters and Peters.
― Michael Jones (MichaelJ), Friday, 12 August 2005 08:00 (eighteen years ago) link
― Marcello Carlin (nostudium), Friday, 12 August 2005 08:01 (eighteen years ago) link
It's really simple, hypnotic, feelgood music that, as a bunch of snotty house DJs/producers huddled together in a corner of the room, we hugely enjoyed live. Good introduction to African vibes in music for the general public too.
― blunt (blunt), Friday, 12 August 2005 09:21 (eighteen years ago) link
― Forksclovetofu (Forksclovetofu), Friday, 12 August 2005 17:41 (eighteen years ago) link
― b'angelo, Friday, 12 August 2005 19:55 (eighteen years ago) link
― steve-k, Friday, 12 August 2005 21:24 (eighteen years ago) link
Thanks very Much
― henry florsheim, Wednesday, 17 August 2005 15:59 (eighteen years ago) link
― Forksclovetofu (Forksclovetofu), Wednesday, 17 August 2005 19:28 (eighteen years ago) link
― jermaine (jnoble), Wednesday, 17 August 2005 19:33 (eighteen years ago) link
they've def. generated a lot more buzz than in the past
― H (Heruy), Wednesday, 17 August 2005 22:05 (eighteen years ago) link
― Forksclovetofu (Forksclovetofu), Thursday, 18 August 2005 01:21 (eighteen years ago) link
― Baaderonixx on a long black leash (Fabfunk), Sunday, 21 August 2005 08:48 (eighteen years ago) link
― noname#1 (noname#1), Sunday, 21 August 2005 15:51 (eighteen years ago) link
― Forksclovetofu (Forksclovetofu), Sunday, 21 August 2005 20:19 (eighteen years ago) link
― mike t-diva (mike t-diva), Monday, 22 August 2005 09:42 (eighteen years ago) link
― Baaderonixx on a long black leash (Fabfunk), Monday, 22 August 2005 10:05 (eighteen years ago) link
anyone heard the earlier records? any recommendations on one to get that's not the 'best of'?
― milton parker (Jon L), Tuesday, 4 October 2005 18:58 (eighteen years ago) link
― mike t-diva (mike t-diva), Wednesday, 5 October 2005 08:19 (eighteen years ago) link
― 400% Nice (nordicskilla), Sunday, 9 October 2005 20:21 (eighteen years ago) link
― Forksclovetofu (Forksclovetofu), Sunday, 9 October 2005 22:10 (eighteen years ago) link
― 400% Nice (nordicskilla), Sunday, 9 October 2005 22:36 (eighteen years ago) link
― my name is john. i reside in chicago. (frankE), Thursday, 20 October 2005 13:25 (eighteen years ago) link
― The Obligatory Sourpuss (Begs2Differ), Thursday, 20 October 2005 13:55 (eighteen years ago) link
― Baaderonixx and the hedonistic gluttons (baaderonixx), Thursday, 20 October 2005 14:00 (eighteen years ago) link
here, you mean? i really love the sound of this. with so much going on in a lot of the songs, everything gets to shine through. i haven't listened to his solo stuff in years, so i can't compare it, though.
― my name is john. i reside in chicago. (frankE), Thursday, 20 October 2005 14:06 (eighteen years ago) link
― Baaderonixx and the hedonistic gluttons (baaderonixx), Thursday, 20 October 2005 14:07 (eighteen years ago) link
― mike t-diva (mike t-diva), Thursday, 20 October 2005 14:08 (eighteen years ago) link
― mcd (mcd), Thursday, 20 October 2005 14:10 (eighteen years ago) link
― mcd (mcd), Thursday, 20 October 2005 14:12 (eighteen years ago) link
― b'angelo, Thursday, 20 October 2005 14:15 (eighteen years ago) link
― The Obligatory Sourpuss (Begs2Differ), Thursday, 20 October 2005 14:16 (eighteen years ago) link
― Baaderonixx and the hedonistic gluttons (baaderonixx), Thursday, 20 October 2005 14:20 (eighteen years ago) link
― my name is john. i reside in chicago. (frankE), Thursday, 20 October 2005 14:29 (eighteen years ago) link
― b'angelo, Thursday, 20 October 2005 14:30 (eighteen years ago) link
― High Tea in the Chinese Quarter (nordicskilla), Thursday, 20 October 2005 14:35 (eighteen years ago) link
― Alex in SF (Alex in SF), Thursday, 20 October 2005 14:42 (eighteen years ago) link
― mike t-diva (mike t-diva), Thursday, 20 October 2005 14:50 (eighteen years ago) link
Alex, these people are just the French equivalent of Berkeley granola -type people, the sort of people you usually proclaim to be "assholes".
Not that this is a valid reason for not enjoying Manu Chao's music, just a bit of anecdotal detail...
― High Tea in the Chinese Quarter (nordicskilla), Thursday, 20 October 2005 14:54 (eighteen years ago) link
― High Tea in the Chinese Quarter (nordicskilla), Thursday, 20 October 2005 14:55 (eighteen years ago) link
― Baaderonixx and the hedonistic gluttons (baaderonixx), Thursday, 20 October 2005 15:02 (eighteen years ago) link
― Alex in SF (Alex in SF), Thursday, 20 October 2005 15:03 (eighteen years ago) link
― High Tea in the Chinese Quarter (nordicskilla), Thursday, 20 October 2005 15:06 (eighteen years ago) link
― Alex in SF (Alex in SF), Thursday, 20 October 2005 15:35 (eighteen years ago) link
― High Tea in the Chinese Quarter (nordicskilla), Thursday, 20 October 2005 15:39 (eighteen years ago) link
― mcd (mcd), Thursday, 20 October 2005 15:44 (eighteen years ago) link
― Mickey (modestmickey), Thursday, 20 October 2005 15:48 (eighteen years ago) link
― Alex in SF (Alex in SF), Thursday, 20 October 2005 15:55 (eighteen years ago) link
― mcd (mcd), Thursday, 20 October 2005 16:00 (eighteen years ago) link
― Alex in SF (Alex in SF), Thursday, 20 October 2005 16:06 (eighteen years ago) link
― b'angelo, Thursday, 20 October 2005 16:16 (eighteen years ago) link
― b'angelo, Thursday, 20 October 2005 16:18 (eighteen years ago) link
― mcd (mcd), Thursday, 20 October 2005 17:18 (eighteen years ago) link
I really like what Chao brought to the new record, I'm fine with toe-tappin' drum machines setting the pulse & extra reverb, it's a strange hybrid. A lot more successful than Chao's solo records (which, like Adam, I can't listen to all the way through).
― milton parker (Jon L), Thursday, 20 October 2005 18:01 (eighteen years ago) link
― humbug ditto, Saturday, 22 April 2006 07:43 (eighteen years ago) link
I like 'em too, but calling them 'real music' presupposes that too many other types of music are not "real" music. I doubt that Amadou & Mariam would use such a term.
― curmudgeon (DC Steve), Saturday, 22 April 2006 15:45 (eighteen years ago) link
28/04/2006 : SAN FRANCISCOsalle : Bimbo's
― milton parker (Jon L), Saturday, 22 April 2006 21:47 (eighteen years ago) link
― my name is john. i reside in chicago. (frankE), Friday, 30 June 2006 16:52 (seventeen years ago) link
― curmudgeon (DC Steve), Friday, 30 June 2006 17:00 (seventeen years ago) link
― pleased to mitya (mitya), Friday, 30 June 2006 17:05 (seventeen years ago) link
― S. (Sébastien Chikara), Friday, 30 June 2006 17:30 (seventeen years ago) link
TONS of great tunes, and a surprising amount of variety (love the chanting on "La Réalité" where it sounds like they're saying, "Soul Fire" over and over again). It's light and poppy enuf for summertime dancing & drinking, but the fundamental weight and beauty of the Malian blues base really shines through. Tough tightrope to walk...
Never comes across as weak, watered down, hippified or strictly for the NPR set, either. I mean, it'll certainly appeal very strongly to them fuckers, but it doesn't seem to be a product of their sensibility, or a sop thrown in its direction. Basically, "Dimanche" just sounds natural -- relaxed and joyful in spite of the sometimes heavy-handed mod/pop production.
Truth be told, I could use a little less of Manu Chau on this record. While some of its best moments benefit hugely from his influence ("Caminons Sauvages"), I'd like the album better without borderline-Afro-kitsch tracks like "Sénégal Fast Food" and "Taxi Bamako".
Still, pretty much every tune is instantly appealing, and more than half are durable, out-of-the-park winners. One of the best pure pop albums I've heard in the last few years, no matter what the origins.
P.S. I've heard some of their earlier material, and it hasn't appealed to me nearly as much. Deeper and arguably more "authentic", but the standout tracks are fewer and farther between.
― fuckfuckingfuckedfucker (fuckfuckingfuckedfucker), Friday, 30 June 2006 17:58 (seventeen years ago) link
― Stormy Davis (diamond), Friday, 30 June 2006 18:03 (seventeen years ago) link
and yeah he is a really great guitarist --- got straight-up nasty on some o that stuff.
― Stormy Davis (diamond), Friday, 30 June 2006 18:05 (seventeen years ago) link
as with too many albums these days it's probably too long by a song or two, but i think the production is what makes Dimanche... so great (my choice for Album of the Year 2005). not to say their earlier records are bad, cuz there's great stuff there as well. but he pulls out/highlights/layers all sorts of stuff that on earlier albums are missed opportunities.
― my name is john. i reside in chicago. (frankE), Friday, 30 June 2006 19:06 (seventeen years ago) link
― Alex in SF (Alex in SF), Friday, 30 June 2006 19:58 (seventeen years ago) link
― you can email me if you wish to challenge the truth (nickalicious), Friday, 30 June 2006 20:10 (seventeen years ago) link
Totally illogical though all that is.
― Major Alfonso (Major Alfonso), Friday, 30 June 2006 22:43 (seventeen years ago) link
― gypsy mothra (gypsy mothra), Friday, 30 June 2006 23:28 (seventeen years ago) link
― Emily B (Emily B), Friday, 30 June 2006 23:52 (seventeen years ago) link
― Rockist_Scientist (RSLaRue), Saturday, 1 July 2006 00:03 (seventeen years ago) link
Really though, this album is just impossible to hate. Strikes all kinds of "right" balances without being tame or too tasteful. Not sure if one can really *love* it (like another album pimped to the NPR set last year, Sharon Jones') but I'll root for their success. Sometimes good music is just good music and can't be quibbled apart.
― I.M. (I.M.), Sunday, 2 July 2006 08:04 (seventeen years ago) link
― gypsy mothra (gypsy mothra), Sunday, 2 July 2006 15:35 (seventeen years ago) link
― Rockist_Scientist (RSLaRue), Sunday, 2 July 2006 16:05 (seventeen years ago) link
but the recent record is really quite good. would like to hear some of their malian cassettes and cds from before they had int'll record deals...just curious.
― Amateur(ist) (Amateur(ist)), Wednesday, 23 August 2006 03:24 (seventeen years ago) link
after posting something on Bassekou on the whirrled music thread, I figured I'd wake this thread for a highly highly recommended crosspost
Bassekou Kouyate & Ngoni Ba - Segu Blue
heard this in a soul food place, my friend thought it was Amadou & Miriam but it obviously wasn't the last one and it didn't sound like what I'd heard of their earlier stuff because it was more spare & folky, no traditional drum kit, but their harmonies do sound similar. Album is 100% solid all the way through and completely recommended to anyone who liked the Amadou & Miriam record and wishes they could hear more in that style without all the techno / drum loop trappings, Bassekou can play
http://www.allaboutjazz.com/php/article.php?id=25184 http://www.myspace.com/bassekoukouyate
― Milton Parker, Friday, 7 September 2007 02:21 (sixteen years ago) link
Cool! I'm def going to check that out.
I went to a wedding last year in Marseille and they played Beaux Dimanches, i was all awww.
― W4LTER, Friday, 7 September 2007 02:23 (sixteen years ago) link
By the way, it's Mariam with an A not an I.
-- Curt (cgould), vendredi 12 août 2005 03:03 (2 years ago) Bookmark Link
please ppl make an effort OK
― blunt, Friday, 7 September 2007 10:43 (sixteen years ago) link
also "Dogons" is on repeat lately
― blunt, Friday, 7 September 2007 10:46 (sixteen years ago) link
Uh, I don't see the connection between A&M and Bassekou Kouyate at all (at least, not beyond the shared nationality). Dimanche A Bamako is full-sounding, urban, hooky, propulsive and outward-looking in its influences. Segu Blue is sparse, raw, abstract, reflective, pastoral, traditional. It also centres around the ngoni, whereas A&M don't use them at all (although their guitar playing is ngoni-influenced).
― mike t-diva, Friday, 7 September 2007 11:18 (sixteen years ago) link
(...but if you place Toumani Diabate between the two, then I think you can trace a discernible line...)
― mike t-diva, Friday, 7 September 2007 11:23 (sixteen years ago) link
I would agree that the connection is somewhat vague, like I said it's mainly the sound of the choral harmonies -- Segu Blue is largely about showcasing the ngoni playing. waking up this thread may have been impulsive and probably only underlines how little I know about African music, this is less of a musicology based recommendation and more of a 'if-you-liked-that-record-here's-another-one-that-just-came-out-that-you-may-like' post. though I'm always up for any excuse to wake up the Amadou and Mariam thread because I really like them
― Milton Parker, Friday, 7 September 2007 16:45 (sixteen years ago) link
This is album is among the most well-produced things I've ever heard.
― ○◙genital grinder◙○ (roxymuzak), Monday, 22 September 2008 16:35 (fifteen years ago) link
is
― ○◙genital grinder◙○ (roxymuzak), Monday, 22 September 2008 16:36 (fifteen years ago) link
Where's the love for the new album? Damon's produced Sabali is a gem.
― elgolfo, Tuesday, 25 November 2008 02:56 (fifteen years ago) link
I just read Erin M. rave about it on her blog. It's an overpriced import for Americans from Amazon, wonder where else I can get it.
Here they are recently with Johnny Marr--
― curmudgeon, Thursday, 27 November 2008 14:57 (fifteen years ago) link
wow thanks
― baaderonixx, Thursday, 27 November 2008 15:04 (fifteen years ago) link
Yeah "Sabali" is indeed fantastic, reminds me of music I love without pointing to any specific direction.
― baaderonixx, Thursday, 27 November 2008 15:09 (fifteen years ago) link
this sounds awesome but i am not really loving it
― BIG HOOS is those british white steens (BIG HOOS aka the steendriver), Thursday, 27 November 2008 15:12 (fifteen years ago) link
Why is that? Her voice
― curmudgeon, Thursday, 27 November 2008 15:17 (fifteen years ago) link
It sounds a bit rougher in that video than usually
― curmudgeon, Thursday, 27 November 2008 15:35 (fifteen years ago) link
Maybe Hoos will LOVE this--"Sabali" has electronic programming
― curmudgeon, Thursday, 27 November 2008 15:45 (fifteen years ago) link
"Sabali" isn't particularly representative of the rest of the album, though. (Which has taken a few plays to break through the "here we go again" feeling engendered by over-playing its predecessor, but I'm starting to get there now...)
― mike t-diva, Thursday, 27 November 2008 15:48 (fifteen years ago) link
Yeah, I love dthe previous one but I'm not really sure I wanna check out the new one
― baaderonixx, Thursday, 27 November 2008 16:16 (fifteen years ago) link
Definitely worth checking out, I'd say. But be prepared for posiible initial weariness/wariness...
― mike t-diva, Thursday, 27 November 2008 16:46 (fifteen years ago) link
WOW - it seems they've been invited to perform at Obama's inauguration!!
― baaderonixx, Friday, 28 November 2008 16:51 (fifteen years ago) link
link?
― afin d’y être sublime sans interruption (Michael White), Friday, 28 November 2008 17:06 (fifteen years ago) link
En français pour toi Michel:
http://next.liberation.fr/article/barack-obama-invite-amadou-et-mariam
― baaderonixx, Saturday, 29 November 2008 01:11 (fifteen years ago) link
ok seriously what is holding up US release of the new one
what is the problem
admittedly it's a grower, at first it just seemed too redux with only two standout tracks but those tracks were so over the top outstanding I kept going back to the whole thing and all reservations were liquidated -- it's not redux at all, if anything they worked even more in there this time
― Milton Parker, Monday, 2 February 2009 07:18 (fifteen years ago) link
Amadou & Mariam’s new album, Welcome to Mali, will be released in the US this March Talk to their US label Nonesuch. Nonesuch just released Rokia Traore's in the US even though it came out last year overseas.
― curmudgeon, Monday, 2 February 2009 07:56 (fifteen years ago) link
It's on iTunes. Change your settings from the US (to UK or Canada) maybe?
― Lostandfound, Monday, 2 February 2009 08:06 (fifteen years ago) link
For me it was a slow burner... but it turns out Welcome to Mali is a great record. It's surprising ILM didn't give a damn about it.
― Shin Oliva Suzuki, Tuesday, 3 February 2009 11:26 (fifteen years ago) link
Agreed. Initial impression was "Pfft, we've heard all this before" - but I think that was a hangover from having played Dimanche A Bamako to death and beyond. I love the last track (as listed on the sleeve, not the hidden bonus track).
Rokia Traore's album also great.
― mike t-diva, Tuesday, 3 February 2009 11:52 (fifteen years ago) link
This American is still waiting for A & M's March release here. Rokia's in the US on tour now. May go see here next week and need to get the new disc now that it's finally out here
― curmudgeon, Tuesday, 3 February 2009 13:12 (fifteen years ago) link
Cd finally coming out in the US Tuesday March 24. Big New York Times profile in Sunday March 22nd paper.
― curmudgeon, Monday, 23 March 2009 16:14 (fifteen years ago) link
I really like the cd. They're on tour in the US now. Did Boston the other night and New York tonight. Plus they're on the Jimmy Fallon tv show at 12:35 am or something. Coming to the Birchmere outside DC Wednesday.
― curmudgeon, Tuesday, 9 June 2009 02:38 (fourteen years ago) link
http://www.expressnightout.com/content/2009/06/amadou_and_mariam.php World peace via Amadou & mariam says Christopehr Porter, or something like that.
― curmudgeon, Tuesday, 9 June 2009 02:40 (fourteen years ago) link
Great one and a half live show at the Birchmere, outside Washington DC last night. A very good percussionist, 2 energetic women dancers/background singers, keyboard, trap drums, and bass plus A & M. Amadou's guitar playing nicely captures Malian styles and psychedelic rock
― curmudgeon, Thursday, 11 June 2009 11:00 (fourteen years ago) link
One and a half hour. Mariam's voice is impressive too
They're also doing arena shows opening for Coldplay. I wonder what their audience thinks?
― curmudgeon, Thursday, 11 June 2009 14:52 (fourteen years ago) link
Time to buy a hot dog.
― Shin Oliva Suzuki, Thursday, 11 June 2009 14:59 (fourteen years ago) link
holy shit I had never heard this sabali song b4! looked them up on youtube just because they were so awesome when I saw them at a festival this summer and i was feelin lonely 4 the friends i saw them with
― plaxico (I know, right?), Wednesday, 18 November 2009 00:35 (fourteen years ago) link
Dimache a Bamako is the shit
― in my world of loose geirs (Shakey Mo Collier), Tuesday, 12 April 2011 22:20 (thirteen years ago) link
Yes it is.
― Si tu parles, tu meurs. Si tu te tais, tu meurs. Alors, dis et (Michael White), Tuesday, 12 April 2011 22:53 (thirteen years ago) link
Beautiful.
― Hey Look More Than Five Years Has Passed And You Have A C (Alfred, Lord Sotosyn), Tuesday, 12 April 2011 22:57 (thirteen years ago) link
Yep
― curmudgeon, Wednesday, 13 April 2011 03:06 (thirteen years ago) link
Just put it on a few weeks ago for a friend who'd never heard it. Don't actually know what he thought of it, but I loved the hell out of it.
― something of an astrological coup (tipsy mothra), Wednesday, 13 April 2011 03:40 (thirteen years ago) link
New album is out!
― TracerHandVEVO (Tracer Hand), Tuesday, 3 April 2012 10:44 (twelve years ago) link
In case you forgot, here's "Dougo Badia" (feat. Nick Zinner & Santigold)
https://www.youtube.com/watch?v=EfJ-EmoQil8
― TracerHandVEVO (Tracer Hand), Tuesday, 3 April 2012 10:46 (twelve years ago) link
Seen mixed reviews of it, but have not heard it yet myself (well, one song).
NPR is streaming it for a bit
http://www.npr.org/2012/04/01/148919868/first-listen-amadou-and-mariam-folila?ps=mh_fl
― curmudgeon, Tuesday, 3 April 2012 12:55 (twelve years ago) link
And the Pitchfork review was discussed on a Pitchfork thread
― curmudgeon, Tuesday, 3 April 2012 12:56 (twelve years ago) link
i really can't believe dimanche a bamako is 10 years old! that fact is making me feel weird this morning
this is still in my every morning playlist: https://www.youtube.com/watch?v=lH4K-WLpVuo
― 1 P.3. Eternal (roxymuzak), Sunday, 13 April 2014 14:59 (ten years ago) link
ok....9 years old. still
― 1 P.3. Eternal (roxymuzak), Sunday, 13 April 2014 15:00 (ten years ago) link
Back in 2005 dimanche a bamako was my winter commute to work album, played on some horrendous quarter a gig samsung mp3 player that seemed like good kit at the time. I still love this album but have given up trying work out where the fuck the last decade has gone.
― xelab, Sunday, 13 April 2014 21:29 (ten years ago) link
I couldn't pick a fave because the album is jam-packed, but this ruled.https://www.youtube.com/watch?v=3kp9cmTNaMw
― xelab, Sunday, 13 April 2014 21:54 (ten years ago) link
https://www.youtube.com/watch?v=6SJR81-JIwA&list=PLdqZQPNShYrBYt2KnjACUMjDdSg6gzzvV&index=2I love this!
― calzino, Wednesday, 4 October 2017 23:09 (six years ago) link
https://www.youtube.com/watch?v=6SJR81-JIwA
― calzino, Wednesday, 4 October 2017 23:13 (six years ago) link